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Getting schooled at the show

Getting schooled at the show

'You really know how to pull memories from the past,' says Andrew Mowat of Beecroft. 'And it's the reference to Vanessa the Undresser (C8) that reminded me of entering a sideshow tent with mates to see Bubbles in action when we were 16. Much to our surprise, Bubbles was none other than our former English teacher (boys notice these things). She'd left the school six months earlier, apparently suffering a breakdown. When we spoke to her after the performance, she said she grew tired of teaching and got better money dancing in a foggy shower for paying patrons. Needs must, I guess. Make the oglers pay. Ahh, memories.'
' See Bubbles Take a Bath was also a feature at sideshow alley at the Wagga Wagga Regional Show in 1959,' recalls Tony Slattery of Heathcote. 'My cousins and I, attracted by the implied naked portrayal on the banners outside, paid our hard-earned to find Bubbles was in a two-piece swimsuit in a clear cylinder of frothy water. Definitely a disappointing misdescription.'
Martin Field of Noosa Heads (Qld) writes: 'The other evening our nine-year-old grandson asked why people often said 'passed' when they meant someone had died. 'Maybe they think died is too blunt,' we said. After a bit of thought he replied, 'I think 'gone on eternity leave' would be better.' So do we.'
'As it appears, I'm the sole Port Macquarie member of Mary Poirriers' (C8) very exclusive, left-indicating club,' claims Dave Williams. 'At $196 per transgression, if the plod enforced this traffic regulation they could clear the state debt almost overnight.'
'Swearing or swerving?' asks Joy Everett of Valla Beach. 'If you swerve out of your lane without using your indicator, some German cars automatically swerve you back. It would be a nice idea, unless you have swerved to give room to a cyclist, only to surprise both you and the cyclist as the car tries to run them off the road.'
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Good grief: Dua Lipa turns spotlight on Helen Garner's book
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  • The Age

Good grief: Dua Lipa turns spotlight on Helen Garner's book

Here's something you don't hear every day. English-Albanian pop sensation Dua Lipa has thrown her star power behind one of Australia's most loved writers, Helen Garner. Talk about an unlikely duo. Lipa is spotlighting Garner's This House of Grief in her popular book club this month. The 2014 non-fiction book follows the trial of Victorian man Robert Farquharson, who is serving 33 years for murdering his three sons on Father's Day in 2005. When contacted by CBD, Garner told us she was a bit embarrassed by all the international attention – having fielded multiple media requests all day. Luckily, Lipa had a few more words to say on social media. 'Her work is new to me and it's a thrilling discovery. She's one of the most fascinating writers I have come across in recent years,' the singer said about Garner. 'What she reveals along the way is not simply a courtroom drama but a sharp and forensic analysis of the human condition.' Garner, who has also tackled true crime with her 2004 book, Joe Cinque's Consolation, was spotted in the courtroom for the trial of triple mushroom murderer Erin Patterson. Garner is partnering with Chloe Hooper and Sarah Krasnostein to write The Mushroom Tapes. It turns out Lipa is somewhat of an aficionado when it comes to our local arts scene. Back in 2023, the Sydney Theatre Company's production about ex-PM Julia Gillard, Julia, was on the pop star's must-watch theatre list.

Roger Corman's cult film series Deathstalker is getting a big-screen reboot
Roger Corman's cult film series Deathstalker is getting a big-screen reboot

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Roger Corman's cult film series Deathstalker is getting a big-screen reboot

