Union condemn Tailgate N' Tallboys for allegedly not hiring local stagehands
The Iowa-based International Alliance of Theatrical Stage Employees Local 85 and Local 193 of Central Illinois have been impacted by USA Concerts and Events, the organizers of Tailgate N' Tallboys in Bloomington and Clinton, Iowa, for allegedly not hiring local stagehands for their events, according to a union news release.
USA Concerts and Events allegedly signed a Collective Bargaining Agreement with Local 85 in 2023. Local 193 had covered the festival operation for Tailgate N' Tallboys in Illinois for almost a decade.
'After almost ten years of IATSE Local 193 members serving as the dedicated workforce for Tailgate N' Tallboys, organizers want to abandon the workers and community that made it into the large and successful event it is today in favor of an out-of-state labor company. It's extremely disheartening,' said IATSE Local 193 Business Agent Michael Irvin.
UPDATED: Tailgate N' Tallboys canceled Thursday night due to severe weather
The union claims that USA Concerts and Events bypassed union crews in favor of an out-of-state, non-union labor provider for their Clinton event. They said this undermines a Collective Bargaining Agreement that contains an Evergreen clause, which automatically renews the deal unless terminated by written notice.
USA Concerts and Events also allegedly refused to hire area IATSE workers from Local 193 for the Tailgate N' Tallboys event in Bloomington, according to the news release.
The unions issued a formal notice to USA Concerts and Events and said they are pursuing other legal options.
We have reached out to USA Concerts and Events for comments on this issue and still await a response.
This story will be updated when more information becomes available.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
New York Post
an hour ago
- New York Post
'Makeup meal prep' hack goes viral on TikTok: 'I'm influenced'
Her beauty hack is no longer under wraps. UK-based makeup influencer Sam Begum is dividing the Internet with her head-scratching yet speedy makeup routine: a full face of cosmetics applied to a piece of plastic wrap at night, then slapped on her face in the morning. Videos of her technique have racked up nearly 10 million views on TikTok in recent weeks. Advertisement Sam Begum's TikTok videos showing the puzzling technique have wracked up nearly 10 million views in recent weeks. sxmiabegum/ TikTok Begum, 23, starts by sticking a clean piece of plastic to her naked face, then applies foundation, concealer, blush and bronzer onto the film, then sets it aside. The next morning, she finishes the routine by reversing the plastic and placing the side with the cosmetics on her face. Advertisement The warpaint initially appears blotchy and out of whack, until Begum uses a puffy makeup brush to blend it in and applies setting powder over the top. A lip gloss pulls it all together — all while Begum walks out of her apartment building. @sxmiabegum anything for an extra 20 mins in bed🫶🏽 @Lancôme foundation @Saie blush @Diorbeauty stick contour @Huda Beauty lip oil ♬ original sound – Mell ❤︎︎ 'Girl mathing 20 more minutes in bed,' reads the caption of one of her videos showing the technique, which has amassed over seven million views since it was posted June 30. Advertisement The once-viral hashtag 'Girl Math' trend refers to the illogical ways women justify purchases – or, in this case, more time in mattress mode. Some TikTokers are inspired by the glam game-changer. Some TikTokers felt inspired by the glam game-changer, while it 'pissed off' others. sxmiabegum/ TikTok 'Meal prepping makeup,' one person mused in the comments. Advertisement 'I'm influenced,' wrote another. Others weren't as rosy. 'I can't explain it but this pmo [pissed me off],' another said in a comment that's racked up more than 2,000 likes. 'Imagine all the bacteria on that foil and all the bacteria you absorb on the street while blending it all,' one person pointed out, along with the crying face emoji. In a July 14 video, Begum urged her followers to create a hole in the mouth area of the plastic wrap if they decide to test out her technique. 'Don't knock it till u try [it]!' she wrote. Begum did not respond to requests for comment.
Newsweek
6 hours ago
- Newsweek
Gwyneth Paltrow Takes On Surprise Role For Astronomer After Viral Video
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Astronomer, the New York data tech firm caught up in the Coldplay concert "kiss‑cam scandal," has hired actress Gwyneth Paltrow for a lighthearted marketing video which capitalizes on the attention driven by two executives caught canoodling at the gig. The company enlisted the Oscar-winning ex-wife of Coldplay frontman Chris Martin as a "very temporary spokesperson" in the tongue-in-cheek video. Why It Matters The clip follows the resignation of Astronomer CEO Andy Byron and HR chief Kristin Cabot—both pictured in an embrace caught live on a jumbotron during the July 16 concert at Gillette Stadium in Foxborough, Massachusetts. The CEO is still married, and Cabot was reportedly previously married to Kenneth Thornby, their divorce being finalized in 2022. The footage of Byron and Cabot ducking away from the camera, when they realized they were being filmed, quickly went viral. The original video amassed more than 45 million views on TikTok and millions more in reposts across other platforms. In this Nov. 7, 2015 file photo, Gwyneth Paltrow attends LACMA 2015 Art+Film Gala at LACMA in Los Angeles, Calif. In this Nov. 7, 2015 file photo, Gwyneth Paltrow attends LACMA 2015 Art+Film Gala at LACMA in Los Angeles, Calif. Jordan Strauss/Invision/AP What To Know In the video, posted to X, Paltrow is sitting at a desk and thanks the public for their interest in Astronomer. She says: "I've been hired on a very temporary basis to speak on behalf of the 300-plus employees at Astronomer." She continues: "Astronomer has gotten a lot of questions over the last few days, and they wanted me to answer the most common ones." Thank you for your interest in Astronomer. — Astronomer (@astronomerio) July 25, 2025 A question then appears on screen reading: "OMG, what the actual …" Before the final word appears, the video cuts back to Paltrow, who shifts to promoting some of Astronomer's services. In a subtle nod to the widespread attention the company has received, Paltrow adds, "We've been thrilled so many people have a newfound interest in data workflow automation." Another question starts to appear on screen, typing out: "How is your social media team holding up?" But before it's finished, Paltrow interrupts abruptly, announcing that Astronomer has spaces available at an upcoming conference in September. She closes the video with: "We'll now be returning to what we do best: delivering game-changing results for our customers." Astronomer, a New York-based company, helps companies develop, grow, and analyze products using artificial intelligence. After Byron resigned, the company said in a statement: "Astronomer is committed to the values and culture that have guided us since our founding. Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met." Pete DeJoy, who has taken over as interim CEO, admitted on Monday that the company has faced an "unusual and surreal" amount of attention in recent days. On LinkedIn, he wrote: "While I would never have wished for it to happen like this, Astronomer is now a household name." What Happens Next Astronomer's board of directors has announced the start of a formal search for a new chief executive.
