Questlove, Chuck D & More React to Sly Stone Death: ‘Sly's Music Will Likely Speak to Us Even More Now Than It Did Then'
Questlove, who directed the new documentary Sly Lives (aka The Burden of Black Genius), shared a touching tribute on Instagram.
More from Billboard
Sly Stone Dead at 82
Kylie Minogue Joins Prestigious '21 Club' at London's O2 Arena
Kevin Parker Previews New Tame Impala Music During Barcelona DJ Set
'Sly Stone, born Sylvester Stewart, left this earth today, but the changes he sparked while here will echo forever. From the moment his music reached me in the early 1970s, it became a part of my soul. Sly was a giant — not just for his groundbreaking work with the Family Stone, but for the radical inclusivity and deep human truths he poured into every note,' he wrote. 'His songs weren't just about fighting injustice; they were about transforming the self to transform the world. He dared to be simple in the most complex ways — using childlike joy, wordless cries, and nursery rhyme cadences to express adult truths. His work looked straight at the brightest and darkest parts of life and demanded we do the same.'
The Roots drummer also highlighted two lines that 'haunt me' as he reflected on his legacy: 'We deserve everything we get in this life' from Sly Lives! and 'We got to live together' from the group's 1968 Billboard Hot 100 No. 1 hit 'Everyday People.' 'Once idealistic, now I hear it as a command. Sly's music will likely speak to us even more now than it did then. Thank you, Sly. You will forever live,' Questlove continued.
Public Enemy's Chuck D thanked Questlove 'for keeping his FIRE blazing in this Century' on X while sharing an illustration of Stone and Questlove. He posted more artwork of the psychedelic soul group while writing, '………and The Family Stone Rest In Beats SLY.'
Legendary record executive Clive Davis, who worked with the group when it signed to CBS Records in 1967, wrote in a statement to Billboard, 'Sly was truly one of a kind. I had the very special experience of knowing him when he was at his most creative, his hardest working and his genius flourishing vibrantly. Sly's artistry influenced so many of our important creative talents. He will be forever missed.'
KISS frontman Paul Stanley remembered seeing Sly and the Family Stone 'debut at the Fillmore East in New York City opening for Jimi Hendrix. They were a freight train of bombastic, joyous SouI that would soon climb the charts and change the sound of R&B for so many other artists. Rest In Soul!' he wrote on X.
Holly Robinson Pete also celebrated Stone's pioneering efforts. 'You didn't just make music—you shifted the culture. As kids in Philly, my brother played Sly, I was Cynthia on my imaginary horn. We lived your music. You gave us the groove & the message. Thank you, genius,' she wrote on X.
The Rock & Roll Hall of Fame posted an in memoriam tribute thread on X, including a clip of Stone's acceptance speech during a very rare public appearance when he and the group were induced in 1993. The Rock Hall praised Sly and the Family Stone for making 'it possible for Black popular music to burst free on its own terms' and 'extending the boundaries of pop and R&B with each new song,' while hailing its 1969 Hot 100 No. 1 hit 'Thank You (Falettinme Be Mice Elf Agin),' the double A-side single with 'Everybody Is a Star,' for helping 'create the sonic blueprint for the funk and disco genres that followed.'
