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How Jack Quaid became 'this generation's Tom Hanks'

How Jack Quaid became 'this generation's Tom Hanks'

The National18-03-2025
There are two types of transcendent leading performers: Those you love to observe and those you can't help but feel for. And in the contemporary landscape, the latter has become the hardest to find. 'There's a real hole in the marketplace of actors,' says Robert Olsen, co-director of Novocaine. 'If you're looking at the next generation, Glen Powell fills the Tom Cruise slot, Timothee Chalamet is the next Leonardo DiCaprio, but where's the Tom Hanks? Where's the everyman?' And without an everyman, a lot of movies just won't work. Tom Hanks is needed for a role like Castaway, just as Jimmy Stewart was for a role like It's A Wonderful Life. For Novocaine, an action comedy about a man impervious to pain, Olsen and his co-director Dan Berk needed to find their own. 'At the time, we were watching the series The Boys, and we just started writing the character in Jack Quaid's voice, never even thinking we were going to be able to actually get him for the movie,' says Beck. 'We really do think he's this generation's Tom Hanks. He's funny, but you wouldn't call him a comedian. He's handsome, but not intimidatingly so like Brad Pitt. And everyone – man, woman, young and old – is charmed by him,' says Olsen. To say that Jack Quaid was made in a lab to be the perfect everyman would only be a slight exaggeration. After all, he's the son of actors Meg Ryan and Dennis Quaid. Quaid became aware of his everyman qualities on the set of The Boys, playing a normal guy caught up in a world of superheroes and assassins. The show, which began as satirical counter-programming to the glut of Marvel and DC fare, has become a cultural juggernaut, with season four garnering 55 million viewers in its debut month last July – setting Quaid on a path to becoming a household name. 'I don't think you can train to be an everyman. I can't go to the tape and learn how to do it. It's just a quality you have and I'm lucky to have it. Some people find out they're going to play jerks for the rest of their life – and I also do that, come to think of it – but I'm glad I can do this as well,' he says. Quaid has been in the industry for more than a decade, getting his start on the first Hunger Games movie in 2012, but now that his leading man moment is finally here, he's not exactly sure how to play it. 'It's very hard for me to take a compliment,' Quaid admits. But as hard as it is for him to admit to himself how well everything's going, it's undeniable at this point. Novocaine, which releases on March 27 in the UAE, just topped box offices in the US with strong reviews, only weeks after his sci-fi thriller Companion found success critically and commercially. And stars are joining his projects just because he's on board. 'To be honest, the thing that drew me to this was working with Jack. I love everything he does. I've been waiting to work with him for literally years – his name is why I said yes,' says Novocaine co-star Amber Midthunder. Quaid thought he'd end up doing comedy – he got his start in sketch and improv – but being an action star is new to him. And as much as he excelled in it – he's not sure if that is his true path. 'I had to get in the best shape of my life for this movie,' he says. 'That's all gone now. It's out the window. I went back to candy immediately after it wrapped. They said 'cut' and I said 'hand me some Sour Patch Kids'.' And while he's now more adept at stunts after pushing himself further than before, he's having trouble unlearning the most challenging aspect of his Novocaine role – playing a man who can't feel pain. 'It's completely ruined me for every other fight scene I'm doing,' says Quaid. I'm shooting The Boys now, and I had one scene the other day where I got punched in the face, and I had to remind myself to show pain. It's too in me, now.' Quaid hasn't mapped out the kind of career he wants for himself – 'the world is too chaotic for that,' he says – but he does know that he's not going to take any shortcuts, trying to land roles with the biggest filmmakers or franchises in Hollywood. 'I love being on the ground floor with filmmakers like Dan and Bobby, or Drew Hancock who did Companion. I want to work with people who are coming up – to see them take off and work with them as they're doing it. I want to find incredible filmmakers at that stage and just keep those relationships going,' he says. There is one pet project he's dying to do, however, that doesn't fit this mould. He played the real-life scientist Richard Feynman in the Academy Award-winning Christopher Nolan film Oppenheimer (2023), and he still hasn't gotten the role out of his head. 'I'm trying to make it happen. This world is insane and Hollywood is weird, but I'm trying to figure it out. I just fell in love with the guy while researching him for Oppenheimer. It'll be the Oppenheimer cinematic universe – also known as the real world.' Novocaine will be released in cinemas across the Middle East on March 27
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What makes a great in-flight movie? Best films to watch on Emirates and Etihad in August
What makes a great in-flight movie? Best films to watch on Emirates and Etihad in August

