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Melania Trump Chooses Dolce & Gabbana Trenchcoat for White House Departure for Pope's Funeral

Melania Trump Chooses Dolce & Gabbana Trenchcoat for White House Departure for Pope's Funeral

Yahoo25-04-2025
WHEN IN ROME: En route to Joint Base Andrews to fly aboard Air Force One to Italy for Pope Francis' Saturday morning funeral, First Lady Melania Trump on Friday departed the White House dressed in a dove gray trenchcoat from Dolce & Gabbana. She accessorized her look with oversized black sunglasses, black Roger Vivier pointy-toe flats and a black Hermès Birkin bag. Dolce & Gabbana is a favorite resource for Trump, who wore a black coat from the brand and a black lace mantilla to meet Pope Francis in 2017 at the Vatican with President Donald Trump.
The president is one of the 50 heads of state who are expected at Saturday's funeral in St. Peter's Square in front of St. Peter's Basilica. A crowd of 200,000 is expected to turn up for the mass in honor of the 88-year-old Argentinean. Millions of people are expected to tune in to broadcasts of the historic event, and also the livestream of it by the Vatican.
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As an indication of the public's current interest in papal dealings, viewership of the feature film 'Conclave' had increased by 283 percent to 7 million minutes watched within days of the 266th pope's death on Monday.
The two-time first lady also chose a Dolce & Gabbana tailored black blazer with wide satin lapels over an unbuttoned white top for her official 2025 White House portrait that was photographed by Régine Mahaux. FLOTUS' tuxedo-style suit was completed with a Ralph Lauren cummerbund. Trump also chose a Dolce & Gabbana ensemble for her 2017 official portrait.
More recently, the former model wore a Dolce & Gabbana menswear inspired look — a black velvet tuxedo with satin lapels — to the White House Governors' Dinner in February. She completed that look with a Ralph Lauren cummerbund and white shirt. Over the president's inaugural weekend in January, she wore a Dolce & Gabbana white tuxedo shirt with a Saint Laurent jacket to the Candlelight Dinner at the National Building Museum.
Earlier this week at the annual White House Easter Egg Roll FLOTUS chose a similar trenchcoat look to Friday's ensemble — a vanilla-colored leather belted trenchcoat from Mackage with low-heeled Roger Vivier flats.
After landing at Leonardo da Vinci International Airport in Rome later Friday, the first couple were due at the U.S. Embassy, the 15th century Villa Taverna, which was commissioned by Cardinal Consalvi. Following their one-night stay in Italy and the pope's funeral, the Trumps planned to jet back to the U.S. for a night at the Trump National Golf Club Bedminster in New Jersey.
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With soft power and moral clarity, ‘Agent Melania' flexes for the defenseless
With soft power and moral clarity, ‘Agent Melania' flexes for the defenseless