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Los Angeles Times
6 hours ago
- Los Angeles Times
All 43 of Billy Joel's Hot 100 hits, ranked from worst to best
If a musician's legacy can be judged by which of his peers are willing to show up and sing his praises in a documentary about him, consider Billy Joel's in good standing: Among the A-listers in HBO's new two-part 'And So It Goes' are Paul McCartney, Bruce Springsteen, Garth Brooks, Pink, Sting, Jackson Browne and Nas. Directed by Susan Lacy and Jessica Levin, the doc goes over Joel's life and career at a moment when he's received just about every award a pop musician can receive, including the Gershwin Prize for Popular Song, the Kennedy Center Honors, induction into the Rock & Roll Hall of Fame and the Songwriters Hall of Fame and five Grammy Awards on 23 nominations. Less happily, it also comes as Joel has been forced from the concert stage after being diagnosed this year with a brain disorder called normal pressure hydrocephalus. Yet the 76-year-old singer and songwriter remains a much-talked-about pop-culture fixture, not least on TikTok, where his oldie 'Zanzibar' never seems far from cropping up on one's scroll. Ahead of Friday's premiere of the HBO documentary's second installment, I've ranked all 43 of Joel's singles that have charted on Billboard's Hot 100, starting with the worst and ending with the best. (Due to Joel's choices and/or Billboard's methodology, that means that some of his best-known tunes aren't here: 'Scenes From an Italian Restaurant,' for instance, and 'New York State of Mind.') Feel free as you read to open a bottle of white, a bottle of red — or, perhaps, a bottle of rosé instead. In the middle of the night … I'm still haunted by this mawkish pileup of gospel signifiers. This widely interpreted ballad about a lover's steadfast devotion only works when it's sung extremely well (as in the case of Adele) or when it's sung extremely terribly (as with Bob Dylan, who wrote it). Joel's take lands somewhere in between, which means he just sounds like somebody's drunk uncle. For decades after 1993's 'River of Dreams' — still his most recent pop album — Joel insisted he'd run out of things to say as a songwriter. 'You need inspiration to create good new music,' he told me in 2023, 'and if you don't have it, don't bother.' Inexplicably, he found a spark in an unfinished tune presented to him by a younger musician named Freddy Wexler; together, the two completed this would-be OneRepublic song, which Joel premiered live at the Grammy Awards last year. 'Turn the Lights Back On' spent a single week on the Hot 100 before dropping off the chart — the shortest stay of any of Joel's hits. No surprise that a guy long characterized as a mere imitation artist would nail Elvis Presley's vocal delivery in a cover recorded for the soundtrack of 'Honeymoon in Vegas.' Turgid midtempo rock with a lyric that defines soul rather pitifully as 'knowing what someone is feeling.' Features backing vocals by the sex-you-uppers of Color Me Badd. Six months after 'Piano Man' put him on the map, Joel was already straining against the brutal market economics of pop stardom: 'If I go cold, I won't get sold / I'll get put in the back in the discount rack, like another can of beans.' Yet his kvetching about the creative constraints of the pop song are pretty rich coming from a master of the form. Perhaps his most strained vocal performance. In the watery pantheon of rock songs about boats, this maudlin fisherman's lament ranks well behind 'Sailing' and 'Southern Cross' (to say nothing of 'Proud Mary' and 'Sloop John B'). The right idea; the wrong execution. From the weirdly stacked soundtrack of 'Ruthless People,' which also featured Mick Jagger, Bruce Springsteen and Luther Vandross. Very stiff singing atop a very funky groove. Are those steel drums I hear? 'It's almost like a dying man singing to his child,' Joel told his biographer Fred Schruers, which may or may not have been the approach his then-9-year-old daughter Alexa was hoping her dad would take. Still, the elegant harmonic movement demonstrates his lifelong devotion to classical music; seven years later, he'd make his debut as a composer with the solo-piano 'Fantasies & Delusions.' Among those who've sung 'Lullabye' since Joel introduced it: Celine Dion, Rufus Wainwright — and John Stamos. One surely gratifying endorsement for this banjo-driven country shuffle: In 1999, Dolly Parton cut a version of 'Travelin' Prayer' to open the first volume in her acclaimed trilogy of bluegrass