
Hunter x Hunter Season 7: Release date speculation, cast and plot details – Everything we know so far
By Aman Shukla Published on April 28, 2025, 19:00 IST Last updated April 28, 2025, 12:28 IST
Hunter x Hunter , the iconic anime based on Yoshihiro Togashi's manga, has captivated fans worldwide with its gripping story and unforgettable characters. Since the sixth season concluded in 2014, fans have been eagerly awaiting news about Hunter x Hunter Season 7. While no official confirmation has been released, speculation is rife about its potential release date, cast, and plot. In this article, we dive into the latest updates, rumors, and what fans can expect from the next chapter of this beloved series. Hunter x Hunter Season 7 Release Date Speculation
As of April 2025, there is no official release date for Hunter x Hunter Season 7. The primary reason for the delay is the manga's irregular publication schedule, largely due to creator Yoshihiro Togashi's health issues. The anime, produced by Madhouse, adapted up to Chapter 339 of the manga by the end of Season 6, covering the 13th Hunter Chairman Election arc. With the manga currently at Chapter 400 and resuming serialization in Weekly Shōnen Jump from October to December 2024, there's hope for new source material to fuel a seventh season.
Speculation points to a potential release in late 2025 or 2026, assuming Madhouse resumes production once sufficient manga chapters are available. Expected Cast for Hunter x Hunter Season 7
If Hunter x Hunter Season 7 moves forward, fans can expect the core voice cast to return, maintaining continuity with the 2011 reboot. Based on available information, the likely returning cast includes: Megumi Han (Japanese) / Erica Mendez (English) as Gon Freecss
Mariya Ise (Japanese) / Cristina Valenzuela (English) as Killua Zoldyck
Miyuki Sawashiro (Japanese) / Erika Harlacher (English) as Kurapika
Keiji Fujiwara (Japanese, if recast due to his passing in 2020) / Matthew Mercer (English) as Leorio Paladiknight
Issei Futamata (Japanese) / Michael McConnohie (English) as Narrator Potential Plot Details for Hunter x Hunter Season 7
Hunter x Hunter Season 7 is expected to adapt the Dark Continent Expedition arc (Chapters 340–348) and potentially the Succession War arc (Chapter 349 onward), depending on episode count. The Dark Continent arc is relatively short, spanning eight chapters, so Madhouse may combine it with the ongoing Succession War arc to create a full season. Hunter x HunterHunter x Hunter Season 7
Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at BusinessUpturn.com
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Hypebeast
4 hours ago
- Hypebeast
Antony Gormley and Tadao Ando Team Up for Meditative Sculpture Cave
Summary ForAntony Gormley, sculptor is not a single, idealized figure, but means of understanding space and form through a shared field of perception. The acclaimed British artist is currently presentingDrawing on Space, his largest exhibition in South Korea at Museum SAN. Unfolding across all three galleries of the museum's Cheongjo wing, the exhibition gathers an impressive array of 48 works, alongside a newly-unveiled architectural intervention by Japanese architectTadao Ando, at its heart. Drawing on Spacecontinues Gormley's decades-long investigation into the human body as both subject and site, looking to the body as a porous, responsive form to explore how we sense, navigate and ultimately, embody space. This inquiry finds its most ambitious expression in Ground, a subterranean dome housed beneath the museum's flower garden. The structure evokes the architectural spirit of the Pantheon and the similar meditative flair seen in Ando'sSpace of 25-meter-wide chamber features a sole oculus that casts light across the space. Inside, seven cast-iron figures from Gormley'sBlockworksseries appear seated, crouching and standing with one final figure positioned in the center of the aperture, standing outside against the backdrop of the distant, forested mountains. Additional highlights of the exhibition include 'Liminal Field,' where forms of steel bubbles explore the transient nature of bodies, and the aluminum bloom-like rings of 'Orbit Field II.' Works on paper complement Gormley's sculptural practice as contemplative studies on light, mass and interiority. The aim is to let 'physical and imaginative space come together,' Gormley explained. 'The works will activate rather than occupy space, and explore the enclosures of architecture and the body as sensate.' Drawing on Spaceis now on view in Wonju through November 30. Museum SAN260 Oak valley 2-gil,Jijeong-myeon,Wonju-si, Gangwon-do,South Korea


San Francisco Chronicle
8 hours ago
- San Francisco Chronicle
Review: ‘Sorry, Baby' captures trauma's quiet aftermath
'Sorry, Baby' is a movie made on its own terms. Over and over, the film comes up with ways to irritate, distance or bore the audience, and yet by the end it lands as a worthy and emotionally authentic experience. It's written and directed by San Francisco-raised performer Eva Victor, who cast herself in the lead role, a strategy that, at least in the beginning, seems questionable. Victor is intelligent and original, but not inherently engaging, and the woman Victor plays is offbeat and odd. So right away we have a vaguely creepy protagonist played by a fairly unknown actress of limited appeal. To make matters more difficult, Victor adopts an off-putting narrative strategy that zigzags through time. 