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Pigott Poetry Prize shortlist revealed

Pigott Poetry Prize shortlist revealed

Irish Times16-05-2025
In The Irish Times tomorrow, John Boyne writes about the art of book reviewing, as he reviews his 150th book for The Irish Times more than two decades after his first. Kevin Power lifts the veil on what it is like to be the judge of a major literary prize. Manchán Magan, author of Ireland in Iceland: Gaelic Remnants in a Nordic Land, reflects on the two nations' historic links. Florence Knapp, author of hit debut The Names, talks to Nadine O'Regan. There is a poignant extract from This Interim Time, a new memoir by Oona Frawley. And there is a Q&A with Paul Perry, author of Paradise House.
Reviews are Karlin Lillington on Blackpilled: Incels, Media and Masculinity by Meadhbh Park and The New Age of Sexism How the AI Revolution is Reinventing Misogyny by Laura Bates; Terence Killeen on Ellman's Joyce: The Biography of a Masterpiece and Its Maker by Zachary Leader; Declan Burke on the best new crime fiction; Paul D'Alton on The Episode by Mary Ann Kenny; Frank McNally on Dillon Rediscovered: The Newspaper Man who Befriended Kings, Presidents and Oil Tycoons by Kevin Rafter; Niamh Donnelly on Water in the Desert, Fire in the Night by Gethan Dick; Julia Kelly on The Good Mistress by Anne Tiernan; Adam Wyeth on To Avenge a Dead Glacier by Shane Tivenan; Karl Whitney on Scouse Republic: An Alternative History of Liverpool by David Swift; Derek Scally on Broken Republik: The Inside Story of Germany's Descent into Crisis by Chris Reiter and Will Wilkes; Paul Clements on Irish Ordnance Survey Maps: A User's Guide by Paul Mulligan; and Sara Keating on children's fiction.
This weekend's Irish Times Eason offer is Precipice by Robert Harris, just €5.99, a €6 saving.
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David McLoghlin, Kerry Hardie and Mary O'Malley have been shortlisted for the 2025 Pigott Poetry Prize, Ireland's most valuable poetry award with a first prize of €12,000, and €1,000 apiece for the runners-up. The winner will be revealed at the opening night of Listowel Literary Festival on May 28th.
READ MORE
McLoghlin is shortlisted for
Crash Centre
(Salmon Poetry); Kerry Hardie for
We Go On
(Bloodaxe Books); and Mary O'Malley for
The Shark Nursery
(Carcanet Poetry).
Selected from a strong field of submissions, this year's shortlist was chosen by renowned poets Moya Cannon and Peter Sirr, who praised the richness and emotional depth of the entries.
Sponsor Mark Pigott said: 'It is a joy and a privilege to support the Pigott Poetry Prize and to honour the creative spirit of Irish poetry. I would like to thank Moya Cannon and Peter Sirr for their thoughtful adjudication and to congratulate David, Kerry and Mary on this well-deserved recognition. Their work exemplifies the strength, beauty and importance of the poetic voice todays world.'
Listowel Literary Festival is a collaboration between Listowel Writers' Week, Kerry Writers' Museum and St John's Theatre and Arts Centre.
writersweek.ie
*
Heart, Be At Peace, the latest novel by Donal Ryan, has been shortlisted for the Orwell Prize for Political Fiction. The winner will be announced on June 25th.
'Troubled times lure out the very best from fiction,' Jim Crace, chair of judges, said. 'Our shortlist, we agreed, should showcase fine writing in general but also a purposeful, and not a casual, engagement with politics – anything from national party politics to the politics of gender, family, race, community or work. We have selected eight complex and challenging novels. Only one can win. All should be read.'
Also shortlisted were: Dream Count by Chimamanda Ngozi Adichie; Universality by Natasha Brown; The Harrow by Noah Eaton; Precipice by Robert Harris; The Accidental Immigrants by Jo McMillan; There Are Rivers in the Sky by Elif Shafak; and Parallel Lines by Edward St Aubyn.
