
International Festival of Arts & Ideas weathers management shakeup by diving deeper into community
Shelley Quiala, the festival's executive director for the past four years, announced in August 2024 that she was stepping down so she could take care of her mother in Minnesota. Quiala is staying with the festival in the role of senior artistic and development strategist to smooth the transition to new leadership. For now, longtime board member Rev. Kevin Ewing has stepped in as interim executive director. Melissa Huber, who has been with the festival in various roles since 2003, has assumed a managing director role.
'We are using our collective knowledge of how the festival goes together,' Huber said, to strengthen the festival during the transition.
The festival also experienced a tragic loss. Denise Santisteban, who had been with the event since the beginning and was the curator of the Ideas programming as well as tours and storytelling, passed away in April. Ewing said the festival is honoring her memory by basing this year's programming on events she had outlined or already had in place.
The International Festival of Arts & Ideas began in 1996 with a goal of not just bringing major performers, thinkers and artists from around the world to New Haven but to do it at a time of year when the city most needed not just the entertainment and enlightenment that the festival would provide but tourists who would eat and shop in the city. The festival was deliberately planned for the barren weeks in June after college students left and before the summer concert and festival season kicked in.
Over time, the International Festival of Arts & Ideas expanded its footprint in New Haven,. A dozen years ago, a series of neighborhood festivals were created and scheduled for the weeks leading up to the main downtown festival. Local artists had always been a part of the programming, but instead of being relegated mainly to free concerts on New Haven Green, they started being incorporated into other events. If certain artists became available outside of June, the festival could accommodate them by hosting events at other times of year.
'One of the shifts for the artists was to now have local participation in more ways, including as opening artists,' Huber said.
To Ewing, the increased community focus helps with perception problem. 'There was this impression that the festival was for the elites, the Yalies, the East Rockers … but anyone can participate,' he said.
In some years, a sizeable percentage of the program was arranged years in advance due to commissioned works, longterm development of projects or established relationships with some artists or companies. This year, Ewing and Huber said the only event planned well in advance was A Broken Umbrella Theatre's production of 'Family Business: (A)Pizza Play,' running June 13-28, which uses original research and interviews about the development of pizza restaurants by immigrant families in New Haven to create the dramatic story of the fictional Carbonizatto family.
Huber noted that the festival's legacy and its importance to the New Haven arts community leads to some unexpected connections. This year's keynote speaker is playwright Martyna Majok, whose Broadway drama 'Cost of Living' won the Pulitzer Prize for Drama in 2018. Majok is a graduate of the Yale School of Drama. While she was a student, she worked at Arts & Ideas.
Huber added that Majok was recently commissioned to write a new musical based on the classic Ray Bradbury novel 'Farenheit 451,' which the festival has designated as its Big Read title this year and has also based events around in previous years. 'It's a nice nod to previous festival programming,' Huber said.
There's an extra impetus, and obstacle, to pushing ahead with a cutting edge, envelope pushing arts festival in 2025, Ewing said.
'The energy we're running off this year is resistance,' he said, citing the current politicization of the arts community, changes in federal funding for the arts, increased scrutiny of artistic content and other issues. Arts & Ideas is one of numerous Connecticut arts organizations that had grant money from the National Endowment for the Arts — in this case $65,000 — rescinded after it had already been awarded.
It is 30 years since Arts & Ideas was conceived in part due to the New Haven's successful hosting of the Special Olympics World Games in 1995. Huber said the financial setback has only strengthened the impetus and opportunity to foster partnerships with sponsors and other organizations.
'We're gonna make it,' Ewing said.
The International Festival of Arts & Ideas is already in the midst of its main multi-week run of performances, talks, concerts, tours, food events and more. All the locations are in downtown New Haven. Here are some highlights:
'Copenhagen': A presentation of Michael Frayn's play based on an historic meeting between the famed physicists Niels Bohr and Werner Heisenberg in 1941. In 1998, the same year the play had its world premiere in London, Arts & Ideas arranged for the original cast to perform it at the festival. May 29 at 7:30 p.m. at the Yale Schwarzman Center. Free.
An Evening with Monique Martin: The New York artist, producer and activist will be interviewed onstage while she is in town to receive Arts & Idea's 2025 Visionary Leadership Award. June 11 at 6:30 p.m. at Cooperative Arts & Humanities High School. $75.
