
Netflix and France's TF1 join forces as traditional TV struggles
Streaming giant Netflix and major French broadcaster TF1 have signed a deal to merge some of their services at a time when demand for traditional TV is slowing.
Starting in Summer 2026, all Netflix members in France will be able to watch TF1 channels and on-demand content from TF1+ directly on Netflix.
That includes dramas like Broceliande and soaps such as Demain nous appartient, as well as major live sports matches. These will soon be available alongside Netflix's own French-language offerings and its international series and films.
'This is a first-of-its-kind partnership that plays to our strengths of giving audiences the best entertainment alongside the best discovery experience,' said Greg Peters, co-CEO of Netflix, in a press release.
Rodolphe Belmer, CEO of TF1 Group, added: "I am delighted about this new partnership with Netflix, with whom we have already established strong relationships through ambitious co-productions in recent months."
TF1 and Netflix have already worked together on projects such as L'Agence and Tout le bleu du ciel.
Belmer continued: "As viewing habits shift toward on-demand consumption and audience fragmentation increases, this unprecedented alliance will enable our premium content to reach unparalleled audiences and unlock new reach for advertisers within an ecosystem that perfectly complements our TF1+ platform."
It's not yet clear whether Netflix paid an initial fee for the content, and the firms didn't disclose how they will manage subscription and advertising revenues.
TF1 is a free-to-air channel in France, meaning it relies on advertising income, even for its streaming services.
The TV network currently reaches 58 million monthly viewers through its broadcast channels and serves 35 million users on its TF1+ streaming service.
Through Studio TF1, the company also manages over 50 production companies and labels across France and international markets.
Airbus SE introduced a new dividend policy on Wednesday, increasing the amount it intends to pay to shareholders in the future. The firm increased its new dividend payout ratio limit from 40% to 50% of the share of profits, bringing the new payout range to 30%-50%.
Airbus also hinted at the possibility of paying out a special dividend and introducing share buyback programmes.
The planemaker and defence company also said that it would maintain its long-term cash conversion target, a measurement of the firm's efficiency in converting its profits into cash.
'Airbus will reaffirm its commitment to profitable growth and its cash conversion target of around 1 over a 5-year horizon,' the company said.
Airbus' share price increased by 3% by around 11.00 CEST, following the announcement.
The company's statement comes at a time of global trade uncertainty and supply chain disruptions.
Airbus set a goal of handing over 820 aircraft this year. Ongoing supply chain issues slowed the deliveries in the first months of 2025, but Christian Scherer, CEO of the company's core planemaking business, said that Airbus remains "cautiously hopeful" about meeting its 2025 target.
Meanwhile, Airbus' defence business is thriving.
With the EU preparing a significant defence budget increase, the firm is expecting its military helicopter orders to grow by 50% between 2023 and 2025. Airbus is also developing a drone portfolio, aiming to become a market leader in this segment.
Airbus started this week at the Paris Air Show, announcing new orders from Saudi Arabia and Poland. Airbus also recently signed a framework agreement with the French military for purchases of navy drones, and secured another deal with Singapore to deliver military helicopters.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


France 24
2 hours ago
- France 24
Lyon owner Textor to take step back from running club after relegation to Ligue 2
"Our success on the pitch has not been matched by our success off the pitch," Textor told AFP in relation to Lyon's plight despite them finishing sixth in Ligue 1 in the season just finished to qualify for Europe. Textor runs Lyon in his role as president of Eagle Football, the group which owns several clubs including Brazilian champions Botafogo. But he admitted that his efforts to reduce Lyon's debts and solve their problems have not been enough to convince French football's financial watchdog, known as the DNCG. He therefore now plans to let others take charge of the club's appeal against their relegation, which was announced last Tuesday. "I am going to pull back from this process. We have some people, some partners that are going to take the step forward," he told AFP in Philadelphia following Botafogo's 1-0 defeat to Palmeiras in the Club World Cup on Saturday. "I am an owner. If I had a coach go into a game five times in a row with a bad tactical plan I'd fire him. "As the majority owner of Eagle Football I am clearly not getting it done at the DNCG so we are going to put some different faces in play, and we are going to work very constructively with the DNCG." Textor has just agreed a deal to sell his 43 percent stake in English Premier League club Crystal Palace to New York Jets owner Woody Johnson. The BBC reported that Johnson, a former US ambassador to the United Kingdom, would pay £190 million ($255 million) for the shares. Textor, who bought Lyon in late 2022, believes that money can be reinjected into the seven-time French champions to help their case. Explaining his decision to step back from Lyon, Textor said he felt his "weird" ideas were being misunderstood. "I am the capitalist that shows up with a bunch of weird creative ideas and I don't understand why they are not understood there, and that is hurting the club," he said. "So I know we are going to put some more capital into the equation, we are going to argue for the case we already made, we are going to do it respectfully." Lyon announced on Friday that they had reached an agreement with European football's governing body UEFA to enable them to play in next season's Europa League, provided an appeal against their relegation succeeds. "There is no solvency or sustainability issue with us –- we just cleared the UEFA financial sustainability review," Textor added. "I am very proud of our on-pitch success. We had a relegation squad when I took it took care of the banks, we stabilised the club, we got them back into Europe, and then administratively we get sent down. "It's a pretty odd world for me." © 2025 AFP


