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‘Sally' explains why a trailblazing astronaut chose to stay in the closet

‘Sally' explains why a trailblazing astronaut chose to stay in the closet

The name Sally Ride carries with it the hushed whispers of greatness. As the first American woman to go into space in 1983, Ride became an icon. Young girls who saw the famed astronaut on the cover of Newsweek, People and even Ms. Magazine witnessed a world of possibilities open up for them.
That was the case for filmmaker Cristina Costantini. Her documentary 'Sally,' which premiered at Sundance, is an ode to her childhood hero. It will be broadcast Monday at 9 p.m. on National Geographic before streaming on Hulu and Disney+.
'I have been a fan of Sally since I was a little kid,' the filmmaker says on a teleconference call alongside Ride's longtime partner, Tam O'Shaughnessy. 'I painted a mural of her that still exists on my elementary school wall. I did a book report about her. The equation was simple: Seeing a woman doing big, brave things that women weren't supposed to be doing made me think that maybe I could do big things, too.'
But 'Sally' isn't just a portrait of how a young Dodgers fan from Encino with wild ambitions made her way to NASA and became, as Costantini jokingly puts it, 'the very first Valley girl in space.' Instead, the documentary threads that well-known tale with a private one about how Ride kept her nearly three-decade relationship with O'Shaughnessy a secret until her death from cancer in 2012, when Ride's obituary made it public.
Now, 'Sally' puts their love story front and center. Dramatizations, love letters, photographs and home videos paint a portrait of a happy couple who squirreled a life for themselves away from the public eye. Ride's sexuality is not treated merely as a footnote to her story, and the documentary asks viewers to understand why the astronaut opted to cordon off a part of her life and live inside a closet of her own making.
'I was worried that the film might be too hard on Sally,' O'Shaughnessy admits.
'Why couldn't she come out and'oh, poor Tam' and all that, you know?' she asks rhetorically. 'But that's not how it comes across. The fact of the matter is when Sally and I got together in the mid-'80s, it was a little dangerous to be open. You could miss out on lots of opportunities with your career, with projects you wanted to be involved in.'
And like then, it feels dicey again today to be out, she says. 'But I think it's really good for young viewers of the film to see that there were good reasons for Sally and I to not be open to the public.'
For context, 'Sally' offers two other contemporary coming-out narratives: those of Billie Jean King, whom Ride and O'Shaughnessy met during their tennis-playing years, and Karen 'Bear' Ride, Sally's sister. The former lost endorsements after her secretary outed her just as her tennis career was flourishing; the other was a trailblazing lesbian Presbyterian minister who advocated for the LGBTQ+ community. The experiences of King and Ride's sister, the doc suggests, influenced how and why the astronaut chose to marry a man while working at NASA — Steven Hawley, who appears in the film — and later decided to live a quiet, private life with O'Shaughnessy.
Over the course of her career, Ride encountered sexism and misogyny from her peers and the press alike ('In your training, when there was a problem, how did you respond? Did you weep?' she was asked at a press conference). As a result, viewers might begin to understand why the famed astronaut chose to avoid further scrutiny, and likely homophobia, because of her public-facing role as NASA's poster girl.
While the documentary neither castigates Ride for her choices nor absolves her of the thorny calculations she'd made to build the life she wanted for herself, 'Sally' is a poignant reminder that it's not always easy to parse questions about visibility and representation.
So in her absence, O'Shaughnessy tries to set the record straight. Costantini's emphasis on their relationship in 'Sally' aims to show how it was integral to Ride's storied legacy.
'I think the kind of bravery that Sally had was the kind of bravery that as a kid you understand,' Costantini explains. 'Going up on basically a bomb into space — that's pretty scary in the moment and scary in a physical way. So as a kid, you have a fascination and appreciation for it.
'But Tam's kind of bravery — the ability to say who you are, even if you are hated for it, to have the moral courage to be who you were born to be, to tell the truth — I think that, as an adult, is a much harder thing to do,' she adds.
As a portrait of a trailblazer, Costantini's film shows us that heroes are fallible. Learning about their humanity and the ways they wrestled with making their way in this world can be as eye-opening as it is enriching to their legacy.
'The project of the film is to place you in the history books alongside your amazing life partner,' Costantini tells O'Shaughnessy, fighting back tears. 'There's something about seeing you celebrated for the beautiful love story that you two had together, in public, that always gets me.'
'Even though Sally wasn't verbally out and definitely not out publicly, she still lived her life exactly the way she wanted to live it,' O'Shaughnessy says. 'She did the things she wanted to do. She loved the people she wanted to love. She was true to herself.'
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Almost 20 Years After Katrina, a Filmmaker Visited New Orleans. Everyone Told Her the Same Thing.
Almost 20 Years After Katrina, a Filmmaker Visited New Orleans. Everyone Told Her the Same Thing.