albums. Having split with producer Phil Ramone after 1986's 'The Bridge' LP, Joel hired Mick Jones of Foreigner to oversee his next album, 'Storm Front,' which opened with this delightfully trashy ode to a woman with little interest in mink coats or satin sheets. (Call it 'Downtown Girl.') Jones' production, with its stabbing synths and boxy drums, echoes the steroidal rock of Robert Palmer's 'Addicted to Love.' Wrote Robert Christgau of Joel in the Village Voice: 'Even in arena mode he's a force of nature and bad taste.' An OK song ranked this high only because it so strongly evokes a perfect one (in this case, 'Wedding Bell Blues' by the 5th Dimension). Consider that this jittery New Wave rocker about the pros and cons of phone sex arrived on an album ('Glass Houses') that also featured 'I Don't Want to Be Alone' and 'Sleeping With the Television On.' Imagine if he'd had Tinder. Possibly the purest distillation of Joel's romantic pessimism — 'Some love is just a lie of the soul / A constant battle for the ultimate state of control' — with the twist that he's assuring a lover that everything that always happens won't happen to them. (It happened to them.) A slow-rolling R&B ditty where the object of the dude's affection isn't a woman but a piano (except it's actually Ray Charles, who shows up to duet with his eager admirer). One of two new tracks added as consumer bait to Joel's 23-times-platinum 'Greatest Hits — Volume I & Volume II,' this deeply spooked synth-rock joint might be the strangest entry on this list: horny-frustrated lyrics, no real melody, just straight burnt-to-a-crisp Willy Loman vibes for 5½ meandering minutes. It's great! (It's also, as of this writing, the second-least-streamed of these 43 tracks on Spotify, with fewer than 2 million plays.) The peppiest single Joel ever made might get even closer to Motown's classic Holland-Dozier-Holland sound than Phil Collins did a year earlier in his punctilious remake of the Supremes' 'You Can't Hurry Love.' Yet 'Tell Her About It' has no fan in its creator, who said in Schruers' biography that the song is 'a little too bubblegum' — one reason Joel appears not to have played it in concert since the early 1990s. For this nearly a cappella doo-wop number, Joel sang every vocal part himself when a group he and Ramone had brought into the studio couldn't stay in tune. Four years after 'The Longest Time' charted, Bobby McFerrin topped the Hot 100 with the instrument-less 'Don't Worry, Be Happy'; three years after that, Boyz II Men got to No. 2 with the a cappella 'It's So Hard to Say Goodbye to Yesterday.' Billy at his breeziest. With half a dozen Top 30 singles, including this homage to the Drifters, 'An Innocent Man' became Joel's fourth consecutive LP to be nominated for album of the year at the Grammys. (He lost, reasonably, to 'Thriller.') The title track is a showcase of vocal flexibility as he moves nimbly from a croon to a belt to a falsetto. Rooted, as he told Schruers, in 'the realization that Elle Macpherson and I were not meant for the ages,' this tense and brooding song is Joel's finest contribution to the soulful-white-guy rock of the mid-1980s; it belongs up there with Don Henley's 'The Boys of Summer' and Steve Winwood's 'Higher Love,' thanks in no small part to a spidery guitar solo by David Brown (who died last year). When Joel played 'This Is the Time' at New York's Shea Stadium just before the Mets' home was demolished in 2008, he brought out John Mayer to do the solo — an experience you can bet Mayer channeled as he cut 2021's soulful-white-guy 'Sob Rock.' Picture Huey Lewis doing Natalie Cole's 'This Will Be.' A decade after he released the studio version, Joel charted with a concert recording of the lead single from his 1971 debut — the LP notoriously mastered at the wrong speed so that his voice sounded higher and squeakier than it really was. Here, onstage at the Paradise club in Boston, his singing has a courtly charm that makes 'She's Got a Way' feel like Joel's version of Paul McCartney's 'Maybe I'm Amazed.' Joel's most Dylanesque lyric, meanwhile, comes across as his version of 'Just Like a Woman.' An unsparing ballad about how nobody tells the truth anymore, 'Honesty' earned a song of the year nod at the Grammys but lost to the Doobie Brothers' 'What a Fool Believes,' which is narrated by a guy who can't accept the truth he's being told. Covered later — and quite convincingly — by Beyoncé. Written as Joel returned to New York following his early-'70s sojourn in Los Angeles, this Ronettes-inspired confection first appeared