The National

time4 days ago

  • The National

What makes a great in-flight movie? Best films to watch on Emirates and Etihad in August

Many have said it: 'I'll watch it on a plane.' Whether it's a recommendation from a friend or something you missed in cinemas, a long-haul flight is the place many people finally cross things off their seemingly endless lists. But thousands of metres in the air, something shifts. Tastes change. We become more emotional (possibly due to lower air pressure), less cynical and far more likely to hit play on something we might have ignored on the ground. Air travel creates a unique mental space – half boredom, half vulnerability – and cinema becomes both an escape and a comfort. A great plane movie is built for that headspace. It's not just about quality – it's about mood. It needs to be immersive enough to distract from the armrest battle unfolding beside you, yet undemanding enough to pause mid-flight. It should feel like a reliable companion, not a chore. With that in mind, here's a breakdown of the types of movies that thrive in the sky – and several recommendations currently flying with Emirates and Etihad. Tear-jerkers Yes, it's true – people cry more on planes. Blame the altitude, the cabin pressure, or the fact they're emotionally raw after three hours in an airport queue. A good cry can feel oddly cathartic in the clouds, especially with the right film to trigger it. These picks deliver the gut punch with heart to spare. Flow The animals in this Academy Award-winning animated film never speak, and that realistic characterisation makes them burrow into the heart even more. Available on Emirates and Etihad Betterman If you'd told us a year ago that a biopic about British singer Robbie Williams would be a tear-jerker, we'd never have believed you. But give it a try and you'll be pleasantly surprised. Emirates Before Sunset One of the most romantic films ever made, the sequel to 1995's Before Sunrise (also available) elevates the overall series, following two missed connections who reunite nine years after they met for one unforgettable day and then never spoke again. Etihad Field of Dreams You don't need to know baseball to be moved by this deeply earnest tale of fathers, sons and second chances. Emirates Sleepless in Seattle Rainy nights, lonely hearts and Tom Hanks at his most Hanksian. One of the great comfort films. Emirates The Iron Giant Still one of the greatest animated films ever made. Brad Bird's breakout classic is as funny as it is devastating. Emirates How to Make Millions Before Grandma Dies A Thai box-office sensation and TikTok favourite. Balances humour and heartbreak with remarkable ease. Etihad Rewatchable nostalgia Some films feel like old friends – endlessly rewatchable, oddly reassuring and perfect for watching when tired, bored or mildly sedated at 30,000 feet. They don't just pass the time – they make the flight fly by. Breakfast at Tiffany's Ignore Mickey Rooney's outdated character – easier said than done, I know – and Breakfast at Tiffany's hasn't aged a day. Audrey Hepburn's defining role is fittingly still the avatar for lost souls everywhere. Etihad Conclave While less than a year old, this suspenseful political thriller among cardinals picking the next Catholic priest is just as good on return visits. Emirates A Few Good Men That courtroom scene is iconic, but the rest holds up brilliantly. Peak-era Tom Cruise and writer Aaron Sorkin (The Social Network, The West Wing). Emirates A murder mystery viewed through a window. Director Alfred Hitchcock makes voyeurism feel like comfort viewing. Emirates The Social Network Razor-sharp writing, brilliant performances and still oddly thrilling even when you know how it ends. Emirate s Moneyball Another baseball film for people who don't like baseball. Brad Pitt and Jonah Hill sell the underdog magic. Emirates Over-the-top action The constant buzz of a plane – the whirr of engines, the clatter of trolleys, the wails of overtired toddlers – can make even the best film hard to focus on. The solution? Loud, fast, gloriously over-the-top action. These are high-stakes, low-subtlety thrill rides. Explosive visuals, simple plots and non-stop momentum make them perfect in-flight entertainment. Just plug in and let the chaos wash over you. Mad Max: Fury Road Full of genuinely breathtaking stunt work, intricately choreographed set pieces and unforgettable post-apocalyptic world-building, Australian director George Miller's Mad Max: Fury Road has a case for being the best action film ever made. And its prequel, Furiosa, is available for plane-watching too. Etihad Edge of Tomorrow One of Tom Cruise's most enjoyable starring performances – funny, thrilling and thoughtful – is unfortunately one of his most forgettable titles. If that the movie's bland name scared you off before, now's the time to watch. Etihad Den of Thieves 2: Pantera After the first film became an under-the-radar dad movie classic, Gerard Butler is back as Big Nick for more heist-movie goodness. Emirates Die Hard Still the gold standard for single-location action. Unmatched pacing, wisecracks, and villainy. Emirates G20 Viola Davis saves the world. No, really. She plays the US President rescuing world leaders from terrorists. Emirates The Fugitive A wrongly accused man, a relentless pursuer, and a perfect 90s thriller that's aged like fine wine. Emirates Novocaine Jack Quaid stars as a man who literally can't feel pain – a useful condition when he's forced to become a reluctant hero. Etihad Three-star dramas Not every plane film needs to be a classic. Some of the best in-flight discoveries are the ones you missed in cinemas or never bothered to stream. These mid-tier dramas don't demand full attention, but they deliver just enough emotional pay-off to feel worth it. Trap M Night Shyamalan is the current master of simple "what happens next?" storytelling, even if they go off the rails in the third act. In Trap, a man at a concert with his daughter learns that the entire event is a trap for the world's most wanted serial killer – and he's the serial killer. Etihad The Amateur The inimitable Rami Malek gets the eminently watchable plane action-thriller he's always deserved. Emirates and Etihad The Sisterhood of the Travelling Pants A charming, surprisingly affecting coming-of-age tale about friendship and growing up apart. Etihad Juror #2 Thanks to Superman, Nicholas Hoult is having a moment. 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'Fantastic Four' wins battle of heroes at North America box office
'Fantastic Four' wins battle of heroes at North America box office

