Escaped prisoner held knife to woman in Sheffield
A manhunt was launched by police after they said Trennan did not return from day release on Thursday.He was arrested on Sunday in York, where he is alleged to have had a blade, the prosecution added.South Yorkshire Police said the woman was not injured during the alleged burglary at the house on Vincent Road in Nether Edge, Sheffield, on Saturday 10 July.The judge told Trennan the case would be sent to Sheffield Crown Court for a plea hearing on 12 August.He was remanded into custody.
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The Guardian
2 hours ago
- The Guardian
Australian actor Rebel Wilson sued by production company behind her own film
The legal drama surrounding The Deb, Rebel Wilson's directorial debut, has made landfall in Australia, with one of the production companies behind the venture filing a lawsuit against Wilson in the New South Wales supreme court this week. UK-based AI Film, represented by Australian legal firm Giles George and high-profile barrister Sue Chrysanthou SC, accused the Pitch Perfect Australian actor of deliberately sabotaging the film's release, alleging threats and defamatory claims had caused the production company financial and reputational damage. The suit also claims the motive behind Wilson's actions was to devalue the production's worth and pressure AI Film and Australian company Dunburn Debutantes Commissioning Company (DDCC – the entity managing the film's rights and named as the second plaintiff in the lawsuit) into selling their stake to Wilson's company Camp Sugar. Originally conceived as a quirky musical comedy celebrating Australian culture, The Deb was co-produced by AI Film and Camp Sugar, with Wilson directing and starring. But the partnership fractured in mid-2024 when Wilson took to Instagram to accuse fellow producers Amanda Ghost, Gregor Cameron and Vince Holden of alleged embezzlement, sexual misconduct and obstructing the film's release. The allegations, broadcast to Wilson's 11 million followers, were swiftly denied by the producers who began defamation proceedings against Wilson in the Los Angeles superior court last July. In November, the film's lead actor, Charlotte MacInnes, who Wilson claimed was the victim of the alleged sexual misconduct, filed a declaration in the US court stating that Wilson fabricated the claims, describing them as 'completely false and absurd'. The court subsequently threw out Wilson's bid to strike out the defamation suit, not accepting her lawyer's argument that under California's anti-Slapp laws, the accusations she had made against the producers of her The Deb constituted 'protected activity' and were a matter of public interest. That defamation case remains ongoing. After filing its lawsuit in the supreme court's equities division on Thursday, AI Film issued the following statement: 'These proceedings are regrettable but essential to ensure The Deb's timely release. It's a joyous, fun film, and we are sure that audiences are going to love it.' And MacInnes issued a second statement, saying: 'I love this film and I can't wait for it to be released … it would be wonderful if these proceedings can help make that happen.' Wilson's Californian legal team, Freedman Taitelman + Cooley, which is handling the defamation case, did not respond to the Guardian's request for comment. In its lawsuit filed this week, Giles George claims that on 5 January, Wilson's lawyer Bryan Freedman responded to correspondence by AI Film's legal team, saying that 'Wilson is currently in active discussions to outright purchase The Deb (the 'Film') and all associated rights and title'. The Freedman letter also threatened to 'pursue all claims and damages should Al Film or any agents acting on its behalf interfere with that business opportunity'. AI Film is alleging that Wilson's motivation behind her alleged undermining of distribution efforts, including making threats to seek an injunction against the film's release, was personal financial gain. AI Film's lawyers claim that on 6 June 2025, Wilson had a discussion with film distributor Kismet, who was bidding to secure the rights for the theatrical release of The Deb in Australia, during which she said words to the effect that she was supportive of Kismet as the Australian distributor of the film but while there was a legal case involving the film in the US she could not support the film's distribution and would seek an injunction if any attempts to distribute the film were made. Giles George alleges Wilson knew the legal proceedings in the US were not impeding the film's release, and knew the threat of injunction was against her and her company, Camp Sugar's, contractual obligations. But as evidence in Byran Freedman's correspondent to them in January, Wilson was delaying the film's release so that she could pursue the 'business opportunity' of buying all rights to the film outright. AI Film is seeking damages, a formal apology, corrective advertising and a permanent restraint on Wilson and her company making any further disparaging and incorrect claims relating to other companies and individuals involved in the making of The Deb, which have come to been know in legal circles as 'The Wilson Statements'.
