logo
More Aussie artist openers for major global music acts

More Aussie artist openers for major global music acts

Perth Now04-05-2025
Big-name international music concert tours will get discounted arena hire fees at some of Australia's largest venues if they choose home-grown Australian acts to open their shows.
The Australian live music industry is struggling against streaming services that favour American tunes, and the local scene in NSW has taken a hit over the years since the pandemic and lockout laws.
NSW Premier Chris Minns said that giving Aussie artists their first big break in front of thousands of locals will help them get high rotation on playlists.
"The Hoodoo Gurus got their first big break after they performed with Lou Reed in 1984," Mr Minns said.
Mr Minns dedicated the incentive to the late Michael McMartin, who managed the Hoodoo Gurus and had a passion for pushing Aussie talent to be included on the stadium tours.
"We want more Australian musicians to have that opportunity, performing on the biggest stages in NSW alongside the best international artists," Mr Minns said.
Venues covered include: Accor Stadium, Allianz Stadium, CommBank Stadium, McDonald Jones Stadium, Newcastle Entertainment Centre, the Sydney Cricket Ground, WIN Stadium and Entertainment Centre and the Sydney Opera House.
Under the plan, the NSW Government will reduce the venue hire fee by $20,000 for each eligible show across various NSW venues and will offer a $5,000 reduction at the Sydney Opera House.
To be eligible for the incentive, at least one Australian artist must be included as a support act on an international artist's headline tour.
The Australian performer or band must appear on the same stage as the international artist and be announced at the same time as the tour.
The measure kicks off Monday and spans an initial two years.
"There were just three Australian albums in the ARIA top 100 charts in 2024," Arts Minister John Graham said.
"This represents a crisis for Australian music."
Oasis is touring Australia in October and November and has asked Australia's Ball Park Music to open for them.
"There's no denying the benefit of a big support slot. The opportunity to play your music live in front of a new audience is the best marketing we have as artists, the chance to showcase what we're all about in the most real and authentic fashion," Ball Park Music said.
"Any initiative that can help amplify Australian talent, increase exposure, and aid in building a long-term and engaged audience is a massive step in the right direction."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Appalling': Attempts made to stop Zionist singer from performing in Sydney
‘Appalling': Attempts made to stop Zionist singer from performing in Sydney

Sky News AU

time2 hours ago

  • Sky News AU

‘Appalling': Attempts made to stop Zionist singer from performing in Sydney

Sky News host Rowan Dean discusses the 'appalling story' involving the Australian singer Deborah Conway. Mr Dean said people in Sydney are attempting to 'prevent' Deborah Conway from performing at Marrickville in August, due to her Zionist views. 'Yet so deranged and unhinged are some people that they are trying to have the concert cancelled. 'Even fellow artists who should hang their heads in shame.'

Aussie rock star living his teenage Meat Loaf dreams
Aussie rock star living his teenage Meat Loaf dreams

