Bono Rocks Cannes With 7-Minute Standing Ovation for ‘Stories of Surrender'
Bono was on hand at the Cannes Film Festival on Friday night for the world premiere of his new Apple documentary, 'Bono: Stories of Surrender,' where the U2 frontman received a 7-minute standing ovation following the screening.
Bono grew emotional during the minutes-long ovation. As the applause began to wane, he opened his speech with a few words and a promise to speak fluent French next year.
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'I'm not a Frenchman. I'm an Irishman. I'm not even a self-made man,' Bono told the crowd. 'You wrote this story. The Edge wrote this story. Adam [Clayton] and Larry [Mullen Jr.] wrote this story. [Paul] McGuinness wrote this story.'
At one point, Bono saluted actor and director Sean Penn, who was in the audience, and said, 'If I was in the trenches, like real trenches, as opposed to ones on a movie set, I'd want to be with Sean Penn in those trenches. He was there for me. Thank you again.'
The Andrew Dominik-directed film documents the U2 frontman's one-man show of the same name, which is based on his celebrated memoir 'Surrender: 40 Songs, One Story' and its accompanying tour. According to its logline, the doc 'pulls back the curtain on a remarkable life and the family, friends and faith that have challenged and sustained him, revealing personal stories about his journey as a son, father, husband, activist and rockstar. Along with never-before-seen, exclusive footage from the Beacon Theatre shows, the film features Bono performing many of the iconic U2 songs that have shaped his life and legacy.'
Bono is no stranger to Cannes, having owned a residence in the south of France since the '90s. U2 also premiered the band's concert film, 'U2 3D,' during a midnight screening at the festival in 2007, before which they gave an iconic performance on the steps of the Palais.
'Bono: Stories of Surrender' hails from RadicalMedia and Plan B Entertainment, with RadicalMedia's Jon Kamen and Dave Sirulnick producing alongside Plan B's Brad Pitt, Dede Gardner and Jeremy Kleiner. Bono also executive produces with Jennifer Pitcher and Kelly McNamara.
Jon Kamen and Dave Sirulnick ('Summer of Soul,' 'Hamilton,' 'David Byrne's American Utopia') produce alongside Academy Award-winning Plan B Entertainment's Brad Pitt, Dede Gardner and Jeremy Kleiner (upcoming 'F1,' 'Moonlight,' '12 Years a Slave'). Bono executive produces with Jennifer Pitcher ('Kiss The Future') and Kelly McNamara ('V-U2 an Immersive Concert Film at Sphere Las Vegas').
'Bono: Stories of Surrender' will premiere on Apple TV+ on May 30.
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Fox News
3 hours ago
- Fox News
Mariska Hargitay shares the surprising way she discovered her biological father's identity
Print Close By Brie Stimson Published June 28, 2025 The Mariska Hargitay-directed documentary "My Mom Jayne" covers a lot of ground about actress Jayne Mansfield's life and about Hargitay's attempts to reconnect with the memory of her mother. The film had its share of bombshells, most notably that Hargitay found out as an adult that the man who raised her wasn't her biological father and that, in the chaos of the car crash that killed her mother, Hargitay was left behind at the scene as a 3-year-old. The documentary also reveals that Mansfield hungered to be a serious actress despite her "dumb blonde" image. Mariska found out that Mickey Hargitay wasn't her biological father Hargitay revealed for the first time in the documentary that Mickey Hargitay wasn't her biological father as she believed her entire childhood. MARISKA HARGITAY STUNS IN CANNES AFTER REVEALING SHOCKING FAMILY SECRET When she was 25, she said she was talking with the head of Jayne Mansfield's fan club, Sabin Gray, and he inadvertently told her about her biological father. "He's showing me all these photos," the "Law & Order: SVU" star told Alex Cooper this week on the "Call Her Daddy" podcast. "He's showing me whatever it is, dresses that she had that he'd collected, earrings that she wore, things from movies from the movie set, props or whatever, and then he says to me, 'Do you want to see a picture of Nelson?'" She added, "I just looked at him, and this jolt went through my body, and I said, 'Who's Nelson?' And then I knew in one second." She said in the