It's Yorkshire Day but what do Lincolnshire folk think?
Both county's boast a number of North Sea holiday resorts, including Skegness in Lincolnshire and Whitby in North Yorkshire.Speaking in Gainsborough, which incidentally was once the Viking capital of England before York got in on the act, Sarah Patrick, 57, said: "I absolutely love Whitby - I've been to Whitby quite a few times."It's just that nice quaint little seaside town without too much of the Skegness thing in it, if you know what I mean?"Others remarked about the "beautiful weather", possibly tongue in cheek, the friendliness of Yorkshire folk, and the variety of things to see and do.However, when asked they conceded they were originally from Yorkshire.Peter Bradley, 91, from Torksey, near Gainsborough, worked as an engineer in Wakefield for 10 years, for E Green and Son.But, flying the flag for Yellowbellies, he said the best thing about Yorkshire was its proximity to Lincolnshire.He also joked that Nottinghamshire was his second favourite.Stamford and Sutton on Sea in Lincolnshire were both named in the Sunday Times best places to live guide in 2024 and Steep Hill in Lincoln's historic quarter was previously awarded the title of Britain's Best Place by the Academy of Urbanism.
Meanwhile, in Driffield, East Yorkshire, punters and traders at the market had their say on Lincolnshire, which hosts its own annual celebration day on 1 October.Chutney seller Martin Helbrow said he often ventured over the border to attend farmers' markets, and quite liked it, but added that he was proud to call East Yorkshire his home.Debbie Cole said she was unable to comment as she had never been to Lincolnshire.When told that she was missing out on some of the best beaches anywhere in the land, she said: "I very much doubt it - Bridlington is very nice."Another woman said all she knew was the county was well-known for its vegetables.Shopkeeper Mark Edwards summed up the Yorkshire mood, saying: "I used to live in Lincolnshire, but came back to Yorkshire because it is much better."However, cheese seller Anita Jepson offered a more diplomatic approach."Anywhere in Britain is beautiful, beautiful countryside, beautiful people," she said."We do have a nice Lincolnshire cheese on the stall - so we do like to promote everybody," she added.
Listen to highlights from Lincolnshire on BBC Sounds, watch the latest episode of Look North or tell us about a story you think we should be covering here.
Download the BBC News app from the App Store for iPhone and iPad or Google Play for Android devices
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
BBC News
28 minutes ago
- BBC News
Stevenage woman gives unwanted Plushies a new lease of life
A card-shop owner says she wants people to "see cuddly toys in a different light" after launching a scheme to smarten up second-hand Sorrell, 58, was inspired to start the Preloved Plushy Project at her Stevenage shop Cardies after noticing how many were being discarded."I was seeing some going to charity shops, and because they were marked or grubby, the charity shops couldn't do anything with them and had to throw them away," she said."I'm a big recycler and upcycler, so I'm keen to find a new love-life for lots of things – one man's rubbish is another man's treasure," she told the BBC. She explained her secret to restoring the toys so they looked nearly-new."A lot of people make the mistake that they just wash the teddy bear, and it gets all matted," Ms Sorrell said."I wash it and leave it to dry thoroughly, and then use [a] brush to bring it back to fluffiness."I've got labradors, and there's a specific dog brush with very fine pins that teases the undercoat."It's a slicker brush and it does a similar thing with the cuddly toys. Of course, I don't use the same brush that I use on my dog!" Ms Sorrell explained that she had already been able to match up donations with keen owners."We had a couple of lads come in and their mum said they were looking for Super Mario characters," she said."There was a giant sack of washed toys we hadn't sorted, so we rummaged through it and found two Super Marios. They went away very happy!"Another lady tagged them on social media, saying she worked with young people and one would be thrilled to have an Eeyore toy."Funnily enough, an Eeyore appeared the next day in one of our bags, as if by magic."Ms Sorrell hopes people beyond Stevenage will start doing the same thing to prolong the life of soft toys."I'm keen that other people should take this idea up and see cuddly toys in a different light," she said."It's also just presenting them differently – rather than a box of sad-looking teddies in the corner – [to] make them look appealing." Follow Beds, Herts and Bucks news on BBC Sounds, Facebook, Instagram and X.
