
Fazila and Kaiser's secret behind long marriage
Recently, Fazila and Kaiser appeared on a local channel's morning show where they spoke candidly about what makes a marriage last in today's world. Answering the host's question on making love last, Fazila commented on the ever-changing nature of love, saying that in the early stages of a relationship, "Love is accompanied by friendship, but when you have spent time with each other, a different kind of bonding develops."
She added, "Once kids come into the picture, a different kind of love evolves." According to her, the key to keeping love alive is "regard, and respecting each other's sacrifices," and valuing each other's commitment to spend life together through thick and thin.
The couple, who tied the knot in 1993, have two sons together, Ahmed and Zorain. Fazila further stressed the importance of personal space in relationships, saying, "Love is not you sticking to someone like a sticker and assuming everything will always stay the same way." She explained that love isn't about losing yourself in another person, but about understanding and respecting each other's individuality.
"We are not twins who are supposed to do the same kind of things," the Kashish actor said. "We are two different individuals who come from different backgrounds. We understood each other and changed ourselves."
On modern relationships
Fazila maintained that a "fake feminism" as evidenced by slogans like "Mera Jism Meri Marzi" has ruined many relationships.
Fazila's critique of the slogan "Mera Jism Meri Marzi" follows a pattern seen among several Pakistani celebrities who have publicly dismissed or misrepresented it. Actor Yasir Hussain, husband of host Nida Yasir, previously mocked Aurat March placards on social media, and Faysal Quraishi also criticised the slogan as "vulgar."
However, Aurat March organisers have consistently defended the slogan as a demand for bodily autonomy. Their Instagram account clarified that it "means an enforcement of a human right every individual is born with, but women, trans, and non-binary people are robbed of."
Joining the conversation, Kaiser compared a household to a country, saying that just as a country runs on its economy, a home depends on financial stability. He said that a man who provides well for his family naturally feels more protective and secure. "If another country looks at your country with an evil eye, then your country, or in this case, the establishment of the household, should be strong enough to defeat them."
Fazila has spoken previously about her relationship in a separate TV appearance, sharing that she manages all internal household matters, while Kaiser takes care of things outside. "The rule in our house is that I oversee all household matters, and Qaiser is not allowed to interfere," she said, laughing. She added that she sometimes advises him on his outside work, but she never listens when he tries to interfere in the house. She joked that while she is not a typical mother-in-law, Kaiser has a "hidden mother-in-law" inside him. Her daughter-in-law is slightly afraid of him, but shares a friendly bond with Fazila.
In another interview in 2024, Fazila spoke about the importance of care and sacrifice in marriages. "Everyone's become far too career-oriented," she insisted. "I'll remove gender here. What this does is that the one who has to sacrifice says, 'Why should I? You should sacrifice."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Express Tribune
21 hours ago
- Express Tribune
Tired of toxic love stories on TV?
There was a time when Pakistani dramas had heart, a lot of it. They were slice-of-life stories, the kind that made you laugh with your whole family and sometimes even made you tear up a little. Maybe it's the nostalgia talking, but those dramas had a magic that is hard to find now. Now, we're stuck in a loop. Most dramas are about a hot-headed guy with anger issues and a quiet, helpless girl he ends up "falling in love" with after slapping her mid-argument. You know the scene. She stumbles back, lands on a bed dramatically, and we're supposed to root for this romance. This template is, for the lack of a better word, slapped onto every channel. Of course, it's easy to blame writers or producers, but the truth is we keep watching. It seems we have an appetite for these tropes. If you think about it, why would they be made if an audience was not tuning in? But let's take a break from all that toxic romance and go back to a time when comedy dramas gave us something different. Colourful characters. Silly situations. And most importantly, they made us laugh. Here are six iconic comedy dramas that remind us of what we're missing: 'Annie Ki Ayegi Baraat' (2012) Part of the wildly popular "Baraat Series," this drama followed Annie, a London-returned girl, navigating her desi family's chaotic wedding preparations. And who can forget Bushra Ansari's magnum opus, Saima Chaudhry, who made this series what it is with her hilarious one-liners. 'Bulbulay' (2009) Pure chaos, in the best way. The dysfunctional family of Momo, Mehmood Sahab, Nabeel and Khubsoorat live in a world where nothing makes sense, but it's always funny. There is a reason this slapstick comedy is the longest-running Pakistani sitcom. 'Akbari Asghari' (2011) Before Fawad Khan became the full-package hero, he was Asghar. Loosely based on a classic Urdu novel, the show follows two sisters in arranged marriages to two very different cousins. The East-meets-West clash and sharp performances made it a comedy that felt fresh. 'Ankahi' (1982) Written by Haseeina Moin, this classic follows Sana, a quirky, ambitious woman trying to make it in the corporate world. The awkward charm, hysterical office dynamics, and iconic lines like "Kya aap waqai mein sanjeeda hain?" made it an unforgettable gem. 'Quddusi Sahab Ki Bewah' (2012) A cult classic that still goes viral every Ramazan, thanks to unforgettable characters like Wadood and Rooh Afza. It mixed absurd comedy with sharp social commentary and let's be honest, we might never see a drama like this again. Women playing poker, men in makeup and sarees, it was way ahead of its time. 'Guest House' (1991) Set in an Islamabad guest house run by the lovable Mr and Mrs Shameem, this sitcom gave us endless laughs with quirky guests and even quirkier staff, especially Jan Rambo. It's proof that we need to bring back proper Pakistani sitcoms. Let's make room for more stories that bring us joy, not all drama needs drama.


