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Heaven Sure Feels Like Hell in Afterlife Dramedy ‘Eternity'

Heaven Sure Feels Like Hell in Afterlife Dramedy ‘Eternity'

Gizmodo6 days ago
Quirky depictions of the afterlife have been well-explored by movies and TV; think Albert Brooks' film Defending Your Life or Kristen Bell's series The Good Place. But the quandary introduced in Eternity is a particularly prickly one, as a woman who's lived a long life that encompassed two happy marriages crosses over… into a fantastical but weirdly bureaucratic version of purgatory, where she's informed she must pick between her loves to decide her eternal partner.
The new trailer for Eternity dropped today, and if that premise makes you want to scream, at least the cast has a lot of appeal: Elizabeth Olsen, Callum Turner, Miles Teller, John Early, and Da'Vine Joy Randolph.
Who else muttered 'Oh, she's in the Bad Place' to themselves while watching that? Here's the official plot description, which doesn't really elaborate more on what the trailer shows: 'In an afterlife where souls have one week to decide where to spend eternity, Joan (Elizabeth Olsen) is faced with the impossible choice between the man she spent her life with (Miles Teller) and her first love (Callum Turner), who died young and has waited decades for her to arrive.'
It's the afterlife. It's a magical realm. They don't say 'heaven,' but it looks pretty dreamy aside from all that ridiculous romantic drama. Why can't Joan have it both ways? Who made up these rules? ONE WEEK?? Is there any room to negotiate?
All will be revealed when Eternity, which was written by David Freyne (The Cured), hits theaters in November.
Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
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In This Look Inside the New ‘Bad Batch' Novel, the Emperor's Name Counts for a Lot
In This Look Inside the New ‘Bad Batch' Novel, the Emperor's Name Counts for a Lot

Gizmodo

time26 minutes ago

  • Gizmodo

In This Look Inside the New ‘Bad Batch' Novel, the Emperor's Name Counts for a Lot

