
'It's a weird place to be': Mt. Joy on the rise even if if feels like their country is 'in decay'
While only a few months old, one of the tracks from Mt. Joy's fourth album, Hope We Have Fun, has become an unlikely fan favourite on the band's recent tour.
Article content
On the softly shuffling God Loves Weirdos, the narrator shifts from optimism to acknowledging a darker reality.
Article content
On the hushed choruses, vocalist Matt Quinn sings about love, joy and intimate connection with a partner, offering the tender scene of a couple laughing at a gas station at 4 a.m. about a 'God Loves Weirdos' T-shirt. 'Damn, I'm still in love with you,' he sings. But elsewhere, he accepts that 'the world looks insane as it circles the drain.'
Article content
Article content
The Philadelphia-born, Los Angeles-based band did not write overtly political tunes for this album, nor are they always directly autobiographical. But the song can be seen as a metaphor for a band on the rise during troubled times in its country. In the past couple of years, the act has graduated to stadiums as its fanbase continues to grow. They have received attention from Rolling Stone and the New York Times. They have earned one billion streams around the world and sold out iconic venues such as Madison Square Garden, Red Rocks and The Greek Theatre. They played Bonaroo in June and the Newport Folk Festival last week.
Article content
Article content
'All this great stuff is happening for us, but the backdrop we are in as citizens feels like it's in decay,' says Quinn, in a phone interview with Postmedia. 'It's a weird place to be, obviously, as people first, but also as artists. We're always trying to bring people joy. Our purpose feels grounded in people having a good time and a respite from their difficult lives: Come and have fun at a Mt. Joy show. We're always aware of what is going on in the world, but where does Mt. Joy fit into that? Is that becoming something that we need to address? It's something we've thought about a lot. I don't know the right answer to that. I wish I did.'
Article content
Article content
It's not as if the band, which will play Calgary's Saddledome on Aug. 9, hasn't been more politically overt in the past. They still play the 2018 song Sheep, a soulful folk tune that Quinn says is about 'Americans becoming sheep and blindly following the ideology of Donald Trump.' Mt. Joy was even more on the nose with 2020's New President, a pre-election song that proposed America was in desperate need of fresh leadership after Trump's first term and has Quinn singing the less-than-subtle battle cry 'we're gonna march down right now. We're gonna tear down these fascist clowns' against a deceptively soft groove.
Article content
'Things have changed here,' says Quinn. 'Somebody asked me in an interview if I thought that I would be allowed to make statements like that. I guess I hadn't fully thought about that, but it's a fair question. I don't know what the rules are. They seem to be changing very quickly. It's scary times. As a band, Mt. Joy, we're still trying to figure out how best to lend our voice to that.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Globe and Mail
2 hours ago
- Globe and Mail
Popular 1980s actor Loni Anderson of hit TV series ‘WKRP in Cincinnati' has died at 79
Loni Anderson, who played a struggling radio station's empowered receptionist on the hit TV comedy 'WKRP in Cincinnati,' died Sunday, just days before her 80th birthday. Anderson died at a Los Angeles hospital following a prolonged illness, said her long-time publicist, Cheryl J. Kagan. 'We are heartbroken to announce the passing of our dear wife, mother and grandmother,' Anderson's family said in a statement. 'WKRP in Cincinnati' aired from 1978 to 1982 and was set in a flagging Ohio radio station trying to reinvent itself with rock music. The cast included Gary Sandy, Tim Reid, Howard Hesseman, Frank Bonner and Jan Smithers, alongside Anderson as Jennifer Marlowe, whose good looks were matched by her intelligence. As the station's receptionist, the blonde and high-heeled Jennifer routinely deflected unwanted business calls for her boss, Mr. Carlson. Her efficiency often kept the station running in the face of others' incompetence. The role earned Anderson two Emmy Award nominations and three Golden Globe nominations. Anderson starred on the big screen alongside Burt Reynolds in the 1983 comedy 'Stroker Ace,' and the two later married and became tabloid fixtures before their messy breakup in 1994. Their son, Quinton Reynolds, was 'the best decision that we ever made in our entire relationship,' she said during the unveiling of a bronze bust at Reynolds' Hollywood grave site in 2021. 'I think back to the beginning of our relationship, it was so, oh, gosh, tabloidy. We were just a spectacle all the time. And it was hard to have a relationship in that atmosphere. And somehow, we did it through many ups and downs,' Anderson told The Associated Press. Anderson detailed their tumultuous marriage in the 1995 autobiography, 'My Life in High Heels,' which she said was about 'the growth of a woman, a woman who survives.' 'I think if you're going to write about yourself, you have to do it warts and all,' Anderson told the AP while promoting the book. 