Lewisburg to host its first Juneteenth Celebration
On June 19, 1865, federal troops, led by General Gordon Granger, arrived in Galveston, Texas taking control of the state and ensuring that all enslaved people were freed. That day became an annual celebration and the name Juneteenth was created (shortened for June 19th). It is a day to be celebrated by all who recognize the importance of freedom. In conjunction with the Greenbrier Historical Society, we have planned an evening to highlight the historical significance of the day.
Yvonne Jones | Juneteenth Steering Committee
Popular comedian Jeff Dunham brings dummies to State Fair of West Virginia
According to a press release, on Thursday, June 19, 2025, the celebration will be marked with an exhibit review and remarks from Maurice Cooley. Details are as follows:
6 p.m. to 6:45 p.m.: Keynote Speaker – Maurice Cooley in the Old Stone Room at Carnegie Hall
7 p.m. to 8 p.m.: 'Echoes of Slavery' Exhibit Review at the Greenbrier Historical Society North House Museum.
Maurice Cooley is the former Associate Vice President of the Marshall University Office of Intercultural Affairs, now retired.
Juneteenth recognizes both the pain of the past and the hope for a more just future. As we honor this day, we also lift up the stories of the Black community in Greenbrier County whose lives, labor, and legacies helped shape the region even in the face of injustice and exclusion
Janice Cooley | Board of Directors, Greenbrier Historical Society
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On June 21, 2025, the Juneteenth Steering Committee is set to hold a celebration at Dorie Miller Park, located on Feamster Road in Lewisburg, from 12 p.m. to 5 p.m., the release stated.
Juneteenth is a time of celebration. It is also a time of reflection upon the stony road we have trodden. The festival provides an opportunity to fellowship with family, friends, and neighbors. Everyone is welcome to attend.
Dallas Jones | Juneteenth Steering Committee
The event will also have food and drinks, entertainment, information booths, in addition to crafts and games for guests to enjoy. Health screenings will also be available thanks to the Rainelle Medical Center.
Entertainment will be provided by DJ Lauryn Trill, The Resurrection Praise Community Choir, J-Mane, and local gospel singers.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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San Francisco Chronicle
24-07-2025
- San Francisco Chronicle
Philanthropist Wendy Schmidt insists science and immersive media can inspire action for the planet
NEW YORK (AP) — Technology drove the personal wealth behind many philanthropists atop the list of last year's biggest American donors. But Wendy Schmidt and her husband, former Google CEO Eric Schmidt, are fairly unusual in their insistence that the scientific advancements they fund be shared widely and for the planet's protection. The Silicon Valley veterans' philanthropies, led by Wendy Schmidt, have joined the growing ranks focused on marine conservation since the Schmidt Family Foundation's inception in 2006. With a net worth estimated to exceed $25 billion, they're embracing that role as the Trump administration cuts billions in federal funding to scientific research. 'We work really hard to make sure science holds its place in our society," Wendy, the president and co-founder of the Schmidt Family Foundation and Schmidt Ocean Institute, told The Associated Press. "It's how we got where we are. It's why we have these technologies that we're using today.' Her latest philanthropic venture is Agog: The Immersive Media Institute. Co-founded last year with climate journalism pioneer Chip Giller, the effort attempts to spark social change by fostering new connections with the natural world through extended reality technologies. Grantees include 'Fragile Home," a project exploring displacement through a mixed reality headset that takes users through the past, present and future of a Ukrainian home; and Kinfolk Tech, a nonprofit that aims to help excluded communities reshape public monuments by superimposing their own digitally rendered installations onto real world spaces. The Associated Press recently followed Wendy Schmidt on a tour of Kinfolk Tech's Juneteenth exhibit in Brooklyn Bridge Park and spoke with her about funding scientific research. This interview has been edited and condensed for clarity. Q: What do you hope to accomplish with Agog: The Immersive Media Institute? A: (Extended reality) has an enormous amount of power. It has a power to get inside your head. It has a power to move you and remove your ego in a way, and it puts you inside as a participant of something. You're seeing a story rather than just being an observer. And so, it has a potential for stirring you to action. We realized someone's going to take this and they're going to make it really good. And they'll probably use it for entertainment and someone will make money with it. But maybe there's a better way to use it. As a philanthropist, I'm thinking about what good can come out of this and how can we use this for social good and to create more empathy in the world, more connection for people. Q: Why are you leaning into diversity and inclusion with this tool when others are rolling back similar philanthropic efforts? A: Well, they're not going away. Because even when you think about AI and how you program an AI, if you're not inclusive, you're not really serving everybody. And when you have a technology just as powerful as this one is, and those that are more powerful, they must be inclusive by design. We work with all of our grantees to make sure that we're listening and that their voices are heard and their stories, in this case, get told by them. Q: What is philanthropy's role in advancing climate research when the U.S. government is reducing funding for that area? A: We've frankly continued to do what we've always done, which is to try to be on the frontier of research and efforts to understand our planet, to share that understanding openly with more people. Because when you see something differently, your whole worldview changes. We're finding things in the ocean we didn't know existed at all, even five years ago. And they should change the way we think about the planet. And so (what's going on today in our country) is really a shame. There are many important projects that have lost funding, and you can't save all of them. But we are doing everything we can to shore up people in our very broad network of scientists and young PhD students and post-PhD folks, researchers everywhere. We're expanding our opportunities on Falkor (too), on the (ocean) research vessel. Most people are lacking funding. We're helping them to have funding so they can complete their mission. We don't think science should stop because of what's going on here. In fact, it's more important than ever. As always, it's our job as philanthropists to take risks -- to do what governments and industry often won't do anyway. You can't do everything, but you can do a lot. Particularly when it comes to climate and climate science. Climate modeling is super important in terms of public health and the surveillance and reporting of data. When the United States isn't doing that, there are others who can do that if you build out their architecture. And philanthropy can play a very big role in doing that. Q: How do you restore that faith in science? A: Experiential (media) I think is important. One of the things that Agog can do is expose people to realities that they don't see. People accept what they see on the surface. But when you, for example, bring people along on a dive that our robot SuBastian does off of Falkor (too), and you show them a world no human eye has ever seen, and they witness what is really on the earth. And then you give them the science and tell them this is most of life on earth and that this plays this function in your life and your well-being. ___


