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Adam Sandler's ‘Happy Gilmore 2' Debuts to 46.7 Million Views, Biggest Netflix U.S. Film Opening Ever

Adam Sandler's ‘Happy Gilmore 2' Debuts to 46.7 Million Views, Biggest Netflix U.S. Film Opening Ever

Yahoo4 days ago
Happy Gilmore is back on top. Adam Sandler's long-gestating sequel 'Happy Gilmore 2' teed off with big viewership numbers, ranking at No. 1 on the Netflix list of top 10 English-language movies.
'Happy Gilmore 2' launched on the streamer on July 25. For the week of July 21 through 27, the film generated 46.7 million views over three days, with views defined as total hours watched divided by the total runtime. That makes this start the biggest U.S. opening weekend of all time for a Netflix film, as well as the best ever for one of Sandler's movies. He has starred in nearly a dozen original movies for Netflix, including 'Murder Mystery,' 'Hubie Halloween' and 'The Week Of.'
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The sequel's release boosted interest in the original 'Happy Gilmore,' which is also available on Netflix. The decades-old comedy ranked at No. 3 on the global top 10 list with 11.4 million views, marking its second consecutive week on the list.
'Happy Gilmore 2' arrived nearly 30 years after the 1996 film, which generated $40 million at the box office and helped to cement Sandler as one of the biggest comedy stars of his generation. The original followed the titular Happy Gilmore, a would-be hockey player with anger management issues who becomes a golf phenom thanks to his unusual antics. He joins a golf tournament to win money to stop the foreclosure of his grandmother's house.
In the sequel, Happy Gilmore retires from the sport and turns to alcohol after a horrific incident on the green. He's inspired to pick up his golf clubs again to finance his daughter's exorbitantly expensive ballet school in Paris. Christopher McDonald also reprises his role as maniacal pro-golfer Shooter McGavin, while Benny Safdie, Bad Bunny, Travis Kelce and Sandler's real-life wife and kids — Jackie, Sunny and Sadie — joined the cast. Cameos abound, including appearances from PGA champions Rory McIlroy and Scottie Scheffler, 'Hot Ones' host Sean Evans and Food Network star Guy Fieri.
'Happy Gilmore' earned a 70% average on aggregator Rotten Tomatoes, which is basically a rave in Sandler's canon. ('Billy Madison' sits at 42%, 'Big Daddy' at 39% and 'Little Nicky' at 22%). In Variety's review, chief film critic Owen Gleiberman referred to 'Happy Gilmore 2' as 'a happy orgy of raucous fan-service nostalgia.'
Elsewhere on the top 10 movies list, 'KPop Demon Hunters' landed in second place with 26.3 million views in its sixth week. The action-musical now ranks as the most popular Netflix animated film of all time.
On the television front, 'Untamed' remained in first place on the English language series chart for the second consecutive week. The murder mystery, set at Yosemite National Park, drew 26.1 million views for the week, up from the 24.6 million views in its debut. The show, starring Eric Bana, was recently renewed for a second season.
Meanwhile the third season of 'Squid Game' remained the No. 1 non-English language show for the fifth straight week, racking up an additional 4.6 million views.
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Isaac Ordonez Reacts to His Major Growth Spurt Between 'Wednesday' Seasons: 'I Was the Same Height as Jenna' Ortega (Exclusive)
Isaac Ordonez Reacts to His Major Growth Spurt Between 'Wednesday' Seasons: 'I Was the Same Height as Jenna' Ortega (Exclusive)

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Isaac Ordonez Reacts to His Major Growth Spurt Between 'Wednesday' Seasons: 'I Was the Same Height as Jenna' Ortega (Exclusive)