documentary, "That's when like I think the blood just drained out of his face and he sort of went white as a ghost and he looked at me panicked and he said, 'Well, it's probably not true,'" adding that he then showed her pictures of a man who "looked like the male version of me." She told Cooper, "And I think that (Gray) couldn't believe that I didn't know. I was 25, how could I not know?" She said in the film, "It was like the floor fell out from underneath me. Just the bottom dropped out of everything. It was like my infrastructure dissolved and life as I knew it was irrevocably changed." She told Cooper that she felt like she was going to crash her car after she left Sabin's house "because I was so not present. I was totally dissociated and out of my body, and I got to my brother's house. I didn't even know how I got there, but I knew that I shouldn't be driving. It was crazy." After that, she said she then confronted her father, asking him, "Why didn't you tell me you're not my father? You lied to me." 'LAW & ORDER: SVU' STAR MARISKA HARGITAY'S REAL-LIFE HERO MOMENT ON LIVE TV But he told her that was "bulls---." "I was in so much pain," she said in the documentary, "but I could see his pain was almost worse, so I decided I would never talk about it again, and I would never bring it up to him again, and I never did," she said. "But the fact is I had bad years after that." She said she didn't tell anyone, and would just go to bed crying every night for a long time. Hargitay had an identity crisis over the revelation. "Who was I related to? Who did I belong to? And then, on top of it, I was born out of some affair like some illegitimate, sinful mistake? I was so angry at my mother for leaving me in this mess and for hurting my father and for leaving me feeling so alone and untethered," she admitted. She said for her own survival she "disowned the part of myself that was my mother's daughter." Meeting her biological father When she was 30, she decided to go see her biological father, Nelson Sardelli, who was performing in Atlantic City at the time. "And after the show he came out and I said, 'Hi, Nelson, my name is Mariska Hargitay. I understand you knew my mother,'" she said. He burst into tears and told her "'I've been waiting 30 years for this moment,'" she said, adding that they stayed up until 5 in the morning talking that night, and he told her what had happened. SOPHIA LOREN AND JAYNE MANSFIELD: THE STORY BEHIND THAT INFAMOUS SNAP "That was 30 years ago, and I've kept it a secret ever since," she added. Sardelli said he met Mansfield in Atlanta, and she asked him to see her show. When the show was over, she asked to go for a ride in his car. He said that at the time Mansfield and Hargitay weren't talking to each other, and she and Sardelli began publicly dating, and he was even introduced to her kids. They performed together, made a movie together and went all over Europe together. He found out Mansfield was pregnant with his child while they were in Europe. Hargitay read a letter in the documentary that Mansfield wrote to her mother talking about "going through perhaps the most trying time" of her life while she was pregnant with Hargitay and having "the love of two men – a very deep love from each of them. I hope God shows me the way soon because I have really been depressed as of late." Sardelli said in the documentary that he broke up with her in Europe, and they never spoke again, which he called the "biggest shame" of his life, acknowledging "a lot of people paid the price for this love affair that we had." "I can't imagine what your father felt, but I am grateful to him," he said. He told Hargitay after Mansfield died, her grandmother wanted him to "rock the boat and claim you or something but by that time Mickey was the father you knew, and your siblings they were your siblings. What would I be accomplishing that would be beneficial to you?" JAYNE MANSFIELD'S FATAL CAR CRASH CHANGED ELAINE STEVENS' LIFE FOREVER Years later, he said he talked to Mickey once and Hargitay told him, "'Nelson, nobody has to tell me who's the father of my child,' and I said to him, 'I will not embarrass you in any way. Never.'" Hargitay's stepmom told her that if Sardelli ever came up in conversation, he would only tell her, "I'm her father, period." "Mickey was a great father, and he was so full of love for