Express Tribune
21 hours ago
- Express Tribune
Bushra has no time for Indian bans
Behind the camera, Bushra Ansari may have played a bitter mother-in-law to Hania Aamir's Sharjeena in Kabhi Main Kabhi Tum last year, but away from the world of fiction, this screen veteran has nothing but warm words of praise for Pakistan's fresh-faced young star — particularly in light of Indian backlash following the release of Bollywood film Sardaar Ji 3. "Our Hania is so talented, I don't know why these Indians are so afraid of her and blocking the film just because she is in it," mused the Deemak actor on her YouTube channel Busy B!. "So what if they picked a Pakistani actor for their film? Is it really necessary for you to go blocking her?" Praising her younger co-star's work ethic, Bushra noted that Hania is a committed actor bringing her A-game to the table whatever the circumstances. "It doesn't matter whether she is shooting in the summer or winter, she is always there devoted to her shooting without any fuss," said the veteran in her usual matter-of-fact way, and added, "Whether or not someone is earning ten rupees or a ten-million rupees, it doesn't matter — work is work, summer is summer, winter is winter! She has that dedication, I've seen it in her." Hania's presence alongside Diljit Dosanjh in Sardaar Ji has meant that the Pakistani star has borne the brunt of Indian rage — a fact that Bushra could not overlook in her video message. Mincing no words, she continued, "To my Indian friends, I would say this: stop behaving like children [...] If they have invested millions in the film, why are you so threatened by this young girl? Are you afraid of her talent? You shouldn't be! You have enough of your own talent, and it doesn't matter if they cast a Pakistani star this one time!" Supporting this one instance of cross-border collaboration, Bushra had one final no-nonsense piece of advice for her Indian cohorts: "You should have some principles in life!"


Express Tribune
2 days ago
- Express Tribune
Tired of toxic love stories? Watch these Pakistani comedy classics instead
There was a time when Pakistani dramas had heart, a lot of it. They were slice-of-life stories, the kind that made you laugh with your whole family and sometimes even made you tear up a little. Maybe it's nostalgia talking, but those dramas had a magic that is hard to find now. Now, we're stuck in a loop. Most dramas are about a hot-headed guy with anger issues and a quiet, helpless girl he ends up 'falling in love' with after slapping her mid-argument. You know the scene. She stumbles back, lands on a bed dramatically, and we're supposed to root for this romance. This template is, for the lack of a better word, slapped onto every channel. Of course, it's easy to blame writers or producers, but the truth is we keep watching. It seems we have an appetite for these tropes. If you think about it, why would they be made if an audience was not tuning in? But let's take a break from all that toxic romance and go back to a time when comedy dramas gave us something different. Colorful characters. Silly situations. And most importantly, they made us laugh. Here are six iconic comedy dramas that remind us of what we're missing: Annie Ki Ayegi Baraat (2012) Part of the wildly popular 'Baraat Series,' this drama followed Annie, a London-returned girl, navigating her desi family's chaotic wedding preparations. And who can forget Bushra Ansari's magnum opus, Saima Chaudhry, who made this series what it is with her hilarious one-liners. Bulbulay (2009) Pure chaos, in the best way. The dysfunctional family of Momo, Mehmood Sahab, Nabeel and Khubsoorat live in a world where nothing makes sense, but it's always funny. There is a reason this slapstick comedy is the longest-running Pakistani sitcom. Akbari Asghari (2011) Before Fawad Khan became the full-package hero, he was Asghar. Loosely based on a classic Urdu novel, the show follows two sisters in arranged marriages to two very different cousins. The East-meets-West clash and sharp performances made it a comedy that felt fresh. Ankahi (1982) Written by Haeesina Moin, this classic follows Sana, a quirky, ambitious woman trying to make it in the corporate world. The awkward charm, hysterical office dynamics, and iconic lines like 'Kya aap waqai mein sanjeeda hain?' made it an unforgettable gem. Quddusi Sahab Ki Bewah (2012) A cult classic that still goes viral every Ramazan, thanks to unforgettable characters like Wadood and Rooh Afza. It mixed absurd comedy with sharp social commentary and let's be honest, we might never see a drama like this again. Women playing poker, men in makeup and sarees, it was way ahead of its time. Guest House (1991) Set in an Islamabad guest house run by the lovable Mr and Mrs Shameem, this sitcom gave us endless laughs with quirky guests and even quirkier staff, especially Jan Rambo. It's proof that we need to bring back proper Pakistani sitcoms. Let's make room for more stories that bring us joy, not all drama needs drama.