The Orwell Prize for Political Writing finalists are: Looking at Women, Looking at War by Victoria Amelina; Autocracy Inc by Anne Applebaum; The Baton and the Cross by Lucy Ash; The Coming Storm by Gabriel Gatehouse; Broken Threads by Mishal Husain; The Forbidden Garden of Leningrad by Simon Parkin; At the Edge of Empire by Edward Wong; and The World of the Cold War: 1945 – 1991 by Vladislav Zubok.
'Participating in the judging panel for the Orwell Prize for Political Writing has been both a pleasure and a privilege,' Kim Darroch, chair of judges, said. 'Perhaps inevitably: the final list tilts towards The Great Powers: war in Europe, China and the West, Donald Trump's America. These books show us how we got here, but there are also human stories of courage, sometimes tragic, from the past and present. And now just one task remains, the hardest of all: choosing a winner.'
*
The Four Faced Liar literary magazine is currently open for submissions for issue four and while they have always paid writers and artists for their work, those selected for the top spots will receive a larger payment for this particular issue.
It has also announced four guest judges for each genre we publish: Roisín O'Donnell for fiction; Micheál McCann for poetry; Tim MacGabhann for creative nonfiction; and Cathy Sweeney for flash fiction. The submission deadline is June 30th. More details can be found on its
website
.
Historian and broadcaster Myles Dungan and local schoolchildren Dara Sheridan (7) and Róisín Byrne (6) outside the Courthouse in Kells at the launch of the 2025 Hinterland Festival of Literature & Arts programme.
The
Hinterland Festival of Literature and Arts
has announced its programme of events for 2025, which, according to festival director Geraldine Gaughran, aims to bring visitors of all ages on an illuminating journey of debate, discussion, reflection and imagination on the world as it is – and how it might be.
Running from June 26th to 29th in various venues throughout the heritage town of Kells, Co Meath, the eclectic four-day programme offers a mix of author interviews, history talks, musical performances, children's activities, art installations, and more. This year's line-up includes distinguished national and international authors and contributors such as Martin Sixsmith, John Banville, John Boyne, Lara Marlowe, Kevin Barry, Roisín O'Donnell, John Creedon, Bryan Dobson, and many more.
Jack Lukeman will headline the festival's music strand with Unbroken Songs 2025, celebrating his 30-year career.
Looking back: Hindsight@Hinterland explores 1975
The festival's history strand, Hindsight@Hinterland, will this year focus on the year 1975, offering a fascinating look at Ireland and the wider world 50 years ago. Highlights include Supt Paul Maher on the challenges of policing during the height of the Troubles; a celebration of the work of the great comic novelist PG Wodehouse, who died 50 years ago, with historian Myles Dungan; and Simon Price on the music and enduring cultural impact of The Cure, followed by a live DJ set from his renowned 80s club night SPELLBOUND.
'We're so excited to unveil this year's Hinterland programme,' said festival director Geraldine Gaughran. 'It brings together an incredible calibre of contributors and spans such a wide range of topics – from literature and music to politics, history and current affairs. What started 13 years ago as a small local festival has grown into a much-anticipated national event, drawing audiences from all over Ireland and bringing a fantastic energy and creativity to Kells each June.'
'We're incredibly proud of Hinterland's children's programme,' Ms Gaughran added. 'Hinterland is the only literature festival in Ireland with a dedicated and extensive strand for children and families. We're looking forward to welcoming children of all ages to Kells this June – there's something for everyone, from toddlers to teens.'
The full festival programme and tickets are now available at
hinterland.ie
.
Yasmin Zaher, Credit - Willy Somma
Palestinian author Yasmin Zaher has won the world's largest and most prestigious literary prize for young writers – the Swansea University Dylan Thomas Prize – for her debut novel, The Coin, marking 20 years of this global accolade.
