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Summer McIntosh starts her quest for five gold medals at the swim world championships

Summer McIntosh starts her quest for five gold medals at the swim world championships

SINGAPORE (AP) — Summer McIntosh of Canada began her quest for five gold medals in the swimming world championships on Sunday's opening day in Singapore.
Her first medal race is the 400-meter freestyle.
McIntosh, who won three gold medals a year ago at the Paris Olympics, holds the world record in the 400 free — 3 minutes, 54.18 seconds — and is the favorite in the race Sunday alongside American Katie Ledecky.
Ledecky has the year's second-best time of 3:56.81. She will face McIntosh again in the 800 free later in the meet.
Though she holds the 400 free world record, McIntosh has failed to win gold in the event in the Olympics or previous world championships.
McIntosh will also be after gold in the worlds in the 200- and 400-individual medleys, and the 200 butterfly.
Famed Olympian Michael Phelps is the only swimmer to have won five individual gold medals at a world championships.
The men's 400 free final is also on Sunday's schedule. Lukas Martens of Germany is the favorite. He set the world record earlier this year of 3:39.96. That topped Paul Biedermann's record, which had been on the books since 2009 in the super-suit era.
The other two gold-medal events on Sunday are the men's and women's 4x100 freestyle relays.
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Former NASCAR Driver Danica Patrick Reacts to Sydney Sweeney Ad Backlash
Former NASCAR Driver Danica Patrick Reacts to Sydney Sweeney Ad Backlash

Newsweek

time12 minutes ago

  • Newsweek

Former NASCAR Driver Danica Patrick Reacts to Sydney Sweeney Ad Backlash

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Former NASCAR and IndyCar driver Danica Patrick gave her take on the Sydney Sweeney controversy stemming from the actress's American Eagle ad campaign. Sweeney's commercials are perceived by some as coded with racism and eugenics because of a play on words regarding "jeans" and "genes." Patrick posted a story on her Instagram account on July 30, reading, "Hilarious. Can anyone tell me what's wrong with the new AE ads?! Very confused." Also, she shared a video from content creator Kaylor Betts, which addressed the controversy. Danica Patrick looks on from the drivers parade prior to the F1 Grand Prix of Mexico at Autodromo Hermanos Rodriguez on October 27, 2024 in Mexico City, Mexico. Danica Patrick looks on from the drivers parade prior to the F1 Grand Prix of Mexico at Autodromo Hermanos Rodriguez on October 27, 2024 in Mexico City, Mexico. Photo by Jared C. Tilton/Getty Images "We have to boycott American Eagle," Betts said in the video playfully. "If you haven't heard of this yet, brace yourself. This is a trigger warning. You're not going to believe it. They had Sydney Sweeney in one of their ads. And if you don't know Sydney, she's a white girl." Patrick found humor in the controversy surrounding Sweeney's ad, but the temperature has been much higher online, with people both attacking and defending the actress. Why are people upset about Sydney Sweeney's American Eagle collaboration? Sweeney's campaign with American Eagle is titled "Sydney Sweeney Has Great Jeans." While on its face the title seems harmless, people claim the commercials refer to the "Euphoria" star's genetics as a white, blue-eyed American in a way that is coded with references to Nazism or white supremacy. "My body's composition is determined by my genes," Sweeney said as the video pans her entire body. "Hey, eyes up here." "Genes are passed down from parents to offspring, often determining traits like hair color, personality and even eye color," Sweeney says in another ad. "My jeans are blue." Sydney Sweeney x American Eagle, oh my god. — Sydney Sweeney Daily (@sweeneydailyx) July 24, 2025 Considering the backlash, many expected American Eagle to pause the collaboration, but Ashley Schapiro, the brand's vice president of marketing, said that the campaign was meant to be provocative. "During a Zoom call with Sydney, we asked the question, 'How far do you want to push it?' Without hesitation, she smirked and said, 'Let's push it, I'm game,'" Schapiro wrote in a LinkedIn post. "Our response? 'Challenge Accepted.' Infusing our own personal cheeky energy and making us as we envisioned how the world would experience the launch. "A desire to stretch beyond anything we had done before. The ideas kept building. The stunts topping themselves. Exploring media innovation that could feel like it was invented just for Syd's Jeans?"