Martyna Majok: The Pulitzer winning playwright and Yale School of Drama graduate delivers the festival's keynote address on June 14 at 2:15 p.m. in the Humanities Quadrangle on York Street. Free; reservations required.
'Family Business: (A)Pizza Play': A new theater piece by New Haven's A Broken Umbrella Theatre, whose previous associations with the festival include the premiere of another original work based on New Haven history, 'Freewheelers' in 2013. June 13-28 with performances on Fridays at 8 p.m., Saturdays at 3 and 8 p.m. and Sundays at 3 p.m. plus a Thursday performance on June 26 at 8 p.m. $44.86-$52.42.
Traces: An interactive exhibit of photos by Bill Graustein. June 14 and 15 from 10 a.m to 4 p.m. at the Connecticut Center for Arts & Technology (ConnCAT) in New Haven's Science Park neighborhood. Free.
Theater as Resistance: Godfrey L. Simmons Jr., leader of Hartford's HartBeat Ensemble and a frequent actor in shows at Hartford Stage, joins Dexter Singleton of New Haven's Collective Consciousness Theatre and playwright Majok in this discussion of theater and social change. June 14 at 1 p.m. Free.
Minty Fresh Circus: This Black circus troupe conceived by producer Monique Martin uses circus routines to inform about African American history and culture. June 14 at 8 p.m. and June 15 at 2 p.m. at the Yale University Theater. $68.89.
New Haven Hip Hop Conference — Visions of Truth: The seventh annual gathering of hip-hop scholars, performers and others. June 19 from 10 a.m. to 4 p.m. at Neighborhood Music School on Audubon Street. Free.
Jacques Pépin: The renowned chef and cookbook author shares stories from his life and kitchen. June 19 at 5 p.m. at the Yale University Theater. $84.32.
Autumn Peltier: The First Nation member (Anishinaabe and Wikwemikong) and Canadian environmental activist speaks about the need for clean water. June 21 at 4 p.m. at the Humanities Quadrangle. Free; reservations required.
City of Floating Sounds: A two-part night-long collaboration among the New Haven Symphony Orchestra, Yale's Schwarzman Center and Arts & Ideas on June 21. The event begins with a 6 p.m. guided walking tour that involves recorded sounds by composer Huang Ruo that will grow in clarity and intensity as the walkers approach New Haven Green for a live 7 p.m. concert. Free.
Sons of Mystro: A free show on New Haven Green from the eclectic Black violin ensemble that plays everything from pop to hip-hop to jazz and yes, classical. DJ Kasey Cortez opens the night of free music at 5:45 p.m.; Sons of Mystro goes on at 6:30 p.m. Free.
Mireya Ramos: The Latin vocalist performs her concert act 'Guerrera,' a tribute to strong women, on June 24 at 8 p.m. at the Yale University Theater. $68.89.
Squonk: The experimental musical entertainers perform their latest concert, 'Brouhaha,' featuring their signature instrument the Squonkcordion. Free on New Haven Green with performances June 26 at 5 p.m., June 27 at 1, 3 and 5 p.m. and June 28 at noon and 2 p.m.
Hang Him to the Scales and Christine Tassanet et les Imposteurs: A double bill of free bands on New Haven Green on June 26. Hang Him to the Scales, which goes on first at 6 p.m., is an Asian shoegaze act based in Brooklyn while Christine Tassanet et les Imposteurs, performing at 7 p.m., are purveyors of the jazz genre manouche.
Joshua Redman: The great jazz saxophonist and his quartet perform June 26 at 8 p.m. at the Yale University Theater. $68.69.
Seny Tatchol Camara and Sol and the Tribu: The final night of free concerts on New Haven Green features West African drummer and dancer Seny Tatchoil Camara at 6 p.m. and the Cuban rhythms of Sol and the Tribu at 7 p.m. Free.
The festival also features film screenings, storytelling shows, walking tours of everything from local LGBTQ+ history to a botanical garden and the oyster industry in Fair Haven, food events such as 'Black Table: Afro-Culinary Futurism,' panel discussions on such topics as 'Making Memories: Neurons, Quantum Computing and Art' and special events that tie in to Juneteenth celebrations as well as the iconic New Haven community Freddy Fixer Parade and New Haven Caribbean Heritage Festival.