The Advertiser

time2 hours ago

  • The Advertiser

Aussie rock star living his teenage Meat Loaf dreams

Music has helped Adam Thompson navigate life's high and lows since his world was turned upside down with the death of his mother to cancer when he was 13. Almost 50 years later, the Chocolate Starfish frontman and his bandmates are rocking audiences around Australia on their Bat Out Of Hell tribute to the 1977 Meat Loaf album that got him through his darkest days. In many ways, Thompson says, he's been preparing for the Bat Out Of Hell shows since the album soundtracked his grief and hope as a teen. "I remember jumping off the corner of the couch pretending it was a stage when I played the album and practising, practising," he tells AAP. "It's the dynamics and the complexity - the operatic and the theatrical part of it definitely appealed to me." Composed by the late Jim Steinman, with gloriously melodramatic vocals by Meat Loaf, Bat Out Of Hell remains the highest-selling album in Australian music history (1.7 million copies), trumping John Farnham's Whispering Jack. "The year it came out, I was just turned 14 and mum died that year from cancer and I'm just in the throes of puberty and trying to work out what it's all about," Thompson says. "The songs gave me promise, gave me a voice - even if it was just to express it to myself in my bedroom. I could get it out." Heavily influenced by teenage angst, the magnum opus was loaded with hits - from You Took the Words Right Out of My Mouth to Two Out of Three Ain't Bad, Bat Out of Hell and Paradise by the Dashboard Light. "I dreamt about singing those songs," Thompson says. "I dreamt about meeting Meat Loaf and literally years later, I was backstage with him for his 50th birthday. "He drew everyone into a big circle and sang Happy Birthday. And he's got his arm around me and I've got my arm around him. "You can't orchestrate that unless you're a 14-year-old boy putting it out to the universe all those years ago that a moment like that should happen." Formed in 1992 and renowned for singalong singles Mountain, All Over Me and a cover of You're So Vain, Chocolate Starfish have been rocking a new confidence since Thompson opened up about the mental health challenges he faced after his mum passed. "I love the vulnerability of being on stage now, being truly vulnerable," he says. "The audience loves being part of a wow factor show but the narrative in between the stories and links are very real and they come with years of experience. "If I look at a song like For Crying Out Loud (from Bat Out Of Hell) - it is some of the most beautiful poetry. "They're words I just adore singing because they're very from the heart and that's how I try and live my life." Thompson says opening up has strengthened the shared empathy forged across 30 years between band and fans. Crowds are already on their side when they take the stage these days. No need to win them over. "They're not standing back, looking and waiting," he says. "They can feel it because your struggles are their struggles and they can feel the moments just as powerfully." The band will take a night off from the Bat Out Of Hell tour - which visits Sydney, Thirroul, Bendigo, Brisbane, Cairns and Adelaide before ending in Perth on August 30 - for a return performance at the Mundi Mundi Bash near Broken Hill. Thompson says regional Australia and Chocolate Starfish are dear old friends. "If you think about the year we came out, that was also the birth of grunge, so it was cool to be introverted," he says. "It was cool to wear flannels and not communicate, whereas I'm a larger-than-life, theatrical guy who was showing outwards, not inwards, and the band and the songs were like that too. "The regional areas embraced us. When we revisit some of these areas now, it is like a homecoming." And who knows - maybe home to a few flamboyant teenagers jumping off couches, dreaming big as they sing along to some great Australian songwriting. Music has helped Adam Thompson navigate life's high and lows since his world was turned upside down with the death of his mother to cancer when he was 13. Almost 50 years later, the Chocolate Starfish frontman and his bandmates are rocking audiences around Australia on their Bat Out Of Hell tribute to the 1977 Meat Loaf album that got him through his darkest days. In many ways, Thompson says, he's been preparing for the Bat Out Of Hell shows since the album soundtracked his grief and hope as a teen. "I remember jumping off the corner of the couch pretending it was a stage when I played the album and practising, practising," he tells AAP. "It's the dynamics and the complexity - the operatic and the theatrical part of it definitely appealed to me." Composed by the late Jim Steinman, with gloriously melodramatic vocals by Meat Loaf, Bat Out Of Hell remains the highest-selling album in Australian music history (1.7 million copies), trumping John Farnham's Whispering Jack. "The year it came out, I was just turned 14 and mum died that year from cancer and I'm just in the throes of puberty and trying to work out what it's all about," Thompson says. "The songs gave me promise, gave me a voice - even if it was just to express it to myself in my bedroom. I could get it out." Heavily influenced by teenage angst, the magnum opus was loaded with hits - from You Took the Words Right Out of My Mouth to Two Out of Three Ain't Bad, Bat Out of Hell and Paradise by the Dashboard Light. "I dreamt about singing those songs," Thompson says. "I dreamt about meeting Meat Loaf and literally years later, I was backstage with him for his 50th birthday. "He drew everyone into a big circle and sang Happy Birthday. And he's got his arm around me and I've got my arm around him. "You can't orchestrate that unless you're a 14-year-old boy putting it out to the universe all those years ago that a moment like that should happen." Formed in 1992 and renowned for singalong singles Mountain, All Over Me and a cover of You're So Vain, Chocolate Starfish have been rocking a new confidence since Thompson opened up about the mental health challenges he faced after his mum passed. "I love the vulnerability of being on stage now, being truly vulnerable," he says. "The audience loves being part of a wow factor show but the narrative in between the stories and links are very real and they come with years of experience. "If I look at a song like For Crying Out Loud (from Bat Out Of Hell) - it is some of the most beautiful poetry. "They're words I just adore singing because they're very from the heart and that's how I try and live my life." Thompson says opening up has strengthened the shared empathy forged across 30 years between band and fans. Crowds are already on their side when they take the stage these days. No need to win them over. "They're not standing back, looking and waiting," he says. "They can feel it because your struggles are their struggles and they can feel the moments just as powerfully." The band will take a night off from the Bat Out Of Hell tour - which visits Sydney, Thirroul, Bendigo, Brisbane, Cairns and Adelaide before ending in Perth on August 30 - for a return performance at the Mundi Mundi Bash near Broken Hill. Thompson says regional Australia and Chocolate Starfish are dear old friends. "If you think about the year we came out, that was also the birth of grunge, so it was cool to be introverted," he says. "It was cool to wear flannels and not communicate, whereas I'm a larger-than-life, theatrical guy who was showing outwards, not inwards, and the band and the songs were like that too. "The regional areas embraced us. When we revisit some of these areas now, it is like a homecoming." And who knows - maybe home to a few flamboyant teenagers jumping off couches, dreaming big as