logo
BBC faces dilemma over new series of MasterChef

BBC faces dilemma over new series of MasterChef

Yahooa day ago
Gregg Wallace may have been sacked as MasterChef presenter after allegations of misconduct, but for the BBC there's still a decision to be made over this year's series.
It is widely reported to have been filmed in 2024 - with Wallace in it - before BBC News first revealed the allegations against him.
The BBC, for its part, is staying tight-lipped about what it will do.
The corporation has said it won't comment until an inquiry into the allegations, ordered by MasterChef's production company Banijay, is complete and the findings are published.
Wallace has apologised for using "inappropriate" language, but has said the report will clear him of "the most serious and sensational allegations".
The BBC will face an "extremely tough decision" about what to do with the unseen series, according to Max Goldbart, international TV editor at Deadline.
"They're damned if they do show it, and damned if they don't," he says. "There are lots of competing objectives they'll be thinking about, and those conversations will be happening right now."
On the one hand, the BBC could go ahead and broadcast it as planned. But this week, BBC News reported that 50 more people have come forward with fresh allegations of inappropriate comments, touching and groping - which Wallace denies. BBC News is editorially independent of the wider corporation.
Regardless of what the Banijay report concludes, Goldbart says it would be "very awkward" for the latest series to be beamed into people's living rooms for weeks on end.
Gregg Wallace sacked as 50 more people make claims
Gregg Wallace warned not to 'say women made it up'
Gregg Wallace faces backlash over autism defence
"There could be a backlash," he says. "Not to mention how upsetting that might be for the women who've come forward with claims about him."
One former MasterChef worker, who says Wallace pulled his trousers down in front of her, tells me it would show "a real lack of respect" to people like her if the series was aired.
Another, who says he planted a kiss on her forehead, says she would feel "disappointed and let down", and as if her experiences were being disregarded.
But shelving the cooking show is not an easy decision either - and not only because it could cause uproar among fans.
For the production crew, who spent many weeks working on it, it is a waste of their time and efforts. And for the chefs who have taken part in it the latest amateur series, it would clearly also be deeply disappointing.
Irini Tzortzoglou, who won the 2019 competition, tells me that for her, the experience was "life-changing".
She has gone on to judge awards, host retreats, and work as an olive oil sommelier, and says she is busier now than ever.
"I can't imagine what it would be like for people who've waited all this time, biting their nails, only to be told that no-one is going to see your achievements, your stresses, your growth. It would be awful."
Thomasina Miers, who won the first series of MasterChef in 2005 and went on to co-found the Wahaca chain of Mexican restaurants, echoes her views.
"[Being on MasterChef] was great, it got me working in food, and I haven't looked back," she says. "It would be mad if they don't show it. It's a lot expecting people to turn up every day, give up their lives and income and not get paid, for it not to go out."
A third option could be to put it on BBC iPlayer so it's available for MasterChef fans to opt in to stream, but isn't being actively pushed out on primetime TV.
Other broadcasters have done similar things before.
In 2021, ITV decided to pull the final episode of drama Viewpoint after allegations of sexual harassment were made in The Guardian against its star, Noel Clarke.
Clarke denies the allegations and is awaiting the result of his libel case against The Guardian.
The finale of Viewpoint was made available on the broadcaster's streaming service for a limited time, for any viewers who wished to seek it out.
Goldbart says he can see the appeal of the iPlayer option.
"It's a lot easier to bury stuff on on-demand than on linear TV," he says, although he points out that there might be financial implications.
But Dorothy Byrne, former head of news and current affairs at Channel 4, says even that option presents challenges.
"If they think the person's unacceptable, then I can't see how putting it on iPlayer gets around that issue," she tells me. "I would say on balance they can't show it at all, but I hope there's a way they can ensure all those people who took part in it don't lose out on this opportunity, because I really feel sorry for them.
"Perhaps there is a way they could edit him out in a way that still allows it to be shown."
The BBC found itself in a similar predicament in November, when the allegations against Wallace first surfaced.
At the time, the corporation made the decision to pull the Christmas specials of MasterChef, although the most recent series of MasterChef: The Professionals did continue to air.
"MasterChef is life-changing for the chefs that take part and the show is about more than one individual," a BBC source said at the time.
The difference this time is that we're not halfway through a series - and that makes the decision even harder.
What no-one seems to be questioning, though, is the long-term future of the show.
Earlier this week, Banijay held a dinner for journalists and media industry people.
The timing of the event, just hours after Wallace dropped a lengthy statement in advance of the Banijay report, was no doubt uncomfortable (one of the people there describes it to me as akin to 'a wedding where the bride or groom had done a runner').
But that same person tells me Banijay executives spoke about MasterChef and its new base in Birmingham, demonstrating their commitment to it.
When the Birmingham move was announced a few years ago, the BBC renewed the show through to 2028.
And food critic Grace Dent has already stepped in to host the next series of Celebrity MasterChef, indicating that version is also continuing.
"It's not one of those shows which is defined by its presenter," Goldbart says. "I personally feel it can continue. John Torode is very good, Grace Dent has filled in a lot, and it's one of those rare beasts where the viewing figures on linear [TV] have held up."
But for the current series, a decision will need to be taken soon.
"They'll need to make an announcement when the report comes back for the sake of the wonderful people who took part," says Byrne.
"This isn't one of those things where you can endlessly delay."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Fishing stories sought for dance performance
Fishing stories sought for dance performance

Yahoo

timean hour ago

  • Yahoo

Fishing stories sought for dance performance

A dance company is seeking people's stories for a performance to celebrate a region's fishing villages. Meta4 Dance is calling for people from the north-east of England to share their memories and anecdotes from villages along the coast, and will also hold in-person consultations in Northumberland at the end of the month. Co-director and founder Lily Horgan, from the area, said living in rural areas meant people have had to travel long distances to get to theatres, so they were bringing the Fisherfolk project to the communities. She said: "To be able to bring these memories back to people, and for them to see us create something from what they give us, I think it could be really quite emotional." The project is in its early stages of development and aims to tell the story of heritage of fishing villages and celebrate the present day. Co-director and founder Charlie Dunne said: "At this stage, we're looking to consult with the community that have family connections, who have personal connections, stories, tales, funny anecdotes of maybe things that happened 40 years ago. "Maybe things that happened yesterday. It doesn't matter." He said there was no requirement for people to have dance experience. "They can just come and sit down and say, 'Oh, my auntie used to help bring the fish in or whatever it might be," Mr Dunne said. Fisherfolk has received funding from the Northumberland Dance Development fund, and was commissioned by Moving Art Management. Meta4 Dance said consultations would be held on 27 and 28 July, but invited people to get in touch via email or social media in the meantime. Follow BBC North East on X, Facebook, Nextdoor and Instagram. Photographer shoots a decade of town's fishing Meta4 Dance

🎥 Brown lands in Istanbul, Fenerbahce trolls Milan with a viral video
🎥 Brown lands in Istanbul, Fenerbahce trolls Milan with a viral video

Yahoo

timean hour ago

  • Yahoo

🎥 Brown lands in Istanbul, Fenerbahce trolls Milan with a viral video

Fenerbahce doesn't just snatch Archie Brown from Milan, but does so with irony. On social media, to make the deal official, the club posted a video where the former Gent full-back is seen on a private jet, while a voice in Italian - with the chorus of the South Curve in the background - says that the young English talent was supposed to go to Milan. At that point, Brown asks to change the radio station: then the announcement "Archie Brown is in Istanbul" starts, accompanied by images of the player in the yellow-blue jersey. And in the video, symbolically, it switches from pizza to kebab. A perfectly executed social media tease. Advertisement This article was translated into English by Artificial Intelligence. You can read the original version in 🇮🇹 here.

'They didn't invite us to do Live Aid so we did our own thing'
'They didn't invite us to do Live Aid so we did our own thing'

Yahoo

timean hour ago

  • Yahoo

'They didn't invite us to do Live Aid so we did our own thing'

Forty years ago a procession of the world's biggest music stars took to Wembley Stadium's stage for Live Aid to raise funds for the relief of famine in Ethiopia. Coming in the wake of the Band Aid single Do They Know It's Christmas?, it was watched around the world by millions on TV and has since spawned documentaries, films and a new musical. Yet at around the same time, on the other side of London, a similar fundraising effort with its roots in reggae was taking place, with the charity single Let's Make Africa Green Again breaking into the charts and a star-studded benefit concert attended by thousands. What was this and why was it started? On Sunday 24 February 1985, lines of musicians and bystanders squeezed into a north London recording studio to record a charity single. "Over 200 or more people were there," says Leon Leiffer, founding member of reggae vocal group The Blackstones and the man behind the British Reggae Artists Famine Appeal team (Brafa). "I had phoned Aswad, Janet Kay, Trevor Walters, Christine McNabb... There's so many names. "Then there was the general public who was nosey, inquisitive, wanted to know who all these people blocking the road were - had somebody died? "No, we invite them in to be part of the chorus!" Leiffer says he first became aware of "rumours coming out of Ethiopia of starvation" among London's Rastafarian community from people who had been heading back and forth to Africa, but seeing Michael Buerk's famous news report inspired him to do something. "My initiative was we are always singing about Africa so let's put our money where our mouth is and do something about it," he says. Leiffer says he began making calls to put on a charity concert at the Royal Albert Hall, but after a couple of weeks he abandoned his plans as others tried to take over. However, seeing Bob Geldof and Midge Ure announce their own fundraising plans rekindled his enthusiasm. "They came on with this fantastic idea, which was a mirror image of exactly what I was doing... The only difference between them and I was their platform was mega and mine wasn't, in the sense of publicity." He says seeing their efforts made him consider forgetting his plans, "but my girlfriend said: 'No, don't give up. Whatever you can do, it's better than nothing'." Shortly after, Leiffer headed to a Hackney community centre to track down fellow reggae artist Gene Rondo. "He was a Rasta man, had good ways, good thought. So I said to Genie, I hear that somewhere in Ethiopia is starvation and people are dying. And now Midge Ure and Bob Geldof are going to do something and I think we should do something as well." Calls went in again to try to organise a concert but, with difficulties finding sponsorship, the pair decided to record a charity single instead and Let's Make Africa Green Again was penned. Next came the task of finding a studio to record it. Having been turned down often, a drive past Eddy Grant's Hive Studios in Stoke Newington, when the Electric Avenue star happened to be standing outside, led to an impromptu meeting. "When I tell Eddy Grant the idea he says: 'Leon I know you and I trust you. You can have the studio all day [and] I'll give you a 24-track tape as well,'" Leiffer says. More calls were made, a plea was put out on the radio - and subsequently many of reggae's finest - along with all manner of bystanders - arrived to record the song. A distribution deal was arranged with Island Records and a music video was filmed, which had its first play on BBC programme Ebony, with the single released on 21 April. "It was a big thing, but can't be compared to the publicity [of Band Aid]," says Leiffer, noting that the coverage which Brafa received from most national newspapers at the time would often only fill "the back of a stamp". The single just made it into the top 100 (for unknown reasons the Official Charts site has it marked as being called Let's Make America Green Again), with the proceeds from sales donated to the Save the Children fund to be distributed in Ethiopia. However, the release of further details about Live Aid only spurred Leiffer on. While many hailed a line-up featuring the likes of Queen, U2 and David Bowie, some questioned the lack of diversity on the bill. "We weren't feeling pleased with Bob Geldof and Midge Ure or whoever was responsible for calling all these artists to perform," says Leiffer. "We had Aswad in the charts, we had Trevor Walters in the charts, we had Janet Kay in the charts, just to mention a few, and none of us was called upon as if we weren't important enough to play a role. "They did fantastic by raising millions and millions of pounds," he adds, "but we felt let down that we were ignored." In reaction, Leiffer and Rondo decided to set up their own benefit concert and in May the following year more than 10,000 people descended on Hackney's Shoreditch Park. "There was a massive tent. People were jumping over the railings [to break in], the place was ram-packed," recalls Leiffer. Many of the stars from the Brafa single played, while other special guests turned up to offer their support. "The famous boxer Lloyd Honeyghan, he was about to go to America to fight where he won the world championship, and I said to him, 'Lloyd, what you doing?' And he said 'I'm alright man, I'm travelling. I'm gonna bring the title back'." More than £8,000 was raised through Brafa, and Leiffer and his fellow organisers were invited to Save the Children's headquarters for a function with the charity's patron Princess Anne. Yet their work was largely forgotten, until an initiative in Hackney to celebrate the local Afro-Caribbean community in the wake of George Floyd's death led to someone mentioning Let's Make Africa Green Again. "Brafa" subsequently won a public vote for the naming of a new public square beside Shoreditch Park, where the history of what happened is now told on various plaques around the square. While Brafa's work may have created less of a splash than Live Aid, Leiffer still looks back fondly on what they achieved. "They didn't invite us so we did our own thing," he says. "We made ourselves proud that we could put in whatever small fee to what Live Aid did." Listen to the best of BBC Radio London on Sounds and follow BBC London on Facebook, X and Instagram. Send your story ideas to Sharing the Live Aid stage with David Bowie 'I played at Live Aid and toured the world with Bowie' Memories of a Live Aid lie revealed by U2's Bono Brafa Square The Blackstones

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store