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Prince William believes Meghan Markle saw Harry as a ‘stepping stone' to fame and fortune, biographer claims

Prince William believes Meghan Markle saw Harry as a ‘stepping stone' to fame and fortune, biographer claims

News.com.au11-07-2025
Prince William saw right through Meghan Markle's alleged plan to become rich and famous by marrying his younger brother, Prince Harry, a royal biographer claimed.
After Queen Elizabeth II's cousin and closest confidante, Lady Elizabeth Anson, claimed the late monarch was apprehensive about the Duchess of Sussex's intentions, royal journalist and commentator Phil Dampier alleged the Prince of Wales was sceptical about Markle entering the royal family.
'I think, unfortunately, that confirms what I've been saying or thought for the last few years that, sadly, Meghan never really had any intention of staying in the royal family,' Dampier told The Sun, referencing Anson's comments.
'She saw as a stepping stone getting married to Harry to new fame and fortune. And I think that's what initially Prince William was concerned about,' he alleged.
Dampier claimed that the siblings 'fell out' because of William's feelings about Markle.
'And now we are where we are. But to have this confirmed by somebody so close to the Queen is really dynamite,' he said.
However, a source fired back at the author's claims, telling Page Six, 'The opinions of Mr. Dampier are just that, opinions. They are completely without merit and not grounded in fact.
'There is no way Mr. Dampier, nor anyone at the Sun newspaper, could possibly know what the Duchess' intentions were or are, about anything.'
Page Six has reached out to Kensington Palace and reps for the Sussexes but did not immediately hear back.
Harry, 40, has had a strained relationship and William, 43, and their dad, King Charles III, since the Duke of Sussex quit the royal family in 2020 and moved to North America.
Things got worse between the relatives when Harry and the Suits star, also 43, accused the royal family of racism and released a Netflix series about their issues.
Then, in January 2023, the Invictus Games founder dropped his bombshell memoir, Spare, in which he alleged that William physically attacked him over Markle.
In May, Harry said he was willing to 'reconcile' with his family.
'There have been so many disagreements, differences, between me and some of my family,' he told BBC News on May 3.
'This current situation that has been ongoing for five years with regard to human life and safety is the sticking point. It is the only thing that's left,' the dad of two said, referring to him losing his appeal against the UK government's decision to strip him of his publicly funded security after he left the royal family.
The dad of two acknowledged that 'some members' of his family would 'never forgive' him for 'lots of things.'
Harry admitted that he didn't 'know how much longer' his father, Charles, 76, had left amid his cancer battle.
'He won't speak to me,' the prince claimed, 'because of this security stuff. But it would be nice to reconcile.'
Despite their 'disagreements' and 'differences,' Harry said he would 'love reconciliation with [his] family' because 'there's no point in continuing to fight.'
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'Sabotage': Rebel Wilson sued by production company
'Sabotage': Rebel Wilson sued by production company

