Ranveer Singh Reacts To 'Rocky Aur Rani...' National Award Win: 'It's Become People's Comfort Film'
Ranveer Singh celebrates RRKPK's National Award win, says the film is now people's comfort watch and helps lighten emotional burdens.
The 71st National Film Awards, honouring the finest in Indian cinema from 2023, were announced on Friday in New Delhi. Karan Johar's Rocky Aur Rani Kii Prem Kahaani emerged as one of the major winners, bagging the Best Popular Film Providing Wholesome Entertainment award. The film, starring Ranveer Singh and Alia Bhatt, also won Best Choreography for Dhindhora Baje Re, choreographed by Vaibhavi Merchant.
Reacting to the honour, Ranveer Singh took to Instagram and shared a heartfelt note. He wrote, 'The real win for RRKPK is how it has grown to become people's go-to comfort film. They rewatch it again and again, as a form of emotional regulation. Ek aisi film jo dil ka bojh halka kar deti hai. That's wholesome entertainment indeed. Feeling proud, feeling blessed, feeling grateful."
Alia Bhatt, too, shared her excitement, posting, 'What a moment. Love to the incredible team that made this film so magical."
Rocky Aur Rani Kii Prem Kahaani, directed by Karan Johar, was widely praised for bringing back the charm of Bollywood family dramas. With a mix of romance, humour, and strong performances, the film struck an emotional chord with many viewers. Ranveer's portrayal of the flamboyant yet endearing Rocky, and Alia's powerful turn as Rani, were especially appreciated.
The movie performed exceptionally well overseas and had a decent run in India. Made on a budget of approximately ₹220 crore (including print and advertising), the film earned ₹148 crore net at the domestic box office and ₹337 crore gross globally, making it a commercial success.
In a year packed with notable releases, RRKPK stood out for its vibrant storytelling, stellar soundtrack, and feel-good vibe — all of which contributed to its National Award recognition for wholesome entertainment.
Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Hindustan Times
11 minutes ago
- Hindustan Times
Kal Penn recalls he had to stop showing up on Indian film set to get his due payment: 'I'm not coming until I get paid'
Actor Kal Penn has shared that once, while working on an Indian film, his payment was so delayed that he had to stop showing up on set to get it. Speaking with the Indian Express, Kal spoke in detail about the incident when he flew from the US to India and started working on the film "in good faith," even though the money wasn't there. He added that he was warned by fellow Bollywood actors that he might not get paid. Kal Penn talked about an unpleasant incident while working in an Indian film. Kal Penn shares he stopped going to film's set to get his due payment Kal shared that even though the filming was about to end, he didn't get his payment. "So with, like, three days left to go, I told everybody on set, 'I'm not coming tomorrow until I get paid.' And the crew was like, 'Yeah, finally. Good for you.' And the producers were like, 'Okay.' So that second-to-last day, there's a phone call: 'Sir, your car is ready.' And I said, 'No, actually, I'm not coming today. You can let the driver go. I haven't been paid.' Then, like ten minutes later, one of the financiers calls: 'Mr. Kalpen, koi problem hai (Is there a problem)?' I'm like, 'I just haven't been paid, so I can't come to work.' We had some strong words after that. He just goes, 'Okay, just wait in your room. In two hours' time, my boy will come.' I'm like, 'Okay',' he said. How his move made producers pay him within a few days He shared how he received the payment, all in cash, in "a brown paper bag" from a man. "He hands it to me and just goes, 'Count it.' I was like, 'Alright. Do you want to come in?' He goes, 'No.' So I closed the door, counted it, it was like half of what the guy owed me, in cash. The phone rings. I was like, 'Uh, actually, this is just half of what you owe me.' He goes, 'Yeah, the other half you'll receive tomorrow.' I'm like, 'Okay.' So I put the money in the safe, fully expecting it to, like, not be there when I came home from work, fully expecting somebody to steal my kidney when I got there,' he also said. Kal added that he was four hours late to work, but the film's team was ready with the money the next day. He added that he returned to the US with the cash, declared it, and filled out forms. About Kal's films The actor has starred in several films over the years, such as Express: Aisle to Glory, American Desi, Van Wilder, Cosmopolitan, Dude, Where's the Party, Ball & Chain, Sueno, The Namesake, Bhopal: A Prayer for Rain, and The Ashram, among many others.