From Rebels to Andor, we've met different types of people that make up the Empire's sinister intelligence forces in the Imperial Security Bureau. We've seen agents like Kallus realize the extent of their role in the Empire's evil, and agents like Dedra Meero consumed by the system they created. Now, in the latest Star Wars novel, we're going to meet an agent learning a very difficult lesson: the long arm of Imperial law doesn't apply to some people, whether they like it or not. That's the trouble facing ISB agent Sendril Crane in Lamar Giles' new Star Wars novel out this week, Sanctuary. A brand new tale starring Clone Force 99—better known as the ragtag heroes of The Bad Batch—Sanctuary is set during the events of the Clone Wars continuation's second season, after the Batch has found a new secretive home on the island world of Pabu. Tasked with a series of risky new missions by their ally, the treasure hunter Phee Genoa, the Batch find themselves immediately leaving the safe haven of their new home for a chance for money and potential exposure to agents of the Empire they all long to avoid. After things start going wrong and pressure mounts, Hunter, Tech, Wrecker, and Omega find themselves weighing the odds of their mercenary life when they're tasked with ferrying a young couple to safe harbor—as the shadow of the ISB stalks them all, threatening to bring not just the Bad Batch's passengers but all of Pabu into the spotlight at the worst possible time. You can get to know Crane a little in our exclusive excerpt from Sanctuary below, as he investigates the aftermath of one of the Batch's louder missions with Phee… only to discover that, for all the terror the ISB strikes in people at the heart of the Imperial regime, in some corners of the galaxy, a certain name dropped at a certain time can still count for an awful lot… especially when that name is Sheev Palpatine's. 'Parlin, Parlin! Is that the authorities? Thank goodness. I didn't expect them to get here so fast.' The woman, her luxurious gown sullied with dust and muck, her hair mussed, her hands shaking, emerged from the shadows of the entrance. Her eyes were wide with relief, but the look shifted to confusion. 'You aren't the local police. You're ISB.' 'Cellia Moten, I presume.' Crane kept his voice light. He wanted her to trust him. Easier to catch her in a lie that way. Under Imperial statutes, lying to an ISB agent was punishable by up to ninety days of detention. 'I am.' She extended her hand daintily, fingers down, the back toward the sky. Crane associated this gesture with royalty, beings who were accustomed to people grasping those fingers before kneeling or kissing rings. He remained upright while squeezing her fingers. It looked as awkward as it felt. Cellia retracted her hand, unfazed. 'Did the Dallow police send you?' 'No,' Crane said, his original line of questioning lost in his own confusion. 'Why would they?' 'Because I've been robbed!' 'You've been—' Crane was taken off guard here, though usually quick to control a situation, especially an interrogation, even if unofficial. He'd expected an inept adversary, but was this woman a victim? 'May we come in so you can tell us what happened?' The Kiffar tensed, but Cellia remained eager. 'Of course. Do excuse the mess. The thieves went on an absolute rampage.' She led them into the palace, and Crane was taken aback again. This wasn't a mess. It was a war zone. Evidence of blasterfire. Bombs. Was that a pool of green blood in the corner? Clone Force 99's work? From what he'd read, they were capable of this level of destruction. Crane's operatives murmured among themselves while more beings entered from the opposite end of the room. There were various species and some droids, all armed with illegal weapons. Military-grade hardware came with serious jail time should Crane decide to charge the wielders—a right he reserved while he ascertained what happened here. Cellia Moten said, 'I was tricked by con artists masquerading as antique dealers. They wormed their way into my home under the guise of a simple transaction. Once they were here, they threatened my life and the lives of my workers.' 'So you fought them,' Crane said—a statement, not a question. The evidence of a battle was unmistakable. 'We do not wither here.' 'What were you attempting to buy?' Drand asked. 