Newsweek

time13 minutes ago

  • Newsweek

Almost 20 Years After Katrina, a Filmmaker Visited New Orleans. Everyone Told Her the Same Thing.

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A visitor in New Orleans might frolic around the French Quarter, revel in Mardi Gras culture or get lost in a blues performance. When trying to track down the tastiest jumbo, it is easy to forget the trauma that meanders the Mississippi. But for residents, there is no getting away from the impacts of Hurricane Katrina, which still haunts the city two decades on. Filmmaker Traci A. Curry visited Essence Festival in 2023, a behemoth of Black American culture hosted annually in the city. She soon uncovered a startling truth, uttered by pretty much everyone in New Orleans—from Uber drivers to bartenders. "What was interesting was that all of them said some version of the same thing, which was that for those of us who come to New Orleans as visitors, it looks and feels as the New Orleans we all know. The one of our imagination. It's the Mardi Gras, it's the drinking, it's the food, it's the music. "But for us, they describe this bifurcated experience of the city—of before Katrina and after Katrina, that continues to this day," Curry told Newsweek in an interview at the London pre-screening of the upcoming five-part documentary Hurricane Katrina: Race Against Time, premiering July 27 on National Geographic and streaming July 28 on Disney+ and Hulu. Anthony Andrews and Traci A. Curry during a Q&A event at the London pre-screening of "Hurricane Katrina: Race Against Time". Anthony Andrews and Traci A. Curry during a Q&A event at the London pre-screening of "Hurricane Katrina: Race Against Time". Lydia Patrick/Lydia Patrick It soon became clear to her that the city's recovery is somewhat surface-level. Curry's series—a five-part documentary—peels back the veneer of post‑Katrina New Orleans to reveal the lingering scars. A Man-Made Disaster Most Americans remember the mayhem when Katrina made landfall off Louisiana on August 29, 2005. Broadcasts aired stampedes of people trapped in the Superdome, overhead footage of submerged streets, and looted grocery stores. Now, the storm is memorialized as a "man‑made" disaster, noting the failure of the emergency response and the maintenance of the aging levee system that was supposed to protect the low‑lying neighborhoods from being utterly deluged. Curry told Newsweek: "So many of the things that happened during Katrina and the story that we tell were not things created by the storm. They were things that were revealed and exacerbated by the storm," noting how it disproportionately impacted poorer Black communities. A mandatory evacuation order was put in place; tens of thousands of the city's 480,000 residents fled, but more than 100,000 remained trapped. Many made their way to the Superdome, which descended into unbridled chaos as survivors were left without means to survive. Stranded New Orleans residents gather underneath the interstate following Hurricane Katrina in 2005. Stranded New Orleans residents gather underneath the interstate following Hurricane Katrina in 2005. KTVT - TV/KTVT - TV "When you're talking about class and race and, you know, all these things—so much of the reason that there were so many people left behind is because they could not afford to just because you are working class and don't have money, you are more likely to perish during Katrina," Curry added. A crowd of stranded New Orleans residents are gathered outside of the Superdome following Hurricane Katrina in 2005. A crowd of stranded New Orleans residents are gathered outside of the Superdome following Hurricane Katrina in 2005. ABC News/ABC News The Personal Stories Curry and her team sifted through hundreds of hours of footage to reframe the narrative of Katrina with humanity. Curry explained during a post‑screening Q&A hosted by Anthony Andrews, co-founder of arts company We Are Parable: "I used to be a news producer, and I understand how it goes. If you're on a deadline, you get your shot and go. If you run the same footage of one guy taking the TV over and over, that becomes the story." But she believes something more nefarious took place, too: dangerous stereotypes against Black people were perpetuated, dehumanizing victims of the unfolding tragedy. "There's a pre‑existing narrative about Black people in the U.S.