The full calendar of events for the International Festival of Arts & Ideas is available at artidea.org.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
What to Watch This Week: 50 Premieres, Finales and More
To help you anticipate and navigate all that television has to offer across broadcast, cable and streaming, TVLine offers daily, weekly and monthly What to Watch digests, as well as an overview of every new TV show premiering in 2025. This week, you'll find nearly a 11 series premieres (including Outlander: Blood of My Blood), nine returning shows (including King of the Hill and Wednesday) and 19 finales (including The Buccaneers, The Librarians and the very last episode of Resident Alien). More from TVLine Every New Scripted Show Confirmed to Premiere in 2025 — Save the Dates! When Is Your Favorite TV Show Back? An A-to-Z List of 300+ Scripted Series The Sandman's Finale Made Us Wish for a Death-Centric Spinoff: 'We Did Play With Those Ideas,' EP Says Want scoop on any of the following shows? Email us and your question may be answered in Matt's Inside Line. SUNDAY, AUG. 3 📺 8 am (A&E)Michael Yo goes off the beaten path and showcases the most exciting, unique and outrageously delicious restaurants in the world. 📺 6 pm WWE Summerslam Day 2 (Peacock live event)📺 9 pm Duck Dynasty: The Revival Season 1 finale (A&E)📺 9 pm Grantchester Season 10 finale (PBS)📺 9 pm The Great Food Truck Race Season 18 (Food Network)📺 9 pm Hazardous History With Henry Winkler Season 1 finale (History)📺 9 pm Live Aid: When Rock 'n' Roll Took the World docuseries finale (CNN)📺 9 pm Wardens of the North Season 5 (Animal Planet)📺 10 pm The Mega-Brands That Built America Season 3 finale (History)📺 10 pm Signs of a Psychopath Season 10 (Investigation Discovery) 📺 10 pm The Yogurt Shop Murders (HBO)The docuseries reexamines the brutal murder of four teenage girls in 1991 Austin, Texas. MONDAY, AUG. 4 📺 King of the Hill Season 14 (Hulu, 10-episode binge) 📺 9:30 am Tim Rex in Space (Nickelodeon)The preschool series follows a Tyrannosaurus Rex named Tim, his big brother Tommy, little sister Tia, and triceratops bestie Kai, as they tackle kid-shaped adventures with dino-sized solutions in space. 📺 9 pm The Librarians: The Next Chapter Season 1 finale (TNT) 🎥 10 pm Atomic People (PBS documentary)As the world marks the 80th anniversary of the first (and only) atomic bombs used in warfare, the film captures firsthand testimony of the last Japanese survivors of the blast. TUESDAY, AUG. 5 📺 (Hulu, three-episode binge)The docuseries reexamines the 2017 murders of two young women in the bucolic town of Delphi, Ind. 📺 (Netflix, seven-episode binge)Follow college football's most elite players and coaches in this unfiltered documentary series that goes behind the scenes of the 2024 SEC season. 📺 9 pm Hard Knocks Season 20 (HBO) 📺 9 pm (Bravo special)Comedians Matt Rogers and Bowen Yang, co-hosts of the popular Las Culturistas podcast, celebrate culture's most iconic and consequential moments of the year. 📺 9 pm Supermarket Stakeout Season 6 finale (Food Network)📺 9 pm United Gangs of America Season 2 finale (Vice) WEDNESDAY, AUG. 6 📺 The Buccaneers Season 2 finale (Apple TV+)📺 Platonic Season 2 (Apple TV+, two-episode premiere)📺 The Proud Family: Louder and Prouder Season 3 (Disney+, 10-episode binge)📺 Wanted: Dead or Alive Season 1 finale (Fox Nation)📺 Wednesday Season 2 (Netflix, four-episode premiere)📺 10 pm Forged in Fire Season 11 (History)📺 11 pm Mysteries of the Abandoned: Hidden America Season 4 finale (Discovery Channel) 🎥 (Prime Video movie)Mismatched armored truck drivers (Eddie Murphy and Pete Davidson) are ambushed by a cunning criminal mastermind (Keke Palmer). THURSDAY, AUG. 7 📺 (Tubi, six-episode binge)A Black man (Okieriete Onaodowan) embarks on a reality-bending journey of self-discovery with the help of experimental technology; Janet Hubert and Martin Lawrence co-star. 📺 (Prime Video, three-episode binge)The docuseries chronicles the journey of basketball legend Diana Taurasi, whose relentless pursuit of greatness has transcended the boundaries of sport. 📺 (Hulu, six-episode binge)The docuseries features never-before-heard interviews from 1984, when Bundy offered to help investigator Robert Keppel catch The Green River Killer. 