
All signs Denise Richards and Aaron Phypers would divorce from lesbian affair rumors to THAT chilling threat
Though the pair managed to stay married for six years, their relationship was marked by turbulence and a string of eyebrow-raising moments, many of which played out in front of Real Housewives of Beverly Hills cameras.
One of the most unsettling incidents occurred when Phypers, 52, was caught on camera threatening to crush Richards' hand — a chilling moment that hinted at deeper issues behind the scenes.
The threatening remark toward Richards came after she was confronted by her former co-stars Kyle Richards and Teddi Mellencamp about not trusting her kids around them.
After the moment aired, Richards, Mellencamp, and Erika Jayne took to Twitter to react to Aaron's shocking words.
'Wait! What did he just say??,' tweeted Jayne to her 474,300 followers, which Richards and Mellencamp also shared on their accounts.
To give even more specificity to her tweet, Jayne reposted a captioned clip of Phypers saying he was 'gonna crush [Denise's] f**king hand.'
During Richards' BBQ, Richards felt she was being attacked for not bringing her children, Sami, Lola and Eloise, to the event.
But she had earlier told her castmates she did not like the way they discussed salacious stories near her girls, and it upset her that they cited her history of sexy film roles as a reason she shouldn't mind.
During the barbecue, Phypers tried to defend Denise to the women, but every word he said came off as tone-deaf and inflamed matters further.
Denise decided to leave the lunch, clenching Aaron's hand and repeatedly telling him, 'Baby don't say a word—we're on the camera. Don't say a f***ing word.'
'Don't tell me what to f***ing say,' Phypers muttered back at her through clenched teeth, as several of her castmates chased after them.
'I don't want you to leave my home like that,' yelled Richards as Aaron replied, 'Well, s*** happens.'
Months after the episode aired, Richards addressed the concern over the tense exchange during The Real Housewives of Beverly Hills with Andy Cohen.
The pair discussed the moment after Cohen told her he received 'a lot of questions about' about it.
'Denise, what was going on there? I believe he said he was going to crush your hand,' the host asked.
Richards confirmed: 'Yeah, he was going to crush my hand.'
'I did, um, because I didn't even know that either and I played it for him and he said, "I don't even remember saying that. I don't know why I would say that, because I'm afraid of you."'
Andy then questioned why Phypers would be 'afraid' of her.
'No, it's in a joking way,' she said while breaking a smile.
Despite her attempt to put an end to the backlash over Phypers' comment, her co-stars voiced their disapproval.
'Zero tolerance,' Sutton Stracke said. 'Zero. Unacceptable.'
Garcelle Beauvais stated: 'I didn't hear it on the show, but I saw it on social media and that's when I was like, "Oh my God!' And I was, you know, I was worried."'
Phypers filed for divorce on Monday in Los Angeles, according to court documents, obtained by DailyMail.com.
He noted that the date of separation from the 54-year-old actress was July 4.
The cause for the split was marked 'irreconcilable differences' and Aaron is seeking spousal support from Denise.
Although the two do not share any children, he was a stepfather to her daughters Sami, 21, Lola, 19, and Eloise, 13.
The two also suffered relationship drama in 2020 when Denise was romantically linked to Brandi Glanville, a fellow cast member on The Real Housewives of Beverly Hills.
Glanville claimed the affair took place, even alleging that Phypers was aware and accepting of the situation, but Richards consistently refuted these claims.
A year later, Richards' daughter Sami, who was still a minor at the time, claimed she moved in with her dad Charlie Sheen to escape an 'abusive household.'
At the time, she described living with Richards and Phypers' home as a 'hell house.'
The last time Phypers appeared on his now-estranged wife's Instagram was back in April.
A month later, they made their final red carpet appearance.
The two wed in September 2018 in Malibu.
The wedding ceremony was filmed for The Real Housewives of Beverly Hills.
Guests at the wedding included Rebecca Romijn and Jerry O'Connell as well as fellow Housewives stars Lisa Vanderpump and Camille Grammer.
She wore a strapless Mark Zunino wedding dress embroidered with flowers as she held a bouquet with white and pink peonies. The bride walked down the aisle to Metallica's Unforgiven. Phypers dressed in dark jeans and a white button-down shirt.