—violence and pathology—that the media can easily lean into. News cycles don't incentivize a nuanced human story," she said. A military helicopter arrives to rescue stranded New Orleans residents in the aftermath of Hurricane Katrina in 2005. A military helicopter arrives to rescue stranded New Orleans residents in the aftermath of Hurricane Katrina in 2005. John Keller/John Keller The Oscar-nominated director counteracted this with personal and individualized footage. "You can either look at footage, look through hundreds of hours and see like shirtless Black men running crazy and say like, 'That's a criminal,' or you say 'that's a human being that's trying to survive' and allow that to inform the storytelling, which is what I and the team did," she explained. "You as the audience member must look into the eyes of the human being." Personal stories include that of Lucrece, a mother trapped in her attic with her children. Her daughter wrote their names on the walls, believing they were going to die. They were rescued by boat, but had to confront her haunting reality, a submerged city. Lucrece Phillips, resident of the 8th Ward at the time of Hurricane Katrina, who shared her harrowing rescue story in the documentary series. Lucrece Phillips, resident of the 8th Ward at the time of Hurricane Katrina, who shared her harrowing rescue story in the documentary series. Disney/National Geographic/Disney/National Geographic "There's a point at which she sees the body of a dead baby in the water. She says, 'Stop the boat, we have to get her.' The man goes, 'We have to focus on the living,'" Curry recalled. Lessons Learned? Fast‑forward 20 years and New Orleans is a city forever etched by disaster. The Lower Ninth Ward was completely decimated by Katrina, and today the area once populated by working‑class Black residents remains largely vacant. "It looks like it just happened," Curry said. "There's footage in the fifth episode we shot last year: block after block of concrete steps leading nowhere—houses that no longer exist. That neighborhood has never recovered." Meanwhile, gentrification has "turbo‑charged" the displacement of the original community, as rising housing costs transform shotgun doubles into Airbnbs with skyrocketing rents. Natural disasters are still having devastating effects. Before production wrapped, Hurricane Helene made landfall in September 2025, causing extreme flooding in Asheville, North Carolina. Crushed vehicles and storm debris sit along the Swannanoa River in a landscape scarred by Hurricane Helene on March 24, 2025, in Asheville, North Carolina. Crushed vehicles and storm debris sit along the Swannanoa River in a landscape scarred by Hurricane Helene on March 24, 2025, in Asheville, North Carolina. AFP/Getty Images "There were different weather events—the fires in Hawaii and Los Angeles. All very different. Katrina was singular in many ways, but we've seen the same contours: a weather event exacerbated by man‑made environmental impacts, an infrastructure unfit to sustain it, and harm that disproportionately affects the most vulnerable. As severe weather worsens with climate change, this will only continue unless we center the needs of the most vulnerable before the storm," Curry warned. Curry added that, while Katrina's impact is New Orleans‑centric, similar inequalities plague other communities—like the predominantly Black "Cancer Alley" upriver, where higher-than-average cancer rates have been blamed on factory pollution, or neighborhoods saddled with heat‑intensive data "server farms" and tainted water. "Katrina's story just has so much to teach us about related issues that are continuing to happen today. I hope people wake up," she added. Highlighting this point is footage of President George W. Bush flying over the apocalyptic scenes of New Orleans. The series cuts in near‑identical footage from 1965's Hurricane Betsy—when the Lower Ninth Ward was submerged similarly—yet that time President Lyndon Johnson came immediately, and emergency operations began at once. Curry notes that the Federal Emergency Management Agency (FEMA), whose response was heavily criticized, has since learned from Katrina and adjusted policies to better serve those most vulnerable before a storm. But today the agency faces significant financial cuts, and its survival hangs in the balance as political pressures threaten to dismantle the system altogether. Yet the bigger story Curry wants to tell—decades on from disaster—is one of community. "Even in the most inhumane conditions, when all of these systems had failed and civil society broke down, these people did not lose their humanity. They held onto it, expressed it through care for one another, and used whatever agency they had to maintain the tight bonds of kinship and community that characterize New Orleans."