BBC News
28 minutes ago
- BBC News
Number of term-time holiday fines double in Hertfordshire
The number of fines issued to parents in a county who took their children on a term-time holiday has more than doubled in the last two County Council issued 2,887 fixed penalty notices (FPNs) in 2024-25 compared with 1,292 FPNs in 2023-24, according to data requested by Local Democracy Reporting Service As part of government changes implemented in August 2024, FPNs are given when a child registers 10 unauthorised half-day school absences, or five days.A spokesperson for Hertfordshire County Council said: "We are sure that the parents of Hertfordshire want the best education for their children." The fines amounted to the authority receiving more than £240,000 in 2024-25 and £106,000 in 2023-24. With the prices of holidays, accommodation and flights increasing in school holidays, many families are tempted by the lower costs of term-time the change in national guidance parents can no longer take their children out of school for a week's holiday without the risk of a fine – which they could have done previously when fines were triggered by 15 unauthorised half-day school fine for a first FPN is £80 per parent per child, £20 higher than in a person who breaches attendance rules for a second time in any three-year period, the fine rises to £160 per parent per child.A spokesperson for Hertfordshire County Council said: "By taking family holidays during the school holiday periods, the parents of Hertfordshire will be supporting their children's full school attendance, learning and development." Follow Beds, Herts and Bucks news on BBC Sounds, Facebook, Instagram and X.
The Guardian
an hour ago
- The Guardian
Sam Neill's 20 best roles – sorted!
Scientists, farmers, spies, cops, priests, the devil incarnate: is there any role Sam Neill can't play? The New Zealand actor has been delivering cracking performances for more than four decades and, after returning to screens in Untamed and the third season of The Twelve, shows no signs of slowing down. Here are his 20 all-time greatest performances. This is the Neill performance that'll make you think: hot damn, he could've made a great James Bond. In this UK TV series he plays a Russian spy who works for the Brits; he is a devil with the ladies; and he scrubs up great in a tux: tick tick tick. The show is adapted from Robin Bruce Lockhart's 1967 book Ace of Spies, and its titular character based on Sidney Reilly, a real-life spy who was executed by the Soviets in 1925. It couldn't have been easy to hold your own against Sean Connery. But in John McTiernan's deep sea blockbuster, Neill delivers a thoroughly engrossing supporting performance as Vasily Borodin, the second-in-command to Connery's Capt Marko Ramius, a Soviet who defects to the US. Borodin is pragmatic and process-driven but embroiled in dangerously volatile circumstances. In this glamorous and racy series set in 16th-century England, Neill plays Henry VIII's most trusted adviser, Cardinal Thomas Wolsey. He's a man of the cloth, who clearly enjoys being referred to as 'your eminence', but is also a cunning and calculating powerbroker who doesn't like getting his hands dirty. Staying on the king's good side is easier said than done, as is surviving in this world; let's just say Wolsey doesn't appear in the second season. Everybody brings their A game to Warwick Thornton's sumptuously shot neo-western, one of the greatest Australian films of the century to date. Neill plays a preacher, Fred Smith, who's a little pious but walks the walk – following Bryan Brown's sergeant on his mission to track down an Aboriginal man accused of murder (Hamilton Morris) because 'I want to see him come back alive'. It's not a huge performance but it's beautifully balanced. Tender yet tough. Rob Sitch's pleasant historical drama is based on the true story of the Parkes Observatory, which helped Nasa track and broadcast Apollo 11's voyage to the moon. Neill plays Cliff, the observatory's mild-mannered but intensely focused director. It's a warm, fully rounded performance that takes an avuncular tone, complete with a face-stretching smile and pipe hanging from his mouth. Initially Neill's character in Jane Campion's Palme d'Or-winning masterpiece seems relatively fair-minded, playing the new husband of Holly Hunter's famously mute protagonist, Ada. That changes in the final act, when he violently responds to discovering Ada's love affair with a retired sailor (Harvey Keitel), tipping the film into nightmarish terrain. It's broodingly dark and poetic, and all the performances are great. The ol' vampire villain is given a modern, corporate makeover in the Spierig brothers' revisionist genre movie, in which Neill plays Charles Bromley, the chief executive of the largest supplier of blood in the US. In this world, most humans have become vamps, leading to a massive blood shortage that Bromley's determined to exploit. Neill gives him a monstrously large impact, with an air of menacing sophistication. In one memorable scene he elegantly quaffs a lovely glass of red – and no, it's not wine. In this classic Australian black comedy Neill plays Carl, a manchild who sleeps in late, rarely washes his clothes (he rarely washes anything) and lives in a grubby broken-down house. He does, however, scrub up pretty well in a black leather jacket. The plot kicks into gear when Carl – a two-bit chef at a dingy club – accidentally kills a drug dealer and sets off a gangland war. Neill makes him a little blase