
Tom Daley shares the heartbreaking final moments with his dad as he opens up about losing his 'best friend' to brain tumour in emotional new film
The Olympic diver speaks of his heartache in Warner Bros. Discovery's new feature documentary, 'Tom Daley: 1.6 Seconds', which is released on Sunday.
Daley shot to prominence when, aged 14, he became Great Britain's second youngest male Olympian at Beijing 2008. The diver would go on to win five medals — including gold at Tokyo 2020 — and retired after last summer's Paris Games where he won silver.
The 90-minute feature takes you back to the start of the 31-year-old's career and navigates through the highs and lows of his life inside and outside of the pool.
For Daley, the early part of his career was overshadowed by his father's poor health and then death.
Robert Daley was diagnosed with a brain tumour in 2006 but continued to follow his son's career around the world despite his illness. Doctors initially operated and removed the majority of it, but it began to grow back over time.
Tom Daley tells the story of his career in a new documentary which is released on Sunday
'I remember walking into the hospital and then seeing him in the hospital bed with bandages wrapped around his head,' Daley recalls in the documentary.
'That was when I found out that he had just had a brain tumour the size of a grapefruit removed.
'At the time I wasn't told that it was terminal, so just I always assumed, and had the hopeful optimism that he was going to recover, because you think of your parents as invincible. You think of your parents as the people that are going to be there for you through everything, or at least until you become an adult.'
And it was in February 2011, when Daley was in Mexico preparing for the London Games, when his world fell apart.
'My mum was like, "Hey, Tom. Just wanted to speak to you and let you know that you're going to be coming home this afternoon. Your dad's not very well. He's currently in the living room, and he's been put on end of life care".
'When I left, he wasn't doing great, but he was fine, like my dad was gonna get better. He had to get better. How could I keep going? How could I go to the next Olympics? How could I do what I do every day without him?
Daley rushed back to their home in Plymouth, where Robert had been moved into a downstairs room, to spend a final few months with his dad before he passed away.
'Whenever I wasn't training, or whenever I wasn't at school, I was sat right next to him working on my driving theory test,' Daley said.
The diver won his first medal at London 2012 but was on 'autopilot' after his father's death
'That was the one thing that we could still do together.'
'When I had my 17th birthday on May 21 he wanted to come to the window, but he couldn't really walk, but he tried to get to the window anyway. I did my first driving lesson. Came back, and it was on May 27 that he passed away.
'I kept squeezing his hand, and he would squeeze back. And then I remember the last time that he squeezed my hand and then he didn't squeeze back anymore.
'I didn't just lose my dad because he was much more, he was my biggest cheerleader, my best friend, mentor. I mean, our whole life came to a standstill.'
Just a year later, Daley won his first medal at London 2012 — bronze in the 10m platform — but he admits that he was operating on 'autopilot', such was his grief.
'There's periods of time where I just have no recollection of what happened, and I felt like I just went into some kind of autopilot of just doing what I thought was right at the time and what other people wanted for me, or what other people expected me to be, or what other people expected me to act like,' he said.
'I kind of shut down. I don't know what I was thinking, but I went to training the next day. I went to the National Championships 10 days later. I just kept going because I didn't know anything else.
'I didn't have anything or have anyone else. I was alone. I felt like I had to put on a brave face, like I always have to, because I always have to keep this front that everything was going to be ok and it wasn't, but I didn't know how to deal with that.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
2 hours ago
- Daily Mail
Liverpool are hit by a THIRD withdrawal from Japan pre-season tour as star man leaves camp for personal reasons
Liverpool goalkeeper Alisson Becker will miss their final match of the club's pre-season tour of Japan after returning home for personal reasons. The goalkeeper was given permission by the Reds to leave the tour early and miss their match against the Yokohama F Marinos at the Nissan Stadium. He had played no part in Liverpool's open training session in Tokyo on Tuesday. Alisson will rejoin Arne Slot 's squad when they return to the UK following the completion of their tour. The Brazilian is the third Liverpool player to leave their pre-season tour. Joe Gomez was the first player to withdraw with the defender flying home last week when the Reds were in Hong Kong. Gomez had left after complaining of pain in his Achilles, and is continuing his recovery work at the AXA Training Centre on Merseyside. On Monday, Luis Diaz was given permission to leave Liverpool camp as he closes in on a £65.5million move to Bayern Munich. Diaz had been pictured with the Liverpool squad at the Ekoin Temple on Monday, before saying his goodbyes to his Liverpool team-mates. The 28-year-old boarded a flight to Munich in the afternoon and was pictured arriving in the German city on Tuesday morning.


The Sun
4 hours ago
- The Sun
Alisson leaves Liverpool's tour of Asia due to ‘personal matter' and will not return until Slot's men are back in UK
LIVERPOOL goalkeeper Alisson Becker has left the club's pre-season tour of Asia for a personal matter. The Brazil international wasn't involved in Tuesday's open training session held at JFA Dream Field in Tokyo in sweltering conditions. It was later revealed that Alisson has been given permission by Liverpool to leave Japan immediately. That means he won't feature in Wednesday's final match against Yokohama F Marinos at Nissan Stadium. The 32-year-old will rejoin Arne Slot's squad after their return to the UK. Summer signing Giorgi Mamardashvili, who arrived from Valencia, is expected to start Wednesday against the J1 League strugglers. Slot still has plenty of cover, with goalkeepers Freddie Woodman, Armin Pecsi and Kornel Misciur also on the tour. Luis Diaz, 28, left a few days ago to complete his transfer to Bayern Munich. And Defender Joe Gomez flew home last week because of an Achilles injury and is undergoing further tests in Merseyside. Liverpool arrived in Tokyo on Sunday following a 4-2 defeat to AC Milan in Hong Kong.


