Minneapolis Utopia: David Byrne heads to the Orpheum Theatre this fall
For the first time in seven years, David Byrne is releasing new music.
The legendary Talking Heads singer will follow 2018's American Utopia with a new 12-track album, Who Is the Sky?, which will be accompanied by a tour that brings him and a large ensemble to the Orpheum Theatre in Minneapolis on Nov. 3 and 4.
He last passed through the Twin Cities on the American Utopia tour, playing the same downtown Minneapolis theater for a tour that later became a Broadway musical and a Spike Lee-directed concert film as well.
The new album was recorded with the New York-based chamber music ensemble Ghost Train Orchestra, which also arranged the music. Who Is the Sky? also features appearances from Paramore's Hayley Williams, Smile drummer Tom Skinner, and St. Vincent, aka Annie Clark, with whom Byrne released a collaborative album in 2012.
This go-round, the 73-year-old singer will perform with a 16-piece ensemble that includes musicians, singers, and dancers, some of whom were part of his American Utopia band. Similar to that tour, the announcement says that the performers "will be mobile throughout the set."
The first taste of Who Is the Sky? was shared last week in a video for the anthemic "Everybody Laughs." A new music video of the Talking Heads' "Psycho Killer," starring Saoirse Ronan, was also recently released to celebrate the Talking Heads' 50th anniversary.
Byrne's tour begins in September, passes through the Twin Cities in October, and will head to Australia, New Zealand, and Europe in 2026. Outside of Minneapolis, the tour's only other Upper Midwest pit stops are an Oct. 25 show at the Fox Theatre in Detroit and a three-night stand at The Auditorium in Chicago, beginning on Oct. 28.
Tickets will go on sale at 10 a.m. on Friday, June 13. A presale begins on Tuesday through the list on Byrne's website.This story was originally reported by Bring Me The News on Jun 10, 2025, where it first appeared.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
28 minutes ago
- Yahoo
Piers Morgan Says Late-Night Hosts Are 'Hyper-Partisan Activist Hacks For The Democrats' & It's 'No Wonder' Stephen Colbert 'Got Canned'
While Stephen Colbert has received plenty of support from fellow television mainstays and late-night hosts following the unceremonious cancellation of The Late Show, Piers Morgan isn't among them. Earlier today, the British media personality took to X to slam Colbert and other longtime late-night hosts, alleging these figures were nothing more than puppets for the Democratic Party. More from Deadline Donald Trump Repeats False Claim Beyoncé Was Paid $11 Million To Endorse Kamala Harris; Calls To Prosecute Singer, Oprah & Al Sharpton Jay Leno Questions Why Late-Night Hosts "Alienate" Half Their Audience: "Get To The Joke" Stephen Colbert Praises 'South Park's Naked AI Trump PSA: "An Important Message Of Hope" 'This is so damning,' Morgan wrote alongside a cover of New York Post that outlined the political leanings of Colbert's guests, which skewed toward the left. 'Most of America's biggest late-night hosts have become nothing more than hyper-partisan activist hacks for the Democrats — a party that's rarely been more unpopular. No wonder Colbert got canned. More will follow.' Morgan, who has alternately supported and critiqued president Donald Trump and does not consider himself right-wing, continued his commentary in several other tweets, beginning with an endorsement of Jay Leno's recent comments questioning why late-night hosts would 'alienate' half their audience by 'cozying too much to one side or the other.' The host of YouTube's Piers Morgan Uncensored continued in another tweet, this time aimed at fellow U.K.-hailing peer John Oliver: 'UPDATE: Just watched a drooling @60Minutes segment tonight about John Oliver who was proud of telling his viewers not to vote for Trump at last election. He told them to vote for Kamala Harris instead. That's not comedy, it's partisan political activism.' And, when responding to a tweet by political commentator and MSNBC contributor Brian Tyler Cohen, Morgan stated, 'Trump didn't cancel Colbert… he cancelled himself with poor ratings, huge costs, and boring viewers with anti-Trump bias.' Just a couple days after Stephen Colbert ripped into parent company Paramount's $16 million settlement with president Donald Trump on the air — a move he likened to a 'big fat bribe' aimed to grease the Federal Trade Commission's approval of a year-long pending merger between Paramount Global and David Ellison's Skydance Media — he revealed to audiences that CBS would be axing The Late Show, the franchise first begun by host David Letterman in 1993. Executives defended the cancellation, calling it 'purely a financial decision against a challenging backdrop in late night' that 'is not related in any way to the show's performance, content or other matters happening at Paramount.' Since Colbert made the shocking revelation public July 17, Trump has vocally celebrated the show's retiring, as a majority of the show's writers represented by the Writers Guild of America