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‘You Kind of Have to Fight for More Room': Melissa Barrera Says Diverse Casting Has Net Effect on Productions

‘You Kind of Have to Fight for More Room': Melissa Barrera Says Diverse Casting Has Net Effect on Productions

Yahoo23-06-2025
Melissa Barrera is aware that her career has made her something of a 'genre actress' — but while she has no intention of running away from her film roots, she is always looking to expand her career horizons. After a starring role in the series 'Vida,' Barrera came to theatrical prominence in 2021's high-profile 'In the Heights' (a musical) and two 'Scream' sequels (decidedly horror) in 2022 and 2023. She then doubled-down on horror with last year's well-received 'Abigail' and the indie 'Your Monster.'
'I love horror. It's super fun. And there's so many great horror scripts,' Barrera said on 'The Seeds' podcast, praising horror directors as some of the biggest 'risk takers' in the industry. But she added that she wanted to 'stretch' as an actress. 'I also have never liked putting myself in a box of any kind, and I know that I have a lot of other skills that… I want to showcase, and I want to like play with. So, I feel like I would get bored — I do get bored easily if I'm doing the same thing or the same genre.'
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As a Latina actress, Barrera said she has had to work harder to get considered for certain roles throughout her career.
'You kind of have to fight for more room,' she explained. 'People [are] not necessarily looking for people that look like you for a role, but you got to kind of try and… knock on the door and be like, 'Hey, I know you're not looking for me. But like, maybe, would you mind? I'll just do it, and if you like it, maybe.''
Barrera said that there is a net effect anytime a Latino performer is added to a production's cast that benefits more than just a single actor. She used the casting of the fifth 'Scream' installment as an example. 'The big reason that I wanted to get that role so badly was because I knew that this character was going to have a family, and that if I got the role, then that meant more opportunities for other Latinos in the other roles. So that's kind of thing that you think about,' she explained.
Barrera will next be seen alongside Simu Lui in the Peacock series 'The Copenhagen Test,' bringing her into a new genre: espionage action thriller. A release date has yet to be announced, though a trailer was shown at the NBCU upfronts last month.
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She's the bassist in a band of strangers. It's their first (and last) show.
She's the bassist in a band of strangers. It's their first (and last) show.

Washington Post

timea minute ago

  • Washington Post

She's the bassist in a band of strangers. It's their first (and last) show.