Boston Globe
6 hours ago
- Boston Globe
Sekou McMiller's ‘Urban Love Suite' celebrates social dance with Jacob's Pillow world premiere
With the support of NAACP Berkshires, McMiller — a Chicago-born and New York-based African Diasporic dance and music scholar/educator — immersed himself in the Berkshires' robust Afro-Latin community. He led workshops at a local elementary school and dance club. During a 'cultural exchange,' McMiller combined his own choreography with the celebratory traditions that local workshop participants offered him. McMiller incorporated some of the movement generated in this Pittsfield engagement into the new work, and it will live on in the choreography after it leaves the Berkshires. 'It's a love letter to the Black and brown communities,' McMiller said in a phone interview this week, 'the beautiful music and dance that has been created from hip-hop to samba to New York Mambo.' Advertisement So, despite the formal venue, you can expect this Jacob's Pillow performance to feel like a party. Advertisement 'Urban Love Suite' celebrates the relationships between different African diasporic communities through their dance and music traditions, 'their nuanced differences, their similarities and their shared roots from the continent of Africa,' McMiller said. To develop the work, with the support of the NAACP Berkshires, Sekou McMiller immersed himself in the Berkshires' robust Afro-Latin community. Pictured, Sekou McMiller and Friends' Sekou McMiller and Marielys Molina. Elyse Mertz The work also celebrates how a dense city can bring many cultures into close proximity, he said, creating opportunities for exchange that are unique to the urban experience. It can, as he put it, yield 'amazing fruits of music and dance.' 'Like New York City Mambo, which was done in New York, Harlem, where you had that cross pollination of Lindy Hop and jazz and tap dancers, with the Latin dancers coming directly from Cuba, but then [they] create a new way of doing the dance that only could have been done in an urban city like New York.' McMiller's point is that proximity can be challenging yet generative. You might not always be in the mood to listen to your neighbor's playlist, but after the fourth or fifth time through, you might find your hips moving to the beat, reluctantly familiar with the rhythms your neighbors prefer. McMiller, a classically trained flutist and jazz musician, is also the curator at the National Jazz Museum in Harlem. He reveres the intimate entanglement of music, movement, and social gatherings, and collaborated with music director Sebastian Natal on a score grounded in Afro-Latin jazz to be performed live alongside the dancers. 'Love Suite' draws parallels between parading traditions like Uruguayan candombe and New Orleans' second line, and layers party dances from Cuba, Puerto Rico, Chicago, and New York. It also highlights the roots of these movement forms in cultural traditions from Nigeria, Senegal, and Burkina Faso — the region the colonialist machine favored for the capture, export, and exploitation of human beings as a resource, who became the ancestors of Afro Caribbean, Afro Latin, and African American communities. Advertisement 'They're social dance in nature,' McMiller said, 'so they're not born of a studio. They're born from culture. They're born from parties. They're born from celebrations. They're born from traditions and rituals.' After noticing a lack of social dance in the Jacob's Pillow archive, artistic and executive director Pamela Tatge has made efforts to uplift dance artists working inside those traditions — with the help of her curatorial team. 'If we are charged with representing the breadth of dance in the world, to not center social dance would be a mistake,' said Tatge in a recent phone interview. It's complicated to bring these dances to the stage because social dance is a participatory art, and The Theater fosters an inherent separation between the audience and performer. McMiller is up for the challenge, and his solution: improvisation in both music and dance. 'It's call and response from beginning to end. I allow my choreography to be a call to the dancers to then respond … so at some point you won't be able to tell the difference between improv and choreography,' McMiller explained. 'So every night, it's same format, different show.' 'Love Suite' will also disrupt the performer-observer relationship by dancing among the audience and inviting attendees onto the stage. Performance is a call too, that asks the audience to respond. 'I hope this pushes people to get out there and come join us,' McMiller said, 'to not just spectate with us, but become an active participant in this life.' Advertisement URBAN LOVE SUITE At Jacob's Pillow's Ted Shawn Theatre, Becket, July 30 to Aug. 3. Tickets start at $65. 413-243-0745, Sarah Knight can be reached at sarahknightprojects@