'Pottery,' Cellia said, and nothing more. Crane would've preferred to be the sole interrogator here but took Drand's eagerness for a chance to examine their surroundings more closely. Several lavish models, now mostly blown to smithereens. Red veins in white marble still screamed opulence through the dust and debris. Floor to ceiling, none of the finishes would have been affordable on a hundred ISB salaries. Crane's sympathy for Cellia Moten's tumultuous day diminished as the running credit count in his head increased. 'What were they trying to take?' Crane asked. Cellia scoffed. 'There's nothing in here that isn't valuable.' 'I can tell.' Crane continued down the corridor, prompting Cellia, her guard, and Crane's team to follow. 'But, specifically, for the con artists, as you put it, to concoct a scheme convincing enough for you to shuttle them to your home, they must've had a specific payday in mind.' 'I can't speak to their motivations. I don't think like a criminal.' 'How many of them were there?' 'Three.' 'All clones?' Cellia took a moment before answering. 'One of them resembled a clone. Somewhat. Another was a pickpocket child. The third was a pirate known as Phee Genoa. I'm sure her name's somewhere in the extensive files of the ISB.' Even more players than Clone Force 99 and Gayla? A pirate? And a child? In the next grand room, there was more destruction. Crane pointed to a gaping hole in the wall. 'What happened here?' 'My security attempted to corner the thieves before they could harm me and escape with any valuables, but they blasted their way through the wall.' That . . . was a lie. The explosive charge was triggered on the exterior, and the evidence was clear. Crane was so pleased to utter his next words. 'Cellia Moten, by the authority of the Imperial Security Bureau, I'm placing you under— ' Cellia interrupted him. 'Does Sheev know you're here?' 'Sheev?' 'I'm sorry. Emperor Palpatine. We're old friends, and I forget most of you may not refer to him by— You know what, never mind. I'm going to contact him and let him know that . . . I'm sorry, what's your name again?' 'I'm Agent Sendril Crane.' To the Kiffar, she said, 'Yes. Parlin, please get in touch with Mas's of-fice and inform them that Agent Crane and his team are assisting a close friend in a most personal matter.' Had Crane heard her correctly. 'Mas?' Sheev Palpatine. Mas Amedda. Crane knew the names, of course, but in the way he knew the names of longtime holodrama stars. He could maybe argue a closer connection because of the ISB's inherent political roots. Still, Crane could barely fit the grand impression of the Emperor and his closest confidant in his head, let alone refer to them as casually as Sheev and Mas. Parlin tipped his chin to Cellia. 'I'll notify Grand Vizier Amedda right away, Mistress.' He left them at a clip, and Cellia met Crane with a smile that was just below malicious. 'Once the Emperor knows you're assisting one of his dearest companions, you'll be provided any additional resources you need to bring the vandals who desecrated my home to justice.' 'Thieves,' Crane said before he could think better of it. Cellia said, 'What was that?' 'Earlier, you said 'thieves,' not 'vandals.' ' She sucked her teeth and let the low click echo. 'Two things can be true.' Not two lies, Crane thought but controlled his tongue. He sensed the danger here. It didn't scare him—he didn't feel much fear anymore. It intrigued him. In a little more than a breath, he'd gone from attempting to arrest her on conspiracy charges to questioning his safety in her presence. Being in this home, with this woman, felt akin to drifting in deep waters with an unseen leviathan skulking just below the surface. Was she really an associate of the Emperor? She said, 'I am under the impression that a ranking agent like yourself is not so beholden to semantics that it distracts you from the necessary truths that you, me, and the galaxy depend upon. Correct?' Crane was slow to answer, somewhat in awe of her foreboding eloquence. 'Is that correct, Agent Crane?' Cellia asked, pressing. Crane chanced a glance at Drand, who gave the slightest nod. She'd found something in her search. It better be worthwhile for her sake. He told Cellia, 'Yes. Any friend of the Emperor is a friend of the bureau.' For now. Star Wars: Sanctuary hits shelves tomorrow, August 5. Head on over to Random House Worlds to see where you can snag a copy! Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