The Advertiser

timean hour ago

  • The Advertiser

'Sabotage': Rebel Wilson sued by production company

Rebel Wilson is being sued by the production company behind her directorial debut. UK-based AI Film has filed the lawsuit in Australia, accusing the 44-year-old actress of deliberately sabotaging the film's release in order to devalue the movie and pressure AI Film and Australian company Dunburn Debutantes Commissioning Company - named as the second plaintiff in the lawsuit - into selling their stake to her company Camp Sugar. According to The Guardian, AI Film said in a statement: "These proceedings are regrettable but essential to ensure The Deb's timely release. It's a joyous, fun film, and we are sure that audiences are going to love it." Lead actress Charlotte MacInnes said: "I love this film and I can't wait for it to be released … it would be wonderful if these proceedings can help make that happen." Wilson responded to the lawsuit with a message on Instagram Stories saying: "Apparently I'm being sued in Australia. It makes no sense. As the director, producer and co-star who nurtured a project called THE DEB for 5 years from a 3 page idea into a gorgeous feature film - I want nothing more than to have this film released and have been working tirelessly behind the scenes to get this to happen. To say otherwise is complete nonsense. I'm so proud of the film! "In my opinion this is continued bullying and harassment from UK financiers of the project Amanda Ghost, Gregor Cameron and Vince Holden after I exposed their dodgy behaviour. They tried to prevent the film from premiering there (they lost) and now they've tried to stop the film being released because of a baseless US lawsuit and now a further Australian one. "I've moved on, now directing my 2nd movie and loving it. But regarding THE DEB all I can literally say is 'F*** my life" with tears in my eyes and a heavy heart. Everyone who worked on the movie and who knows me KNOWS I put my blood, sweat and tears into this. Everyone knows I'm a 'truth teller' when it comes to vile people in the industry. I just want this movie to come out and for all the amazingly talented contributors to be recognised for their sensational work! (sic)." In 2024, Wilson was hit with a defamation lawsuit after accusing the producers of The Deb of stopping it from premiering at the Toronto International Film Festival in September. Rebel Wilson is being sued by the production company behind her directorial debut. UK-based AI Film has filed the lawsuit in Australia, accusing the 44-year-old actress of deliberately sabotaging the film's release in order to devalue the movie and pressure AI Film and Australian company Dunburn Debutantes Commissioning Company - named as the second plaintiff in the lawsuit - into selling their stake to her company Camp Sugar. According to The Guardian, AI Film said in a statement: "These proceedings are regrettable but essential to ensure The Deb's timely release. It's a joyous, fun film, and we are sure that audiences are going to love it." Lead actress Charlotte MacInnes said: "I love this film and I can't wait for it to be released … it would be wonderful if these proceedings can help make that happen." Wilson responded to the lawsuit with a message on Instagram Stories saying: "Apparently I'm being sued in Australia. It makes no sense. As the director, producer and co-star who nurtured a project called THE DEB for 5 years from a 3 page idea into a gorgeous feature film - I want nothing more than to have this film released and have been working tirelessly behind the scenes to get this to happen. To say otherwise is complete nonsense. I'm so proud of the film! "In my opinion this is continued bullying and harassment from UK financiers of the project Amanda Ghost, Gregor Cameron and Vince Holden after I exposed their dodgy behaviour. They tried to prevent the film from premiering there (they lost) and now they've tried to stop the film being released because of a baseless US lawsuit and now a further Australian one. "I've moved on, now directing my 2nd movie and loving it. But regarding THE DEB all I can literally say is 'F*** my life" with tears in my eyes and a heavy heart. Everyone who worked on the movie and who knows me KNOWS I put my blood, sweat and tears into this. Everyone knows I'm a 'truth teller' when it comes to vile people in the industry. I just want this movie to come out and for all the amazingly talented contributors to be recognised for their sensational work! (sic)." In 2024, Wilson was hit with a defamation lawsuit after accusing the producers of The Deb of stopping it from premiering at the Toronto International Film Festival in September. Rebel Wilson is being sued by the production company behind her directorial debut. UK-based AI Film has filed the lawsuit in Australia, accusing the 44-year-old actress of deliberately sabotaging the film's release in order to devalue the movie and pressure AI Film and Australian company Dunburn Debutantes Commissioning Company - named as the second plaintiff in the lawsuit - into selling their stake to her company Camp Sugar. According to The Guardian, AI Film said in a statement: "These proceedings are regrettable but essential to ensure The Deb's timely release. It's a joyous, fun film, and we are sure that audiences are going to love it." Lead actress Charlotte MacInnes said: "I love this film and I can't wait for it to be released … it would be wonderful if these proceedings can help make that happen." Wilson responded to the lawsuit with a message on Instagram Stories saying: "Apparently I'm being sued in Australia. It makes no sense. As the director, producer and co-star who nurtured a project called THE DEB for 5 years from a 3 page idea into a gorgeous feature film - I want nothing more than to have this film released and have been working tirelessly behind the scenes to get this to happen. To say otherwise is complete nonsense. I'm so proud of the film! "In my opinion this is continued bullying and harassment from UK financiers of the project Amanda Ghost, Gregor Cameron and Vince Holden after I exposed their dodgy behaviour. They tried to prevent the film from premiering there (they lost) and now they've tried to stop the film being released because of a baseless US lawsuit and now a further Australian one. "I've moved on, now directing my 2nd movie and loving it. But regarding THE DEB all I can literally say is 'F*** my life" with tears in my eyes and a heavy heart. Everyone who worked on the movie and who knows me KNOWS I put my blood, sweat and tears into this. Everyone knows I'm a 'truth teller' when it comes to vile people in the industry. I just want this movie to come out and for all the amazingly talented contributors to be recognised for their sensational work! (sic)." In 2024, Wilson was hit with a defamation lawsuit after accusing the producers of The Deb of stopping it from premiering at the Toronto International Film Festival in September.