USA Today
01-07-2025
- USA Today
July 2025 calendar: Independence Day and other dates to remember this month
July is all about pool parties, BBQs, and fireworks, but here's what else you can expect from the month and holidays it has in store. July kicks off with a long weekend thanks to Independence Day, which falls on Friday, July 4. The federal holiday will give some people a nice break only weeks after Juneteenth, which fell on Thursday, June 19th. While there is a long weekend, there aren't as many holidays in the month as there were in April and May. Here's everything you need to know about what July has in store. Are there any federal holidays in July? Yes! Independence Day is observed on Thursday, July 4, this year, and is considered a federal holiday. In total, 2025 has 12 federal holidays across 11 days, according to the Office of Personnel Management. The next one, Labor Day, will fall on Monday, September 1. July 4th celebrations in the US There will be no shortage of celebrations across the U.S. on July 4th for Independence Day. Here are just a few. Cool down fast: Up to 70% off personal and portable AC deals ahead of Prime Day What religious holidays are in July? There are multiple religious holidays in July. The following are some of the holidays and traditional celebrations throughout the month, according to Diversity Resources: Other significant dates Here are some more significant dates and anniversaries in July: Unique days in July The following are some of the more unique and odd days celebrated throughout the month of July, according to the National Day Calendar: Julia is a trending reporter for USA TODAY. Connect with her on LinkedIn,X, Instagram and TikTok: @juliamariegz, or email her at jgomez@
Yahoo
29-06-2025
- Yahoo
Fans criticize Beyoncé for shirt calling Native Americans 'the enemies of peace'
A T-shirt worn by Beyoncé during a Juneteenth performance on her 'Cowboy Carter' tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar. The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black U.S. Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included 'their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries.' Images of the shirt and videos of the performance are also featured on Beyoncé's website. As she prepares to return to the U.S. for performances in her hometown this weekend, fans and Indigenous influencers took to social media to criticize Beyoncé for wearing a shirt that frames Native Americans and Mexican revolutionaries as anything but the victims of American imperialism and for promoting anti-Indigenous language. A spokesperson for Beyoncé did not respond to a request for comment. Who were the Buffalo Soldiers? The Buffalo Soldiers served in six military units created after the Civil War in 1866. They were comprised of formerly enslaved men, freemen, and Black Civil War soldiers and fought in hundreds of conflicts — including in the Spanish-American War, World War I, and World War II — until they were disbanded in 1951. As the quote on Beyoncé's shirt notes, they also fought numerous battles against Indigenous peoples as part of the U.S. Army's campaign of violence and land theft during the country's westward expansion. Some historians say the moniker 'Buffalo Soldiers' was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact. 'At the end of the day, we really don't have that kind of information,' said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston. Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities. 'We romanticize the Western frontier,' he said. 'The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. So you really didn't see a changing in that narrative until recently.' There has often been a lack of diverse voices discussing how the history of the Buffalo Soldiers is framed, said Michelle Tovar, the museum's director of education. The current political climate has put enormous pressure on schools, including those in Texas, to avoid honest discussions about American history, she said. 'Right now, in this area, we are getting pushback from a lot of school districts in which we can't go and teach this history," Tovar said. "We are a museum where we can at least be a hub, where we can invite the community regardless of what districts say, invite them to learn it and do what we can do the outreach to continue to teach honest history.' Historians scrutinize reclamation motive Beyoncé's recent album 'Act II: Cowboy Carter' has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans. Last year, she became the first Black woman ever to top Billboard's country music chart, and 'Cowboy Carter' won her the top prize at the 2025 Grammy Awards, album of the year. 'The Buffalo Soldiers play this major role in the Black ownership of the American West,' said Tad Stoermer, a historian and professor at Johns Hopkins University. 'In my view, (Beyoncé is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative.' But Stoermer also points out that the Buffalo Soldiers have been framed in the American story in a way that also plays into the myths of American nationalism. As Beyoncé's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at the University of Pittsburgh who studies the intersection of Black and Native American life from the Civil War to present day. 'That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense,' she said. Online backlash builds ahead of Houston shows Several Native influencers, performers, and academics took to social media this week to criticize Beyoncé or decry the shirt's language as anti-Indigenous. 'Do you think Beyoncé will apologize (or acknowledge) the shirt?' an Indigenous news and culture Instagram account with more than 130,000 followers, asked in a post Thursday. Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt. 'The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans,' said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya. Okorafor said there is no 'progressive' way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message: 'That Black people, too, can engage in American nationalism.' 'Black people, too, can profit from the atrocities of (the) American empire,' she said. "It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country, but the longer your line extends in this country, the more virtuous you are.'