
Why Liverpool is a great story of football romance
Take a stroll from Cavern district to Liverpool docks, the cold breeze blowing from the Mersey River directs your attention to Pier Head and the four ebony statues of the city's favourite sons. John, Paul, George & Ringo, hands in pockets, appear to be casually discussing their newest tune.
Time travel to the early 60s. Three miles away, at the Anfield of the black-and-white era, heads bobbed to the lilting rhythm of 'Love Me Do'.
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News18
28 minutes ago
- News18
'Ben Stokes Behaved Like Spoiled Kid': Sanjay Manjrekar Schools Jonathan Trott After Handshake Controversy
Ben Stokes expressing his frustration at India not taking his offer of a draw has been criticised. Was Ben Stokes' reaction justified after India turned down his offer for draw on Sunday? The England Test captain is facing the heat for indulging in an animated discussion with Ravindra Jadeja and Washington Sundar after his handshake for a draw was refused with the 4th Test all but confirmed to end in a draw at Old Trafford. Jadeja and Sundar were inching closer to their respective hundreds when the offer was made but they decided to bat on. Stokes then called-up part-timers Harry Brook and Joe Root presumably to give his first-choice bowlers some rest given the way the contest was headed to. The two Indian batters duly reached their centuries before shaking hands with the English players to confirm the Test has ended in a draw. Former India batter Sanjay Manjrekar criticised Stokes for behaving like a 'spoiled kid". 'Ben Stokes behaved like a spoiled kid," Sanjay Manjrekar said during a post-match show on JioHotstar. Former England batter Jonathan Trott, who was also part of the show, defended the response. 'Common practice in England, and Ben Stokes' mentality is that there are no personal milestones. If you get offered to end game earlier, it's taken," Trott said. Manjrekar was quick to remind his fellow panelist that the world doesn't follow English way of cricket. 'Trott comes from a different culture. Whole world doesn't play as per English way of cricket," he said. Trott may have sided with Stokes but former England captain Nasser Hussain didn't have any problem with India continuing despite the offer. 'I didn't have a problem with it. England seemed to have a problem with it. They were a bit tired, tired bowlers so they wanted to get off but two lads worked hard to get to 80s and 90s and they wanted to get Test match hundreds," Hussain said on Sky Sports. 'Stokes didn't have to bowl Brook and look silly at the end. We make far too much of these things. They played well and all credit to India," he added. view comments Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.


Hindustan Times
35 minutes ago
- Hindustan Times
St Xavier's to celebrate Eunice de Souza's birth anniversary as Poetry Day
MUMBAI 'In dreams, I hack you,' wrote Eunice de Souza and dismantled millennia of Indian mother worship. She knew what she was doing. The face on the cover of 'Fix' (Newground), her first book of poetry, stared out at me in the mezzanine floor of New & Secondhand Book Centre and illuminated the space with its peculiar mix of self-knowledge and challenge. Eunice Desouza - Taught English Literature at St. Xavier's College - HT Photo It was such a special and privileged time, those decades at the close of the twentieth century. Bombay was a nest of singing birds; and its colleges were particularly blessed. Eunice was at St Xavier's; Adil Jussawalla had taught there for a few years. Saleem Peeradina ran an Open-Air Classroom at Sophia College. Nissim Ezekiel was at the University of Bombay. Elphinstone College had Vasant Abhaji Dahake. Jai Hind had Popati Hiranandani and Arjun Shad. Prabodh Parikh was at Mithibai College. You could be walking down the road one day, as I was, and meet Gieve Patel with someone you did not immediately recognise. 'Hello,' Gieve said. 'This is A K Ramanujan and we're on our way to see Nissim Ezekiel.' I had work to do so I told AK how much I admired his work and hurried away. It was stupidity, I should have gone and witnessed this meeting. But we were spoiled by our anytime access to these poets. Late in her life, I met Eunice de Souza at her home. There were parrots, dogs, cigarette smoke and junglee tea. (She had a way of creating Bohemia in Kalina, just as Jussawalla in his later years made a patch of Cuffe Parade into Narnia.) I told her I wanted to do a long interview about her poems and that quintessential Bombay novel, 'Dangerlok' and perhaps something on the great acts of documentation and retrieval that represented so much of her post-retirement life. She exhaled plumes of smoke and said, 'Somehow the writing doesn't seem to matter much now.' I was shocked but I managed to ask: 'What does then?' 'The teaching,' she said. 'That mattered then, it matters still.' 'Isn't that sweet?' sighs writer and publisher Meher Marfatia who was her student. 'I remember her being a mesmerising presence in class. If I were ill or otherwise prevented from attending her class, I would be resentful, counting every lost minute. It wouldn't be about notes or anything like that. It was about how she taught.' Lawyer Reshad Forbes remembers Eunice de Souza for her ability to recite poetry. 'I went out and bought a cassette of T S Eliot reciting 'The Wasteland'. She made poetry come alive; she recited it in a way that was so compelling, you were drawn into the recitation, into the poem. She made it impossible for me to read poetry quietly; I have to read it aloud.' It was the age of the teacher who brought you to literature but it was also the age of the teacher whose tongue was savage. If Dr (Miss) Mehroo Jussawalla could strike you down with 'Gog and Magog, the guardians of the underworld', Dr (Miss) Homai Shroff would eviscerate you with, 'Plum puddings who have achieved mobility through some Darwinian mystery'. 