Khaleej Times

time6 days ago

  • Khaleej Times

'Fantastic Four' wins battle of heroes at North America box office

The Fantastic Four: First Steps, Disney's hotly anticipated reboot of the Marvel Comics superhero franchise, conquered the North American weekend box office, earning $118 million (Dh433.42 million approximately) and sidelining Superman, industry estimates showed. Fantastic Four — starring actor-of-the-moment Pedro Pascal, Vanessa Kirby, Emmy winner Ebon Moss-Bachrach and Joseph Quinn (Stranger Things) — tells the story of a team of heroes trying to save a retro-futuristic world from the evil Galactus. "This is an outstanding opening," said David A Gross of Franchise Entertainment Research. " Fantastic Four was a modest and struggling superhero series; it just caught up with the biggest and the best." Superman, the latest big-budget action film featuring the iconic superhero from Warner Bros. and DC Studios, slipped to second place at $24.9 million, Exhibitor Relations said. That puts the global take of the film, starring David Corenswet as the Man of Steel, over the $500 million mark. Jurassic World: Rebirth — the latest installment in the blockbuster dinosaur saga — finished in third place at $13 million. Its worldwide total stands at $672.5 million. The Universal film, starring Scarlett Johansson, Jonathan Bailey and Mahershala Ali, takes viewers to an abandoned island research facility, where secrets — and genetically mutated dinosaurs — are lurking. F1: The Movie, the Apple and Warner Bros. flick starring Brad Pitt as a washed-up Formula One driver who gets one last shot at redemption, moved up to fourth place at $6.2 million. Smurfs, the latest film featuring the adorable blue creatures and starring Rihanna as Smurfette, slipped to fifth place in only its second week in theaters with $5.4 million in North American ticket sales. "The box office is on an excellent run that started two weeks ago," Gross said. "These are not the good old days, but 'Fantastic Four' and 'Superman' are performing extremely well. Superheroes are showing some swagger, and it's good news for the industry." Rounding out the top 10 were:

Superhero films ignite rivalry among Marvel and DC comic fans
Superhero films ignite rivalry among Marvel and DC comic fans

Khaleej Times

time7 days ago

  • Khaleej Times

Superhero films ignite rivalry among Marvel and DC comic fans

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