Roger Corman's cult film series Deathstalker is getting a big-screen reboot. Director Steven Kostanski, 39, has described his upcoming fantasy take on the fan-favourite franchise as 'not your typical reboot', after Shout! Studios secured exclusive English-language distribution rights to it in a multi-territory deal just days before the 78th Locarno Film Festival. The agreement, struck between Shout! – a Radial Entertainment company – and Canadian outfit Raven Banner Entertainment, will bring the new reimagining of Roger's cult sword and sorcery franchise to theatres later this year. Directed and written by Steven, the Deathstalker reboot stars Daniel Bernhardt, 59, as the battle-scarred warrior of the title, and Patton Oswalt, 55, as the voice of a benevolent wizard named Doodad. The acquisition covers theatrical, digital, video-on-demand, broadcast and physical media rights, with Raven Banner Releasing set to distribute the film simultaneously in Canada. Made in Argentina, the 2025 film revisits the fantasy kingdom of Abraxeon, which is under threat from the Dreadites – a faction intent on resurrecting the ancient sorcerer Nekromemnon. The plot follows Deathstalker after he picks up a cursed amulet from the body of a fallen prince. Joined by Doodad, he embarks on a quest to break the curse while evading monstrous assassins. The original Deathstalker, produced by Roger in 1983 and buoyed by the popularity of Conan the Barbarian, was a surprise box-office hit. Its 1987 sequel, Deathstalker II, has since also become a cult favourite, often labelled the greatest B-movie ever made. But Steven – whose past credits include PG: Psycho Goreman and The Void – has taken a markedly different approach. Jordan Fields, 47, SVP of Acquisitions and Originals at Radial Entertainment, said: 'Steve is one of the most fiercely creative filmmakers working today and his love for this IP and genre oozes from every frame. 'Deathstalker is catnip for fans of the Dungeons Dragons staples – thrilling battles, sly humour, offbeat creatures and thoughtful lore. 'Daniel Bernhardt is pitch perfect in a role he was born to play. Roger Corman would have marvelled at what Steve, Daniel and Hangar 18 have accomplished here, and we predict the film will earn a devoted following very quickly.' Michael Paszt, 52, of Raven Banner added: 'We grew up on a steady diet of Roger Corman movies, especially Deathstalker II. These films were the inspiration for Raven Banner. 'To be a part of reimagining one of his most outrageously entertaining sword sorcery classics with Steven Kostanski at the helm, Daniel Bernhardt, Pasha at Hangar 18 along with Slash Rodrigo, our partners at BerserkerGang, is a total dream come true for us. Fans are in store for a wild ride of monsters, magic, and mayhem.'