New York Post

time2 days ago

  • New York Post

With soft power and moral clarity, ‘Agent Melania' flexes for the defenseless

When President Donald Trump met with NATO Secretary General Mark Rutte this week to discuss an urgent arms package for Ukraine, the world learned to its surprise that the usual players — military brass, intelligence chiefs, foreign policy experts — had not been the ones to shape the outcome. Instead, the tipping point came in a private talk in the White House residence. 'I go home, I tell the first lady, 'You know, I spoke to Vladimir today. We had a wonderful conversation,'' the president recalled. Melania Trump's reply cut through the diplomatic haze: 'Oh really? Another city was just hit.' It wasn't a rebuke. It wasn't theater. It was a simple, quiet act of moral clarity. And it seems to have shifted the course of US policy. From her earliest days as first lady, Melania Trump charted her own course — eschewing the performative for the personal and trading sound bites for substance. In her husband's first term, her 'Be Best' initiative was never about optics but about defending the defenseless: children caught in digital warfare, opioid-ravaged families and victims of exploitation and abuse. The program expanded over time to include support for foster youth and initiatives like the Take It Down Act, aimed at removing non-consensual online content involving minors. She never begged for the spotlight. She earned influence by listening first, then acting with deliberation to protect and foster healthier environments for women and children. She visited neonatal units to cradle babies impacted by the opioid crisis and keep faith with their mothers; she carried Easter baskets to teenage girls in domestic violence shelters. She brought dignity where others brought drama, even while the media tried to manufacture it around her. For those paying attention, the first lady has always been a beacon for women and children in need. I have walked through the wreckage in Ukraine that Melania so instinctively responded to. For more than three years, I've worked alongside Ukrainian partners bearing witness to atrocities many refuse to believe: the systematic use of rape as a weapon of war, the state-sponsored abduction of more than 19,000 children, and the silent trauma of loved ones who are vanished from villages overnight. These are not abstract data points. They are names, faces and futures stolen in the dark — a dark that so desperately needed a light. In towns like Bucha and Izium, once liberated from Russian control, mass graves revealed the bodies of hundreds of men, women and children — some mutilated, others with their hands bound behind their backs. In Kherson, Ukrainians uncovered Russian torture chambers, and even today, Russian drones hunt civilians there like animals in a safari. These are not allegations. They are crimes documented by the United Nations, international lawyers and others. And they don't even begin to touch upon the atrocities on the battlefield, like the execution and rape of prisoners of war or the use of chemical weapons. While diplomats debated and commentators postured, Melania's simple statement caused the leader of the free world to reflect. It takes rare strength to influence Donald J. Trump. But Melania has always embodied the kind of strength this moment requires: composed, deliberate and morally grounded. Her quiet reminder did what countless meetings and briefings struggled to do — it reminded the president that Vladimir Putin is not a man to be trusted, and while he speaks, he bombs the innocent. That moment of private honesty reverberated all the way to Kyiv. Patriot systems, paid for by Europe but coordinated by the United States, are being rushed to Ukraine. Soon, missiles will be intercepted and lives will be saved. And in the bomb shelters, where mothers huddle with their children, a new kind of American power is felt — compassionate, clear-eyed and distinctly Melania's. Ukrainians have already taken notice. Some have even jokingly dubbed her 'Agent Melania,' a tribute not to espionage, but to empathy. To be clear, the first lady doesn't need flattery. But she deserves acknowledgement. In a cynical age where sincerity is scarce and every act seems orchestrated for applause, she reminds us that the most powerful voice is often the one least interested in being heard. She didn't convene a task force. She didn't demand airtime. She simply looked at the facts — the targeted children, the shattered lives, the rising death toll — and asked her husband, in effect, 'What are we waiting for?' That was enough to bring American strength to the side of those who needed it most. History will record the diplomats and the deals. But those of us who have seen the human toll firsthand will remember something else: the moment when a single statement in a private room broke through the fog of politics and brought light to a dark place. Meaghan Mobbs, PhD, is the director of the Center for American Safety and Security at the Independent Women's Forum.

Dolce & Gabbana's Relaunched Their Iconic Light Blue Perfume for 2025
Dolce & Gabbana's Relaunched Their Iconic Light Blue Perfume for 2025