The Independent
16 hours ago
- The Independent
How social media is helping the far-right spread fear and hate
At around 5.30pm on 7 July, Essex Police officers were called to the High Street in Epping after receiving reports that a man was behaving inappropriately towards a teenage girl. Hadush Kebatu, 38, an asylum seeker from Ethiopia, allegedly tried to kiss a schoolgirl as she ate pizza and he has since been charged with three counts of sexual assault. But news that he had only arrived in the UK eight days earlier via a small boat quickly took hold on social media, sparking a series of protests that turned violent and thrusting the historic Essex town into the heart of an anti-immigration row. What started as a group of locals voicing their grievances outside the Bell Hotel, which is believed to house asylum seekers, has now escalated into what has been described as a 'powder keg situation', with fears it could prompt a wave of riots across the country, similar to those seen last summer. In the past two weeks, prominent leaders in neo-Nazi groups and far-right organisations have been accused of exploiting the situation by pivoting demonstrations towards violence, with some demanding a 'national call for action'. Their weapon of choice? Social media, which the far-right have long been known to harness as a tool to spread fear and hate. Several right-wing activists have rebranded themselves as citizen journalists or political commentators, helping them accrue millions of followers in the UK and across the globe. Joe Mulhall, of the charity Hope Not Hate, said that is dangerous at a time when misinformation online spreads quickly and can whip up tensions. 'It's deeply concerning that a rumour or allegation can spread so quickly and take hold. Last year in Southport, misinformation from influencers like Andrew Tate spread like wildfire about the ethnicity and nationality of the perpetrator of the awful murders. 'When misinformation spreads, it can legitimise existing biases and as a rumour or allegation takes hold, things can quickly move offline.' Among those who have set up the private Facebook page Epping Says No, which advertises the protests, are three members of the group Homeland. Founded in 2023 after splitting from neo-Nazi group Patriotic Alternative, it has been described as the largest fascist group in the UK. This week, one of its prominent members has shared several videos of the protests on social media, and has called for future action, urging: 'If you live in an area that has a hotel occupied by asylum seekers, start organising.' Members of other groups, including former neo-Nazi terror group Combat 18, the British National Party and the Patriots of Britain, have also been spotted at the demonstrations. Mr Mullhall warned that with over-worked and over-stretched police forces, racist and anti-immigration rhetoric online can often fall under the radar. He said the UK 'needs to be ahead of the curve' to clamp down on this activity. 'Tracking these comments and the individuals responsible is tricky,' he said. 'The far-right are no longer divided into neat groupings but are instead thousands of people posting videos outside migrant accommodation, posting rumours and making comments online. 'Gone are the days when the police or social media companies can simply deplatform a particular group to resolve this issue.' Since Elon Musk 's takeover of X, formerly known as Twitter, the platform has changed significantly, with the Tesla founder reportedly tweaking its algorithms and removing its fact-checking mechanisms. This included turning the platform into a pro-Maga Trump echo chamber in the run-up to last year's US presidential elections, and reinstating previously banned figures such as Tommy Robinson and Katie Hopkinson. For Hope Not Hate, it has become a visible and concerning trend to see US figures commenting on UK politics and societal issues, boosting far-right voices, such as those of anti-Islam activist Robinson, who has hinted he will be in attendance at an Epping protest on Sunday. Mr Mullhall said: "The far right has changed dramatically and ironically, knows no borders. What we're seeing now is key figures emerging online. We're no longer looking at organisations but key people who emerge during a time of crisis. 'The far right is international, they move around and they move in pacts and trying to find any weakness. They have no formal leader; there's no single leader, it's like they're a group of fish that move around the internet exploiting situations. 'It is no surprise that we've seen a rise in far-right activity in the UK, US and Europe – these groups and ideas are interconnected.' Dr Karen Middleton, from the University of Portsmouth, who has been an expert witness in the UK government's inquiry into social media, misinformation, and harmful algorithms, said the recent protests in Epping were 'in many ways, a continuation of the riots from last year'. She said: 'Sensationalist and polarising content gathers more clicks, gathers more engagement, so there is a systemic incentive for spreading misinformation online.' She urged large social media platforms to go much further in addressing the spread of misinformation, but warned this was not about limiting free speech. 'This is about taking responsibility for published information that is online that goes to a large number of people, and is very often spread by people with high profiles,' she said. A spokesperson for the National Police Chiefs Council (NPSCC) said communities had a part to play in halting the spread of misinformation and urged people to 'carefully consider' what they read, share, and trust online to avoid stoking tensions. 'We would encourage the public to access formal authorities for accurate information. The spread of disinformation and misinformation by individuals or groups can significantly contribute to community tensions and has real-world implications. We all have a responsibility in this respect, and relevant criminal law applies to online actions,' they added. They also called on social media companies to be vigilant to the spread of false information and to 'ensure harmful content is detected, challenged and removed in a timely manner'.