they sing along to some great Australian songwriting. Music has helped Adam Thompson navigate life's high and lows since his world was turned upside down with the death of his mother to cancer when he was 13. Almost 50 years later, the Chocolate Starfish frontman and his bandmates are rocking audiences around Australia on their Bat Out Of Hell tribute to the 1977 Meat Loaf album that got him through his darkest days. In many ways, Thompson says, he's been preparing for the Bat Out Of Hell shows since the album soundtracked his grief and hope as a teen. "I remember jumping off the corner of the couch pretending it was a stage when I played the album and practising, practising," he tells AAP. "It's the dynamics and the complexity - the operatic and the theatrical part of it definitely appealed to me." Composed by the late Jim Steinman, with gloriously melodramatic vocals by Meat Loaf, Bat Out Of Hell remains the highest-selling album in Australian music history (1.7 million copies), trumping John Farnham's Whispering Jack. "The year it came out, I was just turned 14 and mum died that year from cancer and I'm just in the throes of puberty and trying to work out what it's all about," Thompson says. "The songs gave me promise, gave me a voice - even if it was just to express it to myself in my bedroom. I could get it out." Heavily influenced by teenage angst, the magnum opus was loaded with hits - from You Took the Words Right Out of My Mouth to Two Out of Three Ain't Bad, Bat Out of Hell and Paradise by the Dashboard Light. "I dreamt about singing those songs," Thompson says. "I dreamt about meeting Meat Loaf and literally years later, I was backstage with him for his 50th birthday. "He drew everyone into a big circle and sang Happy Birthday. And he's got his arm around me and I've got my arm around him. "You can't orchestrate that unless you're a 14-year-old boy putting it out to the universe all those years ago that a moment like that should happen." Formed in 1992 and renowned for singalong singles Mountain, All Over Me and a cover of You're So Vain, Chocolate Starfish have been rocking a new confidence since Thompson opened up about the mental health challenges he faced after his mum passed. "I love the vulnerability of being on stage now, being truly vulnerable," he says. "The audience loves being part of a wow factor show but the narrative in between the stories and links are very real and they come with years of experience. "If I look at a song like For Crying Out Loud (from Bat Out Of Hell) - it is some of the most beautiful poetry. "They're words I just adore singing because they're very from the heart and that's how I try and live my life." Thompson says opening up has strengthened the shared empathy forged across 30 years between band and fans. Crowds are already on their side when they take the stage these days. No need to win them over. "They're not standing back, looking and waiting," he says. "They can feel it because your struggles are their struggles and they can feel the moments just as powerfully." The band will take a night off from the Bat Out Of Hell tour - which visits Sydney, Thirroul, Bendigo, Brisbane, Cairns and Adelaide before ending in Perth on August 30 - for a return performance at the Mundi Mundi Bash near Broken Hill. Thompson says regional Australia and Chocolate Starfish are dear old friends. "If you think about the year we came out, that was also the birth of grunge, so it was cool to be introverted," he says. "It was cool to wear flannels and not communicate, whereas I'm a larger-than-life, theatrical guy who was showing outwards, not inwards, and the band and the songs were like that too. "The regional areas embraced us. When we revisit some of these areas now, it is like a homecoming." And who knows - maybe home to a few flamboyant teenagers jumping off couches, dreaming big as they sing along to some great Australian songwriting. Music has helped Adam Thompson navigate life's high and lows since his world was turned upside down with the death of his mother to cancer when he was 13. Almost 50 years later, the Chocolate Starfish frontman and his bandmates are rocking audiences around Australia on their Bat Out Of Hell tribute to the 1977 Meat Loaf album that got him through his darkest days. In many ways, Thompson says, he's been preparing for the Bat Out Of Hell shows since the album soundtracked his grief and hope as a teen. "I remember jumping off the corner of the couch pretending it was a stage when I played the album and practising, practising," he tells AAP. "It's the dynamics and the complexity - the operatic and the theatrical part of it definitely appealed to me." Composed by the late Jim Steinman, with gloriously melodramatic vocals by Meat Loaf, Bat Out Of Hell remains the highest-selling album in Australian music history (1.7 million copies), trumping John Farnham's Whispering Jack. "The year it came out, I was just turned 14 and mum died that year from cancer and I'm just in the throes of puberty and trying to work out what it's all about," Thompson says. "The songs gave me promise, gave me a voice - even if it was just to express it to myself in my bedroom. I could get it out." Heavily influenced by teenage angst, the magnum opus was loaded with hits - from You Took the Words Right Out of My Mouth to Two Out of Three Ain't Bad, Bat Out of Hell and Paradise by the Dashboard Light. "I dreamt about singing those songs," Thompson says. "I dreamt about meeting Meat Loaf and literally years later, I was backstage with him for his 50th birthday. "He drew everyone into a big circle and sang Happy Birthday. And he's got his arm around me and I've got my arm around him. "You can't orchestrate that unless you're a 14-year-old boy putting it out to the universe all those years ago that a moment like that should happen." Formed in 1992 and renowned for singalong singles Mountain, All Over Me and a cover of You're So Vain, Chocolate Starfish have been rocking a new confidence since Thompson opened up about the mental health challenges he faced after his mum passed. "I love the vulnerability of being on stage now, being truly vulnerable," he says. "The audience loves being part of a wow factor show but the narrative in between the stories and links are very real and they come with years of experience. "If I look at a song like For Crying Out Loud (from Bat Out Of Hell) - it is some of the most beautiful poetry. "They're words I just adore singing because they're very from the heart and that's how I try and live my life." Thompson says opening up has strengthened the shared empathy forged across 30 years between band and fans. Crowds are already on their side when they take the stage these days. No need to win them over. "They're not standing back, looking and waiting," he says. "They can feel it because your struggles are their struggles and they can feel the moments just as powerfully." The band will take a night off from the Bat Out Of Hell tour - which visits Sydney, Thirroul, Bendigo, Brisbane, Cairns and Adelaide before ending in Perth on August 30 - for a return performance at the Mundi Mundi Bash near Broken Hill. Thompson says regional Australia and Chocolate Starfish are dear old friends. "If you think about the year we came out, that was also the birth of grunge, so it was cool to be introverted," he says. "It was cool to wear flannels and not communicate, whereas I'm a larger-than-life, theatrical guy who was showing outwards, not inwards, and the band and the songs were like that too. "The regional areas embraced us. When we revisit some of these areas now, it is like a homecoming." And who knows - maybe home to a few flamboyant teenagers jumping off couches, dreaming big as they sing along to some great Australian songwriting.