Zendaya Offers a Rare Glimpse of Her Engagement Ring While Walking Dogs With Tom Holland
Zendaya Offers a Rare Glimpse of Her Engagement Ring While Walking Dogs With Tom Holland

Elle

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  • Elle

Zendaya Offers a Rare Glimpse of Her Engagement Ring While Walking Dogs With Tom Holland

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Box Office: ‘Fantastic Four' Craters by 66% in Second Weekend, ‘Naked Gun' Debuts to $17 Million
Box Office: ‘Fantastic Four' Craters by 66% in Second Weekend, ‘Naked Gun' Debuts to $17 Million

Yahoo

time2 hours ago

  • Yahoo

Box Office: ‘Fantastic Four' Craters by 66% in Second Weekend, ‘Naked Gun' Debuts to $17 Million

Marvel's First Family might not save the day after all. 'The Fantastic Four: First Steps' is quickly losing steam in its second weekend, signaling the comic book adventure isn't connecting at the box office beyond the film's core demographic of superhero fans. After a healthy $117.6 million debut, 'The Fantastic Four' suffered a hefty 66% drop in its sophomore outing with $40 million from 4,125 theaters. Heading into the weekend, box office analysts anticipated a decline of 55% to 60% from its opening. (By comparison, 'Superman' dropped by 53% in its second weekend after launching to $125 million earlier in July.) This painful fall is surprising because the Marvel tentpole has the benefit of positive reviews and word-of-mouth, as well as a clear runway in terms of competition. More from Variety 'Together' Stars Dave Franco and Alison Brie Relive Their Off-Screen Wedding: Weed Pens, Pizzeria Mozza and a Party Crasher Liam Neeson Jokes His Death as Qui-Gon Jinn in 'The Phantom Menace' Was 'A Bit Namby-Pamby': 'Please, Hardly a Master Jedi' 'Bad Guys 2' Director on Spoofing Elon Musk's SpaceX and How the Cold Open Was Influenced by 'Skyfall' and 'Mission: Impossible' Although those ticket sales were enough to rank as No. 1 on North American charts, 'The First Steps' endured one of the steeper second-weekend drops for Disney's Marvel Cinematic Universe, better than 'The Marvels' (down 78%) but in the company of February's 'Captain America: Brave New World' (down 68%), 2023's 'Ant Man and the Wasp: Quantumania' (down 70%) and 2022's 'Thor: Love and Thunder' (down 67%). So far, 'Fantastic Four' has generated $198 million domestically and $368 million globally. Luckily for Marvel, whose output has been wildly inconsistent in post-pandemic times, 'The First Steps' is pacing to outgross this year's prior theatrical disappointments of 'Captain America: Brave New World' ($415 million globally) and 'Thunderbolts' ($382 million globally). The final tally for 'Fantastic Four' won't be disastrous, à la 'The Marvels' ($206 million) or 'Thunderbolts,' but it's not yet a return to box office glory for Marvel. However, the MCU should officially regain its box office stride with its next three films — 2026's 'Spider-Man: Brand New Day' and 'Avengers: Doomsday' and 2027's 'Avengers: Secret Wars.' ''Fantastic Four' is not a top-tier Marvel franchise. Never has been,' says analyst Jeff Bock of Exhibitor Relations. 'Remember, this ramps up into 'Avengers.' That's the real payoff.' Three new movies opened nationwide, but none were competing for the same audience as 'Fantastic Four.' Among new releases, Universal and DreamWorks Animation's heist comedy 'The Bad Guys 2' enjoyed the strongest start with $22.8 million from 3,852 venues. That's directly even with the first film, which opened to $23 million in 2022 at a time when cinemas were majorly struggling to recover from COVID and studios were barely releasing any movies. The original film eventually powered to $250 million worldwide. 'The Bad Guys 2,' which cost $80 million and follows a group of reformed criminals who relapse for one final con job, was embraced by audiences with an 'A' grade on CinemaScore exit polls. Overseas, 'The Bad Guys 2' landed with $16.3 million for a global total of $44.5 million. 'This is a good opening for an animation sequel,' says analyst David A. Gross of Franchise Entertainment Research. 'With this kind of business, the movie is doing what it's supposed to do.' At No. 3, Paramount's slapstick comedy 'The Naked Gun' debuted to $17 million from 3,344 theaters, right in line with projections. The film earned another $11.5 million at the international box office, bringing its global tally to $28.5 million. It's a promising start given the dearth of theatrical comedies. Akiva Schaffer of the Lonely Island fame directed the film, which carries a $42 million price tag. Critics and moviegoers dug 'The Naked Gun,' in which Liam Neeson stars as bumbling L.A. detective Frank Drebin Jr. (son of the late Leslie Nielsen's Frank Drebin, his predecessor in the 'Naked Gun' trilogy) alongside Pamela Anderson and Paul Walter Hauser. The movie scored an 'A-' grade on CinemaScore and boasts a 90% average on Rotten Tomatoes, both of which should bode well for the remainder of its theatrical run. 'The Naked Gun' appealed almost squarely to older white men; 62% of initial crowds were male, 50% were above 35 years old and 70% were Caucasian. This weekend's final newcomer, Neon's body-horror nightmare 'Together' landed in sixth place with $6.8 million over the traditional weekend and an encouraging $10.8 million during its first five days of release. Real-life husband and wife Dave Franco and Alison Brie star in 'Together' as a co-dependent couple who become frighteningly close after a mysterious force causes horrific body changes. Audiences gave the film a 'C+' on CinemaScore, though that harsh a grade isn't surprising since they likely left the theater feeling very disturbed. In fact, Neon has been leaning into the on-screen trauma to promote the movie, offering free couples therapy for partners who see 'Together' during opening weekend. Neon shelled out $17 million to buy the movie at Sundance, marking one of the richest deals in the festival's history. 'A lukewarm audience score is typical of these films and generally has little effect on how they play out,' Gross says. 'It's [a] smart horror production that's going to be profitable when it's finished.' Elsewhere at the box office, 'Superman' descended to fourth place with $13.9 million in its fourth weekend of release. The Warner Bros. and DC Studios adaptation has generated $316.2 million domestically and $551.2 million globally to date. Universal's 'Jurassic World Rebirth' rounded out the top five with $8.4 million in its fifth weekend of release. The dinosaur epic, which rebooted the long-running property with Scarlett Johansson, Jonathan Bailey and Mahershala Ali, has grossed $317 million in North America and $766 million globally. Overall, the box office is 9.5% ahead of last year but 23% behind 2019, the last pre-pandemic year, according to Comscore. Summer revenues just hit $3 billion from May through early August, so it's a question of whether this could be the second summer in post-COVID times — the year of 'Barbenheimer' was the first — to cross the $4 billion milestone. 'A solid home stretch of the summer is in the cards,' predicts senior Comscore analyst Paul Dergarabedian. 'The $4 billion benchmark is still about a $1 billion away, which is no cake walk but potentially in play.' Solve the daily Crossword

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