Fashion Network
2 hours ago
- Fashion Network
Hermès: Summer in the city
"Hot town, summer in the city," were the lyrics to B.B. King's greatest classic, and the leitmotif of an insouciantly chic Hermès collection staged on a steamy Saturday in Paris. See catwalk Presented inside the Conseil de Surveillance, a temple to French 1930s Rationalist architecture, a beautiful building sadly devoid of air conditioning. So much so, the cast looked the coolest people – literally and figuratively – at this show. An airy collection, where trousers were made of leather lattice material, and cardigans in knitted leather. Half the shirts had openings, inserts or little fabric windows, 'latticed with light and air,' in the words of Hermès designer, Véronique Nichanian. Lightness in leisure, with striking new proportions - wide pants and short jackets – and a huge sense of ease. 'It's about a guy being cool in the city, and the sense of the wind blowing through it,' added Nichanian. She opened with surgical smocks or Henleys – in second-skin calfskin, all worn with a new fringed foulard. Not a tie anywhere. Then played around with multifunctional garments – chemise jackets or safari/parkas. When she did work with exotic skins, she used them in hunters gilets. Her leather sandals full of slits; her flip flops were trimmed with rope. Over a dozen guys carried huge, big bags, totes, weekenders or sailor keep-alls. See catwalk 'I love a great big bag, since I am a tiny one,' laughed the diminutive, but always dynamic designer. Big deep bags made in canvas and leather, or finished in prints of show jumpers or a dancing monkey, 'just for fun, as we need a little more these days.' After last season, when she stunned Hermès veterans with a squadron of shorts, Nichanian this time abandoned them completely, just when every second menswear collection had multiple short pants options. She made it her much admired understated palette of putty, string, vanilla, dust and coffee, and produced in the finest fabrics available, there is no better statement of easy elegance in menswear today than Hermès. The opening lines of King's classic tune rhymes: 'Hot town, summer in the city. Back of my neck getting' dirty and gritty.' Nothing could be further from that chez Hermès, thanks to these excellent clothes.


Fashion Network
8 hours ago
- Fashion Network
Hermès: Summer in the city
"Hot town, summer in the city," were the lyrics to B.B. King's greatest classic, and the leitmotif of an insouciantly chic Hermès collection staged on a steamy Saturday in Paris. See catwalk Presented inside the Conseil de Surveillance, a temple to French 1930s Rationalist architecture, a beautiful building sadly devoid of air conditioning. So much so, the cast looked the coolest people – literally and figuratively – at this show. An airy collection, where trousers were made of leather lattice material, and cardigans in knitted leather. Half the shirts had openings, inserts or little fabric windows, 'latticed with light and air,' in the words of Hermès designer, Véronique Nichanian. Lightness in leisure, with striking new proportions - wide pants and short jackets – and a huge sense of ease. 'It's about a guy being cool in the city, and the sense of the wind blowing through it,' added Nichanian. She opened with surgical smocks or Henleys – in second-skin calfskin, all worn with a new fringed foulard. Not a tie anywhere. Then played around with multifunctional garments – chemise jackets or safari/parkas. When she did work with exotic skins, she used them in hunters gilets. Her leather sandals full of slits; her flip flops were trimmed with rope. Over a dozen guys carried huge, big bags, totes, weekenders or sailor keep-alls. See catwalk 'I love a great big bag, since I am a tiny one,' laughed the diminutive, but always dynamic designer. Big deep bags made in canvas and leather, or finished in prints of show jumpers or a dancing monkey, 'just for fun, as we need a little more these days.' After last season, when she stunned Hermès veterans with a squadron of shorts, Nichanian this time abandoned them completely, just when every second menswear collection had multiple short pants options. She made it her much admired understated palette of putty, string, vanilla, dust and coffee, and produced in the finest fabrics available, there is no better statement of easy elegance in menswear today than Hermès. The opening lines of King's classic tune rhymes: 'Hot town, summer in the city. Back of my neck getting' dirty and gritty.' Nothing could be further from that chez Hermès, thanks to these excellent clothes.