Scottie Scheffler clears the air on British Open fart-gate
Scottie Scheffler clears the air on British Open fart-gate

News.com.au

time10 hours ago

  • News.com.au

Scottie Scheffler clears the air on British Open fart-gate

The Scottie Scheffler fart-gate took a brand new twist. On the 17th hole at the British Open last Thursday, when Scheffler was chipping to the green, the broadcast feed picked up someone passing gas. While some thought a fan was the culprit, Scheffler completely changed the narrative this week, the New York Post reports. Scheffler was featured on Barstool Sports' 'Pardon My Take' podcast and shed light on who is really to blame for the incident — himself. 'Yeah, that was me,' Scheffler admitted on the show. 'Oh yeah, that was me. 'You're out there for like six hours, you're eating some different food over there. Some stuff is going to happen. 'You never know with the boom mics there, you never know what they're going to pick up. I'm definitely surprised it hasn't happened more in the past picking up stuff like that. I literally didn't think anything about it then after we got inside, Xander [Schauffele] was showing me the video. He pulls up the video and I see myself standing on 17, and I'm like, 'Oh, I know what this is.'' Now that the truth is out, the gas might've helped fuel his shot as Scheffler almost chipped it straight into the hole. Scheffler finished Thursday 3-under par and continued to ride high into the weekend before he ran away with the British Open crown, his first time winning that major. The chasing group behind him never got within four strokes on the final day. Scheffler, before winning the event, was the world No. 1 golfer and the betting favourite to win the Claret Jug. 'It is a pretty special feeling,' Scheffler said after winning. 'It was a tough week; I battled hard all weekend. Today, once again, was a battle, but [I] played some really good golf. I'm fortunate to be standing here holding the trophy.' The British Open now gives Scheffler the third of the four major trophies in golf, as he needs the U.S. Open to complete the career grand slam.

How The Veronicas' 'Untouched' became their Hottest 100 debut in 2025
How The Veronicas' 'Untouched' became their Hottest 100 debut in 2025

