
Birds send 'sign' in 'beautifully iconic' moment at Mike Peters' funeral
Later, in the cemetery, a robin alighted near Mike's graveside. In Celtic mythology, the robin was a symbol of passion as well as new beginnings - they were believed to bring messages of hope and rebirth.
Mourners flew in from the USA and around the world for the moving and eloquent service at St Bridget and St Cwyfan Church. Some 24 speakers offered tributes, memories and music during the almost two-and-a-half-hour service.
There were tears but also plenty of laughter as friends and relatives remembered a life well lived. At one point, heads turned when a bird fluttered over the altar and landed on one of Mike's guitars. Perched next to Mike's widow Jules and her two boys, it remained almost motionless for quite some time, as if listening to the service.
Dozens of the 7,000 people watching a live stream took it as a 'sign'. One viewer wrote online: 'When a bird appears, a loved one is near. The bird is Mike Leslie Peters getting a final wish to say goodbye to everyone here today.'
Another said it was a 'beautifully iconic' moment. The bird was thought to be a Dipper, perhaps visiting from Dyserth's famous waterfall next to the church. A third person added: 'I like to think that is Mike letting us all know he is with us all.'
The rock star, frontman of North Wales band The Alarm, died on April 29 from blood cancer at the age of 66. He'd been diagnosed with chronic lymphocytic leukaemia more than 30 years earlier.
Jules, 58, and sons Dylan, 21, and Evan, 18, were applauded by hundreds of fans as they walked into the church, with his wife clutching a single red rose and his youngest son carrying his father's ashes. Join the North Wales Live WhatsApp community group where you can get the latest stories delivered straight to your phone
Around 150 guests attended the emotional funeral service, including James Chippendale, the co-founder of the Peters' charity, Love Hope Strength, which aims to raise awareness and funds for those fighting cancer.
Mr Chippendale, who travelled from Mexico for the funeral, told PA News the celebration of his life was 'very, very Mike Peters'. He said: 'A little bit grungy, a little bit long, a little bit funny, a little bit sad, great music, and it just couldn't have been a more perfect ending. I think he would have been laughing his ass off.'
During a string of heartfelt eulogies Danny Cohen - Mike's son Dylan's godfather - said Mike's energy was superhuman. Andy Labrow, The Alarm's tour manager, remembered discussing politics, faith and music with Mike.
Andy said Mike felt like his brother from another mother and 'we never had a crossed word.' He added: 'I never thought I'd say that about a Man Utd fan,' to laughter from the audience.
Weatherman Derek Brockway remembered a walk he went on with Mike from Gwaenysgor to Prestatyn. He said 'Mike may have been an international rock star but he never let fame go to his head. Mike was one of the nicest people you could wish to meet.'
And in another eulogy, Sean Taylor, Zip World founder and friend, said: 'He was the most positive guy I have ever met in my life. He honestly truly thought he was going to get through this (last illness).'
Plaid Cymru leader Rhun ap Iorwerth paid tribute to everything Mike had done for Wales. 'Thank you for celebrating that Welshness that binds us together.'
Dafydd Iwan, who sang Yma o Hyd, called Mike 'a very inspiring man'. He said: 'I can't believe there has ever been such a collection of eulogies so beautifully expressed.'
One of the most moving parts of the service, which lasted just under three hours, came when tenor Rhys Meirion, who has had his own health issues and only had an operation ten days ago, sang Anfonaf Angel. Another emotional moment came when Mike and Jules' son Evan played Oasis's Wonderwall.
At the end, mourners were asked to pause in the church and on the road outside while the Peters family laid Mike, whose ashes were in a casket, to rest in the churchyard.