you, but I think Mickey was quite capable of shutting out pain, which I think he did a lot with Jayne, so he said Mariska's my daughter, and he said that until the day he passed," she added. Hargitay said she spent 30 years trying to hide her story "to honor my dad, but something that I've also realized is that sometimes keeping a secret doesn't honor anyone." Reacting to the truth being revealed for the first time in her documentary, Sardelli said it felt like a "stronger, higher power is forgiving me. There is nothing I can change, but I regret having extricated myself from your mother's life because I think certain things would not have happened to her." He added that he'd like to be able to have one more conversation with Mickey and apologize to him, "because I'm sure I was part of his suffering." Hargitay added, "I've spent most of my life feeling ashamed of my mother, a person who I had no memory of, a person whose voice I didn't want to hear, a person's whose career made me want to do it differently, a person who made her share of problematic choices and left me with loss and secrets, but at 60 years old I feel different." Hargitay also met her half-siblings Giovanna and Pietra Sardelli, who kept the secret as well. Giovanna said she once confronted her father as a child after finding a secret letter he'd kept written from Mansfield's mother, telling him he had an "amazing child that's yours," but he told Giovanna that Hargitay is a "little girl, has a father who loves her like I love you. This little girl is safe." Pietra interjected, "'And if she is OK, she just lost her mother. You cannot take the only family she knows,' and that was their decision and that's why they stayed quiet." MARISKA HARGITAY OPENS UP ABOUT LOSING HER MOM JAYNE MANSFIELD AS A CHILD: 'THERE'S NO GUARANTEES' "And that made sense to me and I tucked that away." Giovanna said, adding that she remembered coming years later to Mariska's birthday party and telling Katie Couric when the journalist asked, that they weren't related, they were just family friends. "My need to honor Mickey was so huge, but the fact is I was wrong, because you guys had to live all these years with the secret, and you were so generous, so generous to me," Hargitay told her sisters. Hargitay was left behind after deadly crash While the documentary doesn't go into a lot of detail about the Mississippi crash that killed Mansfield and two others, Hargitay's brother Zolton Hargitay, who was 6 at the time, said he remembered his mother had been sitting in the back seat with the children before moving into the front seat. He said she had been arguing with her boyfriend, then she got out of the car and called their father before she moved into the front seat. Zoltan remembered her comforting him before the crash, "telling me I was going to be fine, 20 minutes later, half an hour, whatever, I heard her scream so loud, and that was it – just silence." The car had crashed into a tractor trailer that had slowed down around 2 in the morning on June 29, 1967, killing Mansfield, her boyfriend and the driver of the car. Mariska, Zoltan and Mickey Hargitay, Jr. were in the back seat at the time and survived. "I often think about why she didn't just stay in the back seat with us," Zolton said through tears. Zoltan said he remembered being in a car on the way to the hospital and looking around before saying, "Where's Maria?" referring to Mariska. "And they said 'Who's Maria,' so then we doubled back." Ellen Hargitay, Mariska's stepmom, said when they went back, she was found "lodged underneath the passenger seat with a head injury and – thank God, thank God Zolie woke up." Mansfield had no will when she died at 34 Mansfield didn't have a will at the time of her death at 34 years old in 1967, "So the state sold off her belongings to pay her debts and there were just a handful of items that my siblings and I were able to keep," Hargitay explained in the doc. She added, "For me, a lot of this is about reclaiming what was lost. Even physical things." Hargitay finally went through the family storage unit, which she said hadn't been opened since 1969, two years after her mother's death. CLICK HERE TO SIGN UP FOR THE ENTERTAINMENT NEWSLETTER A poignant moment near the end of the film showed Hargitay's husband, Peter Hermann, surprising her with Mansfield's piano. The actress