Chosen in a unanimous decision by this year's judging panel, The Coin draws on Zaher's personal experiences to dissect nature and civilisation, beauty and justice, class and belonging in a vivid exploration of identity and heritage.
Namita Gokhale, chair of judges, said: 'Whittling our exceptional longlist of 12 down to six brilliant books, and then again to just one, was not an easy exercise – yet the judging panel was unanimous in their decision to name debut novelist Yasmin Zaher as the winner of the 2025 Swansea University Dylan Thomas Prize. Zaher brings complexity and intensity to the page through her elegantly concise writing: The Coin is a borderless novel, tackling trauma and grief with bold and poetic moments of quirkiness and humour. It fizzes with electric energy. Yasmin Zaher is an extraordinary winner to mark twenty years of this vital prize.'
The Coin, which was released in paperback on May 1st, is published by Footnote Press, a mission-oriented publisher committed to providing a platform for marginalised stories and perspectives.
Reviewing it
for The Irish Times last July, Sarah Gilmartin wrote: 'In Yasmin Zaher's enthralling debut novel The Coin, a Palestinian woman flees her homeland for a grubby, post-2016 New York in the hope of an authentic experience and a better understanding of who she might be. This fearless quest for identity results in a bold, brash novel written with notable assurance and flair.'
The other titles shortlisted for the prize were Rapture's Road by Seán Hewitt, Glorious Exploits by Ferdia Lennon, The Safekeep by Yael van der Wouden, I Will Crash by Rebecca Watson and Moderate to Poor, Occasionally Good by Eley Williams.
*
One of the highlights of this year's International Literature Festival Dublin, which begins today, will be
Telling the Story of Genocide in Gaza
, featuring Atef Abu Saif, Ra Page & Chris Agee (who replaces Avi Shlaim), this Sunday, May 18th, at 4pm.
Atef Abu Saif's Don't Look Left: A Diary of Genocide shows the journey of a man who arrived in Gaza as a government minister and ended the period, like most other Palestinians, living in a tent in a refugee camp. Chris Agee
is editor of The Irish Pages Press, publisher of Avi Shlaim's Genocide in Gaza: Israel's Long War on Palestine, which places Israel's policy towards the Gaza Strip under an uncompromising lens. Ra Page is CEO of Comma Press, publisher of Atef Abu Saif.
*
On Saturday, May 17th, Minister Jack Chambers will officially launch Internal External/ Interne Externe, a new bilingual poetry collection by Jean Pierre Eyanga, at Blanchardstown Library from 11am to 1.30pm.
Written in both English and French, the collection reflects on migration, identity and connection - woven from the author's personal experience as a Congolese-Irish writer navigating the internal and external landscapes of belonging.
'This book is an invitation to pause, reflect, and connect - with oneself and with others - across language, memory, and meaning,' Eyanga said.
The launch will feature live readings, music and a short conversation on the power of language and place.
jpeyangaauthor.com
*
Scena presents the Irish premiere of
Strong Wind, a new play by Nobel prizewinning author Jon Fosse, translated by Mai-Brit Akerholt, in Smock Alley Theatre from May 26th to 31st.
A man has been away for a long time. He returns and peers out the window of a flat that he shares with his wife. But is it still his home…and is this even his life? Or does he belong to the past — a spectator of his own abyss?
*
Rathfriland, Co Down, hosts the first ever Rath Literary Festival next month, from Friday to Sunday, June 6th to 8th.
Big names taking part include
Femina Culpa,
a poetry collective featuring Emma McKervey, Milena Williamson, Linda McKenna and Kelly Creighton. Their most recent poetry collections have all been inspired by the stories of nineteenth century women who were caught up in the criminal justice system or who were victims of crime. Their work has been based on archival research and seeks to uncover the voices of these women through poetry.
Belfast author
Tony Macauley
and singer songwriter
Duke Special
, will collaborate for a special evening on Saturday.
Dublin-based novelist
Martina Devlin
will discuss Charlotte Brontë in Ireland. In her latest novel, Charlotte, she explores Charlotte Brontë's life and her strong Irish connections.