Start your week smart: NASA's future, Starvation in Gaza, Stabbing incident, Extreme heat risk, Swimming showdown
Start your week smart: NASA's future, Starvation in Gaza, Stabbing incident, Extreme heat risk, Swimming showdown

CNN

time42 minutes ago

  • CNN

Start your week smart: NASA's future, Starvation in Gaza, Stabbing incident, Extreme heat risk, Swimming showdown

If you've been suffering through the high temperatures that have scorched much of the country this summer, you know the toll it can take on your body, leaving you dizzy, dehydrated and, in some severe cases, at risk of death. But there's another lesser-known impact of extreme heat — and it might surprise you. Here's what else you need to know to start your week smart. 🔦 Few US government agencies have navigated as much turmoil in recent months as NASA. With the impending loss of thousands of jobs looming, this week saw the release of a scathing letter from nearly 300 current and former NASA employees and the abrupt resignation of the director of the Goddard Space Flight Center. Scientists and agency workers criticized budget cuts, grant cancellations and a 'culture of organizational silence.' They also raised concerns about suggested changes to a system of safety checks and balances. President Donald Trump appointed US Secretary of Transportation Sean Duffy as interim NASA administrator to replace Janet Petro, a longtime agency employee. That came after the nomination of tech billionaire Jared Isaacman to lead NASA was rescinded. Some scientists are criticizing the agency as the Trump administration tries to dismantle the NASA Goddard Institute for Space Studies, one of the country's top climate labs. Employees are working remotely after their New York City office was shut down. Back in March, NASA astronauts Suni Williams and Butch Wilmore returned to Earth after gaining international attention as their short trip to space stretched into a saga lasting more than nine months. It's an example of how quickly things can go sideways. Meanwhile, leaks have plagued the International Space Station. 📸 In photos: Astronaut Don Pettit captures unique views of the cosmos. Take a look. Blue Origin took a star-studded all-female crew — including singer Katy Perry and journalist Gayle King — to the 'edge of space' and back. The mission had its critics, but is this the future of spaceflight? Israel says it will open aid corridors as fury grows over starvation in Gaza A 'random' stabbing at a Michigan Walmart left 11 injured, officials say. Here's what we know so far Alabama toddler dies in hot car while in state custody GET '5 THINGS' IN YOUR INBOX If your day doesn't start until you're up to speed on the latest headlines, then let us introduce you to your new favorite morning fix. Sign up here for the '5 Things' newsletter. Looking for a way to beat the summer heat? July 28 is National Water Park Day, so grab your swimsuits and hit the water slide or tube down a lazy river! The International Monetary Fund will release its July 2025 World Economic Outlook Update. This publication provides analyses and projections of the global economy. In an update in April, the IMF said forecasts for global growth had been revised markedly down compared with its January update, reflecting effective tariff rates at levels not seen in a century. The Federal Reserve is set to conclude its fifth interest rate meeting since President Donald Trump returned to office in January, with policymakers expected to hold rates steady once again. The decision is likely to draw sharp criticism from Trump, who has repeatedly clashed with Fed Chair Jerome Powell over the bank's refusal to cut rates. Tension between the two was evident last week during a tour of the Fed's $2.5 billion headquarters renovation, a project the Trump administration has used to intensify pressure on Powell. 📹 Watch this awkward exchange between Powell and the president. The National Transportation Safety Board will begin a three-day public hearing to investigate the January 29 mid-air collision between a regional jet and an Army helicopter over the Potomac River near Washington, DC, that killed 67 people. President Trump's so-called reciprocal tariffs are set to go into effect on August 1 after a 90-day delay, impacting multiple countries, including Mexico, Canada and the European Union. If Trump's proposed duties of 30% do kick in, Americans could wind up paying more for everything from produce to medical equipment, electronics and alcohol. It's also the day we get the monthly jobs report for July. In this episode of the 'One Thing' podcast, CNN's David Rind speaks to science journalist Jane C. Hu about why Republicans are increasingly open to the purported healing properties of psychedelics. Listen here. Prev Next 📸 Check out more images curated by the CNN Photo team. The Tour de France, which began on July 5, wraps up today in Paris. After more than 2,000 miles of racing, riders will make their way down the Champs-Élysées to the finish line. (TK look for a London write) The World Aquatics Championships kick off today in Singapore, and all eyes will be on the high-stakes showdown between swimming legend Katie Ledecky and Canadian phenom Summer McIntosh. Ledecky, 28, boasts nine Olympic golds and 21 world titles, while 18-year-old McIntosh arrives with four Olympic medals and three world records set just last month. 📹 Hear how Ledecky is preparing to face her fiercest challenger yet. And the World Dog Surfing Championships are Saturday at Linda Mar Beach in Pacifica, California. What began as the short-lived TV comedy series 'Police Squad!' in the early 1980s got a second life as 'The Naked Gun' series of movies starring Leslie Nielsen and George Kennedy. Now, more than 30 years after 1994's 'The Naked Gun 33 1/3: The Final Insult,' a reboot starring Liam Neeson and Pamela Anderson arrives on the big screen this Friday. Will it be riddled with moronic jokes, toilet humor and sight gags, just like its predecessors? Let's hope so! 🧠 Take CNN's weekly news quiz to see how much you remember from the week that was! So far, 5.4% of fellow quiz fans have gotten eight or more questions right. How will you fare? Heavy metal icon and reality TV star Ozzy Osbourne passed away last week at the age of 76. Rest in peace, Prince of Darkness. (Click here to view) Today's edition of 5 Things Sunday was edited and produced by CNN's Tricia Escobedo.