"I've grown quite a lot," the 16-year-old actor told PEOPLENEED TO KNOW Isaac Ordonez reacted to his growth spurt between seasons 1 and 2 of Wednesday in an exclusive interview with PEOPLE "I was the same height as Jenna in season one," the 16-year-old actor said with a laugh Ordonez also reflected on his increased role in the show's second season, saying he had "more free range" with Pugsley Addams, who will now join older sister Wednesday at schoolIsaac Ordonez might play Jenna Ortega's little brother in Wednesday, but after going through a growth spurt between seasons 1 and 2, he's now towering over his onscreen big sister. "I was the same height as Jenna in season one. I've grown quite a lot," the 16-year-old actor told PEOPLE with a laugh while attending the premiere for part one of Wednesday's second season at Central Hall Westminster in London. He added that he's now "hovering" over Ortega, 22, and he playfully referred to their height difference as "amazing." Ordonez brings Pugsley Addams to life in the hit Netflix series, which premiered in November 2022 and now returns for a second season on Aug. 6. The PEOPLE Puzzler crossword is here! How quickly can you solve it? Play now! In the show's first season, Wednesday Addams, played by Ortega, is the protective older sibling who tortures anyone who dares to go after her brother. Ordonez raved about getting to work closely with Ortega, telling PEOPLE, "Watching her through the monitor, like, you really start to pick up things." He added of the Beetlejuice Beetlejuice and Scream actress, "She's wonderful. She's such a nice woman." Pugsley didn't follow Wednesday to school at Nevermore in the show's first season. This time around, he's registered as a new student. 'It was definitely a surprise to see how much more I was in it, like a big promotion," Ordonez told NME in July of his enhanced role for season two. Teasing what is in store for Pugsley, Ordonez added, "He's got powers ... he makes a lot of friends, and also [makes] connections with some not so good people. I will say that." The young actor echoed those sentiments when speaking with PEOPLE. "It was great to really play around with this character," Ordonez said. "Now I have more free-range, and, like, room to really grow, you know?" He continued, "Last season we saw that more emotional side of him. That side returns, but we also get to see a lot more of his energetic side. We see him a lot more mischievous." Catherine Zeta-Jones, who plays Ordonez's onscreen mom, Morticia Addams, also spoke with PEOPLE at the premiere. When asked about getting into character, the actress, 55, stressed the importance of playing the Addams matriarch as "real and grounded." "Of course, I identify with being a mother. I certainly identify with that," she said. "I never had the struggle with my daughter that I have with Wednesday, thankfully, but I've certainly seen mothers have that." The second season of Wednesday finds the titular character dealing with being perceived as the "savior" of Nevermore after she overcame the villainous Laurel Gates (Christina Ricci) in the first season. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. However, the gothic character, who has the gift of seeing the future, is faced with a new horrifying reality when she has a vision of her best friend Enid Sinclair (Emma Meyers) dying. The first four episodes of Wednesday's season 2 will premiere on Netflix on Aug. 6. Four more will follow and premiere on the streaming platform on Sept. 3. Read the original article on People

Sofia Carson Writes Her Own Hollywood Story
Sofia Carson Writes Her Own Hollywood Story

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Sofia Carson Writes Her Own Hollywood Story