Scottish singer and songwriter
Pauline Vallance
and
Jacynth Hamill
bring their show, an imagining of the Brontë Sisters coping with the chaos of the Edinburgh Fringe.
Events will be taking place in Chandler's House and the old Belfast Bank in Rathfriland Square and on Sunday will move to the historic, atmospheric and unique schoolhouse and church where Patrick Brontë was minister.
Also taking part are local authors and artists, including
Maggie Doyle
and
Dr Linley Hamilton, who
will begin the festival with an evening of prose, poetry and jazz based on Maggie's book
Mountain Notes
, which was inspired by the breathtaking Dromara Hills.
Ballyroney storyteller, musician and educator
Anne Harper
will perform 'Myth, Magic and Music: The Bardic Heritage of Iveagh'.
Brontë scholars estimate approximately 2,500 books worldwide have been published on the Brontës, many refer to, but only one,
The Brontës in Ireland,
deals exclusively with the Irish part of the story and it was written by Dr William Wright. Dr Wright's descendant, Finnard-born
Uel Wright
,
will take us through the story of the Brontës in Ireland drawing out their significance and importance for our understanding of the Brontës.
Also from Finnard, experienced tour guide
Shelagh Henry
will lead a historic walking tour 'Hellfire and Heroines Tour: A Rich Tapestry of Rathfriland's History' sharing stories of the town's former famous residents. nTo book, click
here
.
*
The National Concert Hall presents an evening with broadcaster John Simpson as part of His Leaders & Lunatics tour on November 6th at 7.30pm.
He takes a bold, unflinching look at leadership: why some inspire while others descend into tyranny. And…are all tyrants 'lunatics'?
Simpson stated his career with the BBC in 1970 and has reported from the front line of many of the events that have shaped the world we live in today; the Iranian Revolution, Tiananmen Square, the Gulf War and the invasions of Afghanistan and Iraq.
He also has a long association with Ireland, as a correspondent based in Dublin in the mid-1970s, Simpson returned to live in Ireland on two more occasions, the most recent in 2013. With a grandmother from Co Tipperary, he has both Irish and British citizenship.
From notorious figures including Putin, Assad, Saddam, Mugabe, and Gaddafi to admired leaders such as Gorbachev, Mandela, Havel, and Zelensky, he will reveal their common threads, unique quirks, and lasting impact.
*
The
Booksellers Association
has announced the shortlisted titles for this year's
Indie Book Awards, t
he only awards for authors and illustrators judged by independent bookshops.
The winners will be announced during
Books Are My Bag's
annual
Independent Bookshop Week
(
June 14th-21st
).
Children's:
Finding Bear
by Hannah Gold;
Ghostlines
by Katya Balen;
Murder for Two
by Niyla Farook
; The Falling Boy
by David Almond
; Brielle and Bear: Once Upon a Time
by Salomey Doku
; Reek
by Alastair Chisholm.
Picture Book:
Bear
by Natalia Shaloshvili;
The Dinosaur Next Door
by David Litchfield;
Farah Loves Mangoes
by Sarthak Sinha;
The Golden Hare
by Paddy Donnelly;
Invisible Dogs
by Ruby Wright;
Runaway Cone
by Morag Hood.
Fiction:
James
by Percival Everett;
There Are Rivers in the Sky
by Elif Shafak;
The Heart in Winter
by Kevin Barry;
Caledonian Road
by Andrew O'Hagan;
The Glassmaker
by Tracy Chevalier;
Think Again
by Jacqueline Wilson.
Non-Fiction:
A Bookshop of One's Own
by Jane Cholmeley;
Ingrained
by Callum Robinson;
Dispersals
by Jessica J. Lee;
Reading Lessons
by Carol Atherton;
The Garden Against Time
by Olivia Laing;
Welcome to the Club: The life and lessons of a Black Woman DJ
by DJ Paulette.
