
Amol Parashar reacts to dating rumours with Konkana Sensharma
Avoiding any labels between him and Konkana, Amol said, "See, you have people in life. Kisi se aap close hote hai, aur kisi se aap zyaada close hote hai. Naming every relationship is not necessary. Aap khush, saamne wala khush aur gharwale khush, that's it."He also shared how actor Vicky Kaushal found himself in a similar situation when he was dating actor and now his wife Katrina Kaif. Amol said, "I remember something similar happened with Vicky and I was like: 'Bhai bata do sabko because people are asking me'. And he was like: 'I will, at the right time.'"advertisementAmol, who recently featured in Prime Video's 'Gram Chikatsalay', also expressed that his personal life is grabbing more attention than his work and said no matter how much acting one does, it is link-up news that gets the views. "Logon ko mazaa aa raha hai. Aap karlo kitni bhi acting, views link up news ko hi milte hai," he said.When asked about his marriage plans, Amol cheekily said he loves surprising himself and his family knows that. "Kuch bhi ho sakta hai. I love surprising myself and my family knows that. Agar shaadi hui, to I, too, will post it on Insta, as that's what matters to everyone. But as of now, I have nothing to talk about."Amol also spoke about the possibility of the second season of 'Gram Chikatsalay' and said his character dies in 'Kull', but he's very much alive in the other series.Must Watch
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Time of India
34 minutes ago
- Time of India
Genelia Deshmukh says she felt she didn't matter anymore before 'Sitaare Zameen Par' released
After a 13-year hiatus, Genelia Deshmukh made a heartfelt comeback with Aamir Khan's 'Sitaare Zameen Par'. Initially unsure of her relevance, she was touched by the warm response. Aamir personally encouraged her return, and the film serves as a spiritual successor to 'Taare Zameen Par', blending new and seasoned actors. After a long gap of nearly 13 years, Genelia Deshmukh made a significant comeback with Aamir Khan 's 'Sitaare Zameen Par'. She didn't expect much attention, thinking fans might have moved on, but the overwhelming love and support she received pleasantly surprised her, proving that her presence is still cherished. Reflecting on a Decade of Limited Work In an interview with Hindustan Times, Genelia revealed that she hadn't done much work over the past 10 years, mostly appearing in projects for friends and a few OTT films. She thought people might have forgotten her and doubted her relevance. However, the positive response to her role in 'Sitaare Zameen Par' surprised her, especially since it's an Aamir Khan film that naturally attracted a large audience. She found it refreshing to realize that people still want to see more of her, both as an actor and as a person—a rare and special feeling not everyone experiences. How Aamir Khan Helped Her Return Genelia shared how Aamir personally wanted her for 'Sitaare Zameen Par' and even checked with her husband, Riteish, about her current work status. She was asked to meet the director, RS Prasanna, and auditioned for the role, which she eventually secured. While many actors might question the need to audition after two decades in the industry, Genelia embraced it, saying, 'I know most actors will feel that after 20 years, 'Why audition?' But I think it's a great way of getting a film, so I am very excited that I did it. ' 'Sitaare Zameen Par' 'Sitaare Zameen Par' serves as a spiritual follow-up to Aamir Khan's acclaimed 2007 film 'Taare Zameen Par', which poignantly depicted the life of Ishaan, a boy portrayed by Darsheel Safary, and raised awareness about learning disabilities. The original also featured performances by Tisca Chopra and Vipin Sharma. In contrast, 'Sitaare Zameen Par' is a sports comedy-drama produced by Aamir and Aparna Purohit, introducing fresh faces like Aroush Datta, Gopi Krishna Varma, and others making their Hindi film debut. The movie is further strengthened by experienced actors such as Dolly Ahluwalia, Gurpal Singh, Brijendra Kala, and Ankita Sehgal


India Today
an hour ago
- India Today
Aamir met Riteish, asked if I was working: Genelia on how she was cast in Sitaare
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Indian Express
2 hours ago
- Indian Express
‘Not everyone is in a position to tell their stories': In Transit makers Zoya Akhtar, Reema Kagti and Ayesha Sood on the need for authentic representation
Your new docu-series on Amazon Prime Video, In Transit, follows the life of nine transgender, non-binary personalities and their journeys. What triggered the idea for this series? Zoya Akhtar: The reason we wanted to do the series is also how the title came about. It felt like there were these people on a journey. And, not just them; it seemed the law of the land was also on a journey — the mentality was beginning to shift. But everything is in a flux right now. So, while it (homosexuality) was decriminalised, the civil liberties were still not there. There was also 'trans', as in transitioning. In Transit was the working title but the name just stuck. You must have gone through several stories before you zeroed in on these nine people. Ayesha Sood: We had a long period, almost a year-and-a-half, of research and development. We built a small crew of trans-activists, journalists, researchers and production assistants. During that time, a lot of names came up. We started conversations with them. We started investigating their stories and a long list filtered down into a shorter one. It also depended a lot on the fact that characters should be able to tell their stories. Not everyone is in a position to do that. In Made in Heaven S2 (2023), you introduced a transgender character Meher, played by Trinetra Haldar Gummaraju. Did that move lead to the making of this series? Reema Kagti: Definitely. When Zoya and I were researching Meher's character, we realised we needed to educate ourselves. We reached out to people in the community and those interviews opened our minds. That was when Zoya thought this was a series waiting to happen. We even changed the track of Trinetra's character because we ourselves learnt a couple of things. Akhtar: Our work for In Transit started way before Made in Heaven S2 dropped. In 