'Sorry, Baby' is told in five chapters, each with its own title (such as 'The Year with the Bad Thing'). The effect gives the movie a start-and-stop quality, as if every 20 minutes, the film has to completely start over. And the difficulties don't end there. As a screenwriter, Victor has a fondness for scenes that have no story significance beyond how they happen to illustrate or impact the main character's emotional life. So we'll get a scene in which Agnes (Victor), a young, small-town English professor, ends up getting dismissed from jury duty for coming across as a weirdo. The scene itself might be interesting, but there's no follow-up in the next scene. It's just its own disparate entity. Finally, Victor seems to be operating from a narrative strategy (one is tempted to call it a narrative philosophy) of not showing you the obvious, but rather what you usually don't see. This is a risky approach, but Victor makes a case for it. For example, there's a scene in which Agnes's best friend, Lydie (Naomi Ackie), leaves after a short visit. Instead of ending the scene with her leaving, Victor, as director, lingers to show Agnes minutes later, in the house. I'm not sure I've ever seen a movie that has better captured the dead silence that fills a house after a beloved guest has left. More crucially, Victor doesn't film the 'bad thing' that happens to Agnes. We just see the house in which the bad thing takes place. Then we see Agnes leaving and driving home, clearly stunned. This bad thing is the movie's pivotal event, which is later described by Agnes in ways that leave most aspects clear but others ambiguous. Victor is not interested in the strict legal definition of what happened to Agnes, but rather in showing the short- and long-term effects of trauma. This is where Victor and the film distinguish themselves. To see any one scene in isolation is to come away with the impression that Victor is giving a withheld and somewhat peculiar performance. But, in fact, there's a distinct difference between Agnes before and after the 'bad thing,' just as there's a difference between Agnes one year after the bad thing and three years after. Victor's performance is gradated in a way to make us appreciate, in a visceral way, what the film is intent on conveying: the lingering half-life of trauma. Trauma just doesn't go away at our convenience. Trauma is on its own schedule. In this way, the casting of Victor as Agnes turns out to be ideal. Victims aren't always cuddly. Trauma can happen to prickly, idiosyncratic people, who will all suffer and recover in their own way. 'Sorry, Baby' attempts to tell a story about trauma as experienced in life and not as portrayed in the movies — and in its own distinct way, it succeeds.
Yahoo
12 hours ago
- Yahoo
Police launch criminal investigation into Bob Vylan and Kneecap Glastonbury sets
A criminal investigation has been launched over performances by Bob Vylan and Kneecap at Glastonbury on Saturday, Avon and Somerset Police has said. The force said it had appointed a senior detective to investigate whether comments made by either act amounted to a criminal offence after reviewing footage. A statement added: "This has been recorded as a public order incident at this time while our enquiries are at an early stage." Speaking in Parliament on Monday after the announcement, Culture Secretary Lisa Nandy called the scenes broadcast "appalling and unacceptable". Police have not specified which part of Bob Vylan's or Kneecap's set would be subject to the criminal investigation. It comes after the BBC said it should have cut away from a live broadcast of Bob Vylan's performance, during which the band's singer Pascal Robinson-Foster, who performs under the name Bobby Vylan, led a chant of "death, death to the IDF [Israel Defense Forces]". Those comments drew criticism of both the English punk-rap duo and the BBC for its live coverage of their performance. The corporation said it would "look at our guidance around live events so we can be sure teams are clear on when it is acceptable to keep output on air", and labelled remarks made during the performance antisemitic. Lisa Nandy told MPs that she immediately called the BBC's director general after the set was broadcast. She said outstanding questions remain, including why the feed "wasn't immediately cut", why it was broadcast live "given the concerns regarding other acts in the weeks preceding the festival" and what due diligence had been done ahead of deciding to put Bob Vylan on TV. "When the rights and safety of people and communities are at risk, and when the national broadcaster fails to uphold its own standards, we will intervene," she added, and said she will continue to speak to the BBC in the coming days. Earlier, broadcast regulator Ofcom said the BBC "clearly has questions to answer" over its coverage, and the government questioned why the comments were aired live. The organisers of Glastonbury have previously said they were "appalled" by the comments, which "crossed a line". On Sunday, Robinson-Foster responded to the controversy on Instagram, writing "I said what I said" and a statement in defence of political activism, without addressing his on-stage comments in more detail. Since then, both members of Bob Vylan - who were due to embark on a tour of America later this year - have had their US visas revoked, it is understood. US Deputy Secretary of State Christopher Landau wrote on X: "Foreigners who glorify violence and hatred are not welcome visitors to our country." In response, Bobbie Vylan released a video statement on social media on Monday, where he said politicians should be "utterly ashamed" about where their "allegiances lie". "First it was Kneecap, now it's us two," he said. "Regardless of how it was said, calling for an end to the slaughter of innocents is never wrong. To civilians of Israel, understand this anger is not directed at you, and don't let your government persuade you that a call against an army is a call against the people. "To Keir, Kemi and the rest of you, I'll get you at a later date." Avon and Somerset Police also confirmed the criminal investigation would assess Kneecap's Glastonbury performance. The Irish-language rap band are known for making pro-Palestinian and political comments during their live performances and have attracted controversy in the past. Band member Liam Óg Ó hAnnaidh, who performs under the name Mo Chara, was charged with a terrorism offence for allegedly displaying the flag of proscribed terrorist organisation Hezbollah at a gig. He has denied the charge. Although there was no live stream of Kneecap's performance, the BBC later uploaded a largely unedited version of the set to its Glastonbury highlights page on BBC iPlayer. Bob Vylan: All you need to know about the controversial duo Starmer criticises 'appalling' Bob Vylan IDF chants Kneecap hit back at Starmer in highly-charged Glastonbury set Watch: What is the controversy around Bob Vylan's performance?