Cosmopolitan

time2 days ago

  • Cosmopolitan

Dolce & Gabbana's Relaunched Their Iconic Light Blue Perfume for 2025

There are perfumes… and then there are perfumes. Dolce & Gabbana Light Blue Eau de Toilette has always belonged to the latter camp—a scent that smells like sunshine, sexy glances, and sea spray. So, when the brand decided to revamp the iconic formula back in June? Baby, it was more than a news flash—it was a moment. Which is exactly why I found myself in Capri, Italy (I know, poor me) for a 72-hour Mediterranean getaway that doubled as the ultimate fragrance fête. We're talking yacht parties on the Amalfi Coast, pasta-and-pizza-fueled dinners, and copious amounts of dancing under the stars. The new faces of the fragrance—supermodel Vittoria Ceretti and White Lotus actor-slash-heartthrob Theo James—were there too. But beyond the glamorous setting and the glittering guest list, this relaunch marks a major shift for the brand. Dolce & Gabbana Beauty is stepping boldly into its next era—honoring Light Blue's beloved DNA while making it richer, sexier, and more modern. It's not just about smelling good anymore—it's about feeling unforgettable. And whether you've been riding with Light Blue since its OG days (it launched back in 2001) or are just now getting acquainted, trust me when I say: you're going to want to know what's new. So let's break it down! Here are the five things you absolutely need to know about the relaunch of Light Blue Eau de Parfum: 1. It's deeper, but still be real: the original Light Blue is iconic for a reason. That crisp lemon-meets-green-apple top note combo? Chef's kiss. But the eau de parfum relaunch turns the volume way up while still honoring the fresh DNA we all know and love. This time around, perfumer Olivier Cresp added creamy ambrette seed and a musky, woodsy base that lingers. Plus, D&G has also launched Capri In Love, a new eau de parfum—one for men and one for women —to further underscore this new chapter of scent for the house. It's a spicy floral with notes of jasmine tea and apple that was crafted by Emilie Copperman. The bottles are beyond beautiful with an iconic blue majolica print. Just stunning! 2. Vittoria Ceretti is the Ceretti looks like a Mediterranean dream in the campaign, rocking a white-hot bikini, hair slicked back, and skin glowing. She embodies that effortless, radiant energy Light Blue is known for—modern, magnetic, and completely unforgettable. It's crazy to think she wasn't always a perfume girlie. 'I'd wear it once or for like an evening, but now it's become part of my beauty routine,' Vittoria told Harper's Bazaar. Glad this new scent is turning the tide for her. 3. Theo James = ladies, gents, and everyone in between—that Theo. The actor (and resident hottie) steps into the role of the face of new Light Blue Pour Homme, and he's bringing the heat. The campaign leans into that classic Dolce & Gabbana masculinity that model David Gandy held down for so long: rugged, sun-tanned, irresistibly moody. But Theo also adds a softness—like he's the type of dude who smells amazing and remembers your favorite flowers are hydrangeas. He told Elle that he definitely did a bit of work to get ready for this iconic moment. 'I did not eat much pasta. I'm not a spring chicken, so I vaguely keep in shape. But there's a difference between vaguely keeping your shape and then suddenly wearing tiny white pants in front of 100 people filming you. But that's part of that job.' Ugh. Marry me. 4. It's designed to of the most exciting upgrades? Longevity. Let's face it—sometimes citrusy fragrances fade by lunch. But this new version is built for all-day wear, thanks to its richer base and smart reformulation. Think a single spritz in the morning that still turns a head to two at happy hour. It's wearable for everything from breezy beach days to rooftop dinner dates. Translation: She works overtime. 5. The bottle is classic, with a frosted glass bottle we all recognize has been zhuzhed up. The shape remains the same—thank goodness—but the accents are sleeker, with polished silver detailing and a deeper blue cap that nods to the fragrance's new richness. It's the kind of bottle you want to display, not stash. Like a little piece of Capri on your vanity. Chic, timeless, and so, so photogenic. My bottle reminds me every day that I need to manifest another trip back to that magical place! Julee Wilson is Beauty Editor at Large at Cosmopolitan. Previously, Julee was Beauty Director at Cosmo and Global Beauty Director at Essence and has held various editorial positions at Huffington Post and Real Simple. She counts herself lucky AF that she gets to play with beauty products for a living and tell dope stories. And if you're as obsessed with beauty as she is, make sure to follow her on Instagram for plenty of product recs, natural hair inspo, skincare testing, and Black girl magic shenanigans.

Drinking French 75s With Fashion Designer Nili Lotan
Drinking French 75s With Fashion Designer Nili Lotan

