‘John & Paul' Review: When Lennon Met McCartney
As Ian Leslie writes in 'John & Paul, A Love Story in Songs,' once Paul joined the Quarrymen on guitar (he would later switch to bass), he and John became best friends. More significantly, they became writing partners. The Liverpool scene was teeming with rock 'n' roll acts playing Carl Perkins and Little Richard tunes. In their early days, that's what the Quarrymen—later renamed the Beatles and eventually joined by George Harrison and Ringo Starr—would do as well. But in the private teenage terrarium of their flourishing imaginations, John and Paul had already dreamed something bigger. Their inspirations were brilliant songwriting teams: Leiber and Stoller or Gershwin and Gershwin. A shared vision for what was to come led to the fateful decision to be co-credited as Lennon-McCartney.
Describing an early miracle, Mr. Leslie rightfully stipulates that 'the musical genius of 'She Loves You' is as easy to miss because its effect is so immediate.' Paul's sentimental heart and John's exuberant screaming met the charming mayhem of a perfectly-formed foursome. The telepathic rapport of John, Paul, George and Ringo sprung from the bonding that occurs after shared triumph and trauma: long days and nights toiling in obscurity, followed by the hothouse of their early fame. Mr. Leslie has written multiple books about topics in psychology, including 'Curious' (2014) and 'Conflicted' (2021), and here he combines his interest in the workings of the mind with a focus on how emotion fueled his subjects' songs. 'John & Paul' shows us that the band's collective closeness grew out of an earlier intimacy between the Beatles' twinned geniuses. It celebrates the convoluted, beautiful and tragic nature of a songwriting partnership that still reverberates across the universe.
Both young men encountered unusual depths of grief when in their teens. Paul's mother, Mary, was the anchor and major breadwinner for his close-knit family. Her diagnosis with cancer and subsequent death occurred in horribly quick succession. John, meanwhile, was raised by his Aunt Mimi after his slightly wild mother, Julia, was judged unfit for the care of a child. At 17, John was beginning to reconnect with Julia when she was pointlessly struck dead by a car.If the Lennon-McCartney partnership was a force of life, it was stalked by these and other deaths: The former Beatle Stuart Sutcliffe died at 21, their beloved manager Brian Epstein at 27. In each instance, the bandmates proceeded with an obsessive work ethic that mirrored the 'keep calm and carry on' mantra of their parents' war-worn generation. One way to read the Beatles' outpouring of songs is as a pent-up, exhilarated, terrified and kaleidoscopic breakthrough of that decadeslong, carefully managed energy.
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Fox News
6 hours ago
- Fox News
Ed Sullivan, an unsung civil rights champion
When I think of Ed Sullivan, what flashes first to my mind is Feb. 9, 1964, as I sat watching with my parents on a large black-and-white TV – as we all did in those days – and he gave a wave to introduce the Beatles. I even scribbled it down in my journal, with a small sketch of a long-haired dude singing "I Wanna Hold Your Hand." But it turns out that the host – who drew as many as 50 million viewers on Sunday nights, which will never be repeated – did something far, far more important than launch John, Paul, George and Ringo in America. The Daily News columnist was a civil rights leader, and an aggressive one at that. This was no secret to those who closely followed Sullivan, and especially in the Black community. But a new Netflix documentary, "Sunday Best," filled with riveting archival footage, makes clear how many backstage battles Sullivan had to fight, including with his own network, and how CBS acted shamefully. Even the sainted Edward R. Murrow praised Sullivan in an interview for his celebrity show. Black Americans in those years rarely appeared on television, except in small, buffoonish roles, leaving aside Amos 'n Andy in blackface. That didn't change until 1965, when a pre-scandal Bill Cosby co-starred in "I Spy." CBS suits were right that Sullivan could lose viewers in the South, which was then a hotbed of racism. The KKK marched openly. It was a Ku Klux Klan organizer who wrote George Wallace's infamous line, "Segregation now, segregation tomorrow, segregation forever!" Sure, we know all about Rosa Parks, who wouldn't give up her seat on the bus, the use of firehoses against Black protesters, the brutal beatings on Bloody Sunday in Selma. But seeing it from this perspective is a heart-stopping reminder of how much stark bigotry stained the country. Sullivan, who grew up poor in Harlem when it was largely Italian and Jewish, was covering a football game as sports editor of the New York Evening Graphic in 1929. It was NYU versus the University of Georgia, to be played in New York. And the Georgians had a demand. "I was sickened to read NYU's agreement to bench a Negro player for the entire game…If a New York university allows the Mason Dixon Line to be erected in the center of its playing field," Sullivan wrote, "then that university should disband its football season for all time." So after launching his show in 1948, at the dawn of television, what was Sullivan's great sin? He put Black entertainers on the air. We're talking Harry Belafonte, Nat King Cole, James Brown, Gladys Knight, Bill "Bojangles" Robinson, Diana Ross, Bo Diddley, a child prodigy named Stevie Wonder – the superstars of their era. Behind the scenes, CBS's conduct was pathetic. Executives urged Sullivan not to shake hands with the Black entertainers, not to put his arm around them, to keep his distance. He basically ignored them. He took heat from Ford Lincoln dealers for kissing Pearl Bailey on the cheek. The host was a powerful guy. He had been on the cover of Time in 1955. After Sullivan announced an upcoming appearance by Belafonte, CBS canceled him because of his pro-Communist views. Sullivan met with the left-wing activist and got him put back on. As the biggest star on television, he