Time of India
an hour ago
- Time of India
5 SRFTI alumni win National Film Awards across direction, cinematography, sound design
1 2 Kolkata: Five alumni of Satyajit Ray Film & Television Institute deemed-to-be University (SRFTI DTBU) bagged the National Award this year. The winners include directors Dominic Megam Sangma and Christo Tomy , cinematographers Saravanamuthu Soundarapandi and Meenakshi Soman, and sound designer Shubharun Sengupta. Saravanamuthu Soundarapandi, who died in 2022 at the age of 32, was honoured posthumously. Soman, who received the award for her work in 'Little Wings' alongside Soundarapandi, said news of the accolade is "bittersweet" for her. "He (Soundarapandi) filmed the first schedule of the film for which I was his associate cinematographer. I shot the second schedule," Soman told TOI. The film "Little Wings" is about how an old woman trapped in a bitter marriage is pushed to the brink when her husband, suffering paralysis, sets out to consume her pet rooster. You Can Also Check: Kolkata AQI | Weather in Kolkata | Bank Holidays in Kolkata | Public Holidays in Kolkata In the feature film section, Dominic Megam Sangma's "Rimdogittanga" received the Raj Kamal for Best Garo Film, while Christo Tomy's "Ullozhukku (Undercurrent)" received the Rajat Kamal for Best Malayalam film. Each Rajat Kamal recipient will receive Rs 2 lakh as prize money. Sangma's Garo feature had no competition since it was the only entry in the language. The challenge for him, however, was to make a film with a cast which had little exposure to good cinema or working in movies. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Hanoi: Unsold Furniture Liquidation 2024 (Prices May Surprise You) Unsold Furniture | Search Ads Learn More Undo "All my actors in the film were new. Apart from heads of departments, most of the crew was also new. It took the entire village to make this film," said Sangma, adding that he dedicated the award to the people of Garo hills. "Ullozhukku" on the other hand faced stiff competition against five features — "Jananam 1947 Pranayam Thudarunnu", "Mahal - In the name of Father", "Pookkaalam", "Aadujeevitham" and "O. Baby". "Malayalam cinema has always been known for great films. I am very happy with the award. Even the award for best supporting actor has gone to Urvashi for her performance in my film. Attending multiple screenings at the film school shaped my filmmaking style organically. I am so happy that five of us who studied at SRFTI have won the National Award this year," said director Christo Tomy. What made his film stand out was his ability to give extraordinary treatment to ordinary experiences of life involving saas-bahu friction and a track involving the daughter-in-law's extramarital affair. Added to it was the treatment of aligning a natural calamity with the internal crisis of the two characters. "I always wanted my film to be performance driven with the treatment evolving organically from the story. I wanted it to be an emotional thriller which was not limited to the niche audience," Tomy added. Get the latest lifestyle updates on Times of India, along with Friendship Day wishes , messages and quotes !