This trio has mapped hundreds of murals in Melbourne. Here are 15 of the best
This trio has mapped hundreds of murals in Melbourne. Here are 15 of the best

Sydney Morning Herald

time3 hours ago

  • Sydney Morning Herald

This trio has mapped hundreds of murals in Melbourne. Here are 15 of the best

Melburnians are pretty proud of their city's prolific street art. But when Neda Nikolic found the world's largest online urban art community that maps such works, she noticed Melbourne was underrepresented. So, two years ago, she teamed up with friend Andrew Haysom, and later Lia Arraiano, to add Melbourne's murals to the Street Art Cities database. Today, Melbourne is the No.1 city in the world for total street art recorded on the platform, with 3639 masterpieces logged – up from being ranked 43rd in July 2023. This Victorian trio says it's added 3272 works. 'We've got so many wonderful artists across Melbourne,' says Haysom, who became Street Art Cities' Australian manager this year. 'That's why this city's scene is so special.' In May, the trio lifted Australia to No.1 for total street art on the platform, which only accepts select 'hunters' with adequate photography skills to capture art and describe a work's location and background. 'It's very addictive,' says Nikolic. 'This is like the Olympics of street art.' Melbourne's contemporary street art scene has also changed immensely in recent decades: First, there was the underground graffiti subculture of the 1980s and 1990s. Then, there was the Banksy-boom of stencils in the 2000s. Later, major murals took off in the 2010s. But the first big wall-art installation, which helped kick-start the large murals across Melbourne today, was famed New Yorker Keith Haring's work at Collingwood Yards, which is now heritage-listed.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store