It's already her third movie in less than a year, but Sofia Carson is just as enthusiastic as ever. 'It's going on 10 years of me doing this, which is unbelievable,' Carson says, from the lobby of the New York Edition Hotel. 'And it always feels like the very first time in the best way. I always feel so genuinely excited and grateful, and I feel butterflies anytime I get to see my work on Times Square. It's all so surreal.' More from WWD Luciane Buchanan Brings Hawaiian History to Life in Apple TV+'s 'Chief of War' Logan Lerman on 'Oh, Hi,' Complex Characters, and Chasing Fresh Challenges The Costumes of 'The Gilded Age' Are a Part of Real Life History The 32-year-old broke out in the 2015 Disney Channel movie musical 'Descendants,' before going on to star in a series of movies for Netflix, including 'Feel the Beat,' 'Purple Hearts,' 'Carry On,' 'The Life Life,' and, out Friday, 'My Oxford Year.' She's also been a producer on several of those, positioning her as a new kind of breakout movie star (with a loyal fanbase — over 20 million followers on Instagram — following closely along). 'My mom refers to these moments in my career as catching lightning in a bottle,' Carson says. ''Descendants' was that first. And then 'Purple Hearts' was the second time that that happened. 'Purple Hearts' changed my life yet again. And because I produced 'Purple Hearts' and wrote the soundtrack for that, I think executives in the business saw me through a very different lens, not only as an actor and storyteller, but as a filmmaker and a decision maker, which as a woman in the industry, is a really privileged and exciting place to be in,' Carson says. 'And I don't take that for granted, and it's still surreal to me, but my opinion is respected in that way. So it's been a really beautiful few years, a very validating few years.' After 'Purple Hearts,' which tells the story of a struggling musician who marries a soldier for health insurance, became an overnight sensation for Netflix when it was released in 2022, Carson found herself in demand for meetings. In that time she met with Marty Bowen of Temple Hill, the producer behind the 'Twilight' movies and 'The Fault in Our Stars,' who presented her with the script for 'My Oxford Year.' 'It's just so beautiful and so powerful, and it also felt like a classic, and that's something I've always gravitated towards in my career,' she says of the movie. 'I loved the idea of being able to bring to life a classic love story.' 'My Oxford Year' sees Carson as an ambitious American grad student, Anna, who travels to Oxford University for a year-long program, where she meets a charming teaching assistant named Jamie (Corey Mylchreest), who has more to his story than he initially lets on. 'This is probably the truest love story that I've told,' Carson says. 'I was very drawn to Anna's character. She lives life in her understanding of living deliberately, which is planning every second of life, which is very much how I've lived my life. In falling in love with Jamie and losing him, I think she learns one of the greatest lessons that any of us can learn. And that is that life is lived in moments and that all we have is a succession of moments, and living deliberately doesn't mean planning every moment, but living them and living in the messiness of them. And it felt like such a necessary reminder for me and for anyone that watches this film.' Carson's ability to produce a hitmaker became clear to Netflix after her second film for them, last year's 'Carry On,' became their second most-watched film of all time. 'I think that's when it really clicked for everyone, that we have something special going on here. This partnership is really resonating with people in a really unbelievable way,' Carson says. As for where she goes from here? 'It has been an interesting few months navigating the question of what is next and personally navigating the pressures that I feel,' Carson says. 'Of course, it's an extraordinarily beautiful place to be in, to come off of so many successes, but it definitely puts a certain amount of pressure on me. But it's that reminder of not ever changing what my decision-making factor is, which is 'this project aligned with who I am? Am I proud of the art that I'm making?' And if the answer is 'yes,' then that's what I want to put out into the world.' In that vein, she's been back working on music, her first love, and is in development on multiple upcoming projects both as an actor and a producer. 'I was very lucky in that I don't remember a moment in my life when I didn't know that I wanted to do this for the rest of my life,' Carson says. 'It started with music and storytelling through music, but in my mind [acting and music] are so deeply connected because when you see videos of me when I was 3 and I was singing 'Evita,' I was performing that song and I was telling that story. So it just always was who I was rather than what I did.' Best of WWD A Look Back at BET Awards Best Dressed Red Carpet Stars: Tyla, Queen Latifah and More [PHOTOS] A Look Back at the Tony Awards Best Dressed Red Carpet Stars: Liza Minnelli, Elle Fanning, Jennifer Lopez and More [PHOTOS] Maria Grazia Chiuri's Dior Through the Years: Runway, Celebrities and More [PHOTOS]

‘Leanne' review: From stand-up comedian to awkward sitcom star
‘Leanne' review: From stand-up comedian to awkward sitcom star

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‘Leanne' review: From stand-up comedian to awkward sitcom star