*
Wexford Festival Opera is delighted to announce more details of a new work from Colm Tóibín and Andrew Synnott which will premiere as part of 74th Wexford Festival Opera this October. This follows Colm Tóibín and Alberto Caruso's collaboration for WFO 2024 with their Pocket Opera (Opera Beag)
LADY GREGORY: In America
.
This new work,
Urban Legends,
will commence on 19th October and will be performed as late-night operas at 11pm in Green Acres Art Gallery in Wexford town. Each performance will last approx 20 minutes.
The work is inspired by the urban legend that if you walk from one end of Wexford's Main Street to the other end, you will pass the person you are going to marry.
Two young lovers set out from either end of the Main Street at noon and—according to legend—are destined to meet and get married. Both are single, both are in search of love. Will they meet? And if they do, will they fall for each other? Each night, we find out more clues of when and where - at what point on the street - they will finally meet and sing a love duet.
These three different short late-night operas explore this legend over three separate nights at Green Acres Gallery. Each 20-minute stand-alone performance will be presented twice during the festival and can be enjoyed individually or as part of the series.
Artistic Director Rosetta Cucchi said,
'I am so delighted that Colm Tóibín and Andrew Synnott have come together to create this special new work. This project began with an initial conversation that Colm and I had last year. Wexford Festival Opera is so intrinsically linked with Wexford town itself. Creating a work around one of the urban legends here seemed to fit so beautifully into the overall WFO theme this year of myths of legends and I can't wait to experience it myself during WFO 2025.'
Booking is now open at
wexfordopera.com
*
Presented by Lindsey Hilsum, and supported by Index on Censorship, one of the world's most celebrated and visionary authors, Canadian writer Margaret Atwood, was crowned as the fourth recipient of The British Book Award for Freedom to Publish at a ceremony in London this week.
Showcasing the importance of the global agenda to UK readers, significant awards went to American novelist Percival Everett who won Author of the Year for
James
, and Alexei Navalny, whose posthumous memoir
Patriot
won Overall Book of the Year, collected by Julia Navalnya in a powerful speech.
In a video acceptance speech, Atwood said:
'I cannot remember a time during my own life, when words themselves felt under such threat. Political and religious polarisation, which appeared to be on the wane for parts of the 20th century, has increased alarmingly in the past decade. The world feels to me more like the 1930s and 40s at present than it has in the intervening 80 years.
'I have worked as a writer and in my youth in small press publishing for 60 odd years. Those years included the Soviet Union, when Samizdat was a dangerous method of publishing. Hand-produced manuscripts were secretly circulated, and bad luck for you if you were caught. [They now include] the recent spate of censorship and book banning, not only in the oppressive countries around the world, but also in the United States. [They also include] the attempt to expel from universities anyone who disagrees with the dogmas of their would-be controllers.
'This kind of sentiment is not confined to one extremism or the other - the so called left or the so called right. All extremisms share the desire to erase their opponents, to stifle any creative expression that is not propaganda for themselves, and to shut down dialogue. They don't want a dialogue, they want a monologue. They don't want many voices, they want only one.'