📺 9 pm (FXX, two-episode premiere)Club Necaxa fights to reclaim greatness, win the hearts of Aguascalientes and prove their greatest days are ahead, with the help of investor Eva Longoria. 📺 10 pm The Furry Detectives: Unmasking a Monster docuseries finale (Sundance TV) 🎥 The Monkey (Hulu) FRIDAY, AUG. 8 📺 Last Cowboy Standing Season 2 finale (Fox Nation, two episodes)📺 3 pm City Confidential Season 9 finale (A&E)📺 8 pm The Fixer Season 1 finale (Fox, two episodes, next day on Hulu) 📺 8 pm (Starz)The prequel is set in two distinct timelines that tell the parallel love stories of Jamie and Claire's parents. 📺 9 pm Bering Sea Gold Season 19 (Discovery Channel)📺 9 pm Totally Funny Animals Season 1 finale (The CW)📺 9:30 pm Totally Funny Kids Season 1 finale (The CW)📺 10 pm Resident Alien series finale (Syfy & USA Network) 🤣 Ralph Barbosa: Planet Bosa (Hulu comedy special) 🎥 Clown in a Cornfield (Shudder)🎥 Freaky Tales (HBO Max) 🎥 (Netflix documentary)Antwerp, 2003. A gang of thieves rob the impenetrable Diamond Center. Who was behind one of the world's biggest heists — and how did they pull it off? SATURDAY, AUG. 9 📺 12 pm 48 Hours to Buy Season 2 finale (A&E) 📺 10 pm (CNN)The three-part docuseries chronicles the remarkable life (and enduring legacy) of John F. Kennedy Jr. 🎥 8 pm Finding Faith (Lifetime movie)After the sudden death of her husband, a woman (Paula Patton) struggles with grief and a shattered belief in God; Loretta Devine and Keith David co-star. What are you watching this week? Take stock of everything above, then drop a comment with your lists below. What to Watch & Stream in August 2025 View List Best of TVLine 90+ TV Shows That Switched Networks — And How Long They Ran After They Relocated TV's 30+ Best Cliffhangers of All Time From Buffy, Friends, Grey's Anatomy, Twin Peaks, Severance, Soap and More 20+ Age-Defying Parent-Child Castings From Blue Bloods, ER, Ginny & Georgia, Golden Girls, Supernatural and More

USA Today
11 hours ago
- USA Today
Trump White House ballroom: A look back at Grand Ballroom Trump built at Mar-a-Lago
Twenty years after the opening of the Grand Ballroom at President Donald Trump's Mar-a-Lago Club in Palm Beach, Trump announced another new ballroom on a grand scale — this time at the White House. The Trump Administration on July 31 said construction on a $200 million, roughly 90,000-square-foot White House State Ballroom will begin in September. The project will be paid for by donors including Trump and have a seating capacity of 650 people, the White House said. The U.S. Secret Service will oversee security features of the new structure, officials said. "President Trump is a builder at heart and has an extraordinary eye for detail," Chief of Staff Susie Wiles said in a White House news release. "The President and the Trump White House are fully committed to working with the appropriate organizations to preserving the special history of the White House while building a beautiful ballroom that can be enjoyed by future Administrations and generations of Americans to come." The style and architecture of the exterior of the new ballroom will be "almost identical" to the rest of the White House, Trump officials said. The work will include major renovations to the White House's East Wing, where presidents have historically held large receptions. Trump has frequently complained the White House lacks a proper large-scale ballroom for entertaining. While the outside of the new ballroom at what is known as the people's house will feature the same iconic styling as the rest of the property, renderings released by the White House show that the interior style is undoubtedly reminiscent of the Versailles-inspired Donald J. Trump Grand Ballroom that was completed at Mar-a-Lago in late 2004 and had its grand opening in 2005. Here's what to know about Mar-a-Lago's large ballroom and its history. When was Mar-a-Lago completed, and what are some of its features? Construction on Mar-a-Lago began in 1922. The house was designed for cereal heiress Marjorie Meriweather Post in the Spanish-Moorish style by architect Joseph Urban, who also designed the nearby Bath & Tennis Club and the Paramount Theatre farther north in Palm Beach. When completed in 1927 on its 17-acres, the crescent-shaped main house had 115 