on the 'Turnstiles' LP in 1976. But 'Say Goodbye to Hollywood' didn't blow up until five years later, when he put a slightly rowdier live rendition on 1981's 'Songs in the Attic' LP — by which time Ronnie Spector herself had taken a crack at the song with help from Bruce Springsteen's E Street Band. A febrile Cold War freak-out with a hideous, Cronenberg-lite music video. Joel told Schruers he could envision his survivors playing this very pretty ballad at his funeral, which is certainly one place for a song about the inevitability of pain. Was 'Glass Houses' truly Joel's punk album? Take it from no less an authority than the Chipmunks, who performed the LP's driving opener on 1980's 'Chipmunk Punk.' To my ears, 'You May Be Right' sits at the precise midpoint between the Beatles and the Rolling Stones — a testament to Joel's absorptive powers and his stylistic aim. 'You can speak your mind but not on my time' probably isn't the sickest burn in Joel's catalog. But enlisting Peter Cetera to trill sweetly behind him as he sneers is A+ record-making. Mr. New York's signature song documents the six months he spent entertaining the patrons — the real estate novelist, Davy in the Navy, the old man sipping tonic and gin — of L.A.'s long-shuttered Executive Room near the corner of Wilshire Boulevard and Western Avenue. (His handsome pay, as he told me in 2017: 'I got tips and made union scale.') Joel's first single to chart on the Hot 100, 'Piano Man' can be hard to hear today as a work of detailed storytelling; that's what half a century of sloppy sing-alongs will do to a narrative. But then, of course, Joel has no one to blame for that but himself. Tell me you're not a wimp without telling me you're not a wimp. 'I'm probably the most proud of that album as a sonic work of art,' Joel says in the HBO doc of 'The Nylon Curtain,' on which he and Ramone deployed the whoosh and crunch of a steel mill to juice the beat of this Rust Belt threnody. Yet 'Allentown' also poses a pretty sophisticated critique of the social and political forces converging on a generation of Americans promised prosperity only to find a flag thrown in their face. With its head on fire and its eyes too bloody to see, 'Big Shot' imagines a morning-after quarrel between Mick and Bianca Jagger, Joel told Howard Stern, amid the excesses of what he described with disgust in Schruers' book as the 'coked-out, disco-drenched New York club scene' of the Studio 54 era. 'I shouldn't put it down, because I don't really know much about it,' he added. OK, Bill. Joel's most-streamed song on Spotify (with more than 1.2 billion plays) is an ouroboros of simpler-times nostalgia: a pitch-perfect Four Seasons rip that looks back at the early '60s from the early '80s — then became the longed-for totem at the heart of Olivia Rodrigo's 'Deja Vu.' 'It's the only song where I wrote the words first,' Joel said in 2017, 'which it sounds like, because the music sucks.' Demonstrably untrue — those timbales! Even if he were right, though, the rapid-fire historical roll call of 'We Didn't Start the Fire' deserves our respect as a crucial artifact of a pre-internet America. Your Wikipedia could never. The guy's asking for a lot: do this, don't do that; amuse me but not too much; listen to what I say instead of what I do (although sometimes I'll forget to say it too). But then there's that gently insistent groove and that pillowy electric piano. And that singing! Showy but intimate, talky yet supple, it's murmuring assurances to rebut the very doubts he's raising. Joel's first No. 1 offered him early proof that sometimes haters win. Think about the way Joel starts this song: 'Come out, Virginia, don't let me wait / You Catholic girls start much too late / But sooner or later it comes down to fate / I might as well be the one.' Two opposing worldviews colliding in four little lines against music trembling with the shared sense of anticipation that unites both the narrator and Virginia. Pop gets no richer. What other Billy Joel song could top a list of Billy Joel songs? 'Movin' Out' wants us to believe that success is for suckers, which is somehow a credo he's continued to sell — and we've continued to buy — through his ascent to the uppermost reaches of pop culture. These days Joel isn't Anthony or Mama Leone or even Mr. Cacciatore — he's the big shot who owns the medical center, not to mention whatever else is available on Sullivan Street. Yet his glorious bridge-and-tunnel music — proud, wounded, defensive, ambitious — keeps asking: Is this all I get for my money?