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Pioneering filmmaker George Morrison dies aged 102
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Pioneering filmmaker George Morrison dies aged 102

Pioneering film-maker George Morrison has died aged 102. He is best known for Mise Éire, a documentary produced by Gael Linn and whose celebrated score was written by composer Seán Ó Riada , and its follow-up, Saoirse. Morrison was born in Tramore, Co Waterford on November 3rd 1922. His mother was an actress at the Gate Theatre in Dublin, while his father worked as a neurological anaesthetist. READ MORE Having developed an early fascination with motion pictures, Morrison dropped out of his medicine studies at Trinity College to pursue a career in the arts. He first became interested in photography in 1934, creating throughout his lifetime a large body of still photographs in both black and white and colour relating to antiquities, food, industry, architecture and landscape. In 1942 he directed and photographed his first film – Dracula – with Aidan Grennell and Eileen Cullen. The film could not be completed due to wartime stock shortage. He served on the Council of Designers of Ireland and in 1957 became the Founder Member and vice-president of the Inaugural Congress of the Bureau International de Recerche Historique Cinématographique, Paris. Soldiers attend Mise Eire. George Morrison's film showed over twenty years of Irish history, from the 1890s to 1918, through existing archive material. Its soundtrack, an orchestral score by Sean O'Riada, became hugely popular In 1959, the documentary Mise Éire was released. Considered to be Morrison's seminal work, the documentary was the first full-length feature film produced in the Irish language. It pays homage to Patrick Pearse 's poem of the same name, using newsreels and newspapers from the period between the late 19th century and 1918. In 2009 he received the Industry Lifetime Contribution Award at the Irish Film and Television Awards. Morrison later received the highest honour in the Irish arts world in 2017 when elected as Saoi of Aosdána . President Michael D Higgins bestowed the title, presenting him with the symbol of the office of Saoi, a gold torc. Mr Higgins described Morrison as 'a film-maker of superb craft and skill, an archivist, a writer, a photographer and, above all, a great pioneer and innovator' whose contribution to Irish art and cinema were 'immeasurable'. George Morrison with artist Imogen Stuart (left) photographed at the Arts Council of Ireland where he was bestowed the honour of Saoi in Aosdána by President Michael Photograph: Brenda Fitzsimons / The Irish Times No more than seven members of Aosdána may hold this honour, which is held for life, at any one time. Paul Muldoon is the most recently elected Saoi, joining the company of Morrison, Roger Doyle, and Eiléan Ní Chuilleanáin earlier this year. The filmmaker is predeceased by his wife, Theodora Fitzgibbon. Sinn Féin TD Conor D McGuinness paid tribute to Morrison in a post on social media on Tuesday, describing him as 'a visionary filmmaker and proud Tramore man'. 'Honoured to have nominated him for a civic award last year.'

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A US couple retiring in Clonmel: ‘America is me-me-me-me. Ireland still has that community feeling'

A while into what sounds like a busy retirement in Hudson Valley, upstate New York , Barrie Peterson and Bea Conner decided four years ago they would like to emigrate, as Peterson puts it, 'yearning for a safer, less cruel place to spend my final years'. He had worked in nonprofit leadership, career counselling, taught business ethics ('not always an oxymoron!'); she's a playwright, actor and director, after retiring from teaching special education. But where to go? They considered France, but language was a barrier, and Scotland, where they had some connections. 'But the royals still have their claws into it, and I'm a republican,' says Peterson. 'Brexit seems to be dragging it down. The independence movement has unfortunately faltered.' In autumn 2023 they spent a month driving around Ireland, and loved it. They finally fixed on 'the sunnier, or less cloudy, southeast'. They fancied a country cottage, 'but the L-roads convinced us we didn't want to be driving. That put us into a town,' says Peterson. They moved to Clonmel in June 2024 and bought a small house in town 'for half what I got for my modest house in the Hudson Valley'. They slid right into the community there, getting involved, making friends volunteering. 'And we love it,' he says. 