A celebration of his life was then held in The Red in Dyserth where Mike had performed only last December. Sign up for the North Wales Live newsletter sent twice daily to your inbox

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Daily Record
33 minutes ago
- Daily Record
King Charles' former gardener shares tribute to the late Queen within Balmoral gardens
Queen Elizabeth has a hidden tribute within Balmoral's new gardens - and it has a sweet nod to Scotland. King Charles former gardener has lifted the lid on the secret tribute the monarch paid to his late mother Queen Elizabeth within Balmoral's new gardens. It comes as they enter their final couple of weeks of being open to the public. King Charles and Queen Camilla will soon spend their summer in Scotland. The Balmoral estate, located in the Highlands, has been the Scottish residence of the royals since the 1800s and is where the Royal Family often spend the Christmas period. It was a beloved spot particularly by the late Queen Elizabeth, who passed away in 2022, and it's also a place King Charles spent much of his childhood. The grounds have been open to the public since last year but the castle gardens have been newly renovated with a Thistle maze, the Celtic maze garden, as well as a generous array of topiary, trees and shrubbery. And Jack Stooks, who worked as a senior gardener at Highgrove for King Charles for over two decades, reveals why the designs have such a personal touch. Speaking on behalf of Slingo, Jack Stooks reveals that The mazes feel like a reflection of Charles' childhood. He explained, "Mazes are very special to Charles as he used to love playing in the maze at Sandringham when he was young. His grandmother, the late Queen Mother, used to speak fondly about her memories of him in the maze and how much he loved the topiary. "It's likely Charles wanted to bring some of the nostalgia of his childhood back to the Balmoral gardens and make it a place of fun and excitement for future generations. Balmoral was also a very special residence for the Queen, so Charles will want others to enjoy a place that was so special for his mother. It's like a tribute to her." Jack explained that Charles is heavily involved with planning, especially as he has a passion for gardening 'Charles has an amazing work ethic and he's very hands on. I remember doing some topiary pieces for him in Scotland with two yew trees that resided in the vegetable garden. I did a drawing and suggested finishing the top with the Prince of Wales feathers. The drawing came back with a handwritten note from Charles that praised the design but suggested swapping the feathers for a cone. He takes the time to consider these things, and it helps that he has a love for gardening and greenery.' The gardens at Balmoral are a present for future generations, says Jack. 'Now Balmoral is open to the public, Charles wants to make the grounds as inviting as possible for everyone. He wants to make it a place that's exciting for future generations too. The grounds are quite bare as it's cold for much of the year, but the topiary in the mazes have an evergreen appeal. Plus, they've included thistle within the topiary as a proud nod to Scotland. Despite being English, Charles knows how important it is to pay tribute to Balmoral's rich history in the Highlands.'


The Herald Scotland
3 hours ago
- The Herald Scotland
Dick Gaughan deserves every moment of his newly restored reputation
'I'd heard of people doing that before,' Barbara said on Anna Massie's BBC Radio Scotland programme, Travelling Folk, 'but I couldn't believe my eyes.' The man who was so intent on watching Gaughan's renowned guitar technique, was, she added, 'a real geek, obviously a Dick Gaughan fanboy'. And whoever he was, he was far from being the last person to be bewitched by Gaughan's outstanding work on the acoustic guitar. Dick, now 77, is one of Scotland's most renowned musicians. The power of his live performances has long been recognised. As the Glasgow Herald remarked, back in 1989: 'It is impossible to listen to Dick Gaughan and remain unaffected by his work; he is a performer of such unremitting force, such devastating persuasiveness, and an orator of considerable weight … In everything he says, in every song he sings, Gaughan preaches humanitarianism.' Read more: A few years later, a Guardian review noted that Gaughan took no prisoners: 'his songs of the dispossessed were delivered with the electrifying passion of a zealot, cutting through any Aran-sweatered Celtic twilight mist like a Stanley knife at a rave … Those who welcomed a