and aloof, and pitiable in some ways – but he is also his own worst enemy. An adult Damien Thorn is a role that could so easily have tipped into evil cartoonishness. But Neill is devilishly good in The Omen's second sequel, imbuing the protagonist with a disquietingly calm and serpentine presence. Thorn's smile stretches a little too wide, and something funny's going on with his eyes; he seems to look through people. The film can be a little goofy, stuffed to the gills with talk of prophecies and end times, but it builds a genuinely creepy psychological space. Gillian Armstrong's superb adaptation of Miles Franklin's classic feminist novel is centred around Judy Davis's great performance as the bull-headed protagonist Sybylla Melvyn, an aspiring author who dreams of something greater than a rural life as a wife. Her primary love interest is Neill's Harry Beecham: a man of the world with a polite, dignified way about him that takes on extra layers as the role deepens. Harry is swoon-worthy but Sybylla is no pushover, twice rejecting his hand in marriage. What a spunky wizard! Neill cuts a charismatic presence as the lead in this two-part miniseries about the mythic middle ages magician, giving the role dramatic weight but also leaning into the story's fairytale-like elements. The special effects of course have dated but the production holds up surprisingly well, with an appealingly old-timey spirit of adventure. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion Critics have never been kind to Paul Anderson's gruesome sci-fi about a team of astronauts who land on a ship that haunts people with their deepest fears, but it's a cracking movie. Neill's role as the ship's designer, Dr William Weir, begins in geeky scientist mode but becomes a berserk reinvention of the mad scientist trope. 'Where we're going, we won't need eyes to see,' says Weir, around the time he literally opens the gates of hell. Good times. Cranked to 11? Dowsed in petrol, then set on fire? No string of words, however sensational, can capture the balls-to-the-wall spirit of Neill's ghoulish performance in Andrzej Żuławski's cult classic. Nor the qualities of the film itself – a bizarre combination of relationship drama and Grand Guignol spectacle. Neill plays Mark, a spy who returns home to West Berlin and discovers that his wife (Isabelle Adjani) wants a divorce; it might have something to do with a bedroom kink involving an tentacled alien. Neill has never been more huggable than in Jeremy Sims' remake of the Icelandic drama of the same name, in which he stars as Colin, a hardy and empathetic sheep farmer. He really, really loves his flock, though such affection does not extend to his crotchety brother Les (Michael Caton), who lives next door. The pair haven't spoken in years but that might change when a rare disease infects their animals. Titled A Cry in the Dark outside Australia and New Zealand, Fred Schepisi's drama about the trial of Lindy and Michael Chamberlain arrived in Australian cinemas with white-hot topicality, just six weeks after their convictions for murdering their daughter Azaria were quashed. Both lead performances are hauntingly powerful, with Neill starring opposite Meryl Streep as Michael, a holier-than-thou pastor who questions his faith when the trial puts them through the wringer. Cillian Murphy's gangster Tommy Shelby and his gang of 'Peaky Blinders' find themselves in an existential fight for survival when Neill's hotshot chief inspector Maj Campbell arrives in town, sent from Belfast to clean up the streets and retrieve stolen weapons. It's a deliciously entertaining performance with plenty of chest-thumping dialogue, and sizzling chemistry with Murphy. Who could forget Neill's palaeontologist, Dr Alan Grant, gawking at a Brachiosaurus while John Williamson's beautiful score swells? This moment from Jurassic Park demonstrates how special effects can evoke wonder, rather than just fill the frame with bling. There are a couple of other scientist characters in the Jurassic Park franchise but it was Grant who got his own film (Jurassic Park 3). For a large chunk of Phillip Noyce's white-knuckle thriller, Neill's navy officer John is alone on a sinking ship, with nobody to share the frame with or bounce off. It's a role that required emotional and physical intensity. The calm-under-fire John tries his darndest to stay alive and return to his wife (Nicole Kidman), who's alone on their yacht with a psychotic stranger (Billy Zane). The film is pacy as hell; there's a real electrical charge to it. Taika Waititi's beloved New Zealand comedy unforgettably paired on-the-run young delinquent Ricky Baker (Julian Dennison) with Neill's cranky foster uncle Hector. Neill goes whole hog on the grumpy old man shtick – smoking, grunting and firing off fun lines like, 'You ever worked on a farm before, are you just ornamental?' The stoic Hector, who always looks as though he's had too much to drink, may not want our love, but by god, he got it. John Carpenter's sensationally loud and Lovecraftian horror movie features a brilliant, wall-rattling performance from Neill, who perfectly drives the human elements of this long under-appreciated film. He plays John Trent, an insurance investigator convinced that a mass hysteria event surrounding the release of a new horror novel is a PR trick. The hardened cynic who becomes a true believer is a classic trajectory, and our man runs with it to hell and back, the protagonist's sanity erupting like a burst blood vessel. So good.
