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When in Doubt, Wear Your Clothes Backwards or Inside Out

When in Doubt, Wear Your Clothes Backwards or Inside Out

Vogue11 hours ago
For as long as I can remember, I've loved wearing things the 'wrong' way and repurposing non-traditional objects as outfits. Skirts as sleeveless dresses, necklaces as belts and vice versa, button-down tops backwards, wide belts as skirts, skirts over pants. I also have a penchant for Christmas ornaments as earrings, and antique miniature portraits meant for walls on chains as charms. There is nothing better to me than wearing vintage skinny belts (preferably by Whiting & Davis) as necklaces. But most of all: jackets, coats, shirts and dresses, inside out.
So, I was overjoyed when on the fall 2025 runways, more than one designer engaged in flipping the script on how we conventionally wear our clothes. Upside down, inside out, reversed and contorted. For the final of Yohji Yamamoto's fall 2025 collection, a group of models emerged wearing long back jackets with brilliant royal purple accents. They paused for the audience to look on, as they swapped the garments and turned them literally inside out, helping each other along the way to reveal outfits that were entirely different from what they first wore. Yohji-San famously doesn't do interviews unless they're in-person, but via an email, he tells Vogue that the concept was about 'perfection... imperfection... I think they are the same. They can switch. So I want to show both sides.'
He continues: 'When you wear clothes in a different way, maybe you find something new. When you turn them inside out, you can see the construction. You see the truth. Sometimes this part is more beautiful.'
Yohji Yamamoto fall 2025 collection.
Yohji Yamamoto fall 2025 collection.
Likewise, the rising brand Zomer, run by Danial Aitouganov and Imruh Asha, kicked off its fall 2025 show backwards, with models taking their final walk first. They all wore pieces that were upside down, turned around, or purposely inverted. 'It all began with a conversation between us, a shared desire to go back in time and redo things,' says Aitouganov. 'That idea sparked our styling process, which then evolved into the design phase. Some pieces are intentionally designed to be worn back to front. They might look 'wrong' at first, but the fit is just right. And some items were styled specifically for the show.'
For Sarah Burton's fall 2025 Givenchy debut, structured dresses looked like they had been intentionally designed to look backwards, revealing the flip side of a collar that may have been on the back. Similarly, sustainable designer Maria McManus had models wear outerwear inside out for the spring 2025 show, to show the otherwise hidden details like organic cotton lining, buttons made from biodegradable potato starch and corozo nuts, and expertly bound seams.
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Dress codes: Why do brides wear veils?
Dress codes: Why do brides wear veils?

Yahoo

timean hour ago

  • Yahoo

Dress codes: Why do brides wear veils?