Maddy Knoth shifts back and forth in her red and pink Converse high-tops. She's busy debating early-aughts pop hits with the bandmates she met only a few weeks ago, but can already feel the adrenaline that builds before a live performance. Their set isn't for another three hours, and the members of newly formed Legends of Limewire are killing time before doors open to the public. Knoth paints her chipped nails with baby blue polish, and waves a piece of notebook paper with a handwritten set list to dry them. She hardly needs the note. She's played these songs dozens of times. The bass line grooves have sunk into her fingers. She's ready to play her first concert in her new city. After living in Memphis for three years, the city's music scene felt small. Knoth knew the other performers at open mic nights and the people who would come see her queer, femme punk band play backyard shows. When she moved to D.C. with her partner in December, she knew she had to start over. She had to find her way back into a creative scene, to take an active role in forming her identity beyond the corporate world that dominates much of D.C. culture. So she signed up for Flashband. The 13-year-old program, run by music school 7DrumCity, is a launchpad for Washington's hobbyist musicians. Participants enter a lottery for a slot. Winners attend a meet-and-greet event — speed dating, basically, for musicians. Everyone from young teens to retirees leaves as a member of a new band. About a month later, they perform in public. Knoth, 25, sort of knows the people she's taking the stage with tonight. This evening they've met each other's significant others for the first time, and learned what their day jobs are. But she trusts them, if not their penchant for Limp Bizkit. For the past month, they've met up for weekly rehearsals, and Knoth has spent hours in between plucking away in her bedroom. So now, as ticket holders of the sold-out show come pouring into the Atlantis — a grubby venue that holds 450, she feels ready. The bands have names like the Recessionists, Vote for Pedro and Mom's Spaghetti, and the first ones warm up the crowd with interpretations of Myspace-era hits. The third band begins, and the Legends of Limewire members get their cue to sneak backstage. Knoth meets them at the entrance to a yellow-lit hallway. 'Okay,' she mutters to herself, lifting her shoulders up with a deep breath. She climbs the stairs to the green room. A Flashband organizer runs through the checklist: 'Chords, cables, pedals, picks…' Knoth grabs a pair of green sunglasses — part of the band's outfit, a nod to the music-pirating site LimeWire that they're named for — and straps her bass guitar over her crop top. 'I really want eight more bars of cowbell,' one of her bandmates says. They were allotted 15 minutes for their set, and it's tight — they've factored in only 15 seconds for claps. 'They're probably not gonna pull us offstage,' Knoth responds. She talks herself through the set list: 'Take Me Out,' 'Can't Get You Out of My Head,' 'Electric Feel.' 'Let's make it count,' singer Aaron Conrado says. Their hands fall into the circle formed by their bodies and instruments, then shoot into the air. The beer Knoth sipped helped ease her nerves, but some are bubbling back up. Her bandmates are depending on her bass's steady pulse to keep them together. When she takes the stage, though, all she feels is excitement — the ease of being back in a spotlight she finds addictive. She looks out to the crowd, which ravels out to the bar at the far end and up across a balcony. It's at least twice the size of any she's played before. She locks eyes with her partner in the front row, who is wearing a shirt with the logo of the band Knoth had in Memphis. Conrado sings: So if you're lonely You know I'm here waiting for you. I'm just a crosshair I'm just a shot away from you Knoth lets her mind and fingers disconnect. Her body leads the groove. She shakes her wavy bob and shouts backup vocals. She hits every note in her 'Murder on the Dance Floor' solo, and dances as hard as anyone in the crowd. The audience erupts into cheers.

The director of ‘Superman' calls his hero an immigrant. Critics call him ‘Superwoke'
The director of ‘Superman' calls his hero an immigrant. Critics call him ‘Superwoke'

CNN

timea minute ago

  • CNN

The director of ‘Superman' calls his hero an immigrant. Critics call him ‘Superwoke'