The multi-camera sitcom has been on its last legs, which is too bad because it can be such an uproarious format when it prioritizes jokes over the kind of comedy that tends to predominate on streaming: Pleasant enough — fun, even — but straight-up laughs aren't their reason for being. Television is cyclical, and maybe the fizzy possibilities inherent in sitcoms will eventually make their way back onto our screens. Alas, 'Leanne' on Netflix will not be leading the charge. Stand-up comedian Leanne Morgan stars as the mother of two grown children in Knoxville, Tennessee, who is suddenly informed that her husband of 33 years is leaving her for another woman. That setup, coupled with the Southern twang of the cast, may bring to mind 'Reba,' another eponymous show with a similar premise that premiered more than 20 years ago and ran for six seasons, starring Reba McEntire as a spitfire making do with her new circumstances. But the energy here is vastly different, with Morgan's genteel suburbanite hazily floating through this next chapter in her life. Co-created by Morgan and sitcom veterans Chuck Lorre and Susan McMartin ('Mom'), the series also stars 'Mom' alum Kristen Johnston as Leanne's kinda-sorta bawdy sister (she's too tame to really pop as a subversive presence), Celia Weston and Blake Clark as their aging parents, and Ryan Stiles ('Whose Line Is It Anyway?') as Leanne's ex. I wish 'Mom' were more instructive as a test case, because it also started off unevenly but eventually found its groove. The push-pull, codependent relationship between a mother and daughter, both of whom were in addiction recovery and struggling financially, gave the show its spark, as did the friend group of fellow recovering addicts, who deepened the bench of characters. 'Leanne' feels somewhat claustrophobic by comparison, and isn't populated with anyone who feels especially defined or even interesting. It's just Leanne and her sister as gal pals who mostly get along bouncing off themselves, their needy parents and Leanne's forgettably superfluous children. Most comedies built around a comedian's stand-up act draw directly from their lives. But it's worth noting that the real Leanne is very much not divorced from her longtime husband; in fact, her gentle barbs about their personality differences make up the bulk of her material. Morgan is also not an actor by training, so it makes no sense that the show didn't adapt more of her stage persona here, and instead asks her to play something unfamiliar: That tricky sad-funny middle ground of a woman whose marriage has imploded. There's a deliberate pace to the show — and to the dialogue itself — that results in punchlines just laying there. It's weird, because there's an unhurried pace to Morgan's Netflix stand-up special as well ('I'm Every Woman'), but in it she has some bite and her leisurely cadence is undercut by the sharp comedy of her material, whereas this version of Leanne is oddly bland and lacking a point of view. Exactly one joke lands. Looking at a miserable Leanne, her sister offers to share some of her pill stash: 'I got Xanax, Ativan, Ambien, I think this might be a laxative …' Leanne grabs the last one: 'I'll always take a laxative.' There's a certain amount of violence that's played for laughs, but the show seems uncertain where the humor actually lies in these moments. One episode ends with Leanne decking her husband across the jaw. In another, she finds him in the bathroom they once shared, making himself at home, and in response she grabs a shotgun, marches back in and blows a hole through the ceiling to disabuse him of this notion. If she were really trying to stifle deep rage under a polite, decorous exterior, and that was a running theme in the show — of a woman's worst impulses taking over as she's finally driven off the deep end — that would be so dark, it might come around the other side and be funny as well. But that's not the kind of sitcom this is. Leanne lives in a spacious, well-appointed suburban-style home that apparently goes uncontested in the divorce. In fact, money barely comes up at all. Rarely does divorce not affect either party's finances, but also because Morgan acknowledges the realities of money in her stand-up act. It's clearly on her mind. Spotting an array of attractive men in the front row of her special: 'Look at y'all in these half-zip golf pullovers — hello, that says 'health insurance' to me. Alright, y'all make me think of my husband, lemme tell you about him, 'cause he's got a 401(k).' (Even her grown son in real life — who loves nature so much he raised a baby beaver in his college dorm room, a story she tells in her stand-up — sounds a lot more interesting than the character on the show, whose only trait appears to be 'henpecked husband.') Now in middle age, Leanne's life as she's known it (the sitcom version, at least) has been turned upside down. Except it hasn't. She's in the same sprawling house. She doesn't seem worried about money. She didn't have much filling her days even before the divorce apparently — she has no professional life nor a social life outside of her sister (who doesn't seem to need to work, either). Leanne's existence is like science fiction — resembling something human but in a contextless bubble that has no connection to anything outside the walls of her home. 'You have a blessed Sunday,' she says at one point, and it's the kind of Southern putdown that's in the same neighborhood as 'Bless your heart.' May 'Leanne' have a blessed run. And may Morgan have another shot at a TV role better suited to her talents. ——— 'LEANNE' 2 stars (out of 4) Rating: TV-14 How to watch: Netflix ——— Solve the daily Crossword

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