Telegraph
4 hours ago
- Telegraph
I watched Bonnie Blue's degrading documentary with her father. I'm not sure either of us will recover
Watching Channel 4's documentary 1,000 Men and Me: The Bonnie Blue Story (which aired last night) will make you feel dirty. And not in a good way. Just grubby, sleazy and as if you need to scour it from your skin. You can almost smell the hired house where she has sex with more than 1,000 men in 12 hours, bodily fluids combined with the stench of their Sports Direct socks as they queue down the stairs, trainers off, to join in the gang bang. She'd promised to pleasure all-comers 'whether you're barely legal or barely breathing'. Some of them wear balaclavas to hide their identities. Some of them, according to her, wear wedding rings. Afterwards, Bonnie jokes around by lying on the sticky floor, amid hundreds of used condoms, in the way that children make snow angels. If the name means nothing to you, let me quickly explain. Bonnie (real name Tia Billinger) was one of the top earners on the OnlyFans website, until she was banned for being too extreme. She used to work in financial recruitment for the NHS but found it boring, so switched careers. Her business model is having sex with strangers – she first found notoriety by standing outside Nottingham Trent university holding a sign saying 'uni students bonk me and let me film it' – for free, but charging her subscribers to watch the resulting videos. She claims to earn between £500,000 and £2m a month for this. Bonnie says she loves her job, and if you tune into the documentary thinking that it will expose this as a hollow lie, you'll be disappointed. She really does seem to enjoy it, showing no signs of trauma after the 1,000-men stunt. 'Everyone says that my brain works different. I'm just not emotional,' she says, and there is an odd blankness to her behaviour and her speech, a bit like Katie Price. She seems simultaneously smart, with her ability to come out with snappy statements designed for maximum virality on social media, and stupid, in the way she talks about feeling 'empowered' and fails to see how saying things like, 'I would love you to rearrange my insides' and, 'treat me like your sl-t' to strangers on the internet might be harmful to women in general. Her favourite thing, she says, is having sex with 18-year-olds (she is, according to Wikipedia, 26 or 27). To keep making big money, Bonnie must become ever more extreme. One of her announced stunts, kiboshed by OnlyFans (which she probably knew would happen), was to be tied up in a glass box in public while men were allowed to come and do what they wanted to her. 'I'm going to be completely helpless – tied, gagged, choked. You can just watch me like you would a zoo animal.' It was going to be called Bonnie Blue's Petting Zoo. She has a full-time publicist to help her with this stuff. At the press screening for the documentary, she described Andrew Tate as 'a really nice guy' because he was 'well-dressed and turned up on time' to a podcast recording. Tate is facing charges of rape and human trafficking, which he denies. She says the two of them are the two most misunderstood people in the public eye. You might be thinking that Bonnie's parents are horrified by her life choices. Nope. They're on the payroll. Also at the screening I attended were Bonnie's mum, dad and granny. They sat in the front row with another member of the entourage who brought popcorn. Bonnie's mum says she is very proud of her, even helping to make the 'bonk me' sign in Nottingham (perhaps she suggested the wording, because 'bonk' is a curiously Carry On phrase for a 20-something hardcore porn star). 'If you could earn a million pounds in a month, your morals would soon change and you'd get your bits out,' her mum asserts in the film. Presumably, the grandmother also approves, or she wouldn't have been here. Bonnie has said that her dad 'loves' what she does. Maybe. While her friends and other members of the family giggled away throughout the screening, he didn't crack a smile. But nor did he take his eyes off the screen, even in the moments where she was being 'gang banged' (her favoured turn of phrase) or showing her face covered in semen after she had sex with 100 porn stars in a day. This last stunt sounded particularly unpleasant: 'She basically just got beat up for a few hours,' says her videographer. What was going through her father's head as he heard that? As for Channel 4 showing this? It is an uncritical film, with director Victoria Silver occasionally asking the gentlest of questions – 'In terms of feminism, are you not maybe sending us backwards?' – but failing to challenge the answers, as if she is slightly in awe of her subject. The sex scenes are shown briefly, but are edited to look almost glamorous. The low point comes when Bonnie enlists fledgling OnlyFans creators to make their first porn film, in which they dress up in school uniform and pretend to be teenagers in a school sex-education class. One of them is 21, but admits that she gets subscribers because she looks underage. Bonnie doesn't pay them – they're just thrilled to have the exposure that comes from being linked to her. They are visibly nervous. It feels horribly exploitative. I know directors have to stand back, but I'd have been fighting the urge to scoop them up and send them home. Channel 4 says it wants to chart the post-pandemic shift in the acceptability of adult content creation, and that it is a legitimate, if depressing, subject to explore. But when Silver says in her voiceover that 'all the attention is helping to make Bonnie a household name', surely she can see that her film is doing exactly the same thing? If by some miracle you've managed to keep your children from seeing this sort of thing on social media, now they can see it on a public service broadcaster. You can imagine impressionable girls watching it, taking at face value Bonnie's blithe pronouncements that there are no emotional or physical costs to this type of 'work', and thinking it a good career choice. The nice, Oxford-educated chap from Channel 4 who introduced the film said that the broadcaster's role is to tell stories 'at the edges of modern morality'. I think we're over the edge here.