Commentary: Scottie Scheffler's role in 'Happy Gilmore 2' is an unexpected gift for golf fans
Commentary: Scottie Scheffler's role in 'Happy Gilmore 2' is an unexpected gift for golf fans

Yahoo

time42 minutes ago

  • Yahoo

Commentary: Scottie Scheffler's role in 'Happy Gilmore 2' is an unexpected gift for golf fans

This is a story about a movie that saved a sport. OK, that's a stretch, but only a little one. Scottie Scheffler is the No. 1 golfer in the world. Has been for a couple of years. He has won two Masters titles, one PGA Championship and the recent British Open, as well as an Olympic gold medal. He is so good that somebody ought to check his golf balls for tiny magnets that hook up to the cups on the greens. So far this year, by slapping a little white dimpled ball around in the grass, he has won $19.2 million. He has yet to turn 30, but his overall income, just from golf tournaments, is around $90 million. This guy is so good that his caddie, Ted Scott, is estimated, at the normal 10% of winnings, to have pocketed about $5 million. For carrying a bag. So, what's the problem? Scheffler is so good that he might also be sparking a trend called remote remorse. You really want to watch, but once he gets ahead by a couple of shots, there is nothing left. No drama, no possible twist and turn, no chance of any excitement. Other players in those tense, title-on-the-line final holes, dunk a shot into the water or bury one so deep in the sand that their only choice of club is a shovel. Not Scheffler. He is a 6-foot-3 human robot whose veins circulate ice water. When the going gets tough, Scheffler yawns. So, you see this and you know what is coming next — final putt, arms raised in satisfaction, a hug for his multi-millionaire caddie, the mandatory TV interview with the apparently mandatory British-accent female sportscaster, who will always start with, 'How does this feel?' You, and millions more, click the button on your remote for something more interesting, like HGTV or the Gardening Channel. When Scheffler gets ahead in the final round like that — which is almost always — it is game over. He can squeeze the drama out of a golf tournament like Bill Belichick could out of an NFL postgame interview. Certainly, you say, Tiger Woods used to win lots of tournaments by lots of big margins and that never seemed boring. That's because it wasn't. Tiger was animated, angry, annoyed, analytical, fed up with some part of his game, charged up over another part, mad at a reporter, upset with his agent. Tiger could win by eight, occasionally did, and it was still must-see TV. When Tiger was at his best, nobody could beat him and the public loved him and just wanted more. Scheffler is currently at his best and the public certainly is terribly impressed and, sadly, kind of meh. Tiger was a pound-on-the-table-and-shout-at-the-TV kind of player. Scheffler is a nod and a shrug. But there is hope. Hollywood has intervened, as only Hollywood can. Twenty-nine years ago, an up-and-coming comic named Adam Sandler made a movie inspired by one of his New England friends, who was a great hockey player and could also hit a golf ball a long distance with a hockey stick. Sandler called the movie "Happy Gilmore" and found a wide audience that loved it for its irreverence about a game that flaunts hushed reverence. Among the highlights was an on-course fistfight between Happy Gilmore (Sandler) and aging TV game show host Bob Barker. Barker won by KO. The movie was hilariously overdone slapstick. It was a gut-laugh-a-minute. It was so stupid and wacky that it was wonderful. Now, Sandler has made "Happy Gilmore 2," and it is again a must-see for all the reasons that the original was. Plus the cameo appearances. Especially one by Scheffler. Read more: 'Happy Gilmore 2' brings back Adam Sandler and his longtime collaborator for another round In the movie, Scheffler is good, funny, fun. He doesn't have a lot of lines, but he has perfect timing. He punches a guy out on the green and the cops come and haul him away. 'Oh, no. Not again,' he says. Remember, earlier this year, when Louisville cops hauled him away and put him in an orange jail suit, when he was accused of making a wrong turn while driving into the golf course at the PGA Championship, a tournament that he would eventually win? Well, Sandler and his writers made hay out of that, but more significantly, Scheffler played to it perfectly. After the movie punch-out, Scheffler is pictured in a jail cell, in an orange jail suit, as a guard asks, since he has been in that cell for three days, if he wants to get out. Scheffler replies, 'Ah, what's for dinner?' When he is told chicken fingers, he says, 'I think I'll stay another night.' Now, of course, none of that is knee-slapping stuff, but it is Scheffler, and the self-effacing comedy is a perfect image-enhancer, even if it is only in a stupid movie. It is so much better for golf fans to see Scheffler as a roll-with-the-punches fun guy, than an emotionless, ball-striking robot. Neither is totally accurate, but in this media world of image-is-everything, "Happy Gilmore 2" has done wonderful things for this wonderful golfer. Even moreso, for his sport He will be all over your TV screens for the three-week FedEx playoffs. It starts Aug. 7 with a tournament in Memphis, followed by the next week in Baltimore and the grand finale Aug. 21 in East Lake, Ga., near Atlanta. For the playoffs, the PGA will distribute $100 million in prize money and the winner will receive $10 million. Scheffler, a likely winner, would then certainly be invited to appear on TV, especially the late-night shows such as Stephen Colbert and Jimmy Fallon. This would present another great image-building opportunity. He could show up in an orange jump suit. Get the best, most interesting and strangest stories of the day from the L.A. sports scene and beyond from our newsletter The Sports Report. This story originally appeared in Los Angeles Times.

