
Sparking joy: artist Blythe Scott marks homecoming with new Edinburgh exhibition
Joy opens in Morningside Gallery on Saturday 2 August, and includes 36 new paintings from the Borders-based artist, marking her second solo exhibition with the Edinburgh gallery, and the first since she moved back to Scotland from Canada.
This is an exhibition that reveals Blythe's sense of joy at returning to her home country and her excitement seeing all of the places that have inspired her over the years, this time with new eyes. Harmonious layers of merging colour, abstraction, inventive embellishments and intuitive mark making characterise the works in this collection, which range from large scale paintings of Edinburgh skylines and East Neuk villages to smaller quirky Edinburgh buses, jaunty harbours and mesmerising dreamscapes.
The artist describes her paintings in this exhibition as having been inspired by joy, made with joy and with the intention of creating joy. The gallery will be full of the colour, texture and unapologetic playfulness that Blythe's work embraces, and a real sense of the love she feels for Scotland's cities, harbours and hills.
Blythe Scott said: 'Since my return to Scotland, it has been such a pleasure to revisit and immerse myself in the cities I love. At the same time, I have been able to maintain a sense that I am looking with fresh eyes each time since my studio is based in the country. By delving briefly into city life and then retreating to my studio, I still hope to create a pleasing blend of fact and fiction.'
Eileadh Swan, director of Morningside Gallery said: 'We're absolutely delighted to introduce our second solo exhibition of Blythe's work and excited to welcome her back to the gallery. She is as energetic and as positive as her paintings – spending time with her always reminds me of how true to herself she is in her work. The delight and excitement she takes in her work is all conveyed honestly and authentically and this is reflected in her large following, with many clients returning again and again to connect with her approach to painting.'
Based at Church Hill in Morningside, the gallery will display 36 new paintings for the exhibition, which can also be viewed online and toured as a virtual exhibition for anyone who can't make it to Edinburgh.
The exhibition will run in the gallery from Saturday 2nd – Sunday 17th August 2025, and is open to the public, with a Private View on Friday 1st August.
morningsidegallery.co.uk
Like this:
Like
Related

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Scotsman
42 minutes ago
- Scotsman
Oasis Murrayfield: Scottish Government requested Edinburgh concerts end early to take pressure off ScotRail
August concerts coincide with busy Edinburgh Festival Sign up for the latest news and analysis about Scottish transport Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Scottish Government officials sought to have Oasis's Edinburgh gigs finishing early so fewer extra trains would be needed to get fans home, it has been revealed. However, the plea for the Murrayfield Stadium concerts to end before 10.45pm was met with a 'somewhat vociferous response' from organisers, a Freedom of Information (FOI) response showed. Advertisement Hide Ad Advertisement Hide Ad Oasis performing on the opening night of their Live 25' Tour in Cardiff on July 4 |DF Concerts and venue officials rejected the call as 'any changes could/would likely impact on an artists' willingness to perform', The Scottish Sun on Sunday reported. Oasis are playing sold-out shows at Murrayfield on Friday, Saturday and the following Tuesday at a time when the Scottish capital's transport networks will be under greater pressure because of the Edinburgh festivals. But the plea came despite ScotRail managing director Joanne Maguire telling The Scotsman in February the Oasis gigs presented a 'huge opportunity' to encourage fans to travel by train more often. An official from Transport Scotland's events resilience team wrote: 'I asked if there was any consideration or scope in bringing end times forward slightly to minimise the necessity on enhanced/extended public transport. Advertisement Hide Ad Advertisement Hide Ad 'These events will still have challenges around audience movement — albeit it'll be less related to vulnerability and more akin to potential disorder should there be transport delays etc.' The FOI response showed the earlier finish request 'was met with a somewhat vociferous response by DF Concerts and, to a degree, SR Murrayfield'. Scottish Government-owned ScotRail is running extra trains from Haymarket after the concerts, including up to 11.22pm to Perth, 11.39pm to Dunblane, 12.02am to Dundee and 12.47am to Glasgow Queen Street. Advertisement Hide Ad Advertisement Hide Ad Scottish Conservatives transport spokesperson Sue Webber said: 'Huge events like this bring thousands of people to the city and millions of pounds to the economy. I pity the lackey who had to ask the Gallaghers if they wouldn't mind cutting short their set because the SNP can't run a train service. It's also an insult to fans who paid a small fortune.'


