
Aftertaste by Daria Lavelle: A brash novel about early 2000s New York that finds treasure in the trash
Author
:
Daria Lavelle
ISBN-13
:
978-1526683946
Publisher
:
Bloomsbury
Guideline Price
:
£16.99
Ukrainian-American Daria Lavelle's debut novel is a tale of love, loss and horror set against the freakish backdrop of Manhattan's dining scene. Kostya is a chef who can taste the food dead people desire, which he re-creates for ghosts to share with the ones that mourn them. As with many underworld ventures, things go amiss. Already, Aftertaste has summoned quite a stir, with a movie in the works.
There's Stephen King in this novel's ancestry, in style as well as scares. Like King, Lavelle is unabashed that her prose can be clumsy and cliched – 'orgasmic eating experience', 'the perfect, crispy crackle of golden fried chicken skin'. What matters is momentum. Lavelle's writing pounds with bada-boom dialogue and the kind of adrenaline found in an over-heated kitchen during service.
In the way she uses brands and celebrities as descriptors, Lavelle evokes Bret Easton Ellis in American Psycho. About one Russian kingpin, she writes: 'While his accent was goofy, all Rocky and Bullwinkle … his face was early-era Brad Pitt, the rest of him in an Armani underwear ad, his confidence reeking with too much cologne.' Just as Ellis never escapes the 1980s, Lavelle's New York, although purportedly present-day, is mired in the early aughts. Macho chefs and hidden speakeasies abound; the East Village is still cool, and Anthony Bourdain's Kitchen Confidential very much alive.
There's a banquet featuring ingredients that once upon a time might have induced gasps – the endangered songbird ortolan, the potentially lethal fugu fish. Kostya's love interest Maura is by-the-book retro, a manic-pixie dream girl with purple hair.
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Is Afterlife sometimes sloppy and occasionally bad? Perhaps, but to read it is a rush. Besides, one should be suspicious of someone who disdains all junk, be it a McDonald's French fry or Real Housewives marathon. As an elegy to a city where garbage and greatness go hand in hand, it's only appropriate to find a little trash in Aftertaste's soul.
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