Killer thriller takes you on a wild European ride
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When 30-year-old journalist Edward arrives on a small Greek island to spend some time with his distant mum Julie, he finds himself thrown into a world he never knew existed and ends up running for his life. That's because Julie is an assassin, and she's forced out of retirement when other professionals are sent to take her out. This leads to a massacre at a wedding in the village, and some very awkward conversations between the pair. Edward had no idea his mother was a trained killer and now he's got to go on the run with her. The duo are played by Freddie Highmore (The Good Doctor, Bates Motel) and Keeley Hawes (Bodyguard, Line of Duty), each straddling the line between drama and dark comedy. While Hawes owns the role and brings a great energy, Highmore seems a little out of his depth and never quite matches his co-star's tone. The six-episode series is a British-Australian co-production with action taking place all over Europe. There's conspiracies, blackmail, pursuits, you name it. 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It teases so many different story threads that you'd hope would have a solid payoff, but ultimately just fizzle out. By the time the finale rolls around, it seems that teenagers have taken over the writing tasks because this train goes completely off the rails. You might be tempted to finish the show just to solve the mysteries, but The Assassin is really not worth the trouble. That said, Aussie Devon Terrell (Totally Completely Fine) gives a spirited performance as the shallow, drug-taking son of an Aussie billionaire played by Alan Dale. Based on the novel by Esi Edugyan, Washington Black is a historical fiction series, following the titular George Washington Black across two timelines. In one, the young 'Wash' as he's known is a slave on a plantation in Barbados, looked after by another enslaved person with no knowledge of his birth family. The brother of the English slave-owner rolls into town in a fancy steam-powered vehicle - a shocking sight in the 1800s - and takes an interest in young Wash's astute mind. The pair end up setting out on an adventure together, but the dynamic is always awkward being that Wash is technically still owned by this man's family. The second timeline sees a now older Wash going by the name 'Jack Crawford' and living in Nova Scotia, Canada, in a city at the end of the famous Underground Railroad. He meets an English woman with mixed ancestry and is immediately taken with her, despite their differences in circumstances. The show is sprawling and beautifully costumed, but the reliance on CGI and weirdly juvenile storytelling is a drawback. In the grand tradition of RPA or 24 Hours in A&E, Netflix's Critical: Between Life and Death, takes viewers behind the scenes of series medical emergencies. Set in London, the docuseries focuses on significant trauma cases, and the paramedics, dispatchers, helicopter pilots, doctors, surgeons, nurses and coordinators who make these cases run as smoothly as possible. What's remarkable is how calmly and quietly these medical professionals go about their jobs - a far cry from the chaos people who religiously watched ER would come to expect from such occasions. The show also catches up with the people and their families involved in the accidents and incidents that led them to needing serious medical attention. There's plenty of documentary action to be found on your streaming services this week. On Stan you'll find The Accidental President, a fascinating feature documentary about the remarkable story of Sviatlana Tsikhanouskaya, who challenged the Belarusian dictator by running for president against him. Disney+ has a docuseries from producer Ryan Coogler (known for Black Panther, Sinners) called Hurricane Katrina: Race Against Time, looking back at the devastating natural disaster of 2005 in New Orleans. Also on Disney+ is a true crime docuseries, Her Last Broadcast: The Abduction of Jodi Huisentruit. Over on Prime Video you'll find another season of docuseries Shiny Happy People, this time focusing on Teen Mania, an evangelical Christian youth organisation out of Texas. While Netflix has some happier documentary fare with Hitmakers, a series focusing on the songwriters and producers behind some of the world's biggest musical artists. There's also, of course, Netflix's huge film release of recent times: Happy Gilmore 2. When 30-year-old journalist Edward arrives on a small Greek island to spend some time with his distant mum Julie, he finds himself thrown into a world he never knew existed and ends up running for his life. That's because Julie is an assassin, and she's forced out of retirement when other professionals are sent to take her out. This leads to a massacre at a wedding in the village, and some very awkward conversations between the pair. Edward had no idea his mother was a trained killer and now he's got to go on the run with her. The duo are played by Freddie Highmore (The Good Doctor, Bates Motel) and Keeley Hawes (Bodyguard, Line of Duty), each straddling the line between drama and dark comedy. While Hawes owns the role and brings a great energy, Highmore seems a little out of his depth and never quite matches his co-star's tone. The six-episode series is a British-Australian co-production with action taking place all over Europe. There's conspiracies, blackmail, pursuits, you name it. But as the series progresses you find yourself increasingly wondering if The Assassin knows where it's going. It teases so many different story threads that you'd hope would have a solid payoff, but ultimately just fizzle out. By the time the finale rolls around, it seems that teenagers have taken over the writing tasks because this train goes completely off the rails. You might be tempted to finish the show just to solve the mysteries, but The Assassin is really not worth the trouble. That said, Aussie Devon Terrell (Totally Completely Fine) gives a spirited performance as the shallow, drug-taking son of an Aussie billionaire played by Alan Dale. Based on the novel by Esi Edugyan, Washington Black is a historical fiction series, following the titular George Washington Black across two timelines. In one, the young 'Wash' as he's known is a slave on a