
"Earlier, it was very difficult to dream of becoming an artist": Singer Jubin Nautiyal hails evolution of Indian music industry
New Delhi [India], June 24 (ANI): Singer Jubin Nautiyal praised the current scenario of the Indian music industry, calling it more approachable and easier for upcoming artists to compose songs with the help of technology.
In an interview with ANI, Nautiyal hailed the evolution of the music industry in India while referencing the recent collaborations between Indian and international artists, including Ed Sheeran and Arijit Singh's new hit song 'Sapphire'.
The 'Raatan Lambiyaan' singer expressed his happiness at the consumption of Indian music in foreign countries and English music in India.
'Now, there is no national and international, it has all become one. And there's so much English music being consumed in India, and there's so much Indian music being consumed outside. So it's all the same now,' said Jubin Nautiyal.
Jubin Nautiyal shot to fame with his song 'Ek Mulaqat' from the film 'Sonali Cable' in 2014. The singer gradually built his diverse discography with the help of memorable hits like 'Kuch Din (Kaabil), 'Bawara Mann' (Jolly LLB 2), 'Akh Lad Jaave' (Loveyaatri) and others.
The singer called the present scenario of the Indian music industry a 'great time' for the musicians, as now they can compose their music independently without the help of a music label.
'It's a great time for artists, all the upcoming artists. It's a great time because now you can release your own music. You don't need an absolute music label to release your music. You can do your own thing as an independent artist,' said Nautiyal.
Looking back at his struggling days, the singer said that earlier, the path to success for music artists was quite 'difficult' as it required a lot of struggle to reach a breakthrough stage of their career.
He added that music composition has become easier and more approachable due to technological advancements.
'Earlier, it was very difficult to dream of becoming an artist. There was a lot of way to even reach a point where people will accept that, Okay, now you should start struggling in your journey to become an artist. But now you can dream and figure it out. Today, making music has become so easy because of technology, and singing has become so easy. Everything has become so much easier and more approachable. So I think it's just showing the power of music as how deeply everybody wants to connect to music and do a lot of crazy things in music,' said Jubin Nautiyal.
Nautiyal has been in the music industry for over a decade. He believes that music has become more approachable and will blossom in the coming five years.
'In five years, I think we'll be, we'll multiply at least four to five times as an industry. It's amazing. Today, anybody can approach music. Earlier, you had to buy a cassette to even start, and a CD to even start. But now, just one click and you can listen to a song that was released in Africa 15-20 years back. So that's the power we are at right now,' said Jubin Nautiyal.
Jubin Nautiyal's recent song, 'Barbaad,' has created a buzz in the entertainment industry. It is the second song from the upcoming movie Saiyaara, directed by Mohit Suri and starring debutant Ahaan Panday in the lead role.
The movie is produced under the banner of Yash Raj Films. It is slated to release in theatres worldwide on July 18, 2025. (ANI)

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
4 minutes ago
- Indian Express
Ratan Thiyam showed that the more rooted you are, the more universal you become
Written by Salim Arif It was in Lucknow that I first got to see a Manipuri production of Bhasa's Uru Bhangam, done by actors from Imphal. The person who had directed that exceptional piece of theatre was Ratan Thiyam, and the play left a huge impression on me. The combination of raw tribal intensity and lyrical visual dynamics lent the Mahabharata-based text a new vigour and sensitivity rarely seen in Indian theatre. For me, Thiyam became a director to follow. It would be later that he would become a friend and mentor. Indian theatre, then, was finding its idiom with the incorporation of elements of traditional performing arts in contemporary plays. Hayavadana, Ghashiram Kotwal, Charandas Chor, Ala Afsar were part of this new trend of using traditional folk and classical art embellishments in theatre. Habib Tanvir, BV Karanth, KN Panikkar were creating exciting productions that inspired several young directors