rooms, with 58 bedrooms and 25 bathrooms. Urban drew on classical designs, looking to the Thousand Winged Ceiling at the Accademia in Venice as inspiration for the 34-foot ceiling in Mar-a-Lago's living room, and the Palazzo Chigi in Rome as inspiration for the hand-painted ceiling in the dining room, according to a 2002 Daily News report about Mar-a-Lago's history. After a major redecoration in 1956, Post added Mar-a-Lago's White and Gold Ballroom as a venue to host to her popular charity events and the square dances for which she was so well-known, according to the 2002 profile. She also added three bomb shelters during the Korean War. What has Trump added to Mar-a-Lago? Trump paid a reported $10 million for Mar-a-Lago in 1985: $5 million for the property itself, an additional $3 million for the furnishings, plus $2 million for the beachfront stretch that years prior was sold to a neighbor. When Mar-a-Lago's club opened in 1995, it had amenities such as a spa, tennis courts and nine-hole golf course. In 2000, construction began on the $3 million beachfront project at Mar-a-Lago that added a new swimming pool, a pair of two-story buildings with cabanas and a snack bar, a spa, fountains, and ramps and stairs down to the beach, the Daily News reported in 2002. In 2004, Trump received approval from Palm Beach to tear down an aging slat house on Mar-a-Lago's property to build a kitchen to help serve the estate's new ballroom, which opened in 2005. Over the years, some of Trump's plans for Mar-a-Lago have been shot down by state and town officials, including a proposal for a 120-slip marina and, before opening the club, a concept that would have subdivided Mar-a-Lago's acreage to build estate homes. What about Mar-a-Lago's Grand Ballroom? The Daily News first reported in 1996 that the National Trust for Historic Preservation was reviewing plans for a new ballroom or expansion of the dance pavilion at Mar-a-Lago. Because Mar-a-Lago is a national landmark, all major changes must be reviewed and approved by the trust. "We're just looking art different concepts, different ideas. It's very preliminary," Trump told the Daily News in 1996. "We need a ballroom because of the success of Mar-a-Lago. It has been so successful that the crowds are potentially hazardous to the facility, and the ballroom could remedy this problem." Mar-a-Lago's team "did a lot of shuttle diplomacy with the National Trust for Historic Preservation," said Wes Blackman, who was Mar-a-Lago's project manager for the ballroom. The trust has easements at Mar-a-Lago, including two to protect the views to the east and west, and one to protect the tree line along the south property line, he said. After Mar-a-Lago opened as a club in 1995, the events coordinator at the time brought Blackman and Trump to the ballroom built by Post and said it would not be able to meet the demand for large events . "There isn't room to put them that is weatherproof," Blackman recalled the coordinator saying. When the ballroom was officially pitched to the town in 1999, it was set to replace a large white tent that Mar-a-Lago had temporarily erected to host large events on the property, Blackman said. Because the structures could not be permanent, air conditioner compressors for events in the tent were placed on trailers, and temporary bathrooms were brought in, he said. The ballroom was "a very large building," he said, with records showing that it was 17,000 square feet, larger than the 11,000-square-foot ballroom built by Post. West Palm Beach-based architect Rick Gonzalez of REG Architects was the lead designer on the project. Blackman said he and Gonzalez took a lot of trips to Washington, D.C., and the trust visited the property as well, as they worked to finalize a design the trust would approve. Together with Gonzalez, Blackman said Mar-a-Lago's team "chased that building all over the property" with the trust until the location was settled. "It's in a hollow, a low spot, and it's behind the wall, and you really have a hard time even knowing the building is there when you pass the property," Blackman said. Before finalizing the architectural plans, Trump sent Gonzalez and Blackman to New York to meet with famed architect Philip Johnson, whose Glass House in Connecticut remains an