
'Astonished' Location, Location, Location viewers are up in arms as woman with whopping budget struggles to find one-bedroom flat - raging 'move out, it's a rip off!'
Wednesday's instalment of the long-standing Channel 4 property show saw co-hosts Phil Spencer and Kirstie Allsopp attempt to help buyers find their dream abode.
Kirstie set about helping Ben and Maya find a home in south-west London while Phil searched for flat for medic Chloe in London too.
Chloe had a budget of £450,000 and hadn't had much luck with her own attempts to search.
She hoped to find a one-bedroom apartment with parking for her beloved motorbike.
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop.
She was considering areas such as Tooting, Balham, and Earlsfield.
By the end of the episode, she put an offer on an apartment for £415,000 and secured the property.
However, some viewers were particularly taken aback by the property prices in London and took to social media to share their shock.
One posted on X: '450 grand Jesus wept enjoy the roadside #locationlocationlocation.'
'Nearly half a million pounds and yet still hard to find a one bedroom flat in South London with space to park a motorbike pretty much sums up how much London is f****d... #locationlocationlocation,' another added.
A third said: 'Wow a balcony with a view of a road London prices are ridiculous #locationlocationlocation.'
Someone else penned: 'And as always I'm astonished at how little your money gets you in London #LocationLocationLocation.'
'How can you have a budget of £450k and it not get you a one bed flat with a bloody front door? Just move out of rip off London! #locationlocationlocation' another posted.
An episode of Location Location Location last month left viewers baffled by a young couple who dubbed spacious homes in leafy Surrey a 'compromise'.
However, some viewers were particularly taken aback by the property prices in London and took to social media to share their shock
Kirstie and Phil hoped to find Elise, Elliot and their three young children the perfect home.
Having already sold their three-bedroom property, the couple had a healthy budget of £650,000 for four bedrooms and an open-plan downstairs.
But, heavily emphasising that they weren't willing to compromise, Elise and Elliot were struggling to meet all their needs with the money available.
As a result, they'd viewed countless properties and, despite having moved back in with Elliot's parents, were refusing to settle for something less than perfect.
With Kirstie taking them round several properties, the couple either weren't 'sure' about the area, said the homes were 'too small', and even just 'didn't feel the love' for what they were seeing.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
a minute ago
- The Guardian
‘I've seen tough, rugby-playing men cowering': how we made theatre horror The Woman in Black
When my first daughter was five, I asked a friend's daughter, who was a medical student, to look after her in the summer holiday so I might get something written. I had limited time before my daughter went back to school and having that deadline was a very good thing. I'd always liked ghost stories – MR James and so on – but they were always short. Many are unsatisfactory because they have a buildup, then scramble to an end, and that's it. I thought there ought to be more than that. But it is hard to sustain tension and fear over a longer book. You can't just have somebody being terrified every chapter. I made a list of the essential ingredients, beginning with a ghost. I remember writing down 'weather': I loved reading ghost stories that began in foggy conditions. The setting then had to be isolated, a place where nobody would talk about this thing – a conspiracy of silence. I always write by hand. The medical student said: 'My sister's doing a typing course and is looking for things to type.' I sent her the first few chapters but she came back saying her sister couldn't read my handwriting. She suggested a Dictaphone so I bought a cheapo recorder and read into that. Then she came back and said: 'My sister says it's going to be a bit slow because she is too frightened to do it when she is alone in the house.' That sister was Jane Tranter, who went on to be controller of drama commissioning at the BBC. She still remembers it. She said: 'I could not listen to it because your voice got very sinister when it was reading certain bits.' The book was published in 1983 and the play opened four years later in Scarborough, where I was born and brought up. The adaptation complemented the book: in a small theatre, it's like you are the reader alone in the house. I've occasionally sat at the back of the theatre at