'You may not even tell the nicest things about yourself, because you're telling the truth.' She married four times, most recently to Bob Flick in 2008. Anderson was born Aug. 5, 1945, in St. Paul, Minnesota. Her father was an environmental chemist, and her mother was a model. Her first role as an actress was a small part in the 1966 film 'Nevada Smith,' starring Steve McQueen. Most of her career was spent on the small screen with early guest parts in the 1970s on 'S.W.A.T.' and 'Police Woman.' After 'WKRP,' Anderson starred in the short-lived comedy series 'Easy Street' and appeared in made-for-TV movies including 'A Letter to Three Wives' and 'White Hot: The Mysterious Murder of Thelma Todd.' In 2023 she co-starred in Lifetime's 'Ladies Of The 80s: A Divas Christmas' with Linda Gray, Donna Mills, Morgan Fairchild and Nicollette Sheridan. 'I am heartbroken to hear of the passing of the wonderful Loni Anderson!' Fairchild wrote on X. 'The sweetest, most gracious lady! I'm just devastated to hear this.' Anderson is survived by Flick, her daughter Deidra and son-in law Charlie Hoffman, son Quinton Anderson Reynolds, grandchildren McKenzie and Megan Hoffman, stepson Adam Flick and wife Helene, and step-grandchildren Felix and Maximilian. A private family service is planned at the Hollywood Forever Cemetery, Kagan said.

CTV News
3 hours ago
- CTV News
Sean ‘Diddy' Combs' ex Gina Huynh, who dropped out of his case as ‘Victim-3,' writes letter to judge pushing for his release
Sean "Diddy" Combs arrives at the L.A. Premiere of "The Four: Battle For Stardom" at the CBS Radford Studio Center on May 30, 2018, in Los Angeles. (Willy Sanjuan/Invision/AP via CNN Newsource) An ex-girlfriend of Sean 'Diddy' Combs who was supposed to testify against him in his criminal case, but mysteriously dropped out days before the trial began has written a letter to the judge pushing for Combs' release on bail. Virginia Huynh, who goes by 'Gina,' was part of the prosecution's case against Combs, initially anonymously referred to as 'Victim-3.' But before the trial began, prosecutors alerted the court while 'Victim-3' was under subpoena to testify, they had lost touch with her and her attorney, and 'she may not show up.' Now, in their latest attempt to get Combs released on bail ahead of his sentencing, Combs' defense has included a letter from 'Victim-3,' who for the first time has identified herself by name. In the letter, Huynh wrote to the judge she does not believe Combs is a danger to the community and he is a committed family man 'who has not been violent in many years.' Huynh's letter was included as an exhibit in the defense's latest filing, their reply to the prosecution's opposition to releasing Combs on bail ahead of his sentencing, which is set for October 3. Combs was convicted by a jury last month on two charges of transportation to engage in prostitution but acquitted on more serious charges which would have put him behind bars for decades or for life: racketeering conspiracy and sex trafficking. In the letter, Huynh said she has known Combs for years, both professionally and personally. She acknowledged her relationship with the disgraced mogul 'was not always perfect,' but 'he was willing to acknowledge his mistakes and make better decisions in the future.' 'By the time our relationship ended, he embodied an energy of love, patience and gentleness that was markedly different from his past behavior. To my knowledge, he has not been violent for many years, and he has been committed to being a father first,' the letter stated. 'I am writing because I do not view Mr. Combs as a danger to me or to the community.' During the trial, Combs' former assistant George Kaplan testified he once saw Combs throwing apples at Huynh at his home in Miami. Cassie Ventura, the case's star witness and another former girlfriend of Combs, testified Combs was unfaithful to her by dating Gina throughout their 11-year relationship. CNN has reached out to Huynh and to the U.S. District Court for the Southern District of New York for comment. Combs' defense has asked the court to release him on bail on a US$50 million bond. They have argued he is not a danger to the community and is not a flight risk. Last week, they also filed a motion, asking the judge to completely acquit him or give him a new trial, arguing he was unfairly prosecuted based on the Mann Act, calling his conviction 'unconstitutional.' 'This conviction stands alone, but it should not stand at all,' Combs' attorney Alexandra Shapiro wrote in the 62-page memorandum. Other witnesses in the case, including Ventura, previously wrote letters to the judge, pleading for him to remain incarcerated, telling the court they would fear for their safety if he were released from jail ahead of his sentencing. Combs was physically violent on numerous occasions with Ventura, and photographic and video evidence of her being assaulted was shown to the jury throughout the trial, including 2016 hotel surveillance footage of Combs beating Ventura, which was first released by CNN. In his decision to deny Combs bail immediately after the verdict, the judge cited Combs' admitted pattern of violence in his relationships.