iconic example of the International Style of design. Johnson, who died in January of 2005, declined to take on the task of designing the new ballroom, which was essentially "locked into the Mediterranean revival framework" because of the rest of the property, Blackman said. "He wasn't into that," Blackman said. "He was in his 'monster phase,' which were a lot of oblique angles, and he wasn't into having to fit into a mold like that." Trump also asked Blackman to consult with another friend: crooner Paul Anka, whom Trump hoped would weigh in on the new ballroom's acoustics. "I did call him," Blackman said. "It was a unique experience." He added that because Trump had already made the decision to have marble floors in the ballroom: "There's nothing you can do with that. It's gonna be a reflective surface," Blackman said of Anka's advice. Trump was adamant that the new ballroom needed to be larger than the 15,000-square-foot Ponce de Leon Ballroom at The Breakers Palm Beach resort, Blackman said. While that was part of the inspiration, he said that Trump also wanted to bring the annual International Red Cross Ball to Mar-a-Lago. Trump was successful, and one of the highlights of Palm Beach's social season soon moved to Mar-a-Lago's Grand Ballroom. "We always thought that it helped getting the National Trust to approve something first, and then that kind of gave us the 'Good Housekeeping' certificate that we could cash in with the Landmarks Commission," Blackman said of the town's approval process. While the project to build the new ballroom received approval from Palm Beach's council in October of 1999, the timeline was pushed back several times because of construction of a new Royal Park Bridge, the Daily News reported in September 2002. The project received final approval from Palm Beach's landmarks board in April of 2002, and construction began the next year, with the building permit issued in August of 2003, Blackman said. While his 10-year tenure with Mar-a-Lago ended soon after receiving the permit, Blackman returned to work on other projects at Mar-a-Lago, including the ballroom's kitchen and the massive flag pole that led to a legal battle between Trump and Palm Beach. What does the Grand Ballroom look like? The exterior of the ballroom building, which is on the property's south side between the main house and Southern Boulevard, was designed by Gonzalez to mimic the Spanish-Moorish style of the rest of the estate, the Daily News reported at the time. But the ballroom's interior was designed with France in mind. The decor drew on Versailles, with shining marble floors, intricate gold leaf designs, crystal chandeliers and soaring 40-foot coffered ceilings. The Daily News reported at the time that the gold leaf alone carried a $7 million price tag, and the overall project cost stood at $35 million. "I modeled the interior after Versailles, and there is nothing like it in the United States," Trump said of the ballroom in a 2005 interview with Florida Design magazine. When it opened, guests were reportedly awestruck by the 17 Stras chandeliers, each with a cost of $250,000 and imported from Czechoslovakia. The first major event in the new ballroom was Mar-a-Lago's annual New Year's Eve Gala to ring in 2005, according to news reports. From a Dec. 31, 2004, Daily News report: "A 1,200-square-foot loggia leads into the two-story foyer through a series of Palladian-style mahogany doors with wrought-iron borders. A staircase leads to a 45-foot observation tower. For New Year's Eve, there will be stages at opposite ends of the ballroom, one for the dance orchestra and one for headliner Vanessa Williams." The next event: a grand party to mark the marriage of Trump to his then-fiancée, Melania Knauss. Their marriage ceremony was Jan. 22, 2005, at the Episcopal Church of Bethesda-by-the-Sea, and celebrants then made the short drive to Mar-a-Lago for the reception. Anka, a guest at the wedding, treated guests to two songs at the reception: "Diana," and a version of the song "Lady Is a Tramp" that Anka dubbed "Donald is a Trump." USA Today contributed to this report. Kristina Webb is a reporter for Palm Beach Daily News, part of the USA TODAY Florida Network. You can reach her at kwebb@ Subscribe today to support our journalism.