return to social realism in pop with Bruce Springsteen's depressive The Ghost of Tom Joad, should seek out Gaughan's blast-furnace performances to hear how music from the gut really sounds.' When he was inducted into the Scottish Traditional Music Hall of Fame Gaughan was described as Scotland's 'most passionate troubadour, a singer and guitarist whose performances both burn with a fierce conviction and smoulder with equally heartfelt compassion and invigorate audiences across the world with eloquently expressed conviction'. He has inspired such people as Kate Rusby, Karine Polwart and Billy Bragg. To Kathryn Tickell, the feted exponent of the Northumbrian pipes, he is one of the absolute greats of the folk music world. Dick suffered a stroke in 2016. Today, he is legally blind, and can no longer play guitar. His name and his work, however, are being widely championed. A sum of £92,000, raised by a Kickstarter campaign, led to a substantial amount being given to him to pay for his living costs. The balance is being used to finance R/evolution: 1969-83, a comprehensive seven-CD, one-DVD boxset of his recorded work, which will likely be released in November or early December, distributed by Last Night from Glasgow. At the same time, a GoFundMe appeal launched at Dick's behest has so far raised most than £32,000 to raise legal fees 'to test the claims by an entity called Celtic Music to the rights to a tranche of [his] recorded works – music recorded between 53 and 30 years ago'. The fund's target is £35,000. The albums in question are No More Forever (Melody Maker's Folk Album of the Year in 1972), Kist O' Gold (1977), Songs of Ewan MacColl (1978, with Tony Capstick and Dave Burland), Live in Edinburgh (1985), and Call It Freedom (1988). Also covered are one album he made with Boys of the Lough in 1973, and one he made in the mid-nineties with another group, Clan Alba. Dick fervently hopes that his legal process will be a bridgehead for other artists of his generation, or their heirs, whose 1970s recordings are effectively 'locked up' by the same entity. Dick Gaughan was born in Glasgow in May 1948, the eldest of three children to Dick and Frances Gaughan, from Leith. His family were all musicians; his grandfather played the fiddle and his father played the fiddle and guitar, and his mother was a Gaelic singer. Dick picked up his first guitar at the age of seven and at length began to develop his own style of singing and playing. He was in his late teens when in 1966 he landed his first paid gig, in a folk club in Bathgate's Rendezvous Roadhouse. For his pains he received £2. 'In those days it was all word of mouth and very informal and anarchic, and clubs were generally run by dedicated and pretty fanatical amateurs', he told JP Bean, author of an oral history of British folk clubs, more than a decade ago. 'As I got more work, I just kind of drifted into earning my living exclusively from playing, finally giving up other jobs in January 1970.' He released his first solo album, No More Forever, the following year. In June 1972 he joined Boys of the Lough for eight months, after which he returned to solo work, before, in June 1975, joining the electric folk band Five Hand Reel, with whom he made three albums. Handful of Earth, released in 1981, came to be regarded as classic solo Gaughan, its potent blend of traditional and contemporary folk songs underpinned by his intricate guitar work. It was his considered reaction to the 'extreme right-wing government' that had come to power under Margaret Thatcher in 1979. Its power quite undimmed by the passing of the years, Handful of Earth was voted Album of the Decade in Folk Roots magazine's poll in 1989. Alighting upon that opportunity to reassess the record, Mark Cooper, writing in Q magazine, observed: 'Despite the sense of outrage that lurks behind most of the material on Handful Of Earth, the overall mood is of a kind of gruff sorrow. Perhaps Gaughan still saw himself more as a reporter than a revolutionary and certainly the two ballads at the album's heart, 'The Snows They Melt The Soonest' and 'Lough Erne', are mournful, measured laments whose power is all the greater for their restraint. 'Yet this collection is full of songs which trace the diaspora of the Irish and the Scots as poverty drove their poor towards America. Landlords, bailiffs and beagles pursue the emigre of 'Craigie Hill' just as the hunters pursue the birds in 'Now Westlin Winds'. 