'Our house is within two blocks of a butcher, a produce person, wonderful bakery, appliance store, dry-goods, pizza parlour, pub. It's all right there. It has worked out wonderfully, and the longer we're here, the happier we are.' READ MORE [ A US animal lawyer in Wexford: 'There's a real social cost here: if you're not fun, you're gonna pay' Opens in new window ] Emigrating meant leaving friends and family, a factor Peterson points out in a note he shares with friends thinking of leaving the US. He has two brothers with families in the midwest; she has a daughter and four grandchildren, a son and a favourite niece (in Boston, who has visited twice). They stay in touch via video-calls, and visits back. They have Stamp Zero visas, which can be renewed four times, to ultimately become residents, on the path towards citizenship. The visa stipulates you cannot spend more than 90 days outside Ireland, 'which is reasonable,' says Peterson. 'The government wants you to be committed to Ireland, not be a tourist. And we're not tourists. We're living here. We're loving it. The visa requires about €50,000 income, a couple of hundred thousand [euro] in assets, private health insurance, a clean criminal record, a doctor saying you're not deathly ill.' They met the requirements with ordinary pensions and social security. 'We're not rich', but 'comfortably middle class.' As retired immigrants, they can't earn money nor access Irish benefits. All the same, they were surprised by energy credits and other pluses for non-income-taxpayers, including the prescriptions cap of €80 per month. Medications are a third of US prices. When Conner had a medical issue, 'excellent' ambulance and hospital care 'cost €100. In the States, you could add two zeros to that,' says Peterson. At a Clonmel storytelling event recently, Peterson spoke about real, human interactions with locals, businesses and cultural leaders, and being blessed by a 'welcome sociability, intelligence, generosity'. The owner of the hotel where they first stayed gave them lifts, the plumber introduced him to the Workman's Boat Club. He describes great service and expertise from local shops and tradespeople at reasonable prices; helpful gardaí, the OPW, medics. Has Peterson an overly romantic, rose-tinted view of Ireland? 'I reported what I had experienced.' Only two things have disappointed. 'Bus service at night is absent. If we want to go to Cashel or Waterford for a show, you can't do it at night. And a lot of nonprofit groups use Facebook instead of websites. Information about a local chorus or theatrical group is on Facebook ... I think a website would be more friendly.' Peterson, who is 80, speculates about Ireland's friendliness. 'Perhaps hundreds of years of foreign domination produces a general kindness to your neighbour in the face of larger factors beyond control. Or, despite the recent loss of credibility of Catholic Church leaders covering up abuses, there exists a foundation of charity, forgiveness, kindness. With millennia of pagan, Celtic and pre-Christian nature appreciation, values are deep-baked. These live in pilgrimages, sacred wells, Gaelic myths and holidays.' They both have some Irish background, from centuries ago, 'too far back to claim citizenship!'. Peterson has Swedish and Ulster-Scots ancestry, including McCauleys, Presbyterians from Dunbartonshire who initially moved to Ulster. [ From LA to Dublin: 'When people see my name, they expect a granny from Tipperary' Opens in new window ] Conner's great-great-great grandfather Michael Conner, son of William Conner and Rosa Byrne, emigrated from Carlow and served during the American Revolution around 1775-1776. 'He pops up in Louisiana in 1798, marrying Victoria Prineau,' a French-Canadian, says Conner. She hopes to find out more about him. She's African-American, and Peterson observes 'we weren't anticipating any bias, or people looking at us strangely as a couple. We haven't had one bit of that. That's not a surprise. We had a positive view of Ireland's kindness and pluralistic attitude.' Other good things: 'The Irish have such wonderful humour, in every interaction making jokes and kind of being sarcastic as a form of showing they like you. The GAA, what a wonderful asset to the whole island. It's voluntary, it's organic. Holy mackerel. In the States the big sports are totally commercialised,' says Peterson. Conner 'grew up in the city, where everything is closed in. Here's these wide open spaces. Even when it's raining and cloudy, it still has that beauty. Then the people, who are more concerned about community. It's what I grew up with. We lived in Brooklyn' with a mix of nationalities in their apartment building, playing together. Conner says they didn't leave the US because of Donald Trump , who wasn't in power while they formed their plans. 'We wanted a different life. We wanted the lifestyle that fitted us. The cruel stuff started after we moved.' Peterson is involved in Clonmel community chorus. Conner joined the dragonboat team of breast cancer survivors. 'I felt so much warmth, compassion, support, understanding,' she says. 'To welcome a stranger you don't even know. Especially when I tell them I can't swim! They said, we can't either! Compassion is one thing that used to be in America that's no longer there. It's me-me-me-me. Ireland still has that community feeling and emotion and attachment.' We would like to hear from people who have moved to Ireland. To get involved, email newtotheparish@

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