Forbes

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  • Forbes

Drinking French 75s With Fashion Designer Nili Lotan

Fashion designer Nili Lotan Courtesy of Nili Lotan Nili Lotan started in the fashion industry working for brands such as Ralph Lauren, Liz Claiborne and Nautica, before launching her own line in 2003, drawing in admirers from Kendall Jenner to Martha Stewart. Now, almost 20 years after opening her first womenswear store, she's opened her own menswear store in Manhattan's Tribeca neighborhood, designed with mid-century-meets-rock-and-roll flair. I spoke with Lotan about her introduction to wine, the new men's boutique and the musicians who inspired her fashion sense. Was wine a part of your family life growing up? I grew up in Israel and the wine scene was very different than what it is today. People were focussing on building a country, not on wine and luxury. But I had a Russian dad who was educated in Paris and he taught us that wine was a part of culture. Wine is the taste of life. Wine is what makes the meal so good. So now I drink wine with every dinner. He also had a bar where every night, before he would turn on the TV, he would get himself a whiskey on the rocks and he would sit there and with his pipe or cigar. I learned learned a lot of things from him. I don't sit with a cigar and a whiskey, but I've always admired that international flavor he brought to our lives in what was a very undeveloped country at the time. The new menswear store in Tribeca. Courtesy of Nili Lotan What are your wine preferences now? Mostly French. I like them very rich and round and velvety. Usually the blends of Merlot, Cabernet Franc and Cabernet Sauvignon. Even when I eat fish I prefer red. Do you enjoy cocktails? There's a drink I only have on specific occasions, a French 75. It's something my husband and I used to drink quite a lot of while we were dating. It's citrusy and sweet, kind of bubbly and a little dangerous . So we went kind of wild with that. And so now when we want to remind ourselves of those moments we drink it. What led to opening your first menswear store? I started in fashion trying to help women in dressing and feeling good about themselves. About a year ago I was having dinner with Alison Loehnis from NET-A-PORTER and she asked if I would ever consider doing a men's line — that there wasn't anyone approaching a man's wardrobe the same way that I approach a woman's wardrobe, thinking about their needs from the bottom up. There are the clothes that we need to helps us function and go through the day and then there's the clothes that just makes us feel great. That's how I build a collection. So I followed the formula that I did with women when I started 20 years ago. What are the similarities and differences in designing for men? Nili Lotan opening of her first men's store at 183 Duane In Tribeca. Getty Images Design is the aesthetic, the color and the sensibility. Then there is the fit — putting the garments on a model and understanding the conversation between the garment and the body. And men are built very differently than women. At the same time I have a lot of men buying my women's clothing and a lot of women buying my men's clothing. But although the lines between femininity and masculinity are blurring, there is very much of a different approach as well as different fabrics. My women's collection is a bit of a tomboy, but still very feminine. The men's collection is very masculine. The menswear store is decorated with your record collection, hosted an exhibit by rock photographer Allan Tannenbaum and donates a portion of in-store sales to to One Million Guitars. What inspires the music theme? My husband David Broza is an internationally-known guitarist and singer-songwriter. The record collection we curated there is more from him — but it's also become mine. We grew up with the same music, 70s-style soft folk rock from James Taylor to Bob Dylan. Joni Mitchell. Leonard Cohen. We've done a lot of trips to Spain together and I've also fallen in love with flamenco music. The rhythm and the energy is something I connected with immediately — to the point that I want to be a flamenco dancer in my next life. Does music inspire you when you are designing? Very much so. But it started more with the imagery. I was in high school in the early 70s and what affected me the most, from Woodstock onward, was not just the music, but the freedom. The attitude. The spirit. And the clothes. And I'm still holding on to this although life kept going on. I think that's what makes me unique among my peers in fashion — that this is something that is so specific to me. Even though it's not really 'me,' it's the world I grew up in. Did any specific musicians inspire your fashion sense? I was inspired more by designers like Yves Saint Laurent. But as I was evolving I realized there was something about Mick Jagger and Jimi Hendrix. They had a style that appeared as not having a style because they were mixing all these things that were not to be mixed together in the eyes of the fashion police. I liked the idea that they broke all the rules. And to me that's their voice: not only what they did through their music, but also through their clothes. That's what I found attractive. I use a lot of elements today of what Jagger and Hendrix were wearing then. So in every collection I have a Hendrix jacket — he was wearing all these military band jackets with the gold buttons. And then I always have a ruffled shirt, like what Mick Jagger and Keith Richards used to wear. What is next for your brand? We are launching a bag called The Voyager. Sometime I create something because I'd like to own it and this is a beautiful luxury leather travel bag that I carry. I'm going to be opening a new showroom in New York, very much mid-century inspired. And then the same thing in Paris. And then we will be opening two stores in Seoul, Korea. This is very exciting because while I am in other stores this will be our first branded Nili Lotan store in Asia.

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