2018, the Supreme Court gave sanctity to LGBTQIA+ relations but it left the policy framework for Parliament. For the last seven years, there hasn't been much headway. What is your expectation from the lawmakers? Akhtar: When we wrote Made in Heaven S1, it was still a criminal act. It was released on March 8, 2019. Before it dropped, it was decriminalised. We had to put a disclaimer at the end of the series. I'm hopeful that things are going to change. As filmmakers, we have to tell those stories because stories bring change. Stories connect you to the other person. You think this is too much or this is not for me or this is not my culture but then you realise that these people have the same concerns as you. They are living in the same system as you. Stories bring us closer and they show us how similar we are. Kagti: It's a process. Today, things are better than how they were 30 years ago. Maybe not a lot better but like any social change, this will also take a long time. Sood: Based on my experience of travelling across the country, you'll be surprised how accepting different communities are. I think society is getting there. Regardless, I think policy and laws have to change first and society will follow. When you are dealing with people who are vulnerable, it takes that much time for them to open up and trust you. Sood: Over a period of a year-and-a-half, we built this team and started to find these characters. We had conversations with them over phone, Zoom and later met them in person. All this while we were trying to get to know them and their stories better. Eventually, they knew exactly what this conversation was going to be like. Kagti: All the nine characters are courageous. They all felt a certain responsibility to speak up. In your experience, what are the positive changes you have seen over the last decade and how much has filmmaking contributed to them? Akhtar: All positive reinforcement that can come with accurate and authentic representation is needed because one may be growing up and feeling different. One may not have that in one's family or in one's friend circle and that could be an isolating experience. When one is able to see these stories on screen, one definitely feels: 'Okay I am not alone'. That is very important and that comes with all kinds of things, whether it is your community, sexuality, disability or even a point of view. You just need to see how you feel represented in a way that may not be in your immediate environment but makes you feel like part of society in a good way. Which medium do you think is more effective while telling stories — features, series or documentary? Akhtar: There is no one thing you can choose. It depends on how stories lend themselves to certain mediums. A certain film can't be stretched for eight hours and a certain series can't be put in three hours. You can't say what is more effective. I am greedy. I love storytelling and I would tell a story in whatever form I think it works. But my heart is in the features. What are the dos and don'ts that you followed? Sood: We never asked any of our characters about whether they have transitioned. If they tell us about it, we talk about it. But sometimes some of the characters have not had a physical transition. We never wanted to make them feel like we are being voyeuristic about their lives. I was never going to ask them if they had had a surgery and what it felt like. If they talk to me about their surgery, only then are we going to bring up how they feel afterwards. You mentioned how one of the characters identified with Kajal bhai in the 90s' show Hum Paanch and, for decades, Rekha and Sridevi have been queer icons. What is the impact cinema has had? Sood: Cinema is the background score to everybody's world. This is the world that we live in and this is our go-to pop culture. Cinema is the world that everyone, sort of, feeds off. Aamir Khan recently said that people are not going to theatres because they get to watch new releases on streamers. How effective is the pay-per-view YouTube model that he spoke about? Akhtar: The model he is speaking about is interesting. YouTube is the most watched platform in India. There are a lot of factors to why the footfalls have fallen post the pandemic. The viewing habit changed because people started watching stuff that was accessible to them. It is very expensive. Regular families choose their outings. Traffic is not fun. Having said that, I have great faith in community viewing. I was in the cinema yesterday, it was a full house and people were clapping. Nothing beats that. Kagti: Parents who enjoy watching movies in theatres must try and inculcate that activity in their children. Also Read | At long last, Gabbar is dead: How Sholay got its original ending back Do you think something should be done about the gap between the movie releasing and when it becomes available on OTT? Akhtar: Producers take certain decisions because of economics. But I agree that there should be more of a gap. Therefore, if you know that you may not see a particular film for a while, that informs the decision differently for certain films. For the big spectacle, tentpole films, anyway, people want to go see it in the theatre. Kagti: It is a two-way process. If, as an audience, you are feeling there is an absence of the kind of films you love watching, you must go out and support the releases that you like. In today's day and age, after a movie comes out, there are people who come on social media and say it is 'their' story. Akhtar: There is a lot of heft when it is a true story. In that case, we will first take the concerned person's permission, rights, blessing and put it out that this is a true story. But, when it is not a true story and if people feel that way, we can't control it. They are free to say what they want, take action and go to court. Kagti: If you really feel this way, you should go to court but nobody actually does. In this day and age of social media, they just want the attention. Then, it ends. Do you have a dream project? Akhtar: For the longest time, my dream project was to make my first film. Luck By Chance (2009) could have been my dream project. Kagti: Whatever we are doing right now is our dream project. Once that gets over, the next one feels like the new dream project.