'Despite the straightforward power of Leon Rosselson's 'World Turned Upside Down' (since popularised by Billy Bragg) and Ed Pickford's 'Worker's Song', it is the juxtaposition of these contemporary songs with the haunting traditional material which makes this both a poetical and a polemical collection with the poetical holding the balance.' In the mid-eighties in Belfast, a city where Gaughan often played, his music was discovered by a university student by the name of Colin Harper. Today, Colin is, amongst other things, a music writer and curator, author of an excellent biography of Dick's fellow Scot, Bert Jansch - and creator of the very Kickstarter campaign that has marked such a resurgence of interest in Gaughan. Read more On the Record: 'Handful of Earth is a masterpiece,' he said earlier this week. 'As a young listener …I was drawn in by the power and charisma of his stage performances, and the magic guitar playing on things like 'Erin-Go-Bragh' and 'The Snows'. But the deeper magic reveals itself in the more subdued songs, especially 'Craigie Hill' and 'Both Sides the Tweed'. 'Compiling a box-set of live and BBC material as we speak, I know now the other songs in his repertoire in 1980/81 that he might have recorded for Handful of Earth but I can see why he didn't - the mood of it would have changed. 'He got the contents of it exactly right. It's frustrating that much of Dick's 1972-88 commercially recorded work is currently inaccessible. Handful of Earth is the only album from that period that's been physically available ever since. But by happy chance, it's the best of them all!' Handful of Earth would later be described by Billy Bragg as one of his all-time favourite albums. 'World Turned Upside Down', he said, saw Gaughan grabbing the song "by the scruff of the neck and [chucking] it into the twentieth century where it lands at my feet and I think 'f———' hell, that is an incredible song. 'Both Sides Of The Tweed',' he added, 'is probably the best song you could ever imagine about English and Scottish thoughts of independence'. The comedian Stewart Lee accorded Handful of Earth a similar accolade, taking the view that it was 'a great album of Scottish nationalist songs and really old Highland ballads, with this fantastic intricate guitar playing'. It is all happening for Dick Gaughan now: the forthcoming boxset (there will be roughly 500 copies on sale to the general public), plus limited-edition releases of Live at the BBC (on vinyl), a CD, Live in Belfast 1979-82, and a twin CD collection, Live in the 70s. More is on the way. 'Next year', adds Colin, 'we hope to release an expanded True And Bold: Songs of the Scottish Miners [originally out in 1986, long out of print], a 2-CD Andy Kershaw Sessions Plus: 1984-2005 - Dick's six Andy Kershaw Radio 1 sessions plus the best of his other BBC recordings from the 'second phase' of his career - and Collaborations, an exciting album of the best of his studio recordings gifted to themed albums/tribute albums and vocal guest performances with other artists, all from 2000-2015. And from Topic, a new vinyl remaster is in the works.' Dick Gaughan deserves every last moment of his newly restored reputation, having paid his dues in more ways than one. Criss-crossing the country, driving long distances at uncongenial hours and playing in venues that frequently erred on the wrong side of glamorous, was not for everyone. But he persisted, because he was a musician, and because he was very good at it. 'By the time I knock off all the costs of doing my job,' he reflected to JP Bean for his book, Singing from the Floor: A History of British Folk Clubs, 'I probably end up keeping about 15 per cent of what I earn and my taxable income over a year is roughly what I'd earn stacking shelves in Tesco. 'Being on the road isn't a career - it's a way of life. Anyone who gets that the wrong way round isn't going to hack it for long. After a decade they're going to be completely burned out and bitterly disappointed unless they get lucky and hit commercial success outside the folk world … It's just the way of life I chose and it's the price you pay if you decide to do something outside the accepted mainstream.' * The GoFundMe page can be found at Dick Gaughan Live at the BBC 1972-79 (vinyl) is available for pre-ordering from Last Night From Glasgow: ; details of the forthcoming R/evolution boxset can be found at


Evening Standard
19 hours ago
- Evening Standard
Danny Dyer has brutal reaction to unlikely winner of 'surreal' lookalike contest
The actor - who is currently filming the second series of Rivals - then tickled Mike under the chin and joked, 'You've got the same little double chin there, look!' prompting Mike to burst out laughing.