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Gregg Wallace: BBC failed me over my autism diagnosis

Gregg Wallace: BBC failed me over my autism diagnosis

Telegraph3 days ago
Gregg Wallace is planning to sue the BBC and the makers of MasterChef for discrimination on the grounds of his autism after being sacked from the television show.
A report into the presenter's behaviour on set is expected to find him guilty of inappropriate behaviour over several years. He denies more serious allegations of groping.
Wallace claims that his comments were simply 'banter' and that his autism, which was formally diagnosed only recently, led him to misread social situations.
'Gregg is guilty of bad jokes and rough humour. But so many people on the show talked openly about suspecting that he had autism for years before he got his diagnosis,' said one source.
'To sack him now when they were well aware of his condition is outrageous. He's going to take them to the cleaners.'
In a statement published earlier this week on social media, Wallace said the MasterChef set had been a 'dangerous environment' for him.
He also criticised the BBC and Banijay, the show's production company, for failing to provide adequate protection for him given his condition.
The presenter is expected to receive a letter on Thursday morning informing him that his contract has been terminated.
Publication of the report will leave the BBC with another headache over what to do with an un-broadcast series of MasterChef.
It was recorded in 2024 and scheduled to air in February of this year. But the plans were suspended when the allegations against Wallace first surfaced.
He appears in every episode except the series finale, which was filmed after he had stepped away from the show. Another judge, Anna Haugh, stood in as his replacement.
Wallace 'will not go quietly'
The show can be life-changing for its amateur contestants who dream of opening their own restaurants – an opportunity that could be denied to some of them if the BBC decides not to air the series featuring Wallace.
'An announcement about the series will be made once the report has been published. Everyone involved, and the contestants most of all, think it should go out. It will be so sad for them if it doesn't. A decision has to be made,' another source said.
Wallace has warned that he 'will not go quietly' and insisted he was being hung out to dry.
Friends of the former greengrocer said he was the victim of 'woke' culture, claiming that middle class executives who hired him for his 'cheeky' working class humour had turned against him now that sensibilities had changed.
The report into Wallace's behaviour was commissioned by Banijay and conducted by Lewis Silkin, a law firm.
Patrick Holland, chief executive of Banijay and a former controller of BBC Two, said he had full confidence in the report.
'It has been a huge, in-depth piece of work from Lewis Silkin, taking several months, and we have spoken to many, many witnesses,' he said.
While he declined to comment on its contents ahead of publication, Mr Holland added: 'One thing I can say is that the culture of television has changed dramatically in the last 20 years.
'Whilst we can never be complacent, there are now myriad ways for those who experience bad behaviour in the workplace to speak out, whether anonymously, via a hotline or to dedicated welfare officers.
'We need to do all we can to ensure that everyone on a production, from the most junior roles, feels confident to call out bad behaviour.'
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Edging my way down a packed Wembley Way one Saturday morning in July 1985, I already knew I was about to witness history. Some of the world's biggest rock stars were set to perform a charity concert in London to raise money for famine victims in Ethiopia and it was called 'Live Aid'. Interest from the south coast newspaper where I worked as a photographer was, to say the least, minimal. But little did they know the show would have a global audience of nearly two billion people – amazingly, around 40 per cent of the world's population. I made every effort to get accreditation for the press pit in front of the stage but, being from the provinces, I didn't stand a chance. The only alternative was to buy a ticket. It cost me £5 – plus a £20 charity donation, of course – the equivalent of about £100 today. And I decided that whether anyone wanted the pictures or not, I was going to spend my day off committing the event to celluloid. 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With 72,000 rock fans packed in, I decided the best vantage point would be next to the mixing desk, midway between the touchlines – the right call, as it turned out. This position ended up being key to my unique set of pictures, the only slight problem being the occasional haze of cigarette smoke filtered through sunlight! Not even a brief rain shower halfway through the concert could dampen what was a remarkable day. By common consent, one of the great stand-out moments was Queen's electrifying set, led by the irreplaceable Freddie Mercury, which took the show to another level. I was thrilled when their lead guitarist, the great Sir Brian May, agreed to write the foreword to this book. Other great memories include Paul McCartney's first gig in six years, the re-formation of The Who and the since-unmatched ensemble rendition of Do They Know It's Christmas?. It is why 13 July 1985, for many people, remains the greatest day in rock 'n' roll history. 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And I hope you'll agree my photos capture something of that energy. Forty years on and having stumbled across these old photos in my garage attic while looking for Christmas decorations, I'm thrilled to be publishing Live Aid Relived – with that powerful foreword by Sir Brian, words by renowned royal biographer Robert Hardman, and featuring over 230 photographs from the day, the vast majority of which have never been seen before. As Sir Brian says himself, these shots are more than just a record of the day, they are a 'compendium of precious memories'. Live Aid relived by Murray Sanders is exclusively available at music2you for £29.95.

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