America's fascination with the kiss cam: For better or worse, it's here to stay
America's fascination with the kiss cam: For better or worse, it's here to stay

USA Today

time2 hours ago

  • USA Today

America's fascination with the kiss cam: For better or worse, it's here to stay

'Are you not entertained?' Russell Crowe's Maximus famously bellowed to the Colosseum crowd in the 2000 film 'Gladiator.' But for decades, kiss cams have been posing a different question to U.S. sports fans and concertgoers: 'Are you not the entertainment?' Whether lighthearted distraction or comic relief, the ubiquitous arena and stadium feature is as American as apple pie — or at least as American as baking an apple pie and posting it on social media. Live competition and performance offer us communal experience on a massive scale, but they also offer a chance to make memories and — with the aid of kiss cams — to become part of the entertainment ourselves. For a few back-to-back moments, as the camera zeroes in on its various targets, fans watch with curiosity, anticipation, excitement and maybe even self-conscious dread. 'These events are epic, nostalgic, and for some even narcissistic,' said Adam Resnick, founder of 15 Seconds of Fame, a Los Angeles-based company whose app allows participating fans featured on in-venue video boards like kiss cams to download and share the footage as a digital souvenir. The origins of the kiss cam are frustratingly foggy but Resnick and others agree they burst onto sports scenes in the 1980s, in the years after sports franchises began introducing increasingly massive color video screens at ballparks and stadiums. Designed to fill breaks in the action and typically set to cheesy pop ballads, the kiss cam was a major innovation that shifted the focus from courts and fields into the stands. The feature is pretty much a slam dunk, with the camera's roving eye picking out random pairs of people in the stands who may or may not be actual couples — and therein lies part of the fun. Reactions are broadcast on the venue's giant video boards: If they kiss, the crowd cheers, while refusals draw playful jeers or laughter. "We love love," said Pepper Schwartz, a professor emeritus of sociology at the University of Washington in Seattle. When couples oblige, she said, "it's a feel-good feeling that transfers from one person to another and makes us optimistic." Kiss cams are cheap entertainment designed to keep audiences engaged when they could easily check out, said Joseph Darowski, an assistant professor of English at Brigham Young University in Provo, Utah. 'The energy of the live crowd is incredibly important, and the kiss cam helps to prevent it from dying down,' said Darowski, co-author of 'Survivor: A Cultural History,' a book that in part explores the rise of reality TV. 'Sporting events are not just about the game being played. It's the entire entertainment experience.' Any additional theatrics are generally a bonus — at least for the audience. But as illustrated by the now infamous July 16 incident at a Coldplay concert in Gillette Stadium in Foxborough, Massachusetts, that's not always the case for the featured individuals. When reactions tell the story It was the shot broadcast around the world – the TikTok'd footage of a couple at a Coldplay concert caught mid-cuddle. 'Either they're having an affair, or they're just very shy,' Coldplay singer Chris Martin quipped after seeing the video from the stage. The video of the July 16 incident at Gillette Stadium has received more than 129 million views on TikTok alone. The viral moment and its professional and personal fallout, Schwartz said, prompted reactions ranging from amusement and fascination to, for those who've been involved in similar circumstances, schadenfreude and relief. But it wouldn't have unfolded the way it did without the kiss cam. The couple seen on the screen "could have saved themselves from worldwide derision had they waved and looked like, 'This is no big deal,'" Schwartz said. "But they took the second instinct, which was to flee. And that was the funny one." 'It could have been a vanilla, fleeting moment,' Resnick agreed. 'However, their reaction told a story." The episode illustrated how kiss cams have provoked occasional embarrassment and controversy since their debut. In addition to outing potential infidelities, their use in the past has been accused of pressuring unwilling participants to take part and shamed for promoting homophobia by showing same-sex couples for laughs. It also showed the hazards of baring private matters in public in the age of kiss cams, smartphones and social media. 'The expectation of privacy at a public event has never existed, and today, with camera ubiquity, it's preposterous for anyone to take that position,' Resnick said. More often, though, kiss cams offer those attending live events the chance to score a cameo in their own experience, claiming part or even all of those 15 seconds of fame once foretold for all of us. The power of those moments, Resnick said, lies in their organic nature. 'Authenticity can't be staged in real time,' he said. 