Phypers and the actress started dating in 2017, and got engaged in January 2018.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
10 minutes ago
- The Sun
Toni takes savage dig at ex Harrison as she moves on with new man in dramatic Love Island recoupling
LOVE Island's Toni got revenge on ex Harrison in tonight's dramatic recoupling. The American beauty decided to couple with bombshell Cach instead of sticking with Harrison, while he opted to partner with Lauren upon his return to the main villa. 4 4 There was no love lost between the exes, who had had a tumultuous time before the villa was separated into two for Casa Amor. Toni said she felt "sick to her stomach" before picking Cach. "For the first time during this process I'm putting my own feelings first," she added. Taking aim at Harrison, she then said, "maybe he shouldn't have ruined my birthday" referencing Harrison's kiss with Helena on her big day. Harrison stepped out with new girl Lauren and told Toni she looked happy before complimenting her new man. He said he had a spark with Lauren that was missing with Toni, to which his ex responded: "It's life, hey… I can't wait to hear your recoupling speech." There was then a bit of needle between Cach and Harrison after the former said Toni was now in a more "mature boundary". Harrison hit back: "What does that mean?" Viewers fear Cach might be using Toni, though, and fear she could be left heartbroken. "This dude with Toni sounds a bit desperate," said one person on X after watching Cach get to know her. Love Island star Dejon's colleague claims he's on the show to win it saying 'he's 'just there to secure the bag' "I feel like Cach is just saying anything," added a second. "I'm not sold on toni & cach, but anyways, go off," penned a third. However, he now has the chance to change their minds, having made it into the main villa. 4 4


The Guardian
13 minutes ago
- The Guardian
Small screen, big investment: TV episodes have become way too long
The big debate over The Bear – apart from the one about whether it's still any good or not, which is another matter entirely – regards its genre. Once the darling of the Emmys, The Bear initially called itself a comedy, despite not really having any jokes or levity or fun in it. And this was down to some bad maths about its duration. The Bear was a half-hour show, and sitcoms are half-hour shows, therefore The Bear must be a sitcom. However, in its fourth season, The Bear was no longer a half-hour show. Of its 10 new episodes, none are less than 30 minutes long. True, one is 31 minutes and three more scrape in under 35 minutes. But one is 38 minutes long, two more stretch on for 40 or more, and one somehow manages to be one hour and 11 minutes long. Now, it's important that we shouldn't only pick on The Bear here. Plenty of shows are at it. Netflix's new Lena Dunham series Too Much is equally elastic when it comes to runtimes, with episodes lasting anywhere between 31 and 56 minutes long. And then there's Stranger Things, which ballooned from an average runtime of 50.6 minutes in season one to 86.8 minutes in season four. And it's only going to get worse. From all the chatter about the upcoming final season of Stranger Things, it sounds like you should reasonably expect to die of old age at some point before the end of episode four. In a way, this was to be expected. The death of scheduled linear television means that programmes no longer have to staunchly adhere to set runtimes. A sitcom no longer has to be exactly 22 minutes long, because it doesn't have to duck out of the way for mandatory ad breaks and wrap up so that everyone can watch the news. At first, that was considered a good thing. For once, creativity got to trump commerce. Writers and producers were finally able to tell the stories they wanted to tell, with no concessions to be made to schedulers or advertisers. It meant that we, the viewers, were being gifted uncut, unfiltered access to the minds of the greatest storytellers known to man. What a treat. Except now it is starting to become increasingly apparent that the minds of the greatest storytellers known to man might benefit from the service of a good editor. Although they're free to make episodes of any length they like, that almost universally means that they're going to be longer, not shorter. This isn't necessarily a good thing. There's a reason why Unbreakable Kimmy Schmidt started to suffer in quality as it went along. The first (best) season was initially made for NBC, and so it was tight and fast and broadcast-ready. Subsequent seasons were made for Netflix and, although episodes only gained about five minutes extra each, those five minutes were full of weaker jokes that would have almost certainly been cut for time. And that's just five minutes. At least one new Stranger Things episode is rumoured to run over two and a half hours. It sounds absolutely exhausting. Especially if, like a lot of us, you're quite time-poor. On an average evening, once dinner has been cooked and plates have been washed up and the children have finally been wrestled to bed, you might only have a maximum of two hours to watch everything you want to watch before you need to sleep. And with that in mind, it's hard to see these extended runtimes as anything other than robbery. There are so many brilliant things to watch at the moment, but we can't watch everything we planned because The Bear has decided to make a meandering, plot-free 70-minute wedding episode. Already I'm planning to carve up Stranger Things like a frozen meat raffle and dole it out in pieces over the course of a couple of months. It's the only way I'll survive it. Please, creators, I'm begging you to stop the bloat. It's something that The Bear especially should remember. The greatest episode it ever made – the one that initially put it on the map as a force to be reckoned with – was Review, the penultimate episode of season one. Filmed in a single claustrophobic take, it was a masterpiece of escalating tension. And it was only 21 minutes long. Those 21 minutes contained more action, more character work, more story, than this season's 71-minute slogathon. This is the direction we should be heading in: tighter, less fatty, more exciting. Throughout season four, The Bear repeatedly cut to a sign reading 'Every Second Counts'. It's time it started taking its own advice.