Editor's Note: Examining clothes through the ages, Dress Codes is a new series investigating how the rules of fashion have influenced different cultural arenas — and your closet. One of the oldest elements of a bridal ensemble, dating at least as far back as Ancient Greece, veils have largely remained a staple accessory for even the most modern, subversive brides. When singer Lily Allen married actor David Harbour at an Elvis-inspired Las Vegas chapel in 2020, she eschewed an ornate gown in favor of a '60s-style Dior double-breasted mini-dress — but still wore a conventional tiered veil in her up-do. And when singer Gwen Stefani decided on a boundary-pushing wedding frock (also Dior, designed by John Galliano for her 2002 wedding) that was dip-dyed in a shock of pink; so too was her trailing veil. Over the weekend, Lauren Bezos Sanchez became the latest high-profile bride complete her look with tulle on top during her lavish, eyebrow-raising wedding in Venice. After slipping on her custom Dolce & Gabbana mermaid-line gown at her final fitting, seamstresses applied the cascading lace-finished veil to Bezos Sanchez's head 'like a crown,' according to Vogue. At her wedding in 1840, Queen Victoria swapped her velvet robe of state in favor of a white silk gown — its wide, almost off-the-shoulder neckline trimmed with a curtain of lace. On the day she married Prince Albert, she was not the British monarch, but an adoring bride dressed in the purest ivory to signify her virtue. (The archbishop asked if Her Majesty would like the word 'obey' removed from the vows. She insisted it remained.) If only for just a few hours, she was playing a different role and wearing a different costume: Both would endure for well over a century. Only recently have some of the traditional aspects of bridal wear first popularized by Victoria been updated for modern times. Hemlines are growing ever higher as the mini wedding dress reigns supreme in the age of the pared-down ceremony; while some brides have opted out of a dress altogether — gliding down the aisle in a tailored suits instead. An increasing number of brides, such as singer and actress Mandy Moore at her wedding in 2018, opt out of wearing white altogether (she chose a dusty-rose gown from Rodarte) . Yet despite these contemporary reforms, one long-established accessory has displayed more staying power than the rest: The veil. If anything, veils appear to have gotten bigger in recent years — sometimes demanding more attention than the dress itself. In 2018, actress Priyanka Chopra made headlines with her Ralph Lauren wedding gown, topped off with 75-feet of tulle (and five people to help carry it). The following year, Hailey Baldwin (now Hailey Bieber) married Justin Bieber in a giant Off-White wedding veil with the words ''Till Death do us Part' embroidered at the hem of the pooling fabric. Since then, grandiose rivers of tulle have streamed through celebrity ceremonies like fast-rushing water: from Sophia Richie to Paris Hilton, Naomi Biden, Nicola Peltz Beckham and Millie Bobby Brown. 'The veil has become a canvas that really provides the drama you might not get from a more minimalist dress,' said Kimberly Chrisman-Campbell, author of 'The Way We Wed: A Global History of Wedding Fashion,' in a phone call with CNN. Previously, veils of grandeur — or length — were reserved for royal nuptials. In 1981, Princess Diana wore the largest veil in the monarch's history, clocking in at a whopping 25-foot. It was hand-embellished with 10,000 micro pearls by London-based seamstress Peggy Umpleby, who took the veil home on public transport each day to continue working on it well into the night. Meghan, Duchess of Sussex, followed suit in 2018 with a 16-foot long veil made of silk tulle, hand-embroidered with the flowers of the Commonwealth countries. The veil's appeal has even trickled off the aisle and onto the runway. This season at Paris Fashion Week, Andreas Kronthaler, creative director at Vivienne Westwood, sent both a black and white tulle veil down the catwalk, off-setting a polka dot and navy dress respectively. At the London shows, Turkish designer Bora Aksu went one step further, offering netted veils in red and blush pink. Even at this year's Grammys, musician Gracie Abrams donned a chiffon Chanel veil for the ceremony's red carpet. But according to Chrisman-Campbell, veils are simply returning to fashion — not being adopted by it. Historically, veils in western culture began as 'a fashion for the wealthy,' she said. The upper echelons wore hand-made lace, which during the late 18th century was worth more than its weight in gold. (According to the Smithsonian American Women's History Museum, one meter of lace would take a skilled worker in the 1700s a year to produce.) 'Wearing lace, whether a ruffle or a veil or a cap was a status symbol,' Chrisman-Campbell said. By the early 1800s, industrialization introduced machine-made lace, making the fabric more affordable to the masses. 'Suddenly, more people could afford to have a very beautiful piece of diaphanous, beautifully embellished textile,' she said. 'That's why veils became fashionable.' In Ancient Greece, the bridal veil, also known as a 'flammeum,' was seen as a form of protection for women, shielding them from evil spirits, wedding jitters and other potential bad omens. Other cultures have used the garment as a means of obscuring the bride's face during the final moments before an arranged marriage. Since veils have existed throughout history in a variety of cultures, they are a shifting emblem — representing mystical boundaries, or potentially misogynistic attitudes. One urban myth argues veils were intended to hinder women from potentially running away, while others speculate they symbolize a bride being untouched and brand new — a prize to be unwrapped. While Chrisman-Campbell isn't convinced by every interpretation of the veil, she has observed its association with purity and chastity — which, for at least a century, meant divorcees and widows wearing veils during their second wedding was widely considered a social faux pas. 'There was a big taboo against wearing a veil if you had been married once before,' she said. Second brides were also excluded from wearing white, carrying a bouquet or wearing a floor-length gown. 'But women came up with some really ingenious alternatives,' said Chrisman-Campbell. 'They might wear a hat, they might wear a floral arrangement in their hair, anything but a veil.' For her second wedding in 1964, Elizabeth Taylor wore a marigold yellow chiffon baby doll dress — her hair braided down her back and strewn with flowers. Meanwhile, in 1962, Audrey Hepburn dutifully toed the line with the sartorial rules of second marriages, saying 'I do' to Italian psychiatrist Andrea Dotti in a short baby-pink Givenchy mini dress and a silk headscarf. 'If you didn't pretend it was your first marriage, it made it more acceptable,' Chrisman-Campbell added. The expectation that second-time brides should pare down their look finally waned in the 1980s, and these stringent sartorial rules became redundant. One of the most joyful examples of a third-time bride embracing the pomp and pageantry of a big white wedding was Angelina Jolie. During her 2014 nuptials to Brad Pitt, Jolie wore a classic ivory satin Versace gown. The main event, however, was her veil, which was embroidered with colourful drawings from her children. 'She really upended the whole idea of the veil as suggesting modesty or virginity, or any sort of bashfulness,' said Chrisman-Campbell, who felt this level of personalization spoke to a new era of progressive matrimony. '(Today) there are often blended families involved, so the children are involved, and the wedding becomes an even bigger deal because it represents not just two people joining, but two families joining.'

The 40 Best J.Crew Fourth of July Deals—Travel-ready Pants, Dresses, and More Summer Styles Start at Just $14
The 40 Best J.Crew Fourth of July Deals—Travel-ready Pants, Dresses, and More Summer Styles Start at Just $14

Travel + Leisure

time4 hours ago

  • Travel + Leisure

The 40 Best J.Crew Fourth of July Deals—Travel-ready Pants, Dresses, and More Summer Styles Start at Just $14

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Japanese manga ‘predicts' July megaquake
Japanese manga ‘predicts' July megaquake

CNN

time4 hours ago

  • CNN

Japanese manga ‘predicts' July megaquake

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