have called on New York State Attorney General Letitia James to launch an investigation into 'potential wrongdoing' at Paramount. This comes as a number of Senate Democrats, like Adam Schiff and Elizabeth Warren, made statements defending constituents' right to know if the series was canceled due to political reasons. In additional fallout, protesters gathered outside the Ed Sullivan Theater in New York City where Colbert tapes to push back against the decision. As for Colbert himself, he has made it clear that he will not go gentle into that good night, telling Trump to 'go f— himself.' He added in the July 21 episode of his show, 'But [CBS] made one mistake. They left me alive. Now for the next 10 months, the gloves are off. I can finally speak unvarnished truth to power and say what I really think about Donald Trump. I don't care for him. Doesn't have the skillset to be president.' Best of Deadline 2025 TV Cancellations: Photo Gallery 2025 TV Series Renewals: Photo Gallery Everything We Know About Season 3 Of 'Euphoria' So Far
Yahoo
an hour ago
- Yahoo
Bill Clinton wrote a birthday note to Jeffrey Epstein, according to bombshell report
Jeffrey Epstein's birthday album included a letter from former President Bill Clinton, according to a new report. Epstein, a wealthy financier and convicted sex offender who died in jail in 2019, has been at the center of controversy in recent weeks after the Justice Department and FBI released a memo earlier this month stating there was never any Epstein client list of powerful people who may have participated in his crimes. During the fallout from the memo, President Donald Trump's past relationship with Epstein has been scrutinized, and last week, The Wall Street Journal released a report claiming the president had given Epstein a bawdy birthday letter, which reportedly included a drawing of a naked woman, as part of a leather-bound book Epstein's associate Ghislaine Maxwell prepared for his 50th birthday in 2003. Trump has denied authoring any such letter and is suing the WSJ, its parent company and owner Rupert Murdoch for $10 billion. Now, the WSJ has dropped another bombshell, claiming former President Clinton wrote a note to Epstein also included in the birthday album. According to the report released Thursday, Clinton had handwritten a single paragraph in the album, which read, 'It's reassuring isn't it, to have lasted as long, across all the years of learning and knowing, adventures and [illegible word], and also to have your childlike curiosity, the drive to make a difference and the solace of friends.' A Clinton spokesman declined to comment to the WSJ on the reporting and instead referred to a previous statement saying the former president's association with Epstein ended more than a decade before he was arrested in 2019 on federal sex trafficking charges. The statement also said Clinton didn't know about Epstein's crimes, the WSJ reports. The Independent has reached out to Clinton's representative for comment. Actor Kevin Spacey, who was previously acquitted of sexual offense allegations, recalled in a June 2024 interview with journalist Piers Morgan that he had flown on Epstein's jet with the late financier, Clinton and a group of 'young girls.' Spacey said he had been invited by Clinton on a humanitarian trip to Africa in 2002. Clinton has not been accused of any wrongdoing. The WSJ report Thursday mentioned several other high-profile names that sent messages to be included in the Epstein birthday book. The Independent has not reviewed or separately verified the so-called birthday book. The WSJ previously reported Trump's birthday letter to Epstein had included a note that read: 'Happy Birthday — and may every day be another wonderful secret.' On Truth Social, Trump wrote in response to the report, 'The Wall Street Journal printed a FAKE letter, supposedly to Epstein. These are not my words, not the way I talk. Also, I don't draw pictures. I told Rupert Murdoch it was a Scam, that he shouldn't print this Fake Story. But he did, and now I'm going to sue his ass off, and that of his third-rate newspaper.' Trump socialized with Epstein in the 1990s and early 2000s, but reportedly cut ties before Epstein pleaded guilty to state charges of soliciting prostitution from someone under the age of 18. While Trump has not been accused of any formal wrongdoing or charged with any crime, his proximity to Epstein, someone he once called a friend, has heightened conspiracy theories that the government is withholding documents that could reveal embarrassing information about high-profile individuals. In announcing his $10 billion defamation suit filed Friday against the WSJ, Trump wrote on Truth Social, 'This lawsuit is filed not only on behalf of your favorite President, ME, but also in order to continue standing up for ALL Americans who will no longer tolerate the abusive wrongdoings of the Fake News Media.' A spokesperson for WSJ publisher Dow Jones said in a statement obtained by the Associated Press, 'We have full confidence in the rigor and accuracy of our reporting, and will vigorously defend against any lawsuit.'