The Independent
39 minutes ago
- The Independent
'Superman' brings a message of hope to a cynical world
Superman might do more than just save Metropolis — filmmaker James Gunn hopes the beloved superhero will bring hope to a cynical world. 'Everybody's gotten so cynical and ironic," said Gunn. 'Everybody's ironic about everything all the time. And he (Superman) is a good-natured guy who wants to be kind. And when you see the world through Superman's eyes, everyone is beautiful.' 'Superman,' which flies into theaters nationwide Thursday, is a bit of a change in tone for the writer and director who brought a mischievous playfulness and snark to the chaotic worlds of 'Suicide Squad' and the 'Guardians of the Galaxy.' But this wasn't some fringe misfit: It's Superman. And a certain amount of optimism was necessary. The Man of Steel has been a symbol since he first appeared in 1938 among the technicolor pages of Action Comics #1 as a baby from the planet Krypton sent to Earth as a last resort to save him from his planet's demise. In the 87 years since, various iterations of Superman have graced countless comic books, animated series and live-action television shows and films, many focusing on the hero's origin story. Through Gunn's lens, audiences meet a Superman three years into his self-appointed journey to save anyone in need of help. Superman has reached a point where he must confront what it means to do good and seek justice in a complicated world where many, especially the infamous Lex Luthor, question his intentions. 'We get to really discover what are his flaws, what are his opinions, what are his ideals. I think we get a very intimate look at his relationship with Lois. I also think that it's a bigger movie than it's ever been told with Superman before,' Gunn said. Gunn's vulnerable Superman is someone simply wanting to make the world a better place in an attempt to be accepted by his adopted homeland. He quickly learns that despite his super strength and metahuman abilities, he cannot do it all on his own. David Corenswet said in recent interviews that Gunn's first instructions to him were to 'work on his shoulders and his vulnerability.' Rather than transform into Superman, leaning into his own humanity and inner self is what led Corenswet to find the character. 'Any fantasy I had of transforming into this character sort of got dashed by James' desire, I think, for me to bring a little more of myself to the role,' Corenswet told The Associated Press. Meet the Justice Gang The themes resonated with many of the actors on and off screen. Actor Isabela Merced, who portrays Hawk Girl, says watching the film before its release gave her a sense of hope after a challenging week of consuming news stories. 'Perfect timing, I think. This film is speaking on history. I mean, you could apply this to many historical events, but I think it's really amazing. It's really amazing that this movie is coming out and has a great message behind it," Merced said. "I was really relieved when I watched it. I was having a terrible week, consuming way too much real media and watching this made me feel really light and happy and at least hopeful." While Edi Gathegi, who plays Mister Terrific, says the film is a 'meditation on the human spirit.' 'Whatever problem that you're going through, you can attack," Gathegi said. 'If it's a big societal issue or interpersonal issue, you have the power to deal with the problems that you can deal with.' Merced, Gathegi and Nathan Fillion, who plays Green Lantern Corp member Guy Gardner, round out the upcoming members of the Justice League, playfully referred to in the film as the Justice Gang. But don't hold on to that label; it's still a working title among the characters. Superman's acts of heroism are never isolated throughout the film. The Man of Steel is accompanied by his superdog Krypto, the Justice Gang, Metamorpho or Lois Lane and the team of journalists at the Daily Planet. Kent's job at the paper isn't just a title either: Journalism gets its own spotlight in the fabric of the film. Power of the Press Gunn doesn't just focus on Superman's humanity but highlights the importance of truth and the power of journalism to fight against injustice. 'James' intentional focus on the importance of journalism and journalistic integrity in this film is potentially more important now than it has been," Brosnahan said. 'One of the joys of stepping into this has been understanding in a deeper way what you all do and the ways in which you put yourselves on the line in pursuit of the truth, and it's been an honor to step into that.' Beck Bennett, who plays reporter Steve Lombard, says it was nice to see the Daily Planet journalists help the superhero go up against the villain. 'They are exposing some truth so that people can get the truth and turn on the person who is actually doing them harm," Bennett said. "It's really cool to see that. I think that could be exciting for younger people who might want to be journalists to be like, 'Wow, they do have this power. They are superheroes.'' Skyler Gisondo, who plays Daily Planet reporter Jimmy Olsen and best friend to Clark Kent, says the scenes in the newsroom felt as high stakes as the action sequences. 'Reading the script, you have a sense that the work that we're doing is just as important as the action itself,' said Gisondo. One real journalist makes a cameo in the film: news correspondent Will Reeve, son of Christopher Reeve, who played Superman in the 1978 film. Reeve said that the message of hope from the early film is one that still reigns true today from his father's legacy. 'The fact that my dad and his character and then his subsequent personal story resonated and perhaps inspired maybe billions of people around the world," Reeve said. "That means a lot to me, and I think that has a lot with what Superman is and represents as a character.' For actor Wendell Pierce, who plays Daily Planet editor-in-chief Perry White, superhero films like Superman are more than just a fun pastime for comic book fans. They bring a sense of optimism in troubled times and a feeling that even the everyday person has the power to create change. ' People want to feel empowered," Pierce said. "They want to feel as though they can make a contribution in some way and change the dynamic to change this dysfunctional paradigm. And so we turn off the lights and go into a small theater because we want to see collectively, decide what our values are and who we are, where we've been, where we've failed, where we can triumph. But ultimately decide what our values are and walk out of the theater and act on those.' ___ Sian Watson in London contributed to this report.