Miami Herald
a day ago
- Miami Herald
Liam Neeson's net worth as ‘The Naked Gun' hits theaters
Liam Neeson's acting career spans more than four decades, and now in his 70s, he remains a highly in-demand Hollywood mainstay. Early in his career, he tackled dramatic roles in theater, film, and television, and by his late 50s, he became a bona fide action star in the same league of A-list actors as Jason Statham and Denzel Washington - taking down bad guys in big-budget films. Neeson is expanding his repertoire to comedy with the revival of the Naked Gun franchise as the son of Detective Frank Drebin - portrayed in previous films by the late actor Leslie Nielsen, who nailed the role with his trademark deadpan delivery. The Naked Gun opened on August 2, 2025. Don't miss the move: Subscribe to TheStreet's free daily newsletter With about 100 film credits to his name, Neeson has compiled a prolific resume, and he continues to make bank on the big screen. Here's how much Neeson is worth in 2025 and how he makes his sources estimate Neeson's net worth at between $120 million and $150 million. Finance Monthly, a website that tracks personal finance, put Neeson's net worth at $150 million. Related: Pamela Anderson's net worth: The millions she should have made Neeson makes his income primarily from his acting career. After Taken, for which he was paid $5 million, he reportedly earned $15 million for the first sequel and $20 million for the third. Forbes ranked Neeson 22nd among the world's highest-paid actors in 2015, earning $19.5 million. As an action star now transitioning into comedy, he continues to command top dollar. Neeson also has used his A-List status for endorsements, such as starring in a 2016 commercial for LG's television sets. There's no publicly available information on Neeson's salary for The Naked Gun. With a reported budget of $42 million, Neeson likely earned a paycheck smaller than that of some of his other recent films, but it's possible that his contract allows him to take a percentage of the film's profits on top of his base salary. Liam Neeson was born in Ballymena, County Antrim, Northern Ireland, on June 7, 1952. He worked several jobs, including as a truck driver and an amateur boxer, and he initially planned on a career as a teacher, according to his biography compiled by the British Independent Film Awards (BIFA). Related: Ralph Macchio's net worth: The 'Karate Kid: Legends' star's wealth & income Neeson's theater and film career In the mid-1970s, Neeson started his acting career in theater and then transitioned to movies. His big break into the movie industry came when film director John Boorman noticed him in the play Of Mice and Men and proceeded to cast Neeson to play Sir Gawain in the King Arthur film Excalibur, released in 1980. Neeson caught the attention of other filmmakers, who cast him in their movies, and throughout the 1980s, he continued to take on supporting roles. He also moved on to Hollywood, appearing in an episode of the iconic TV series Miami Vice and scoring parts in numerous films with industry legends such as Robert De Niro and Clint Eastwood. In 1993, Neeson shot to international stardom by playing German industrialist Oskar Schindler in the titular role of the Steven Spielberg-directed Holocaust film Schindler's List. That led to an Academy Award nomination for Best Actor and furthered greater opportunities - particularly leading roles in big-budget films. In 1999, Neeson played a Jedi master in George Lucas's fourth Star Wars film, Star Wars: Episode I - The Phantom Menace. In the early 2000s, he also took on supporting roles in big-budget films, including Gangs of New York (2002) and Batman Begins (2005). More on celebrities' net worth: Arnold Schwarzenegger's net worth: A look inside the 'FUBAR' star's wealthJustin Bieber's net worth: How much wealth does the "Swag" singer have?Pedro Pascal's net worth as 'The Fantastic Four' debuts Neeson's rise to action-star status In 2008, Neeson starred in Taken, in which he played retired CIA agent Bryan Mills, who uses "a very particular set of skills" to find and rescue his kidnapped daughter in Paris. The movie marked Neeson's return as a leading man and also ushered him in as an in-demand actor for action movies. Neeson also kept his eye on drama and was slated to play Abraham Lincoln in Steven Spielberg's film about the 15th president, but the role in Lincoln (2012) eventually went to Daniel Day-Lewis. In 2014, Neeson played an outlaw in the action comedy A Million Ways to Die in the West, directed by Family Guy creator Seth MacFarlane. In the 2025 reboot of The Naked Gun franchise, Neeson plays Lieutenant Frank Drebin Jr., who leads the Police Squad as his father (played by Leslie Nielsen) did. The movie also stars Pamela Lee Anderson, who is rumored to be Neeson's real-life love interest. MacFarlane reunited with Neeson by serving as a producer on the owns property in the New York City area. In March 2025, he listed his 4,524-square-foot apartment with five bedrooms and five bathrooms for sale, according to Architectural Digest. He purchased the Upper West Side home in 1999 with his late wife, Natasha Richardson, for $4 million. The listed asking price for the property was $10.75 million. Neeson also owns a 6,000-square-foot country home on a 37-acre property in Millbrook, New York, which is about 90 miles north of New York City. Neeson also invests his fame and fortune in philanthropic pursuits. According to Booking Agent Info, which tracks celebrities' endorsements and philanthropy, he has supported the American Foundation for AIDS Research (amFAR) and more than a dozen other charities, focusing on causes such as AIDS and HIV prevention and treatment, children's rights, and emergency relief. Related: Brad Pitt's net worth: The A-List actor's wealth at 61 The Arena Media Brands, LLC THESTREET is a registered trademark of TheStreet, Inc.