Yahoo
14 hours ago
- Yahoo
Miley Cyrus Unveils Spotify Billions Club Concert Film Weeks After Paris Performance
Miley Cyrus' recent show in Paris celebrating her biggest streaming hits on Spotify was an intimate affair, with only a few of her most devoted listeners on the platform getting to attend. But now, everyone else can see what they missed with Wednesday's (July 23) release of a concert film documenting the event. Now available to play back on Spotify, the pop star's Billions Club Live With Miley Cyrus: A Concert Film features her exclusive 30-minute set at Maxim's de Paris on June 18, performed in front of a group of handpicked admirers making up her top listeners on Spotify. Singing a handful of the biggest hits from her nearly two-decade career — including a mash-up of fan-favorite smashes 'The Climb' and 'We Can't Stop' — the rare performance gave Cyrus a chance to pay tribute to all of the songs she's had surpass a billion Spotify streams. More from Billboard Miley Cyrus' Magnifique Mash-Up of 'The Climb' & 'We Can't Stop,' Plus More Highlights Inside Paris Spotify Concert Jeremy Zucker Announces 2025 Australian Tour Black Sabbath Members Pay Tribute to Ozzy Osbourne: 'Goodbye Dear Friend' 'Tonight we're celebrating the Billions Club,' the star, dressed in a glamorous blue crystal gown, told the crowd after opening the show with eight-week Billboard Hot 100-topper 'Flowers' in the film. 'That's something I'm very proud to be a part of. Without each of you, the billion doesn't even exist. That's how important and crucial you are to the success in my life, the confidence and the goals that I've achieved because of you and your support.' The event — and now, the concert film — mark the latest chapters in Spotify's mission to commemorate its top artists and the fanbases they nurture on the platform. Ariana Grande and Cardi B have both looked back on their ten-digit-surpassing tracks on episodes of the streamer's Billions Club video series, while The Weeknd played the first-ever Spotify Billions Club Live show in December. Cyrus is fresh off the release of new full-length Something Beautiful, which debuted at No. 4 on the Billboard 200 in June. With it, the Hannah Montana alum unveiled an accompanying film, emphasizing throughout the rollout that the LP is a visual album. Her show in Paris was particularly special, as Cyrus rarely performs live these days. The Grammy winner has been open about why she's chosen not to tour anymore, most recently speaking on the subject with Good Morning America. 'I do have the physical ability, and I have the opportunities to tour,' she explained on the program earlier in July. 'I wish I had the desire, but I don't … It's really hard to maintain sobriety when you're on the road, which is a really important pillar of stability in my life. It's really hard to keep mental wellness [on tour]. You have so many thousands of people screaming at you, so dopamine, you're feeling a lot of love, and then you totally crash at the end of the show. You start thinking that one person loving you's not enough, it needs to be 10,000, it needs to be 80,000.' Watch Cyrus' Spotify Billions Club concert film below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword
Yahoo
14 hours ago
- Yahoo
Kelly Clarkson's ‘Studio Sessions' Las Vegas Residency Setlist: Every Song From Night 1