Ozzy didn't corrupt America's youth. He exposed the hypocrisy of their elders.
Ozzy didn't corrupt America's youth. He exposed the hypocrisy of their elders.

Indianapolis Star

timean hour ago

  • Indianapolis Star

Ozzy didn't corrupt America's youth. He exposed the hypocrisy of their elders.

Ozzy Osbourne is dead, and some Christians may believe that the devil ushered him straight to the gates of hell. Few pop culture icons were as important, or as controversial, as Osbourne. The British-born rocker became the avatar of American culture wars more than a half-century ago by attempting to showcase the hypocrisy of modern religion. Osbourne launched his career in the late 1960s. Sensitive to cultural currents, he recognized what was happening not just in music, but also in religion and politics. He used it to build on the image of rock as subversive and countercultural. From the start, Osbourne understood how to bring attention to his art. Calling his band Black Sabbath sent a clear message. He aimed to subvert, not honor, Christianity. He integrated crosses, demonic imagery and symbols of the devil such as bats into his performances to highlight what he saw as the absurdity of organized religion. Osbourne sang lyrics in his first album about a 'figure in black' that directed him, and in another song, he took on the persona of Satan himself: 'My name is Lucifer, please take my hand.' In Black Sabbath's "Paranoid" album, released at the height of the Vietnam War, he sang 'War Pigs,' a song in which Satan laughed and spread his wings as political and military elites led the Western world to the doorstep of the apocalypse. Opinion: How faith becomes a weapon: 'If I can't understand it, it's not Christian' Such allusions to the demonic continued in album after album. Osbourne's career developed parallel to a new understanding of Satan. In the post-World War II era, the devil assumed a more prominent role in American life. Anton LaVey's founding of the Church of Satan in 1966 celebrated Satan as a symbol of rebellion, individualism and secular liberation. In other words, Satan was the opposite of everything anxious Cold War parents wanted to instill in their kids. Artists drew on this revamped Satan in their work. Films like "The Exorcist" (1973) and "The Omen" (1976) brought Satan − and fears of Satan's ability to inhabit human bodies − into the imaginations of millions of people. Osbourne made those themes central to his music. In the 1980s, while Osbourne was still releasing albums, fears of satanic ritual abuse swept across the United States. Christian conservatives fretted that Dungeons & Dragons, Ouija boards and horror films were gateways to demonic influence. High-profile cases like the McMartin preschool trial and the publication of memoirs about escaping satanic ritual abuse fueled widespread panic. Law enforcement agencies conducted seminars on occult crime, therapists uncovered repressed memories of ritual abuse and talk shows amplified claims of underground satanic cults. The panic revealed deep anxieties about child safety, cultural change and the perceived decline of Christian values in American society. Perhaps, parents and religious leaders wondered, was Osbourne driving kids into satanism? Perhaps his music was brainwashing the nation's youth? Conservative Christians − including evangelicals, Catholics and Latter-day Saints − believe in a cosmic battle between angels and demons that directly influences human affairs. They believe that unseen spiritual battles determine real-world outcomes, particularly in culture, politics and morality. Opinion: Kan-Kan Cinema is elevating Indy's cinema culture Many of them also believed they had to protect children from music like Osbourne's. This framework encouraged social conservatives to interpret issues like abortion, LGBTQ+ rights and the de-Christianizing of culture as evidence of demonic influence, necessitating counteraction through prayer, activism and political engagement. Osbourne and the genre of hard rock that he helped to promote contributed to their fears. In their minds, Osbourne was encouraging youth to rebel. And he was. Osbourne's fans understood what the rock star was doing. They loved it. The more angry Osbourne could make their parents, and the more he could rile up moral crusaders, the better. And he agreed. Playing with the devil became a hallmark of his long career. Briggs: Born into Jim Crow, she lived to witness DEI debates From witch hunts in Salem to conspiracy theories driving QAnon, Americans have used Satan to facilitate a politics of fear. They have used him to justify persecution, fuel moral panics, shape political and cultural battles, and assess global crises and war. But there has always been another side to Satan, the one Osbourne captured. His devil wasn't the horned villain of Christian nightmares but a trickster, a rebel, a symbol of freedom from sanctimony. In Osbourne's hands, Satan gave a theatrical middle finger to hypocrisy and lifted up a mirror to a society obsessed with sin, and he laughed. His life reminds us that sometimes, dancing with the devil is really just refusing to march in lockstep with the saints.

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