was both a pianist and violinist. Mickey wasn't over Mansfield when he married Hargitay's stepmom Hargitay's stepmom, Ellen Hargitay, said she's sure Mansfield's widower was "not over her" when they met and started dating. "Because she passed away June 29, 1967, and Mickey and I got married in April of 1968. But you always have them with you," she said. "There's no way when you love somebody that they ever leave your heart. I don't care who, I don't care how angry you are, I don't care anything. If you really love somebody they remain in there." Mansfield's oldest child, Jayne Marie Mansfield, said: "It was love at first sight with Mickey [Hargitay]. It really was, and he was just such a nice man, you could just see that she was so happy." Hargitay and Mansfield divorced in 1963, four years before her death. Her daughter Jayne said she believes her mom became depressed shortly before her divorce from Hargitay. "Her career wasn't going well, so she went back to these parts for dumb blondes," Mansfield explained. "I don't think it was easy for her. But I don't think it was easy for Mickey either. She was completely absorbed in negativity because she wasn't doing the kind of work she dreamed of doing, and I believe she became a victim of depression. You know you're never yourself when you're depressed." LIKE WHAT YOU'RE READING? CLICK HERE FOR MORE ENTERTAINMENT NEWS Ellen said Mansfield started meeting other men and "the marriage fell apart. I think Mickey was hurt deeply by Jayne. I think she blew it when she divorced Mickey." "Mickey was the most positive influence in her life and even though he might have felt a lot of pain, he loved her. He always loved her even after they were divorced," she added. Mansfield came back to him many times after their divorce, and they were together again for a few months around the time she was pregnant with Mariska, Jayne said. Mansfield personified a 'dumb blonde' character Hargitay said her mother's baby whisper voice used to annoy her, and she would try not to listen to it when she heard her. "She didn't always talk like that," Hargitay said, adding that her mother had copied Marilyn Monroe in that way. Her former publicist Rusty Strait said she personified that character because it was what the studio wanted at the time. But at home, her daughter Jayne said she "didn't put on any of those airs," and wore her hair in a scarf and no makeup. CLICK HERE TO GET THE FOX NEWS APP "But she was also very eloquent. She spoke French, Italian, Spanish, Hungarian, and she wanted us to be exposed to more [in life]," she added. Her son, Zoltan, said he "kind of looked the other way" when his mom did her "public voice. Because I knew she was really, really smart." Jayne said her mother told her she wanted to be a serious actress but "the parts didn't come in so she did what she had to do." She said Mansfield had "great admiration" for Marilyn Monroe, but eventually realized "that blonde persona is a box," adding that her mom told her around the time of Monroe's death in 1962 that "she wanted to reverse that image." "My Mom Jayne" premiered on HBO on Friday and is streaming on Max. Print Close URL
Yahoo
7 hours ago
- Yahoo
Rihanna Puts a Chic Twist on Menswear in a Pistachio-Green Maternity Look at the Dior Show
THE RUNDOWN Rihanna and A$AP Rocky matched in cool tones at Jonathan Anderson's first Dior menswear show in Paris. Rihanna incorporated one of this season's trendiest colors, pistachio green, into her look. This marks the couple's first big appearance since they attended the Cannes Film Festival last month. Rihanna and A$AP Rocky brought their star power to Jonathan Anderson's first Dior menswear show in Paris today. The couple coordinated their looks, with Rihanna standing out in a white top, pistachio-green vest (one of the season's trendiest colors), gray slacks, and a long quilted jacket. The star and brand ambassador, who is expecting her third child with Rocky, wore her hair up and accessorized with sunglasses. Rocky, meanwhile, complemented her in a pastel-blue button-up top and a striped tie. This marks the couple's biggest joint appearance since they attended the Cannes Film Festival premiere of Rocky's film Highest 2 Lowest last month: Rihanna and Rocky announced they were expecting at the 2025 Met Gala, which Rocky co-chaired. Rihanna spoke to Entertainment Tonight about her pregnancy on the red carpet, saying, 'I'm good. I'm shockingly feeling okay and not too overwhelmed at the moment. I mean, at first, it was kind of like, 'Ahhh.'' The couple has two sons: 3-year-old RZA and 1-year-old Riot, who will turn two on August 1. Rihanna discussed her kids' personalities in a Harper's Bazaar interview earlier this year. 