to follow suit. Ratan Thiyam was one of them. A painter and a poet, what made him different was his keen understanding of the traditional performing art forms of Manipur and a unique visual sense. Thiyam's parents were acclaimed Manipuri dancers, and Ratan da, (as I called him) imbibed the delicate nuances of dance form and music before he joined the National School of Drama (NSD) in 1971. He was also an expert thang-ta (the vigorous sword fight of Manipur) practitioner. The training under Ebrahim Alkazi at NSD opened a whole new world of visual and performing arts for him. Yakshagana, kathakali, tamasha, bhavai, nautanki, as well as kabuki and noh were all part of the training exposure. These were complemented by regular visits to art galleries and film festivals. He also acted as Yuyutsu in Alkazi's ambitious Andha Yug, done in kabuki style and staged at the Purana Qila open-air theatre — a role he got, he was fond of saying, because of his ability to run and climb the steep stairs of the ancient fort. Ratan da understood the value of a culturally rooted theatre during his days at NSD. He learnt the importance of stagecraft — of a well-mounted production with aesthetically used colour schemes, spectacular visuals created with the precise use of lights and aural texture — under Alkazi's watchful eyes. These would become his hallmark in plays like Uru Bhangam, Karnabharam, Chakravyuha, Ritusamhara, Uttar Priyadarshi, to name a few. Like Akira Kurosawa, Thiyam assimilated the narrative traditions of Greek and Japanese theatre and our own Natyashastra to create a spectacular body of work. After graduating from NSD in 1974, Ratan da opened his Chorus Repertory Theatre in Imphal, his hometown, in 1976 and started to groom actors. By 1978, he was touring with his plays to far-off places across the country. It was in January 1984 that we, as third-year students of NSD, went to Imphal to work with Ratan da for three months and do a production of Andha Yug using Manipuri art forms. Those three months gave us an insight into how Ratan da kept his theatre going in difficult conditions. Those were the days of insurgency, and curfew was imposed by 6 pm every evening. Working with Petromax lanterns, without electricity or basic facilities, we were kept away from the city in a camp created on the land where his repertory stands today. It was an open field near a pond, and each day we were shown several performances and learnt from various gurus in that space. Afterwards, all these elements would come together in our production of Andha Yug. At the time, the only access to the outside world was the evening newspapers that came from Calcutta by air, and we would rush to get them and return before curfew set in. This was the way his actors were trained for years, and we were only following the pattern. It was remarkable that all the props, costumes and accessories were also made by his team, some of whom would also cook for us. The financial support that Ratan da got for his company as a grant was not much, and he subsidised it by hiring out light and sound equipment to others and getting some additional money for his team. Since that trip, Ratan da remained a life-long mentor and a friendly elder who would look me up whenever he was in Mumbai. I still remember his calls after he saw my work in Bharat Ek Khoj, Mirza Ghalib and Chanakya. I would also look forward to opportunities to visit Imphal to meet him. Ratan da became the director of NSD in 1987 for two brief years. Before he left, he organised a much-awaited convocation that had batches from 1974 to 1986 return to take their diplomas from Alkazi, who agreed to come back for the occasion. It was interesting to see Ratan da take his own diploma certificate — signed by himself — from Mr Alkazi. Later on, as the chairperson of NSD, he was responsible for getting the Theatre Olympics to India in 2017-18. Ratan da put Manipuri theatre on the world stage. After Habib Tanvir, he remains the most acknowledged and awarded of Indian theatre practitioners abroad. Like Habib saab, he brought a socially conscious worldview to his plays. But unlike Habib saab, his plays were created in difficult political circumstances. The yearning for peace amidst Manipur's political turmoil remained a lasting theme, often layered under the spectacles he created on stage. The fusion of a strong regional sensitivity with a modern sensibility will remain Thiyam's lasting legacy, proving that the more rooted you are, the more universal you become. The writer, an NSD alumnus, is a theatre practitioner and costume designer