'Stuck dogs,' Eunice would grit out between clenched teeth. She introduced us to Sangam poetry and to Dorothy Parker. She gave us the gift of Jane Austen but she also would savage us. 'This is not a waiting room where you bide your time for marriage,' she would say. And add, 'Learn Chinese cooking instead, it will help your marriage,' says Imran Ali Khan, writer and scholar. From the vantage point of Elphinstone College, we watched with awe the boundaryless behaviour of Jussawalla and de Souza who spent evenings with their students. We were sometimes invited to Baug-e Sara where Dr (Ms) Soonu Kapadia lived for lunch ('There's strawberry fool for afters!') but that was about as Bacchanalian as it got. No nights out, no dive crawling. No wonder Eunice de Souza clashed time and again with the Jesuits—Ali Khan remembers her lighting up under a No Smoking sign—but they must have known how much the divine discontent that fuelled her was working to their advantage. Eunice inaugurated a publishing programme which brought out books of poetry; she ran a literary festival 'Ithaka', named for a Cavafy poem rather than the fabl'd city, but most of all, she dusted off literature and made it exciting. It was no longer something you studied, it was something you became, it invaded your being and changed you completely. You could not walk out of her class without wanting to be someone else, something else. Your city was now a wasteland, your boli carried traces of her drawl, and perhaps she block-printed her sense of style (striking in red and black with a necklace of skulls) into you too. St Xavier's College has made a magnificent gesture in recognising her birthday and celebrating it as a day of poetry. In that, it pays real tribute to the poet, the editor, the columnist, the novelist but most of all to that alchemist of the interior, the teacher Eunice de Souza was. (St Xavier's College Library celebrates Eunice de Souza's birth anniversary on August 1 as 'Poetry Day'. Venue: Reference library, 2nd floor, St Xavier's College. Time: 3pm)


Time of India
an hour ago
- Time of India
IND vs ENG: Big Ben and the art of the impossible
Ben Stokes (Getty Images) MANCHESTER: Purely in terms of numbers, Ben Stokes had endured an average series before arriving in Manchester. Figures of 5/72 with the ball and 141 runs with the bat in the first innings of the fourth Test here are more the kind of numbers that match his lofty reputation as an allrounder. But if one has closely followed the games, Stokes transcends stats. More than just being the premier fast-bowling allrounder in world cricket, Stokes has a job to do as captain of a bowling unit that is going through the throes of transition. This is when there have been doubts over his body being able to endure a heavy workload. Well, Stokes took the load and did all the heavy lifting to create magical spells of cricket right through the series. He has stood out as a leader. Go Beyond The Boundary with our YouTube channel. SUBSCRIBE NOW! Physically, mentally, and tactically, he has been a cut above the rest this summer. He has laid out plans and has been at the centre of the battlefield to execute them. His presence has elevated the standard of the series. In the build-up to the AndersonTendulkar Trophy, England men's team's managing director Rob Key had told TOI that the management doesn't see Stokes bowling the long and big spells that defined him as a fast bowler. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like No annual fees for life UnionBank Credit Card Apply Now Undo It doesn't seem Stokes himself believed that line of thought. The dodgy knee at the age of 34 was always going to be a hurdle. But Stokes has run across every barrier that has come in his way. His ageing body, battered for over a decade now, is the last thing that could hold him back. The caretakers of English cricket were in awe of his herculean effort with the ball on the final day of the last Test at Lord's. But they were equally concerned about burning out their prime asset. Stokes himself conceded that coach Brendon McCullum asked him to stop after a point on the fourth evening at Lord's. He acknowledged it then but was having none of that on the fifth day. When he didn't bowl on the fourth evening here at Old Trafford, one may have started guessing if his body finally gave up. The same concerns started to resurface. India stay alive, England frustrated after draw; handshake drama at Old Trafford and more 'He loves bowling, he loves batting, he loves diving around in the field, sprinting and doing everything he can do. Being captain of the team, you want him playing as many games as possible. We need to see if we can somehow find a way to limit the number of overs he bowls in particular. Throughout the series, he hasn't necessarily bowled those mammoth spells like he did in previous times,' England's assistant coach Marcus Trescothick said after the fourth day's play on Saturday. Trescothick didn't want to divulge much, but he did hint at the team management holding Stokes back on Saturday evening because of the cramps and niggles he suffered due to the workload. On Sunday morning, Stokes had the ball first up in his hands and fired in eight overs on the trot. His batting form in the first three Tests was questionable. Yet, he kept himself in the game with the ball. He was the only bowler from the England team who asked persistent questions to the Indian batters. On the eve of the second Test at Edgbaston, Stokes bowled full throttle non-stop at a single stump for an hour. Little did anyone know that it would become a norm in an actual match when the series reached its business end. Stokes is someone who likes to keep moving the game forward. He makes things happen. He sets unusual fields, bowls unusual lines. Even in the flattest of conditions, he has not let the Indian batters breathe easy. Catch Rani Rampal's inspiring story on Game On, Episode 4. Watch Here!