'RZA is just an empath,' she said. 'He's so magical. He loves music. He loves melody. He loves books. He loves water. Bath time, swimming, pool, beach, anything. And Riot, he's just hilarious. When he wakes up, he starts to squeal, scream. Not in a crying way. He just wants to sing. And I'm like, 'Okay, here we go!' He's my alarm in the morning! He's not taking no for an answer from anyone. I don't know where he came from, dude,' she joked. You Might Also Like The 15 Best Organic And Clean Shampoos For Any And All Hair Types 100 Gifts That Are $50 Or Under (And Look Way More Expensive Than They Actually Are)
Yahoo
11 hours ago
- Yahoo
The Real Inspiration Behind Lauren Sanchez's Wedding Gown
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Amid the extreme fanfare—and corresponding outrage—surrounding her Italian nuptials to Jeff Bezos, Sanchez has finally revealed her much-anticipated wedding dress. She selected her friends the Italian designers Domenico Dolce and Stefano Gabbana of Dolce & Gabbana to craft the gown. And instead of pushing boundaries with a modern silhouette, Sanchez wanted timeless glamour. So, she turned to the past. More specifically, the bride reverted back to the '50s for her inspiration. The dress is based on the one Sophia Loren wore to marry Cary Grant in the 1958 film Houseboat. The bodice is quite similar: A white, boned corset with a sweetheart neckline blanketed in lace that extends to a high neck and long sleeves. 180 chiffon-covered buttons trace a line up the middle. The skirt, however, swaps a full '50s silhouette for that of a fluted mermaid. A sweeping tulle-and-lace veil tops it off. The whole thing took over 900 hours to make. It's a departure from the revealing silhouettes Sanchez often favors (she famously exposed a lace bra beneath a plunging white Alexander McQueen blazer to Donald Trump's presidential inauguration) but no less body conscious. She wore a similar silhouette to the amfAR gala in Cannes last month: a white Roberto Cavalli strapless mermaid gown trimmed in ostrich feathers. So far on the bridal circuit, Sanchez has attempted to skew more capital-F fashion. She's worn a one-shoulder vintage 2003 Alexander McQueen dress and Schiaparelli couture, lavishly embroidered with an extremely exaggerated, corseted waist. This morning, she sported a classic white Dior skirt suit with an Hermès silk scarf tied on her head in an homage to Audrey Hepburn. She is rumored to be changing into a sweetheart neck, corseted gown inspired by the 1946 Rita Hayworth film Gilda. Other publications have noted that Sanchez seems to be chasing the fashion crowd with choices like her couture gown from Schiaparelli, a brand that the industry has dubbed elite in its creativity. References have also become a popular red-carpet hack, as editors and watchers alike uncover sartorial easter eggs left by celebrities and their stylists. Sanchez wanted to evoke a moment rather than opting for something simple. But the key to an interesting historical reference is that modern interpretation. For Sanchez, it seems the past curries more favor than the present. When in Venice, it's of course appealing to channel golden-age film stars—La Dolce Vita, and all. Their ensembles exaggerate the wearer's femininity in a manner that parallels Sanchez's style of dress (minus a bit of fabric—it is 2025, after all.) But then, there's a reason the 1950s have become shorthand for regressive gender roles. The gowns in Houseboat and Gilda are beautiful, but both films feature female characters who are criticized for their promiscuity and failed domesticity. In an era where so many things feel like they've moving backwards, it's hard not to read something deeper into this kind of '50s cosplay coming from the newly-minted wife of a billionaire. Or perhaps she's just a huge fan of director Melville Shavelson? You Might Also Like 4 Investment-Worthy Skincare Finds From Sephora The 17 Best Retinol Creams Worth Adding to Your Skin Care Routine