India's most expensive TV show; made with a Rs 500 crore budget, costs more than Baahubali, KGF, Pushpa, Kanguva, each episode is made for Rs…, series is…
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Time of India
an hour ago
- Time of India
‘Saiyaara' Box Office collection day 10: Ahaan Panday and Aneet Padda starrer soars on Sunday, Mohit Suri's film earns Rs 247.25 crore in India
'Saiyaara', starring debutants Ahaan Panday and Aneet Padda , continues to shine at the box office. This Mohit Suri-directed romantic drama, released on July 18, 2025, completed a 10-day run at the box office and has continued to earn in double digits since its release. With no signs of slowing down, the movie, on its second weekend, has recorded impressive numbers. According to Sacnilk, early estimates show that the movie made a business of Rs. 30 crores, reaching a staggering box office collection of Rs. 247.25 crore net in India. The movie is only a few crores away from the Rs 250 mark, and if it maintains the same pace, the next goal would be to join the Rs 300 crore club. Box Office breakdown: Here's how 'Saiyaara' has done so far On its second Saturday, Saiyaara earned an estimated Rs 26.5 crore, witnessing a nearly 50% jump from its second Friday collection of Rs 18 crore. Interestingly, the Saturday total matches its first Saturday collection, proving that the film is keeping up its momentum at the box office. With these latest figures, 'Saiyaara' has garnered Rs 44.5 crore in just two days of its second weekend alone. The second week of 'Saiyaara' started with a tiny hiccup, where with a dip of only 5.26 percent, the movie made Rs 18 crore. However, the weekend made up for the drop quite well, as the box office collection saw a jump close to 50 percent, and the movie collected Rs 26.5 crore. Maintaining the momentum, Mohit Suri 's romantic musical performed better on Sunday, with the early estimates recording a collection of Rs 30 crore. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Elegant New Scooters For Seniors In 2024: The Prices May Surprise You Mobility Scooter | Search Ads Learn More Undo Week 1: Day 1 (Friday): Rs 21.5 crore Day 2 (Saturday): Rs 26 crore Day 3 (Sunday): Rs 35.75 crore Day 4 (Monday): Rs 24 crore Day 5 (Tuesday): Rs 25 crore Day 6 (Wednesday): Rs 21.5 crore Day 7 (Thursday): Rs 19 crore Week 1 Total: Rs 172.75 crore Week 2: Day 8 (Friday): Rs 18 crore Day 9 (Saturday): Rs 26.5 crore Day 10 (Sunday): Rs 30 crore *early estimates Total so far: Rs 247.25 crore Saiyaara enjoys the crown of the second biggest Hindi film of 2025 With a compelling story, strong performances, and music that one can't get enough of, 'Saiyaara' has already surpassed the collection of Akshay Kumar's 'Housefull 5.' With this, the movie is currently standing as the second-highest-grossing Hindi movie of 2025. Now for it to reach the number one position, 'Saiyaara' will have to beat 'Chaava' starring Vicky Kaushal, which crossed Rs. 600 crore. A thank you note for the fans from Ahaan Panday Feeling grateful for the overwhelming support, the lead star Ahaan Panday shared a heartfelt post to express his appreciation to his fans. "One week of Saiyaara, thank you for the love," he wrote on his social media when 'Saiyaara' completed one week of release. About 'Saiyaara' Directed by Mohit Suri, 'Saiyaara' narrates the heartfelt journey of Krish Kapoor, portrayed by Ahaan Panday, a young musician, and Vaani Batra, played by Aneet Padda, a reflective and reserved writer. As their romance deepens, the film delves into themes such as heartbreak, recovery, and the significance of human connection. From the vision to the story, everything about the movie has fetched the team behind the film immense love from the audience and critics alike.
Time of India
7 hours ago
- Time of India
Souza's 4 rare works to be auctioned this week
Panaji: A rare collection of four distinctive artworks by modernist painter of Goan origin, F N Souza, collectively valued at over Rs 1 crore, is set to lead the upcoming online auction by AstaGuru Auction House on July 29 and 30. The artworks include two pieces from his 'Head' series periods (1964 and 1985), a dynamic 1990 landscape, and a 1987 nude inspired by Khajuraho sculptures. 'Souza was a pioneering force in the Indian modernist art movement,' said Sneha Gautam, the director of client relations at AstaGuru Auction House. 'As a founding member of the Progressive Artists' Group in the 1940s, he was instrumental in challenging conventional Indian artistic traditions and introducing a bold modernist sensibility, especially at a time when the country was finding its distinct artistic voice. ' Gautam said, 'His work played a key role in shaping the trajectory of modern Indian art, bringing modernist styles and ideas to the forefront.' The artworks span various styles and themes that the artist concerned himself with throughout his career. The curation also showcases Souza's command of and proficiency in varied mediums. Lot No. 37 and Lot No. 42 showcase his different takes on portraiture and are reminiscent of his 'Head' series. The series featured portraits influenced by European art movements that displayed the artist's inner turmoil through the depiction of distorted faces. While Lot No. 37 is a colourful untitled work executed using acrylic on paper in 1985, Lot No. 42 is a charcoal-on-canvas work from 1964. Lot No. 56 belongs to Souza's vast oeuvre of landscapes. Executed in 1990, the oil-on-canvas work exemplifies his visceral approach to environment and structure. With a dense web of jagged lines and rhythmic brushstrokes, the composition collapses foreground and background into a frenetic tangle of green, ochre, and blue. Lot No. 84 is an untitled pen-on-paper work executed in 1987. It reveals Souza's fascination with creating nude works and the inspirations he took from the erotic sculptures of the Khajuraho temples. Captivated by the uninhibited expression of human desire found in these ancient carvings, Souza drew from their raw physicality and symbolism, particularly in his depictions of the female nude and intertwined couples. 'Characterised by assertive lines, striking colours, and a fusion of abstraction and figuration, Souza's art drew inspiration from Cubism, Expressionism, and other European movements,' Gautam said. 'His paintings frequently explored existential and religious concerns, while also offering sharp critiques of social and political structures.' She said, 'With a distinctive visual language, his use of line and colour imbued his work with dynamic tension, often evoking both intensity and unease. Souza left behind an unrivalled legacy of rebellion, paving the way for generations of artists to come.'
India.com
7 hours ago
- India.com
After 70 crore alimony, Karisma Kapoor demands share in ex-husband Sunjay Kapur's massive Rs 30,000 crore estate
Renowned industrialist Sunjay Kapur passed away at the age of 53 on June 12, 2025, in England. Reports claim that Sunjay died of a heart attack caused when he accidentally swallowed a bee. Kapur's mortal remains were brought back to Delhi, where he was laid to rest on June 19. Now, more than a month later, a dispute over Sunjay Kapur's enormous property has begun. Recently, his mother, Rani Kapur, claimed that her accounts were frozen, making survival difficult. Meanwhile, Sunjay's ex-wife and former actress Karisma Kapoor is reportedly seeking a share in his Rs 30,000 crore estate. Karisma Kapoor Seeking Shares in Sunjay Kapur's Rs 30,000 Crore Property According to a report by Dainik Jagran, Karisma has requested her share from the company. However, no official confirmation has been released, nor has Karisma reacted to these alleged reports. Sunjay Kapur's Mother Alleges Her Accounts Were Frozen Recently, a letter from Sunjay Kapur's mother has been circulating on the internet. According to reports, Rani Kapur has allegedly described her son Sunjay Kapur's death as 'unexplained and suspicious.' She also claimed that just days after her son's death, she was forced to sign multiple papers while she was still mourning. In a letter written to the board, Rani Kapur allegedly stated, 'Please take note that during the aforesaid period of grieving, I was approached multiple times and compelled to sign various documents without explanation or even having time to read and understand the same. Despite being under immense mental and emotional distress, I was coerced into signing such documents behind locked doors, and though I've requested repeatedly, the contents of such documents have never been revealed to me.' In her letter to CNBCTV18, Rani stated that she has been denied access to her accounts, making survival increasingly difficult. She further clarified that she has not authorized anyone to officially act as her representative on the company's board.
