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Author Liam McIlvanney longlisted for book prize named after his father

Author Liam McIlvanney longlisted for book prize named after his father

The writing duo Ambrose Parry, consisting of Chris Brookmyre and Marisa Haetzman, also makes the longlist.
The accolade recognises excellence in Scottish crime writing and is named in memory of William McIlvanney, often described as the godfather of tartan noir.
Writing duo Ambrose Parry, comprised of Chris Brookmyre and Marisa Haetzman, are on the longlist (Bob McDevitt Photography/PA)
The list features five authors who organisers say got their first big break when they were shortlisted for the Bloody Scotland Debut Prize.
Callum McSorley was shortlisted for the debut prize in 2023 when he went on to win the main McIlvanney prize, while Tariq Ashkanani and Allan Gaw have both won the debut prize – in 2022 and 2024 respectively.
Heather Critchlow and Daniel Aubrey have both previously been shortlisted for the debut prize.
Festival director Bob McDevitt said: 'Supporting new writers is at the heart of Bloody Scotland and it is great to see so many authors graduating from the debut shortlist to the main prize and slugging it out with more established names.
'I'm glad I don't have to pick a winner from this excellent crop of crime novels.'
The winner of the prize will be announced on the opening night of the Bloody Scotland International Crime Writing Festival in Stirling on September 12.
The longlist was chosen by a panel of booksellers, librarians, broadcasters and bloggers.
DV Bishop, who originally won Pitch Perfect at Bloody Scotland in 2018, is one of only two authors who appears on the longlist for the second year in a row.
Douglas Skelton, who has now been longlisted for the prize six times, also appeared on the longlist last year.
– Works and authors named on the longlist
Whispers of the Dead by Lin Anderson
The Midnight King by Tariq Ashkanani
The Dying Light by Daniel Aubrey
Carnival of Lies by DV Bishop
Unsound by Heather Critchlow
The Moon's More Feeble Fire by Allan Gaw
The Good Father by Liam McIlvanney
Paperboy by Callum McSorley
The Good Liar by Denise Mina
Gunner by Alan Parks
Death of Shame by Ambrose Parry
Midnight and Blue by Sir Ian Rankin
A Thief's Blood by Douglas Skelton
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River City's Jimmy Chisholm back on stage in new Fringe play
River City's Jimmy Chisholm back on stage in new Fringe play

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  • Scotsman

River City's Jimmy Chisholm back on stage in new Fringe play

Jimmy Chisholm, fresh from his demise in River City, returns to his first love – theatre – in a new absurdist comedy at the Fringe. He tells Chad Maxwell about starring in a soap and sharing a lift with Mel Gibson Sign up to our Scotsman Money newsletter, covering all you need to know to help manage your money. Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... There would have more than a few River City fans shedding a tear or two following the death of one of their favourite characters Sonny Caplan, the 'silver fox' of Shieldinch, who died in the arms of his on-off love interest Maggie McLean in an episode aired last week. Sonny was a loveable rascal and a chancer, but he will be sorely missed by his fans. 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There is no doubt that Chisholm will secure TV appearances in the future. He has been so much in demand that he holds the record for guest appearances in Taggart. As Chisholm puts it: 'I've been killed more times in Taggart than anyone else!' But for now, the theatre's the thing once again as he looks forward to playing in John McColl's Hingin' Oan Fir Googsie. Chisholm regards it as a real treat to be back in a small Fringe venue. We suspect audiences will feel the same.

Unpacking Edinburgh International Festival's seat-of-the-pants finances
Unpacking Edinburgh International Festival's seat-of-the-pants finances

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Unpacking Edinburgh International Festival's seat-of-the-pants finances

PA Sign up to our Scotsman Money newsletter, covering all you need to know to help manage your money. Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... On the top floor of an unmarked building on the Royal Mile, staff at the Edinburgh International Festival (EIF) are busy fielding calls and discussing logistics as the weeks tick down to the opening night. The year-round work done here to create the Scottish capital's globally renowned celebration of the performing arts, which kicks off tonight, remains out of sight most of the time. Advertisement Hide Ad Advertisement Hide Ad Instead, much of what the public understands about Edinburgh's festivals – of which the EIF is the jewel in the crown – tends to be informed by the state of public funding for the arts or the evaporation of corporate sponsorship in the wake of Baillie Gifford's withdrawal from book festivals across the UK. Yet every year the expectation among Edinburgh's ticketed classes is that the EIF keeps carrying on - somehow. On the surface, it does. Among highlights in this year's festival is the return to the Scottish stage for the first time in a decade of Dundee-born actor Brian Cox as the 18 th century economist Adam Smith in a play about former RBS boss Fred 'The Shred' Goodwin. But - to borrow the play's title - what does it actually take to make it happen? To say that the EIF flies by the seat of its financial and artistic pants would be an understatement. 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Chappell Roan in Edinburgh 2025: How to get back to Glasgow
Chappell Roan in Edinburgh 2025: How to get back to Glasgow

Glasgow Times

timean hour ago

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Chappell Roan in Edinburgh 2025: How to get back to Glasgow

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