logo
New South movies releasing in theaters this week (June 9-15): Padai Thalaivan and Vysanasametham Bandhumithradhikal

New South movies releasing in theaters this week (June 9-15): Padai Thalaivan and Vysanasametham Bandhumithradhikal

Pink Villa09-06-2025
South cinema this week will see slightly lesser movies making their way for theatrical release. However, both of them are sure to give each other a tough fight and make their way successfully to the box office.
So without any further ado, here are the 2 South movies which are releasing in theaters this week.
Padai Thalaivan
Upcoming Tamil action film Padai Thalaivan has been especially grabbing attention lately since Ilaaiyaraaja would be composing the musical score of the film. The theme of the film is against the background of wild elephants and dangerous forest regions and makes an interesting narrative use of it.
A gripping drama, audiences would be in for a treat given how the film deals with gripping realities of life without any sugar coating. Raw emotion and realism are touted to be the key takeaway of the film.
The plot is said to be heavily based on a real life incident, garnering all the more hype from fans and audiences even before theatrical release.
Vysanasametham Bandhumithradhikal
Cast: Anaswara Rajan, Siju Sunny, Joemon Jyothir, Baiju Santhosh, Noby Marcose
Director: S Vipin
Language: Malayalam
Release date: June 13, 2025
Vysanasametham Bandhumithradhikal is an upcoming Malayalam language comedy drama which will be released this month. It is deemed to be a modern and endearing story encapsulated within a family drama.
Pictured in the backdrop of a rural village, the film revolves around a small-town shopkeeper and his daughter who are dealing with a series of unfortunate events at their house. A sudden death adds to the complexity of the situation.
The daughter's awakening to calm the chaos and offer resolution to the pressing issues forms the crux of the story.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Hunt – The Rajiv Gandhi Assassination Case review: Gripping series gives ringside view of CBI investigation, hews close to what happened
The Hunt – The Rajiv Gandhi Assassination Case review: Gripping series gives ringside view of CBI investigation, hews close to what happened

Indian Express

timean hour ago

  • Indian Express

The Hunt – The Rajiv Gandhi Assassination Case review: Gripping series gives ringside view of CBI investigation, hews close to what happened