Scotsman
42 minutes ago
- Scotsman
Festival diary: Pickle crisps and anatomically correct 3D models, the madness of Meet the Media
Meet the Media was an intense experience with dozens of performers pitching their shows Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... This weekend saw the opening of the Edinburgh International Festival with an eight hour (yes, you read that right) concert. The piece, by composer John Taverner, which featured 250 singers from four choirs, has only been performed in its entirety once before. I had expected the feeling by seven hours in to be akin to that of the end of a long haul flight: when everyone is stale, pasty, haggard and in a mental state of desperate resignation. But it wasn't. Advertisement Hide Ad Advertisement Hide Ad The audience was rapt. Almost all seats remained full, including the beanbags which replaced the stalls. When the concert reached its finale, just short of eight hours after it began, the place erupted, breaking into an enthusiastic standing ovation. An absolute triumph. Totes delulu for Meet the Media At the Edinburgh Festival Fringe Society's Meet the Media event at the weekend, The Scotsman's team of myself and Roisin McMullan, our Fringe Young Writer's Award recipient, who is reviewing festivals shows for us in a partnership with the Fringe Society, met literally dozens of performers, pitching their shows. It was my first Meet the Media event as arts correspondent and while I'd been warned that it would be not only busy, but hugely intense, nothing prepared me for the sheer volume - and incredible diversity - of shows on offer. The eight-hour concert at the Usher Hall. | Scotsman Some performers came armed with merchandise and props to promote their performances, ranging from the more usual tote bags and pin badges to a cling-on koala, a sample packet of pickle flavoured crisps, created for food manufacturer Serious Pig by comedian and crisp connoisseur Adam Evans - and an apparently anatomically correct 3D rubber model of the clitoris. We got to keep the crisps, but thankfully, performers from Church of the Clitori did not leave us the clitoris. Advertisement Hide Ad Advertisement Hide Ad In an interview I conducted this week with Underbelly directors Charlie Wood and Ed Bartlam, the pair argued that a truly international festival like the Fringe needs a truly international audience, warning that the festival's attendees are becoming increasingly Scottish, due to the rising cost of staying in Edinburgh. What was fascinating was that out of around 60 or so shows pitched to us, only three were from UK-based performers, just two of whom were Scottish. The rest came from as far afield as the US, Switzerland, China, Romania and Lithuania. If Meet the Media was anything to go by, they were right: the Fringe is truly international, but perhaps the audience is not. Advertisement Hide Ad Advertisement Hide Ad One American pair, promoting show Horny for the End of the World, talked only in Gen Z speak, telling us that it the performance was 'totes girly pops' and the character was 'delulu' about her relationship with her ex-boyfriend. Luckily, I have a thirteen year old at home who has taught me a degree of fluency, or I might have needed to call in a translator to hear the show's tale of woe in an entanglement with the Fringe Society who asked them to take down their giant floating balloons - spelling out the first word of their show title - from where they had been strung up across the Royal Mile. 'Sis, the Fringe sent us such mixed signals. For months they've been blowing up our inbox like: 'bring your most creative street promos'. So we did!' wrote director Musa Gurnis in an email afterwards, adding they had been told the giant balloons, which they brought with them from the US were 'not in the spirit of the Fringe'.


Scotsman
42 minutes ago
- Scotsman
'Frankly': Nicola Sturgeon previews memoir and 'turning point in my life' as she records audiobook version
Nicola Sturgeon, the former first minister, will have her memoir published later this month. Sign up to our Politics newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Nicola Sturgeon promises her memoir will delve into the 'many challenges' she overcame to become the first female first minister, as she records the audiobook version of 'Frankly'. Her memoir will be officially launched at the Edinburgh International Book Festival on August 14 where Ms Sturgeon will appear at a sold-out show in the capital's McEwan Hall. Advertisement Hide Ad Advertisement Hide Ad Nicola Sturgeon unveils her book, Frankly | Instagram Ms Sturgeon has now told her social media followers that she has recorded the audiobook version of her memoir at a studio on the Royal Mile in Edinburgh. Speaking on Instagram, Ms Sturgeon said: "I've spent the past year beavering away on my memoir. 'It will be published in August and today I'm in a great studio on the Royal Mile in Edinburgh recording the audiobook. It's all getting very, very close.' Advertisement Hide Ad Advertisement Hide Ad The former first minister said she felt she was 'at a turning point in my life' after standing down from leading Scotland and the SNP, then announcing she would leave Holyrood at the 2026 Scottish Parliament election. 'I've spent more than a quarter of a century as an elected politician,' she said. 'I was a government minister for 16 years, and I led Scotland as first minister for more than eight years. 'Having stood down as First Minister and having decided to shortly leave office as a member of Parliament, it seemed a good time to reflect on my life, my career. But importantly reflect on how my life and career has interacted with what has been the most momentous period in modern Scottish history. 'I will tell the story of that and the many challenges I've had to overcome to take my place as the first woman first minister of my country.'