Time of India
an hour ago
- Time of India
Amit Sood: From saving artworks to giving them a playful twist, AI is a powerful tool
What started in 2011 as a 'hobby' project has now become a platform that gives people access to the most prized artworks across the world. Amit Sood , the man who brought Picassos and MF Husains to our devices, talks to Sneha Bhura about how Google Arts & Culture (GAC) has evolved — it now partners with over 3,000 institutions across 80 countries — and the role of tech in saving heritage From culinary traditions to matchbox art, Google Arts & Culture now spans a wide canvas. How has the project expanded the definition of art? In 2011, we launched the Google Art Project with a traditional view — mostly oil-on-canvas paintings and classical visual art. Changing the name to 'Google Arts & Culture' was a strategic shift to broaden our lens. Tired of too many ads? go ad free now While still deeply committed to classical art forms — paintings, sculpture, architecture — we've expanded to include food, sport, natural history and even travel. Last month, we launched 'Food Mood India', which uses AI to generate regional food pairings. We even got a chef in our California canteen to use the tool and serve some of the dishes to the staff. It was a hit. That's when we knew there was something there. How did you convince big museums like the Tate in London, Uffizi Gallery in Florence and the Museum of Modern Art in New York to come onboard? One advantage for me (or a disadvantage, depending on how you see it) was that I wasn't an 'art guy'. So, I approached them without any baggage, simply saying, 'Hey, there's an amazing opportunity to share some of your incredible work online.' At first, of course, they were like, 'What is this? Who is this? Why is Google contacting us?' But once they understood our intention was non-commercial, and that it was fundamentally about access, their view shifted. And that aligned with the core mission of any public museum — to make culture and art accessible. But wouldn't it drive traffic away from museums? You could look at Van Gogh's The Starry Night from your couch in Delhi instead of buying a plane ticket to New York and queuing up outside MoMA. One of our main concerns initially was that people would stop going to museums if we put art content online. That's no longer a worry as, even with so much online content, museums around the world are seeing record footfalls. It really depends on what the museum offers to engage visitors. Our app regularly shows user feedback such as: 'I didn't think I enjoyed classical art, but now I do', or 'I can't believe how beautiful this building is, I need to go see it in person'. Tired of too many ads? go ad free now How open are Indian museums to digital experiments? India's museum space is becoming vibrant, whether it's the Museum of Art & Photography (MAP) in Bengaluru, Salar Jung Museum in Hyderabad or the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai. CSMVS, for instance, has been incredibly forward-thinking, doing creative work with technology while still giving importance to the physical museum experience. We're investing more than ever before in digitisation technology in India as demand keeps rising. We're also helping museums train curators on how to tell stories online. I'm particularly passionate about India's vast repository of manuscripts. In the West, we've digitised and globally launched all of Leonardo da Vinci's codices in a project called 'Inside a Genius Mind'. We also did a project in Mali on the Timbuktu manuscripts, important texts on Islamic culture and history. In Israel, we digitised the Dead Sea Scrolls. I'm hoping that in the next year or two, we'll be able to do much more with manuscripts from India as well. What new immersive or AI-powered projects are you planning next? Technology plays a crucial role in preserving cultural heritage today. We used LiDAR scanners (that does 3D mapping) for the 'Explore Elephanta Caves' project launched last month. We're also exploring how AI can help restore damaged or destroyed artworks. AI is also a powerful tool for re-creation — helping us imagine what could have been. It can also demystify art and culture, especially for people who might feel it's elitist. For example, recently, we made an AI 'mixtape' from the collections of The National Gallery in London. The idea was to use AI to generate music inspired by famous artworks and then let users become DJs — connecting, mixing and playing with these works in a totally new way. 'Mice in the Museum', another project I love, has two AI-generated mice doing a podcast in front of artworks in a funny, engaging way. Exciting new AI partnerships with Indian museums are also in the pipeline. With all the debate around AI-generated art, where do you stand on it? We are here to document the world's art, not art made by AI. That's a clear distinction. We believe AI is most powerful when it serves artists and institutions, not when it replaces them. At GAC, most of what we do involves collaborating with external artists who use Google's base models like Gemini. We then connect the artist, the AI model, the cultural institution and the content, which ensures that the result is curatorially sound. Which Indian painting or project on GAC has seen the most traction globally? The 'Crafted in India' exhibition resonated deeply with audiences in India and abroad. The Indian Railways project was also among our most viewed globally. In 2023, we launched the largest ever online exhibition on Hindi cinema using augmented reality and street view, partnering with the National Film Archive of India, MAP and Yash Raj Films, which was also hugely popular.