Yahoo
an hour ago
- Yahoo
'Stranger Things: First Shadow' stars focus on humanity amid horror
NEW YORK, July 27 (UPI) -- Burke Swanson and Alison Jaye say they focused on the humanity even more than the horror when playing teen versions of Hopper and Joyce in Broadway's blockbuster Stranger Things prequel, The First Shadow. Penned by Kate Trefry and directed by Stephen Daldry, the supernatural stage play takes place in the 1950s, in the fictional town of Hawkins, Ind., and offers origins stories for the beloved grown-ups -- and terrifying uber-villain Vecna/Henry Creel -- from the 1980s-set Netflix TV show. "Within the spooky, sci-fi nature of it all, there are real humans trying to figure themselves out and figure out what their community's like," Swanson told UPI in a recent Zoom interview. Even before Henry (Louis McCartney) arrives and unwittingly turns the town upside-down, Hopper and his classmates Bob Newby (Patrick Scott McDermott) and his adopted sister Patty (Gabrielle Nevaeh) are dealing with parent-related tension and trauma. "What was so special to me is that it wasn't shying away from those stories," Swanson said. "It's a big thing that we're doing here. There's a lot to tell and it almost doesn't fit within one show, but there's a willingness to explore not only the father-kid relationships, but the mother-kid relationships and how each different dynamic is processed." Patty's outsider status leads her into danger because the only person she feels connected to is Henry. "Patty has really been pushed to the side, not only within the community, but also within her family," Swanson said. "Bob did not support Patty in a way that she needed and she comes into her own as this really incredible, strong female lead," he added. "He gets this really powerful moment just to acknowledge, 'I messed up and i want to do better.' And I think those moments -- even within the sort of 'Mind Flayer' of it all -- are the things that really push us forward through that story." As for Hopper, he is leaning into his "bad-boy mentality" when the audience first meets him, but he matures a bit throughout the play as he tries to help his friends and neighbors, Swanson noted. "In classic Hopper fashion, he's got a really sentimental heart," Swanson added. "What continues to be learned in this show is the power of community and the power of friendship and Hopper believes that he will be better off alone. His relationship with his father is not good. There's no communication there and I think what we see is the glimpse of the hope of who Hopper can become when he chooses community." Just as the Netflix series is famous for tapping into the nostalgia of the 1980s, the stage production perfectly re-imagines Middle America in the 1950s. "It's been a blast getting to dive into the music, into the aesthetics and costumes. We really got to emphasize the color, the dynamic of that time period, visually," Swanson said. "What's really, really fascinating about the '50s -- and this has been touched on by many different art forms -- is what happens when that facade begins to crack because the sleepy little town of Hawkins, Indiana seems to have begun to experience some very spooky things much earlier than we thought." Hopper may be decades away from becoming the sheriff who will date single mom Joyce, but the two do know each other quite well at this point, even if they don't travel in the same social circles until they team up to solve the mystery surrounding Henry. While Hopper is a loner, teen Joyce is a bubbly theater kid obsessed with directing the school play. "With this version of Joyce, there is a real questioning and push and pull of, 'Is this the life I'm going to choose? Or am I going to be able to get out of here and escape and become something bigger than this town?'" Jaye said. The actress loves that -- even though the play has spectacular special effects -- the characters live in a low-tech era guided by their instincts and moral compasses as opposed to cell phones or computers. "These kids don't have that. All they're leaning on is each other. If we're talking about the trio of Bob, Joyce and Jim [Hopper], we wake up every day and just knock on each other's doors and continue investigating, just like we kind of see [kid characters do] on the TV show," Jaye said. "There's that buoyancy and that fervor, that rigor to: 'We've got to dig. We've got to solve this problem.' They put all that energy on each other, instead of on technology, and connect that way, which is, I feel like, a big difference between what we're living in now." Although many fans of the Netflix series have been rooting for grownup Hopper (David Harbour) and Joyce (Winona Ryder) to hook up for years, others cheered when Joyce finally seemed to have a brief but stable romance with nice-guy Bob (Sean Astin) before he was attacked by Demodogs while protecting Joyce and her sons. Teen Bob is shy, earnest and clearly in love with Joyce. "When I watch the series, that was immediately one of my favorite characters who, unfortunately, didn't last that long. But he provides such a grounded sense of being," Jaye said about Bob. "They are so different, but, yet, it is the softness of Bob that softens Joyce. I feel like we do get to see that and celebrate that in the early moments of the show together." Jaye said she has been overwhelmed by support from fans who get a kick out of learning more about their favorite TV character by watching the play. "People of all ages have been like: 'Oh, my gosh! Of course, Joyce is a theater kid! How did I not put that together?' There's no nod to that in the series at all, but Kate created this back story for her," Jaye explained. "There's a nerdy tenderness and, also, a major headstrong authority to her that somehow makes it all make sense to me perfectly."