A baby arrives in America from a home in turmoil. A family in Kansas raises him. And he struggles to balance two identities. Comic books, TV shows and films have repeatedly recounted these details from Superman's backstory over the past 87 years. But the director of the latest big-screen adaptation drew backlash recently when he stated something that's been said many times before: Superman is an immigrant. 'I mean, Superman is the story of America,' director James Gunn told The Times of London. 'An immigrant that came from other places and populated the country, but for me it is mostly a story that says basic human kindness is a value and is something we have lost.' Coming as the Trump administration steps up its immigration crackdowns, the comments quickly sparked criticism from right-wing media personalities. A Fox News banner blasted the new movie as 'Superwoke' as pundits offered their takes. 'We don't go to the movie theater to be lectured to and to have somebody throw their ideology on to us,' said former Trump adviser Kellyanne Conway. Dean Cain, an actor who starred for years on TV in 'Lois & Clark: The New Adventures of Superman' and is now a conservative commentator, told TMZ he didn't like Gunn's comments and speculated that the director's decision to invoke immigration while promoting the film could be a costly mistake. So far, it hasn't been. The movie, released by CNN's parent company Warner Brothers Discovery, finished No. 1 on its opening weekend with $122 million in domestic ticket sales and continues to draw large audiences. And longtime fans and historians of the comic books note that Gunn's comments weren't superimposing a new storyline on the beloved hero. 'The idea of Superman being an immigrant, or maybe a refugee, has been part of the character's mythos since the very beginning. It's not something he invented or tried to shoehorn in,' says Danny Fingeroth, author of 'Superman on the Couch: What Comic Book Heroes Really Tell Us About Ourselves and Our Society.' The first Superman story, published in 1938, stated he was sent to Earth from Krypton, a fictional doomed planet. 'It makes him not an immigrant of choice. It makes him an immigrant of necessity…a refugee,' Fingeroth says. 'He's someone who comes to Earth and to America, to then blend in and become as American as mom, the flag and apple pie.' And, Fingeroth says, there are a lot of good reasons why these details are such a key part of Superman's story. Take the comic's creators, for example. Artist Joe Shuster and writer Jerry Siegel were both the children of Jewish immigrants who'd fled rising antisemitism in Europe. 'Just given their backgrounds and their sympathies, I think it's always been important that Superman comes from somewhere else,' Fingeroth says. The Cleveland-based duo wrote Superman's story as World War II loomed. The first page of his story describes him as 'champion of the oppressed.' 'The clouds of fascism are rolling through Europe. There's echoes of it here in America … and Superman's early adventure are fighting for the little guy, fighting for abused women, fighting for exploited mine workers, fighting against corrupt politicians,' Fingeroth says. Even before America was fighting Nazis in World War II, Superman was fighting them on comic book pages, he says. Through it all, 'Superman is the immigrant embodying the best of American qualities, even though he's from somewhere else.' It's a connection historians and immigrant rights advocates have made, too. More than a decade ago, comic book historian Craig This organized a panel at Wright State University highlighting the immigrant backgrounds of Superman and Wonder Woman. The idea resonated with the college students he was teaching at the time, he says. 'People were coming to this large public research university, maybe thinking that they were an outsider, and then said, 'Oh, wow, look, I can see these individuals as role models. I want to try and fit in. But really, it's going to be my differences that make me survive and be successful, not just here on a college campus, but also here in the United States.'' In 2013, the organizations Define American and the Harry Potter Alliance launched a social media campaign inviting people to share selfies and their family's immigration stories with the hashtag #SupermanIsAnImmigrant. Last week that campaign's creators pushed back against critics who've been accusing Gunn of politicizing his take on Superman. 'You can't politicize the truth,' Define American founder Jose Antonio Vargas and narrative strategist Andrew Slack wrote in The Hollywood Reporter. 'Superman has been an 'illegal alien' for 87 years.' A one-time undocumented immigrant himself, Vargas says today he sees an even more important message in the superhero's story. 'I think for the first time, because of this movie, because of what's happening in the country … I have people who have never talked to me about immigration talking to me about immigration,' he says. 'So we have people's attention. Now I think the question is, what are they going to do?' Of course, Superman's origin is just one part of his story. And in the initial comic, it was also a convenient plot device, Fingeroth says, allowing the authors to explain his powers. In some versions, Fingeroth says, 'Superman's immigrant status is not mentioned.' The hero could be from Metropolis or Kansas or anywhere, 'depending on the era, depending on the creators.' Each version of Superman comes with its own plot twists. In the new film, for example, the backstory of the superhero's parents takes an unexpected turn. Superman sometimes changes with the times. And sometimes different audiences perceive him differently. Many superheroes are outsiders. And one common thread that gives them such staying power is that people from many different walks of life connect with the characters, says Fingeroth, a longtime editor of Spiderman comics. 'Their mythos and storylines and origins speak to various aspects of the human condition, and that makes them appealing. Their adventures are enjoyed by people from a wide variety of political and social and religious backgrounds,' he says. 'And yet, the myths are so powerful that they all take it as their own.' In other words, all of us can see ourselves in Superman. And that may be a reason why so many people have such strong opinions about the character even today. Last week the White House's social media accounts shared an AI-generated image based on the new movie's poster, depicting President Trump in the title role. A few days later, though, it wasn't the Man of Steel that the Trump administration referenced on social media when it drew a connection between a beloved sci-fi character and today's undocumented immigrants. Instead, the Department of Homeland Security shared the iconic image of ET's bicycling silhouette. The text superimposed over the moon: 'GO HOME.'

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