Bugle player honoured for long service
An Oamaru man who has played the bugle at Oamaru Anzac commemorations for 60 years and at Hakataramea for 37 years, has been honoured this year.
Andrew Hayes received a special presentation at the dawn service at Hakataramea, attended by family and friends.
Mr Hayes said he was "surprised" his family were there to support his achievement — but it was not the first time.
"They also came to support me on my 50th anniversary, too," he said.
Two of his sons, his grandson and three out of four Hayes siblings were at Hakataramea to celebrate the occasion.
He also acknowledged Neville Cowles for his 65 years of bugle playing at Anzac services.
His brother Vernon Hayes said Andrew was "very pleased and blown away" with the tribute.
"I'm very proud of him. The presentation was rightfully deserved."
Mr Hayes' first memory of Anzac Day was attending a parade in Hampden at the age of 9 with his father and grandfather. "My father served in the Pacific and Italy in World War 2, and my grandfather served in World War 2 in Sinai and Egypt."
It remained important to turn out on Anzac Day to honour their service overseas, and he was happy to see commemoration attendance numbers increase in recent years.
Mr Hayes has been in the Oamaru Garrison band since 1963. A euphonium player, he also practises the bugle for up to two months to play The Last Post and Reveille for Anzac Day. His son Colin also plays in the band.
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Otago Daily Times
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- Otago Daily Times
Body of work
Vincent Ward is an award-winning, internationally recognised New Zealand film-maker, but he is also a practising artist who is showing his "Palimpsest/Landscapes" work in the South Island for the first time. He talks to Rebecca Fox about links between the human body and the land. As an 8-year-old, Vincent Ward began to draw his father's hands. A World War 2 veteran, Ward senior had three-quarters of his body burnt during his service including his hands, which were badly puckered. He was continually receiving skin grafts as Ward grew up. Living on an inhospitable hill country farm in the Wairarapa that used to be a World War 1 artillery range, the Ward family persevered. "He was trying to restore the land at the same time he was trying to restore himself," Ward said. To make ends meet, Ward senior was a fencing contractor, completing more than 32km of fencing. "The fences were so straight and when you see them on the air, they're just like straight lines that go over the cliff. I mean, just unbelievable." This was the starting point for Ward's work "Palimpsest/Landscapes". "In my mind, the terrain became these mapping-like forms of his attempts to keep out entropy and to restore himself. That is how I came to it." Originally intended as a video installation, Ward did five film shoots as well as still shots to create the works. He brought together a group of dancers he had worked with before and used their skin as canvases. Using skin-friendly inks, dyes, chalks and powders, he created his visions with the assistance of the dancers and a team of helpers. "I've created a pallet of materials that I could work with safely to create that atmosphere, because each of the works is sort of like a different sort of form, it's like a reef or it's a planet or it's a, you know, a desert or a forest floor ... and so I gradually evolved a painting technique which has been photographed to evoke those femoral landscapes." Each shot required two weeks to prepare the materials. On shoot day, he would have 1.5hours when the natural light was right in his warehouse studio to do the photography. It then took about a week to clean up afterwards. "I don't see myself as a photographer. It's what's in front of it that I try and create." Ward's studio is a bunch of small workshops where he can make lots of different things depending on his latest project. "I try to create a space that's agile, that can pivot so I can move from one medium, whether it's welding steel rods or, you know, doing photo shoots or doing paintings." Often living there during these periods of work, Ward revels in having all of his gear in close proximity, allowing him to rig up whatever he needs. He also works with the dancers, taking on board their suggestions and their body types. 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- Otago Daily Times
Huge Lego build to be dismantled and rebuilt for show
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Huge Lego build to be dismantled, rebuilt for show
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