Canada News.Net
8 hours ago
- Canada News.Net
From curiosity to craze, saxophone finds a home in China
HARBIN, Aug. 4 (Xinhua) -- At the opening ceremony of the 20th World Saxophone Congress in late July, as a melody filled the venue, 57-year-old Yin Zhifa was swept back to that distant morning in 1976 when he first glimpsed the shimmering saxophone. Little did he know then that over the next five decades, he would travel across China with his saxophone in hand, bringing fresh melodies to the lives of countless Chinese listeners. Yin is a veteran saxophonist and currently serves as president of the professional saxophone committee of the China Popular Music Association (CPMA). He said he still vividly remembers seeing a saxophone for the first time at a public performance when he was eight. "The golden gleam of its brass body and its vibrant, soaring melody instantly captivated me." Yin began formal training at nine and joined a local performance troupe at 17, becoming one of China's few saxophonists of that era. At the time, the saxophone still carried an air of mystery in China. While it occasionally appeared in military honor guard shows or parades, for most people it remained a rare and exotic import from the distant West. "Back then, only a handful of factory and school bands had saxophones. It looked and sounded incredible, so I worked hard to learn how to play," Yin said, adding that a light music tape released in 1982 helped introduce the instrument to a wider audience in China. Recorded by a Beijing-based orchestra, the tape featured the saxophone as the lead instrument, backed by drums and guitar. Its fresh, vibrant sound soon became a symbol of the country's spirit of opening up. In 1991, Yin joined the Art Ensemble of the All-China Federation of Trade Unions as a saxophonist. During performances across the country, he noticed audiences responding with growing enthusiasm, often erupting in applause during his saxophone solos. "That's when I decided to popularize the saxophone among the public because only with widespread affection can it truly thrive," he said. Over the next three decades, Yin's life would closely mirror the saxophone's growing popularity in China. In 1993, he compiled China's first saxophone grading exam textbook, laying the foundation for a standardized evaluation system. Thanks to Yin's persistent advocacy, institutions like the Central Conservatory of Music began launching saxophone programs from 1997 onward, formally introducing the Western instrument into China's higher music education. "At first, many thought it lacked the foundation of traditional Chinese instruments among the people, but music knows no borders. A beautiful melody always resonates with listeners," Yin said, noting that this was best illustrated by the nationwide saxophone craze ignited by the iconic piece "Going Home." In 2002, American saxophonist Kenny G performed it in China, and its tapes and CDs quickly became a "signature melody" heard in shopping malls, school bells and even over park loudspeakers across the country. "Emphasizing family bonds in traditional culture, Chinese people hold a special connection to the idea of 'returning home,' making the name and melody deeply resonate with our emotions," said Yin Shenghua, Yin's daughter and a young saxophonist. Having grown up watching her father promote the saxophone, the junior Yin was struck by the deep passion for the instrument she witnessed upon returning from her studies in France. She observed retired seniors practicing in groups with speakers in Beijing parks, while many five-year-olds began learning the saxophone in training classes in Harbin, capital of northeast China's Heilongjiang Province. According to the CPMA, there are now approximately 800,000 people learning the saxophone in China. To further promote the saxophone's popularity, Yin Zhifa compiled simplified notation textbooks for middle-aged and elderly enthusiasts and encouraged manufacturers to produce smaller instruments tailored for children in recent years. For him, the saxophone has been more than a source of joy for Chinese music lovers; it has also served as a bridge for cultural exchange beyond the realm of art. From July 26 to 31 this year, the World Saxophone Congress was held in China for the first time, drawing musicians from 33 countries to Harbin. Yin and many saxophonists believe that this gathering of diverse musical ideas and cultural styles paved a brighter future for the saxophone in China. The staggering sheer number of saxophonists, as well as the presence of many large saxophone orchestras, is a remarkable achievement, said Arno Bornkamp, president of the International Saxophone Committee. "Though it originated in the West, the saxophone has taken root in China," the senior Yin said.