The Independent
16 hours ago
- The Independent
Spacey told actor ‘don't worry about it' after alleged assault, documents claim
Kevin Spacey allegedly sexually assaulted a young actor at a party at The Savoy hotel and then told him 'Don't worry about it', court documents for the High Court legal claim suggest. Ruari Cannon is suing Mr Spacey as well as two organisations connected to the Old Vic Theatre in London, claiming he suffered psychiatric damage as a result of sexual and emotional abuse. The 33-year-old has waived his anonymity in the claim. In court documents seen by the PA news agency, Mr Cannon alleges that Mr Spacey, who was a 'powerful figure and a world-famous actor and celebrity' at the time, assaulted him in about June 2013, when he was 'a very vulnerable young man'. Oscar-winning actor Mr Spacey has previously denied allegations of inappropriate behaviour and wrongdoing, and details of his defence are not yet available. According to the documents, filed in June, Mr Spacey was working as artistic director at the Old Vic Theatre at the time of the alleged assaults on a production of a play by Tennessee Williams known as Sweet Bird Of Youth, and Mr Cannon was a member of the cast in this production. They claim that Mr Spacey 'took a particular interest' in Mr Cannon for 'reasons of sexual interest' and sent him a 'lavish' gift of a framed poster of the 1985 production of the play directed by Harold Pinter. After the press preview of the show on June 12 2013, Mr Cannon attended a party at The Savoy in London organised by The Old Vic Theatre Company (The Cut) and The Old Vic Theatre Trust 2000. It is claimed that one of the alleged assaults took place at the event. Setting out the allegations, Elizabeth-Anne Gumbel KC, for Mr Cannon, said: 'Kevin Spacey pulled the claimant towards him, turned him around through 45 degrees and placed his left hand on the claimant's buttocks and lifted up the recess material of his suit.' It is alleged that Mr Spacey then pushed Mr Cannon's underwear 'as far up' into his bottom as possible, 'so as to cause pain and distress'. Ms Gumbel added: 'Mr Kevin Spacey pulled the claimant closer to him and whispered into the claimant's ear 'Don't worry about it'. 'Mr Spacey made more uncalled for and unwelcome advances to the claimant during the evening.' The following day, Mr Cannon reported the alleged assaults to his stage manager at the Old Vic Theatre, but no action was taken. According to the documents, it is accepted that Mr Cannon did not ask for any action to be taken, and was scared about how any further action might affect his career. Later that year, during the run of the show, Mr Cannon saw Mr Spacey at the Old Vic bar. Mr Spacey allegedly said to him, 'I hear you have a dirty secret', and then said: 'Open up.' Ms Gumbel said: 'Kevin Spacey then forced open the claimant's mouth with his fingers and thumbs and commented 'quite a bad boy' before the claimant could pull away. 'The claimant then left the bar. The forcing open of the claimant's mouth was another assault for which Kevin Spacey was responsible and for which the second and/or third defendants were vicariously liable. 'Further in 2017 when the Old Vic set up a confidential complaints email on October 31 2017 the claimant reported the above complaint again to the Old Vic.' She added that the alleged assaults were carried out by Mr Spacey in the course of his work for the organisations connected to the Old Vic, and they are 'vicariously liable' for the alleged assaults carried out in the context of a theatre production.