Hindustan Times
4 minutes ago
- Hindustan Times
Kyunki Saas Bhi Kabhi Bahu Thi's Hiten Tejwani on comparisons to Rupali Ganguly's Anupamaa: ‘Ab hum aa rahe hain…'
25 years ago, Ektaa Kapoor introduced the country to a soap opera, which went on to become one of the most loved, watched and remembered shows on Indian television. Yes, we are talking about the iconic Kyunki Saas Bhi Kabhi Bahu Thi. So when it was announced that the show is returning to our screens with the original star cast, along with the new generation of the Virani family, fans were seated. After Smriti Irani's first look, a fun behind the scenes clip gave us a glimpse of Amar Upadhyay as Mihir Virani, Hiten Tejwani as Karan Virani and Gauri Pradhan as Nandini Virani's reunion on set. Netizens were so excited about the show's return that they started pitting it against Rupali Ganguly's Anupamaa, which is currently one of the biggest shows on Indian television. Hiten has now shared his thoughts on the same. Kyunki Saas Bhi Kabhi Bahu Thi vs Anupamaa Actor Hiten Tejwani, who is returning to Kyunki Saas Bhi Kabhi Bahu Thi with his real life and onscreen wife Gauri Pradhan, spoke to Telly Masala about how netizens are comparing his show to Rupali Ganguly's Anupamaa. Hiten was quoted saying, 'Ab hum aa rahe hain, humein aane toh dijiye. Fir baad mein aap log hi decide karenge kon kya hai. Hum kaun hote hain kuch bolne waale. Jo cheez achhi hai, achhi hai, joh achhi nahi hai, aap maalik ho, aapko pata hai, sabko pata hai. Fans hain, sab woh hi decide karte hain, unhein joh cheez pasand aati hai woh yun pasand aati hai, nahi aati woh turant bata dete hain. Aaj kal ki audience clear hai ye mamle mein.' Hiten went on to add, 'Hum log kisi ko neecha dikhaane ya kuch niche karne uske liye nahi aa rahe hain. Ek nostalgia hai. I am sure makers bhi chahte the Ektaa ma'am bhi ki kuch laaye aur aaj ke time ki baate kar paaye.' Also starring Rohit Suchanti, Aman Gandhi and Shagun Sharma as Mihir and Tulsi's children, Kyunki Saas Bhi Kabhi Bahu Thi is all set to arrive on TV on July 29.


Pink Villa
4 minutes ago
- Pink Villa
Shilpa Shirodkar reacts to old rumors of dating Sachin Tendulkar: 'He was already seeing Anjali at that time, which was not told to anybody'
Shilpa Shirodkar has been a well-known name in the entertainment industry. In the initial phase of her career, the actress collaborated with many Bollywood actors and was a renowned name. Along with her professional life, her personal life also made headlines back then. Shilpa was once linked to Indian cricketer Sachin Tendulkar, and it was all over the news. Yes, speculations were rife that the two were in a relationship. Now, Shilpa has finally reacted to these claims. Was Shilpa Shirodkar dating Sachin Tendulkar? In conversation with Red FM, Shilpa Shirodkar reacted to the rumors of dating Sachin Tendulkar. The actress refuted these claims and mentioned how they were just friends. She even disclosed that when these rumors were surfacing, Sachin was already in a relationship with Anjali Tendulkar. Shilpa Shirodkar had shared, "When I was doing Hum, I met Sachin for the first time, because Sachin jaha pe rehte the mere cousin brother waha par rehte the. (Where Sachin lived, my cousin used to live there)." She revealed that Sachin and her brother used to play cricket together in Bandra East, and through her brother, she met Sachin. The Bigg Boss 18 fame disclosed, "And Sachin was already seeing Anjali at that time, which was not told to anybody. We all knew because we were friends. Because an actor is meeting a cricketer, and he was Sachin Tendulkar, it became easy for people to say, aree and I met him once" Sachin Tendulkar is married to Anjali Tendulkar. The couple has a son and a daughter. Meanwhile, Shilpa is married to a UK-based banker, Aparesh Ranjit. The duo has a daughter. Earlier, in an interview with India Today, Sachin Tendulkar was asked what the stupidest thing he had heard about himself was. He confessed that he had rumors about himself that he and Shilpa Shirodkar are dating. The cricketer had firmly denied these speculations, saying that they don't even know each other. On the professional front, Shilpa Shirodkar became a household name after her stint in Bigg Boss 18. In an interview with Pinkvilla, the actress commented on her upcoming project and said that she will soon be seen in a Telugu movie titled Jatadhara.