'It resonates in the social zeitgeist.' Kiss cams 'an important metric' of acceptance The kiss cam's evolution hasn't been without its stumbles. In 2015, Syracuse University discontinued its kiss cam feature after a letter to the local newspaper cited a pair of troubling instances at the football team's game against Wake Forest. Steve Port of Manlius, N.Y., wrote that the kiss cam segment had twice featured young women who expressed unwillingness to participate but were forced to anyway, either by their male counterpart or by surrounding students. Meanwhile, a dozen or so years have passed since some major league sports franchises were accused of promoting homophobia by using kiss cams to poke fun at other teams. In those cases, after featuring a series of smooching male-female couples, the kiss cam segments ended by focusing on two of the home team's rival players, or even fans – suggesting they might kiss, and that doing so would be comedic. As a fan of the NFL's Jacksonville Jaguars complained after such a segment in a 2013 letter to team owner Shahid Khan, initially reported by Outsports: 'Hilarious, right? No, and the message is clear. Jaguars are heterosexual and approved. The opponent is 'gay,' disapproved and the butt of a crude joke.' A year earlier, pitcher Brandon McCarthy of Major League Baseball's Oakland A's had similarly condemned the practice after a game against the Los Angeles Angels of Anaheim. 'They put two guys on the 'Kiss Cam' tonight,' McCarthy posted on the social platform now known as X. 'What hilarity!! (by hilarity I mean offensive homophobia). Enough with this stupid trend.' Later, McCarthy — now sporting director for the USL Championship's Phoenix Rising FC — told the San Francisco Chronicle: "If there are gay people who are coming to a game and seeing something like that, you can't assume they're comfortable with it. If you're even making a small group of people ... feel like outcasts, then you're going against what makes your model successful." Before long, franchises were striving to be more inclusive, and in 2015, MLB's New York Mets told the Huffington Post they would no longer feature opposing players in their kiss cam segments; that same year, the Dodgers included a gay couple in its kiss cam. 'Kiss cams are an important metric in measuring how acceptable certain people are in a given community,' said Stephanie Bonvissuto, an adjunct assistant professor of women's and gender studies at Hunter College and Brooklyn College, both part of the City University of New York system. In early 2017, the Ad Council's 'Love Has No Labels' campaign produced a commercial featuring kiss cam footage from that year's NFL Pro Bowl in Orlando, Florida, where 49 people had been killed seven months earlier in a mass shooting at gay nightclub Pulse. 'Kiss Cams have been a part of sports culture for years,' the opening text read, but at that game, it continued, they 'became part of something bigger.' The images showed pairs of individuals, outlined by a heart, broadcast on Camping World Stadium's giant screens. Friends were featured. So, too, were same-sex and interracial couples. Then the camera zoomed in on two women in the stands, one of them wearing a shirt reading 'Orlando survivor.' The two turned and kissed, to the crowd's delight. Still, Bonvissuto said it's still rare to see LGBTQ couples featured on kiss cams beyond Pride Night events. While cautioning that she hasn't seen any statistics on such representation, she said the footage she's viewed largely features white, able-bodied and seemingly cisgender individuals. 'Kiss cams act as a means to exclude certain people,' she said. 'They're incredibly important in thinking about representation — who we're seeing and not seeing.' 'Socially acceptable' voyeurism But for the most part, kiss cams have offered streams of harmless fun, fodder for highlight and blooper reels and glimpses into the relationships of everyone from fellow citizens to celebrities and sitting and former U.S. presidents. Kiss cams, said BYU's Darowski, offer audiences the constant thrill of knowing they could be onscreen combined with 'a socially acceptable, safe form of voyeurism that is traditionally taboo.' The presumed authenticity of couples' raw, unrehearsed reactions is key, too, he said. 'So much of our entertainment is highly mediated, edited and packaged for our consumption,' he said. It doesn't always play out as planned – and not all of it is necessarily genuine, thanks to some sports teams' creative minds. Many couples share crowd-pleasing kisses. Others, not so much. Some, snubbed by their companions, stomp off in a huff or peck adjacent fans instead, while youthful pairs looking to lock lips are thwarted by chaperoning adults. Whether any of it is staged doesn't matter much. Fans and audiences alike have enjoyed their moment in the limelight. Resnick, of 15 Seconds of Fame, recalled a moment in June 2024 after a Dallas Mavericks loss in game five of the NBA Finals. The arena cameras zeroed on a fan tearful over the outcome. While it wasn't part of the kiss cam feature, 'the minute he saw himself on the Jumbotron, he smiled and kissed the girl (who was) with him,' Resnick said. 'That's all you need to know about what those 15 seconds mean to fans.'

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