ABC News

time11 hours ago

  • ABC News

How The Veronicas' 'Untouched' became their Hottest 100 debut in 2025

Please stand for your national anthem and number three placegetter in the Hottest 100 of Australian songs — 'Untouched' by The Veronicas. Written in Los Angeles by the sister duo of Jess and Lisa Origliasso, with German producer and songwriter Toby Gad whose credits include Beyoncé, John Legend, Fergie, Nicole Scherzinger and more), 'Untouched' explores the all-encompassing longing that's felt when you're physically separated from those you love. In The Veronicas' case, being on the other side of the world and away from their family in their early 20s. Released in 2007 and recognised as the Australian response to alternative pop icons like Avril Lavigne and P!NK, 'Untouched' was the first single in the US and UK from Hook Me Up, The Veronicas' second album, and delivered the sisters their first taste of international attention. Defying the hesitations of their record label at the time, 'Untouched' peaked at number two in Australia, number one in Ireland and reached the top 10 in Czech Republic, Canada, the Netherlands, the UK and New Zealand. Locking in double platinum in the US, and platinum in Australia and Ireland, 'Untouched' truly established The Veronicas as a pop force to be reckoned with. But it had never made a Hottest 100 countdown, until now. The power-pop heater opens with those iconic strings and then explodes into its fast-paced lyricism and tempo to match. It's certifiably a speedy song. Sitting at 177 BPM, 'Untouched' is one of the most amped-up tracks in the entire Hottest 100 of Australian Songs, narrowly behind Amyl and the Sniffers' 'Hertz' at 185 BPM. Something about them just makes you want to get up and go , and that's in the beat. The music video is an iconic piece of Australian cinematic history in itself. Filmed at the Marble Bar at Sydney's Hilton Hotel, it captures the essence of edgy teen fashion in the mid-2000s. Black lace, sweeping fringes, heavy eyeliner — a gothic, baroque moment seen throughout the era (looking at you, Panic! At The Disco and Fall Out Boy). It's no surprise that The Veronicas launched their own fashion range in major Australian department stores shortly after. While 'Untouched' had its time in pop culture around the time of its release — notably in TV series such as The Hills and 90210 — the song lived primarily in '00s pop party and throwback playlists until it found a renewed audience with the queer community. After Jessica was outed by tabloids at age 20, and just beginning her career, she famously dated Ruby Rose on and off from 2008 to 2018. She later got engaged to her partner Alex Smith in late 2022. "It was weird to have it written about so publicly because you don't really see that anymore. I was 20," Jessica told Stellar Magazine in 2023. "I didn't want to give them an answer because I didn't know what the answer was at the time. Labels were loaded back then. But all our fans knew I was queer; I wrote about it in so many songs." Fast forward to 2019 where the pair introduced 'Untouched' at LA Pride as "the national gay anthem", cementing the LGBTQIA+ community as the custodians of the power pop hit. "People say that we gave the gays 'Untouched,' but it was actually the gays that gave us 'Untouched'." "Because we literally grew up influenced by all the music that was defining queer culture," Jessica told Nylon Magazine in 2019. "So, of course, we were going to go on to create music that reflected that. 'Untouched' doesn't say 'I want to kiss a girl,' that's 'Take Me on the Floor'. There's no overt language in 'Untouched', but it's something about that song." Back home in Australia, The Veronicas struck the sweet spot when they joined Allday at Splendour In The Grass in 2019, bringing a whack of 2000s nostalgia to the stage. Their trap-infused remix of the song countless young Aussies had on their childhood iPods catapulted Jessica and Lisa into the zeitgeist, and ushered in a whole generation of new fans. This new legion of fans showed their love for the track in the way a chronically-online generation knows how: memes. Lots and lots of memes. Most recently, 'Untouched' has featured in the psychological supernatural horror Bring Her Back by fellow Australian power twins, Danny and Michael Philippou. "You're always trying to find songs that tie into the themes of the film or tie into something we're trying to convey," Danny told triple j. "And Laura's a character that when she's in these uncomfortable situations, she blasts music to try and cope with her nerves." So how do The Veronicas feel about a track they wrote 17 years ago having new life breathed into it? "It's literally the dream as a songwriter and as a performer," Lisa told Lucy Smith in 2023. "It was the first song for our second album. For us we took everything that we learned and we took a risk with 'Untouched' because at the time the genre and style of music that it was wasn't being played on radio. Lady Gaga hadn't even come out yet, so electro pop rock just wasn't a thing. "For this to be the blueprint of The Veronicas that people really feel like solidifies our sound is, for us, just the highest compliment." 'Untouched' is a song that has lasted the test of time, seen an artist through the bell curve of rising, falling and rising popularity, and now reached the podium of the best Australian Songs. The Veronicas are truly untouchable.

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