plantation in Barbados, looked after by another enslaved person with no knowledge of his birth family. The brother of the English slave-owner rolls into town in a fancy steam-powered vehicle - a shocking sight in the 1800s - and takes an interest in young Wash's astute mind. The pair end up setting out on an adventure together, but the dynamic is always awkward being that Wash is technically still owned by this man's family. The second timeline sees a now older Wash going by the name 'Jack Crawford' and living in Nova Scotia, Canada, in a city at the end of the famous Underground Railroad. He meets an English woman with mixed ancestry and is immediately taken with her, despite their differences in circumstances. The show is sprawling and beautifully costumed, but the reliance on CGI and weirdly juvenile storytelling is a drawback. In the grand tradition of RPA or 24 Hours in A&E, Netflix's Critical: Between Life and Death, takes viewers behind the scenes of series medical emergencies. Set in London, the docuseries focuses on significant trauma cases, and the paramedics, dispatchers, helicopter pilots, doctors, surgeons, nurses and coordinators who make these cases run as smoothly as possible. What's remarkable is how calmly and quietly these medical professionals go about their jobs - a far cry from the chaos people who religiously watched ER would come to expect from such occasions. The show also catches up with the people and their families involved in the accidents and incidents that led them to needing serious medical attention. There's plenty of documentary action to be found on your streaming services this week. On Stan you'll find The Accidental President, a fascinating feature documentary about the remarkable story of Sviatlana Tsikhanouskaya, who challenged the Belarusian dictator by running for president against him. Disney+ has a docuseries from producer Ryan Coogler (known for Black Panther, Sinners) called Hurricane Katrina: Race Against Time, looking back at the devastating natural disaster of 2005 in New Orleans. Also on Disney+ is a true crime docuseries, Her Last Broadcast: The Abduction of Jodi Huisentruit. Over on Prime Video you'll find another season of docuseries Shiny Happy People, this time focusing on Teen Mania, an evangelical Christian youth organisation out of Texas. While Netflix has some happier documentary fare with Hitmakers, a series focusing on the songwriters and producers behind some of the world's biggest musical artists. There's also, of course, Netflix's huge film release of recent times: Happy Gilmore 2. When 30-year-old journalist Edward arrives on a small Greek island to spend some time with his distant mum Julie, he finds himself thrown into a world he never knew existed and ends up running for his life. That's because Julie is an assassin, and she's forced out of retirement when other professionals are sent to take her out. This leads to a massacre at a wedding in the village, and some very awkward conversations between the pair. Edward had no idea his mother was a trained killer and now he's got to go on the run with her. The duo are played by Freddie Highmore (The Good Doctor, Bates Motel) and Keeley Hawes (Bodyguard, Line of Duty), each straddling the line between drama and dark comedy. While Hawes owns the role and brings a great energy, Highmore seems a little out of his depth and never quite matches his co-star's tone. The six-episode series is a British-Australian co-production with action taking place all over Europe. There's conspiracies, blackmail, pursuits, you name it. But as the series progresses you find yourself increasingly wondering if The Assassin knows where it's going. It teases so many different story threads that you'd hope would have a solid payoff, but ultimately just fizzle out. By the time the finale rolls around, it seems that teenagers have taken over the writing tasks because this train goes completely off the rails. You might be tempted to finish the show just to solve the mysteries, but The Assassin is really not worth the trouble. That said, Aussie Devon Terrell (Totally Completely Fine) gives a spirited performance as the shallow, drug-taking son of an Aussie billionaire played by Alan Dale. Based on the novel by Esi Edugyan, Washington Black is a historical fiction series, following the titular George Washington Black across two timelines. In one, the young 'Wash' as he's known is a slave on a plantation in Barbados, looked after by another enslaved person with no knowledge of his birth family. The brother of the English slave-owner rolls into town in a fancy steam-powered vehicle - a shocking sight in the 1800s - and takes an interest in young Wash's astute mind. The pair end up setting out on an adventure together, but the dynamic is always awkward being that Wash is technically still owned by this man's family. The second timeline sees a now older Wash going by the name 'Jack Crawford' and living in Nova Scotia, Canada, in a city at the end of the famous Underground Railroad. He meets an English woman with mixed ancestry and is immediately taken with her, despite their differences in circumstances. The show is sprawling and beautifully costumed, but the reliance on CGI and weirdly juvenile storytelling is a drawback. In the grand tradition of RPA or 24 Hours in A&E, Netflix's Critical: Between Life and Death, takes viewers behind the scenes of series medical emergencies. Set in London, the docuseries focuses on significant trauma cases, and the paramedics, dispatchers, helicopter pilots, doctors, surgeons, nurses and coordinators who make these cases run as smoothly as possible. What's remarkable is how calmly and quietly these medical professionals go about their jobs - a far cry from the chaos people who religiously watched ER would come to expect from such occasions. The show also catches up with the people and their families involved in the accidents and incidents that led them to needing serious medical attention. There's plenty of documentary action to be found on your streaming services this week. On Stan you'll find The Accidental President, a fascinating feature documentary about the remarkable story of Sviatlana Tsikhanouskaya, who challenged the Belarusian dictator by running for president against him. 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