Kelly Clarkson kicked off her brand-new Las Vegas residency 'Kelly Clarkson: Studio Sessions' at The Colosseum at Caesars Palace on Friday night (July 11) — one week later than planned. More from Billboard Fans Choose Justin Bieber's 'Swag' as This Week's Favorite New Music FIFA Club World Cup Performer Emmanuel Kelly on Being First Differently Abled Halftime Star: 'It's Pretty Extraordinary' Drake Reacts to 'F-k Kendrick' Chant at 2025 Wireless Festival After postponing the original opening weekend dates of July 4 and 5 due to rehearsals taking 'a toll' on her famous voice, Clarkson delivered on her promise to fans to bring 'the studio to the stage' for the new residency. The stage setup brought the audience inside exactly what it's like to be a fly on the wall in a Clarkson recording session. 'Studio Sessions' isn't Clarkson's first turn as a Las Vegas headliner. After a no-go in 2020 for the 18-date 'Invincible' residency due to the pandemic, she finally made it to the stage of PH Live at Planet Hollywood Resort & Casino in 2023 with the sold-out 'Chemistry' engagement. The show kicked off on July 28, 2023, and was initially scheduled for 10 dates. However, it expanded to 14 dates with the addition of performances over the New Year's Eve holiday of that year and the 2024 Super Bowl. In 2020, she told Billboard that Las Vegas represented an excellent opportunity for her. 'I'm able to do things with [a residency] that I've never been able to carry out on the road,' she says. 'We get to stay for a bit, see and hang with fans, and then you're not having to travel every night to a different city, which can be exhausting. I'm stoked to have a home away from home [in Vegas].' Recently, she teased fans with an ultra-glam Sin City look, wearing a plunging sequin jumpsuit accented in feathers, for the 'Where Have You Been' video, channeling fellow Las Vegas headliner Cher. 'I've always loved performing in Las Vegas and the high energy of the crowds. Musicians from every genre of music, young and old, rookies and legends—it has become this fantastic city filled with artists from everywhere. So many of my musical idols have had, and still have, incredible residencies on the Strip, and I'm so excited to create my own,' Clarkson says. There are 16 performances of 'Kelly Clarkson: Studio Sessions' scheduled through Nov. 15, with new dates for the postponed July 4-5 shows yet to be announced. In the 23 years since she won American Idol, Clarkson has sold more than 25 million albums and 40 million singles worldwide. In addition to three Grammy Awards, she has multiple Daytime Emmys on the mantle for her six-season Kelly Clarkson Show. A highlight of Friday night's debut came during the second-to-last song of the night, when Clarkson introduced a rotating Kellyoke cover — named after the wildly popular performance segment from her daytime talk show — this time performing the Dolly Parton-penned 'I Will Always Love You' in the style of Whitney Houston's 1992 The Bodyguard soundtrack version. Here's a look at Clarkson's full opening-night setlist for 'Kelly Clarkson: Studio Sessions' at The Colosseum at Caesars Palace. 'Me' Album: Chemistry (2023) 'Walk Away' Album: Breakaway (2004) 'Heat' Album: Meaning of Life (2017) 'Dance With Me' Album: Piece by Piece (2015) 'Behind These Hazel Eyes' Album: Breakaway (2004) 'Heartbeat Song' Album: Piece by Piece (2015) 'Breakaway' Album: Breakaway (2004) 'Didn't I' Album: Meaning of Life (2017) 'Because of You' Album: Breakaway (2004) 'Mine' Album: Chemistry (2023) 'Catch My Breath' Album: Greatest Hits – Chapter One (2012) 'Beautiful Disaster' Album: Thankful (2003) 'Piece by Piece' Album: Piece by Piece (2015) 'Miss Independent' Album: Thankful (2003) 'Sober' Album: My December (2007) 'Favorite Kind of High' Album: Chemistry (2023) 'My Life Would Suck Without You' Album: All I Ever Wanted (2009) 'Tightrope' Album: Piece by Piece (2015) 'Stronger (What Doesn't Kill You)' Album: Stronger (2011) 'Where Have You Been' Single (2025) 'I Will Always Love You' (Kellyoke cover) Album: Dolly Parton's Jolene (1974); Whitney Houston's The Bodyguard soundtrack (1992) 'Since U Been Gone' Album: Breakaway (2004) Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword