logo
MARINA Announces 2025 North American Headlining Tour

MARINA Announces 2025 North American Headlining Tour

Yahoo09-06-2025

The post MARINA Announces 2025 North American Headlining Tour appeared first on Consequence.
Welsh pop singer MARINA has announced the 'Prince of Power' North American tour in support of her new album of the same name.
Following a run of summer festival appearances, including slots at Bonnaroo and Lollapalooza, the North American headlining tour kicks off on September 6th in Vancouver, British Columbia. All told, MARINA will visit 21 cities over the course of the trek, including Portland, Denver, Minneapolis, Toronto, Boston, Philadelphia, New York, Atlanta, Houston, Dallas, Los Angeles, and Oakland. She'll also appear at festivals including All Things Go in Washington, DC; Austin City Limits in Austin, TX; and Corona Capital in Mexico City. Coco & Clair Clair and Mallrat will appear in support on select dates.
Get MARINA Tickets Here
A Live Nation ticket pre-sale for select dates go on sale beginning Wednesday, June 11th at 10:00 a.m. local time via Ticketmaster, with a public on-sale following on Friday, June 13th at 10:00 a.m. local time.
MARINA released her sixth album, PRINCESS OF POWER, on Friday, Watch the video for 'I ﹤3 YOU' below.
MARINA 2025 Tour Dates: 06/13 — Manchester, TN @ Bonnaroo 08/02 — Chicago, IL @ Lollapalooza 08/03 — Montreal, QC @ Osheaga Music Festival 08/08 — San Francisco, CA @ Outside Lands 09/06 — Seattle, WA @ Showbox SoDo + 09/07 — Vancouver, BC @ Orpheum Theatre + 09/10 — Portland, OR @ Keller Auditorium + 09/12 — Salt Lake City, UT @ The Union + 09/13 — Denver, CO @ Fillmore Auditorium + 09/15 — Minneapolis, MN @ The Fillmore ➹ 09/16 — Royal Oak, MI @ Royal Oak Music Theatre ➹ 09/18 — Toronto, ON @ HISTORY ➹ 09/20 — New Haven, CT @ College Street Music Hall ➹ 09/21 — Boston, MA @ Roadrunner ➹ 09/24 — Philadelphia, PA @ Franklin Music Hall ➹ 09/25 — New York, NY @ Radio City Music Hall ➹ 09/28 — Washington, DC @ All Things Go ** 09/29 — Pittsburgh, PA @ Stage AE ➹ 10/01 — Nashville, TN @ The Pinnacle ➹ 10/02 — Atlanta, GA @ The Eastern ➹ 10/04 — Austin, TX @ Austin City Limits ** 10/07 — Houston, TX @ Bayou Music Center ➹ 10/09 — Dallas, TX @ Southside Ballroom ➹ 10/11 — Austin, TX @ Austin City Limits ** 10/13 — Phoenix, AZ @ Arizona Financial Theatre ➹ 10/14 — Pomona, CA @ Fox Theater ➹ 10/16 — Los Angeles, CA @ Greek Theatre ➹ 10/17 — Oakland, CA @ Fox Theater ➹ 11/15 — Mexico City, MX @ Corona Capital **
+ w/ Coco & Clair Clair ➹ = w/ Mallrat
Popular Posts
Sabrina Carpenter Announces New Single "Manchild"
Black Sabbath's All-Star Final Concert to Stream Worldwide
Jack White Celebrates Trump and Elon Musk's Breakup: "More Popcorn Gruppenfuehrer!"
T-Pain Announces 20th Anniversary US Tour
Miley Cyrus Heckled at Something Beautiful Film Premiere: "Thought This Was a Concert!"
Nick Jonas to Play Paul Stanley in KISS Biopic Shout It Out Loud
Subscribe to Consequence's email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sabrina Carpenter shares new album cover 'approved by God' after backlash over racy image
Sabrina Carpenter shares new album cover 'approved by God' after backlash over racy image

Fox News

timean hour ago

  • Fox News

Sabrina Carpenter shares new album cover 'approved by God' after backlash over racy image

Sabrina Carpenter shared a brand-new album cover "approved by God" after the pop star received backlash over the original art. Carpenter, 26, shocked fans with the announcement of her forthcoming album. She teased "Man's Best Friend" in a post shared to Instagram. The cover featured the "Nonsense" singer on her knees with a man holding her hair. The cover art sparked immediate backlash, with many commenting their thoughts on the post. "Am I the only one who thinks this is dehumanizing for women?" one user wrote. Another added, "This cover makes me uncomfortable… especially in times like these. Absolutely tone deaf." Carpenter seemingly took in the backlash and released a new album cover. "i signed some copies of Man's Best Friend for you guys," she wrote. "& here is a new alternate cover approved by God available now on my website." The "Manchild" singer recently opened up about the discourse around her song lyrics, which often include sexual innuendos. On tour, Carpenter performed various sex positions during her song "Juno." The moments often went viral, prompting complaints online. However, Carpenter said there's more to her music than meets the eye. "It's always so funny to me when people complain," Carpenter told Rolling Stone for the June cover story. "They're like, 'All she does is sing about this.' But those are the songs that you've made popular. Clearly you love sex. You're obsessed with it. It's in my show. There's so many more moments than the 'Juno' positions, but those are the ones you post every night and comment on. I can't control that. "If you come to the show, you'll [also] hear the ballads, you'll hear the more introspective numbers. I find irony and humor in all of that, because it seems to be a recurring theme. I'm not upset about it, other than I feel mad pressure to be funny sometimes." Carpenter noted women in the music industry are experiencing an intense amount of scrutiny over every decision made. "I don't want to be pessimistic, but I truly feel like I've never lived in a time where women have been picked apart more, and scrutinized in every capacity. I'm not just talking about me," she told the outlet. "I'm talking about every female artist that is making art right now." Carpenter has also been vocal about the criticism she personally receives. As she performed across the world for her album, "Short 'N Sweet," many took to social media to slam the singer's skimpy outfits. "…you'll still get the occasional mother that has a strong opinion on how you should be dressing," the "Taste" singer told TIME magazine. "And to that I just say, 'Don't come to the show,' and that's OK." "It's unfortunate that it's ever been something to criticize, because truthfully, the scariest thing in the world is getting up on a stage in front of that many people and having to perform as if it's nothing," she added. "If the one thing that helps you do that is the way you feel comfortable dressing, then that's what you've got to do." "Femininity is something that I've always embraced," she noted. "And if right now that means corsets and garter belts and fuzzy robes or whatever the f---, then that's what that means."

‘F1' opens with $55 million, delivering Apple its biggest big-screen hit
‘F1' opens with $55 million, delivering Apple its biggest big-screen hit

Chicago Tribune

timean hour ago

  • Chicago Tribune

‘F1' opens with $55 million, delivering Apple its biggest big-screen hit

NEW YORK — Apple has its first box-office hit. 'F1 The Movie' debuted with $55.6 million in North American theaters and $144 million globally over the weekend, according to studio estimates Sunday, handing the tech company easily its biggest opening yet. Though Apple Original Films has had some notable successes in its six years in Hollywood — including the 2021 Oscar-winner 'CODA' — its theatrical results have been decidedly mixed. Misfires like 'Argylle' and 'Fly Me to the Moon' and big-budget awards plays like Ridley Scott's 'Napoleon' and Martin Scorsese's 'Killers of the Flower Moon' have been better at driving viewers to Apple TV+ than movie theaters. But 'F1' was Apple's first foray into summer blockbuster territory. It won a bidding war for the project from much of the production team behind the 2022 box-office smash 'Top Gun: Maverick.' Apple then partnered with Warner Bros. to distributed the film starring Brad Pitt, Damson Idris and Kerry Condon. With a production budget over $200 million, 'F1' still has several laps to go to turn a profit. But for now, 'F1' is full speed ahead. 'The film's outstanding debut reflects both the excitement of Formula 1 and the deeply emotional and entertaining story crafted by the entire cast and creative team,' said Zack Van Amburg, who heads worldwide video for Apple with Jamie Erlicht. 'Their dedication and innovation have fueled an unforgettable cinematic experience.' Car racing movies have often struggled in theaters; crash-and-burn cases include Ron Howard's 'Rush' (2013) and Michael Mann's 'Ferrari' (2023). But 'F1' built off the Formula 1 fandom stirred up by the popular series 'Formula 1: Drive to Survive.' And it leaned on 'Top Gun: Maverick' director Joseph Kosinski and producer Jerry Bruckheimer to deliver another adult-oriented action thrill ride. As in 'Top Gun: Maverick,' the filmmakers sought an adrenaline rush by placing IMAX cameras inside the cockpit in 'F1.' IMAX and large-format screens accounted for 55% of in its ticket sales. IMAX, whose screens are much sought-after in the summer, has carved out a three-week run for the movie. Warner Bros. expected 'F1' to perform well overseas, where the sport is more popular than it is in the U.S. Jeffrey Goldstein, distribution chief for Warner Bros., said Pitt was the movie's 'secret sauce.' The $144 million global launch is the actor's biggest opening weekend. 'We came up with multiple campaigns based on where you are in the world,' said Goldstein. 'We planned for an audience-winner: screen the movie and get it out there. People talking about this movie drove this movie.' Reviews have been very good for 'F1' and audience reaction (an 'A' via CinemaScore) was even better. That suggests 'F1' could hold up well in the coming weeks despite some formidable coming competition in Universal Pictures' 'Jurassic World Rebirth.' Paul Dergarabedian, senior media analyst for data firm Comscore, praised Warner Bros. for making 'F1' a theatrical event. The studio was also behind the year's other big original release, 'Sinners.' 'For Apple, this demonstrates to them the prestige factor of having a big theatrical release,' said Dergarabedian. 'It elevates their brand.' Universal's 'M3gan 2.0' had been expected to pose a greater challenge to 'F1.' Instead, the robot doll sequel didn't come close to matching the 2022 original's box-office launch. 'M3gan 2.0' collected $10.2 million in 3,112 theaters. Memes and viral videos helped propel the first 'M3gan' to a $30.4 million opening and a total haul of $180 million, all on a $12 million budget. Still, the Blumhouse Productions horror thriller could wind up profitable. The film, written and directed by Gerald Johnstone, cost a modest $25 million to make. A spinoff titled 'Soulm8te' is scheduled for release next year. M3gan 2.0' ended up in fourth place. The box-office leader of the last two weekends, 'How to Train Your Dragon,' slid to second with $19.4 million. The DreamWorks Animation live-action hit from Universal Pictures has surpassed $200 million domestically in three weeks. After a debut that marked a new low for Pixar, the studio's 'Elio' gathered up $10.7 million in sales in its second weekend. That gives the Walt Disney Co. release a disappointing two-week start of $42.2 million. With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'F1 The Movie,' $55 million. 2. 'How to Train Your Dragon,' $19.4 million. 3. 'Elio,' $10.7 million. 4. 'M3gan 2.0,' $10.2 million. 5. '28 Years Later,' $9.7 million. 6. 'Lilo & Stitch,' $6.9 million. 7. 'Mission: Impossible — Final Reckoning,' $4.2 million. 8. 'Materialists,' $3 million. 9. 'Ballerina,' $2.1 million. 10. 'Karate Kid: Legends,' $1 million.

'F1' opens with $55 million, 'M3gan 2.0' finishes 4th in box office debut

timean hour ago

'F1' opens with $55 million, 'M3gan 2.0' finishes 4th in box office debut

NEW YORK -- Apple has its first box-office hit. 'F1 The Movie' debuted with $55.6 million in North American theaters and $144 million globally over the weekend, according to studio estimates Sunday, handing the tech company easily its biggest opening yet. Though Apple Original Films has had some notable successes in its six years in Hollywood — including the 2021 Oscar-winner 'CODA' — its theatrical results have been decidedly mixed. Misfires like 'Argylle' and 'Fly Me to the Moon' and big-budget awards plays like Ridley Scott's 'Napoleon' and Martin Scorsese's 'Killers of the Flower Moon' have been better at driving viewers to Apple TV+ than movie theaters. But 'F1' was Apple's first foray into summer blockbuster territory. It won a bidding war for the project from much of the production team behind the 2022 box-office smash 'Top Gun: Maverick.' Apple then partnered with Warner Bros. to distributed the film starring Brad Pitt, Damson Idris and Kerry Condon. With a production budget over $200 million, 'F1' still has several laps to go to turn a profit. But for now, 'F1' is full speed ahead. "The film's outstanding debut reflects both the excitement of Formula 1 and the deeply emotional and entertaining story crafted by the entire cast and creative team," said Zack Van Amburg, who heads worldwide video for Apple with Jamie Erlicht. "Their dedication and innovation have fueled an unforgettable cinematic experience.' Car racing movies have often struggled in theaters; crash-and-burn cases include Ron Howard's 'Rush' (2013) and Michael Mann's 'Ferrari' (2023). But 'F1' built off the Formula 1 fandom stirred up by the popular series 'Formula 1: Drive to Survive.' And it leaned on 'Top Gun: Maverick' director Joseph Kosinski and producer Jerry Bruckheimer to deliver another adult-oriented action thrill ride. As in 'Top Gun: Maverick,' the filmmakers sought an adrenaline rush by placing IMAX cameras inside the cockpit in 'F1.' IMAX and large-format screens accounted for 55% of in its ticket sales. IMAX, whose screens are much sought-after in the summer, has carved out a three-week run for the movie. Warner Bros. expected 'F1' to perform well overseas, where the sport is more popular than it is in the U.S. Jeffrey Goldstein, distribution chief for Warner Bros., said Pitt was the movie's 'secret sauce.' The $144 million global launch is the actor's biggest opening weekend. 'We came up with multiple campaigns based on where you are in the world,' said Goldstein. 'We planned for an audience-winner: screen the movie and get it out there. People talking about this movie drove this movie.' Reviews have been very good for 'F1' and audience reaction (an 'A' via CinemaScore) was even better. That suggests 'F1' could hold up well in the coming weeks despite some formidable coming competition in Universal Pictures' 'Jurassic World Rebirth.' Paul Dergarabedian, senior media analyst for data firm Comscore, praised Warner Bros. for making 'F1' a theatrical event. The studio was also behind the year's other big original release, 'Sinners." 'For Apple, this demonstrates to them the prestige factor of having a big theatrical release," said Dergarabedian. 'It elevates their brand." Universal's 'M3gan 2.0' had been expected to pose a greater challenge to 'F1.' Instead, the robot doll sequel didn't come close to matching the 2022 original's box-office launch. 'M3gan 2.0' collected $10.2 million in 3,112 theaters. Memes and viral videos helped propel the first 'M3gan' to a $30.4 million opening and a total haul of $180 million, all on a $12 million budget. Still, the Blumhouse Productions horror thriller could wind up profitable. The film, written and directed by Gerald Johnstone, cost a modest $25 million to make. A spinoff titled 'Soulm8te' is scheduled for release next year. M3gan 2.0' ended up in fourth place. The box-office leader of the last two weekends, 'How to Train Your Dragon,' slid to second with $19.4 million. The DreamWorks Animation live-action hit from Universal Pictures has surpassed $200 million domestically in three weeks. After a debut that marked a new low for Pixar, the studio's 'Elio' gathered up $10.7 million in sales in its second weekend. That gives the Walt Disney Co. release a disappointing two-week start of $42.2 million. With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'F1 The Movie,' $55 million. 2. 'How to Train Your Dragon,' $19.4 million. 3. 'Elio,' $10.7 million. 4. 'M3gan 2.0,' $10.2 million. 5. '28 Years Later,' $9.7 million. 6. 'Lilo & Stitch,' $6.9 million. 7. 'Mission: Impossible — Final Reckoning,' $4.2 million. 8. 'Materialists,' $3 million. 9. 'Ballerina,' $2.1 million. 10. 'Karate Kid: Legends,' $1 million.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store