could get away with such defiance. As noted, Diahann Carroll, who appeared on the show nine times, said: "For those of us who were actors, he introduced us to each other. I don't think he understood what he was doing as exceptional, he was simply doing what was in his heart." Sullivan also took on one of the most racist politicians in our post-Civil War history, Herman Talmadge, the governor of Georgia. "We intend to maintain segregation one way or another," Talmadge declared. In pushing an advertising boycott, Talmadge said: "I know that I shall not contribute money by purchasing a product from any man who is contributing to the integration and degradation and the mongrelization of the white race." Sullivan responded in his column – there's a screenshot – that "the statements of Gov Talmadge that Negro performers should be barred from TV shows on which White performers appear is both stupid and vicious." Talmadge was later elected to the Senate and was embraced by the Washington establishment. It was said that he modified his views on race. What he actually did was try to politically escape the shameful conduct that the Democratic Party could no longer defend. He had company: Strom Thurmond was a staunch segregationist who filibustered the 1957 Civil Rights Act for more than 24 hours; he too later "modified" his views. In the late 1950s, at a meeting of CBS affiliates, several managers of Southern stations complained that the host was booking too many Black performers. An angry Sullivan said the stations were under no obligation to carry his show. No one canceled. CBS canceled Sullivan's show in 1971 because his ratings were declining and his audience was skewing older. On that last show, the guest was Gladys Knight and the Pips. He was so angry that he either refused to do a farewell show or was barred by CBS for doing so, depending on the account. It was the longest-running program on television. Look, Sullivan's career was framed in the best possible light. The producer is Margo Precht Speciale, his granddaughter. So we should take that into account before nominating him for sainthood. But it's fair to say the truth was hidden in plain sight. Ed Sullivan was a genuine civil rights hero. And that was news to me. A little aside: The year after the Beatles debut, a friend's parents took us to what is now the Ed Sullivan Theater to see a top-rated rock group, Freddie and the Dreamers, perform their hit "I'm Telling You Now," complete with a weird stiff-legged dance. Hey, I didn't mind sitting through all the variety acts for that.


Newsweek
7 hours ago
- Newsweek
Kids Playing in Yard Hear Dad's Voice—But He's 'Hundreds of Miles Away'
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Yahoo
7 hours ago
- Yahoo
Music Legend's Latest U.S. Tour Leg Is Skipping These Major Markets
Music Legend's Latest U.S. Tour Leg Is Skipping These Major Markets originally appeared on Parade. There's good and bad news if you're a fan of Beatles legend . On Thursday, July 10, he announced the latest U.S. leg of his 'Got Back' tour. 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 The bad news is that if you live in a major market like Washington, D.C., Los Angeles or New York City, you're going to have to travel hundreds of miles to see the latest leg. Simply put, it's not possible for the 83-year-old legend to play every city every year. McCartney's latest U.S. trek kicks off Sept. 29, at Acrisure Arena in Palm Desert, Calif. That's about two hours and more than 100 miles from Los Angeles. The last time McCartney played in the Los Angeles area; it was in May 2022 at SoFi Stadium in Inglewood, Calif., one of the early dates of the 'Got Back' tour. Similarly, if you're a McCartney fan in Washington, D.C. hoping to see the 'Band on the Run' singer, you'll have to travel to PPG Paints Arena in Pittsburgh, Penn., which is about four hours and 240 miles away. McCartney fans in New York City will have to travel to the KeyBank Center in Buffalo, N.Y. on Nov. 14, which is about 310 miles from the city and takes more than six hours. However, some lucky New York fans may have caught McCartney in February, when he played three surprise small shows at the Bowery Ballroom in New York. Prior to that, his last New York area show was in June 2022 at MetLife Stadium in New Jersey, on the first leg of the 'Got Back' tour. McCartney, however, isn't skipping every major market on this leg of the tour. It concludes Nov. 24 and 25 with two shows at the United Center in Chicago. Other stops on the current leg of the tour include Las Vegas, Denver, New Orleans, Atlanta, Nashville, and Montreal (see the full list of dates below).The 'Got Back' tour started on April 28, 2022, in a smaller market—at the Spokane Arena in Spokane, Wash. McCartney played 17 dates on that tour leg, including stops in Seattle, Boston, Baltimore, and Orlando, Fla. Since then, the tour has hit Australia, Mexico and Brazil in 2023, and in 2024 it stopped in several Latin American countries, including Argentina and Brazil, as well as France, Spain and the U.K. PAUL McCARTNEY – GOT BACK 2025 September 29 — Palm Desert, CA — Acrisure ArenaOctober 4 – Las Vegas, NV — Allegiant StadiumOctober 7 – Albuquerque, NM — Isleta AmphitheaterOctober 11 – Denver, CO — Coors FieldOctober 14 – Des Moines, IA — Casey's CenterOctober 17 – Minneapolis, MN — U.S. Bank StadiumOctober 22 – Tulsa, OK – BOK CenterOctober 29 – New Orleans, LA — Smoothie King CenterNovember 2 – Atlanta, GA — State Farm ArenaNovember 3 – Atlanta, GA — State Farm ArenaNovember 6 – Nashville, TN – The PinnacleNovember 8 – Columbus, OH — Nationwide ArenaNovember 11 – Pittsburgh, PA — PPG Paints ArenaNovember 14 – Buffalo, NY — KeyBank CenterNovember 17 – Montreal, QC — Bell CentreNovember 18 – Montreal, QC — Bell CentreNovember 21 – Hamilton, ON – TD ColiseumNovember 24 – Chicago, IL — United CenterNovember 25 – Chicago, IL — United Center Music Legend's Latest U.S. Tour Leg Is Skipping These Major Markets first appeared on Parade on Jul 10, 2025 This story was originally reported by Parade on Jul 10, 2025, where it first appeared. Solve the daily Crossword