On May 21, 1991, a blast in Sriperumbudur decimated Rajiv Gandhi, as he bent to receive a garland from an eager woman who had inveigled herself into the receiving line. The hunt for the killers occupied frenzied column inches in the press as well as a special investigation team (SIT), as they examined the fragments of bone and body gathered from the site, well-trampled upon by shell-shocked survivors, and morbid bystanders. In one of those miraculous breakthroughs that helped track the assassins, a Chinon camera was found intact in the jumble of bloody clothing fragments and footwear. It had captured a series of telling images, and the investigators got their first lead, which eventually led them to uncover the plot hatched by a group of LTTE militants who blamed the former prime minister (Rajiv Kumar) for sending Indian forces into Sri Lanka which they believed was anti-Eelam, a movement born to form a Tamil state in the island nation. The seven-episode SonyLiv series, based on journalist Anirudhya Mitra's book 'Ninety Days', and directed by Nagesh Kukunoor, gives us a ringside view of the CBI investigation, zig-zagging between parallel tracks of the hunters and the hunted. In one, we see the painstaking, dogged attempts of the pursuit by the team led by D R Karthikeyan (Amit Sial), Amit Varma (Sahil Vaid), Amod Kant (Danish Iqbal), K Ragothaman (Bagavathi Perumal), Radhagovind Raju (Girish Sharma) and Captain Ravindran (Vidyuth Garg). In the other, we get a close look at those who were involved in the conspiracy, from LTTE sympathisers to the actual assassins, led by the one-eyed, chain-smoking Sivarasan (Shafeeq Mustafa). His single-minded focus is shared by his companions, which include Nalini (Anjana Balaji), Subha (Gouri Padmakumar), and Dhanu (Shruti Jayan) who becomes the human bomb. They are all convincing zealots. Those with long memories will recall the struggle to document minus sensation: the photos we saw in the papers the following day (and later on the cover of newsmagazine India Today) only hinted at the patched-up remains of the body which was literally blown apart. That's the tone that the show, written by Kukunoor, Rohit Banawalikar and Sriram Rajan, tries to keep to, and succeeds in most part. That's also the reason why, sometimes, it feels as if it is in a loop, because that's exactly what happens: yes, the chase is on, with on-going leads and false trails, capturing the stop-and-start nature and the enormous difficulties of the investigation — like finding a needle in a haystack, as a character puts it. Watch The Hunt – The Rajiv Gandhi Assassination Case trailer here: For the most part, The Hunt stays gripping, never taking its eyes off the ball for too long, while giving us the impression of hewing close to what happened, before, after and on the day of the assassination. Kukunoor's direction (he is also the showrunner) is solid. So is the uniformly impressive cast: Amit Sial is excellent, navigating the treacherous waters of officialese as well as the on-ground grunt work, the show leaving us with a controversial peg — did he delay the final assault on the assassins because he was the kind of punctilious officer who would wait for orders 'from above', or was there something more to it? So is Vaid: good to see him not doing the hero's BFF sort of role, for a change, as well as the other members of the team. The actors who play the LTTE activists-and-assassins are all scarily persuasive, and it is apt to hear them speaking in Tamil, with those on their trail trying to weed them out by their 'Lankan accent'. There have been other films and shows revolving around the Rajiv Gandhi assassination: Shoojit Sircar's 'Madras Cafe', starring John Abraham as the intelligence officer who gets embroiled in the case; Mani Ratnam's Kannathil Muthamithal shows us how the potential recruits were trained for armed conflict, just as they are here. It also comes up in an edition of Raj and DK's 'The Family Man', but not in as much detail as this one. 'The Hunt' is a welcome addition to shows looking back at recent times, which attempt to pin-point historical and political flashpoints in India with archival documentary footage. But it's hard to overlook the constant irritating disclaimers against smoking and drinking: given that Sivarasan is never without a cigarette in hand, his appearance is invariably accompanied by that squiggle. And even in a show about an era which is truly done and dusted, you can see the footprints of silly censorship: in one frame, you can see the The Hindu, the biggest newspaper (prakhyat akhbaar, as it is described) of the South, being called something else (was it Bharat news?); in another, in the mention of Madras Press Club, the first word is muted. Whatever. All we can do is to ignore, and soldier on, just like the team which cracked one of the toughest cases in modern India. The Hunt – The Rajiv Gandhi Assassination Case cast: Amit Sial, Sahil Vaid, Danish Iqbal, Vidyuth Garg, Shafeeq Mustafa, Gouri Padmakumar, Bagavathi Perumal, Saurabh Dubey, Rajiv Kumar, Shrutie Jayan, Anjana Balaji The Hunt – The Rajiv Gandhi Assassination Case director: Nagesh Kukunoor The Hunt – The Rajiv Gandhi Assassination Case rating: 3.5 stars

Uppu Kappurambu Review: Keerthy Suresh starrer is entertaining political satire but loses its charm arbitrarily
Uppu Kappurambu Review: Keerthy Suresh starrer is entertaining political satire but loses its charm arbitrarily

Pink Villa

timean hour ago

  • Pink Villa

Uppu Kappurambu Review: Keerthy Suresh starrer is entertaining political satire but loses its charm arbitrarily

Keerthy Suresh starrer Uppu Kappurambu is finally here and available for streaming on Amazon Prime Video. The film, which features Suhas as the co-lead, is a social comedy, helmed by Ani IV Sasi, the son of late Malayalam director IV Sasi. Is the satirical political comedy worth your time? Here's the Pinkvilla review to help you understand it. The Plot Chitti Jayapuram, the fictional village, is populated with unique characters and their own distinct superstitions and practices. Apoorva (Keerthy Suresh) inherits the title of Village Head, following the untimely death of her father. However, she suffers from social anxiety and has no interest in public positions. As luck would have it, as soon as she takes charge, she is met with a rather uncommon dilemma – the village cemetery is running out of burial spots. As she attempts to solve the issue, with the help of the village gravedigger, Chinna (Suhas), while simultaneously tackling the issues raised by two influential, power-hungry individuals, Bheemayya and Madhubabu, forms the crux of the story. The Good Undoubtedly, the hero in Uppu Kappurambu is the film's writer, Vasanth Maringanti. Through his world-building, the writer narrates the story of Chitti Jayapuram with so much authenticity that the audience does not question the characters' eccentricities. Furthermore, the writer also does a fantastic job with characterization, giving each character their unique quirks, which lend them a distinct identity in a densely populated village. The film also comments on several socio-political issues, including misogyny, feminism, communal divide, caste and dynasty politics, patriarchy, and much more. However, it is woven in subtly and does not feel forced into the story. Ani IV Sasi's direction also does its part in bringing the village to life as well. The village, its characters, and situations are all in sync, which is detrimental when working on a political satire. Following the writing and direction, it is necessary to mention the film's editing by Sreejith Sarang. The editor has done a fantastic job, bringing the film together in a cohesive manner. Production and Art Designers Sri Nagendra Tangala, Prasad Penumarty, and Laxmi Tamang also deserve special mention. Their efforts in bringing the fictitious village to life were evident on screen and cannot be overstated. The film's cinematography does precisely what it is supposed to do, nothing more, nothing less. Divakar Mani has done a flawless job, cranking the camera for the film. The same can be said about the film's background score, composed by Sweekar Agasthi. While the music fits in most places, during several portions, it feels out of place, as if it's commanding the audience to feel a certain emotion. The Bad The biggest issue with Ani IV Sasi's Uppu Kappurambu is the film's sound design. The sound design tries too much, and is quite reminiscent of comedies from the '90s and early 2000s. It was too loud, not in terms of audio, but in terms of quality. Furthermore, while the film's writing was the most significant positive aspect, it would be unfair not to mention that towards the climax, the film tends to follow the archetypal endings of similar socio-political films. It is something we have seen before in films like Yogi Babu's Mandela or even the Rajkumar Rao-starrer Newton. There is also a temporary shift in genre from comedy to drama, during which time the film becomes preachy. It is worth noting that these flaws are minuscule in the 2-hour and 16-minute runtime of Uppu Kappurambu. The Performances Coming to the performances in Uppu Kappurambu, the primary name that should be mentioned is Suhas, who portrayed the male lead, Chinna. Chinna is a jovial gravedigger who casually converses with the deceased to alleviate his constant monotony. Additionally, he realizes that his mother does not have much time left to live and struggles to fulfill her last wish. There is so much depth to Chinna's character, so many unfulfilled wishes, wishes that he realizes may never come true. Suhas has portrayed the character brilliantly, bringing the audience to tears in one moment and tickling their funny bones the next. As for Keerthy Suresh, the actress has done justice to the role assigned to her. While it is understood that satires often require a level of eccentricity, her performance at the beginning of the film is too eccentric, to the point that it cringes the audience. However, once the actress eases into the character, around the 30-minute mark, she becomes a delight to watch, with her quirky antics adding depth to the character of Apoorva as well. Babu Mohan and Shatru as Bheemayya and Madhubabu deserve a special mention as well. The duo, who can be considered the 'primary antagonists' in the film, are self-centered, power-hungry rich people who are unable to accept that the village head is a woman and hope to take over the post themselves. Both actors do a good job in their portrayal of rival feudal lords. The other actors in Uppu Karppurambu have also done a terrific job portraying their respective characters. Watch the trailer here The Verdict Uppu Karppurambu is undoubtedly one of the finest political satires to come out in recent times. Despite its flaws, the film stands out for its excellent characters and the subtlety with which it addresses social issues. The film deserves to reach a wider audience, not just for its technical aspects, but for the message it conveys and how it conveys it. Uppu Kappurambu is not only guaranteed to make you laugh out loud, but also to prompt you to think about the numerous socio-political situations we encounter in our daily lives.

Theatre festival with 10-min short plays!
Theatre festival with 10-min short plays!

Time of India

timean hour ago

  • Time of India

Theatre festival with 10-min short plays!

Organised by Theatre Marina, the festival promises an engaging lineup of performances and will run until July 13, celebrating the energy and creativity of short-format plays.​ This weekend, the theatre scene in the city is all set to come alive with the third edition of the Tenally Drama short play festival that is going to kick off at the Alliance Française of Madras in Nungambakkam. Organised by Theatre Marina, the festival promises an engaging lineup of performances and will run until July 13, celebrating the energy and creativity of short-format plays. Speaking to us, R Giridharan, a mentor of the group, shares, 'We are primarily a theatre group, but we also wanted to encourage other theatre troupes. This year's festival will have three days of preliminaries, during which 30 plays will compete. Out of these, 10 will be shortlisted to contest in the finals.' Talking about the uniqueness of the festival, he explains, 'Tenally 3.0 is a vibrant theatre competition featuring 10-minute plays in Tamil, Telugu, Kannada, Malayalam, Hindi, and English — this is what makes the festival truly special. Over 120 artistes, including playwrights, actors, directors, and technicians, will present stories that blend tradition with modernity.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store