a matinee and watched these inner-London boys of 16 with a look on their faces that says: 'Go on then – frighten me.' It takes about 10 minutes and then they all start clutching each other. They change completely. In the late summer of 1987, I was working at the Stephen Joseph theatre in Scarborough while Alan Ayckbourn was away at the National. I got to the end of my second year and found I had £5,000 of the budget left. I thought I'd do an extra show over Christmas and figured a ghost story might be a good idea. We had enough money for four actors and we could do it in the bar, where you can get 70 seats Mallatratt, the resident playwright, wasn't terribly impressed by my idea but he came back a few days later and said: 'Have you read The Woman in Black?' I'm a wimp as far as horror is concerned, but this was a human story about a woman who was forced to give up her baby. I was blown away by it, but it had 15 characters. 'You haven't been listening, Stephen!' I told him. He said: 'I've had an idea about that. I might even be able to give you some change.' He proceeded to write an adaptation for three actors: Jon Strickland, Dominic Letts and Lesley Meade. The designer, Michael Holt, came up with the idea of using gauze: if you light it from one side you can't see through it, but from the other, it's transparent. It gave us one of the first rough-magic tools. It's embarrassingly simple. You can do an extraordinary amount with very little. I commandeered the bar's kitchens for my five Revox reel-to-reel tape machines, so we could do the sound without hearing 'clunk, click'. We sold out almost immediately. I put in extra midnight performances and there was quite a buzz about it. It's rare to really frighten a theatre audience, so it surprised us in Scarborough when people said: 'I didn't sleep for three nights after seeing your show.' A year to the day after opening in Scarborough, we had the read-through for the first London production, which opened at the Lyric Hammersmith in January 1989. Had I had a decent budget, instead of mopping up £5,000's worth of local authority grant, I could have done a super production, but it wouldn't have engaged the imagination and wouldn't have run at the Fortune theatre in London for 33 years. Since then, it has starred actors including Frank Finlay, Edward Petherbridge, Joseph Fiennes and Martin Freeman and I've seen tough rugby-playing men cowering amid the screams in the auditorium. The Woman in Black is touring from 24 September to 18 April, beginning at Storyhouse, Chester


The Independent
30 minutes ago
- The Independent
Former priest accused of ‘brainwashing' followers in evangelical Church of England cult claims he led on ‘consensus'
A former priest accused of leading an evangelical cult in the Church of England has denied 'brainwashing' his followers as he stands trial for sexually abusing 13 women. Christopher Brain, who led the rave-style Nine O-Clock Service (NOS) in Sheffield in the 80s and 90s, allegedly surrounded himself with women who wore lingerie or revealing clothes as part of his 'homebase team' who kept his house 'spotlessly clean'. Jurors at Inner London Crown Court previously heard the women – sometimes referred to as 'the Lycra Lovelies' or 'the Lycra Nuns' – were on a rota to help then-Reverend Brain get to bed, and this included performing sexual favours. The 68-year-old denies one count of rape and 36 counts of indecent assault relating to the 13 women between 1981 and 1995. Giving evidence in his own defence on Monday, Mr Brain – who was in a Christian band – admitted he became the unofficial leader of a Christian group known as the 'Nairn Street Community', made up of up of around a dozen people who felt they did not fit into a traditional church congregation. This group later became part of NOS, formed after they heard 'charismatic' evangelical American minister John Wimber speak. His preaching included practices such as 'laying on hands' and speaking in tongues, the court heard. Mr Brain admitted he would be described as the leader of NOS, a congregation which met for 9pm services 'shaped around club culture' at St Thomas' in Crookes, Sheffield, but claimed there were other members of a leadership team. Mr Brain said he "rarely" stood at the front of worships and instead played more of a "producer" role. He admitted he may have been 'overbearing' at times as he led the art and direction of NOS services, which featured music and visual effects. 'I think most of the time I lead on consensus,' he told the jury from the witness box, wearing a black suit and shirt. 'It's also my character style. However when it got to music and direction I could be very direct and be very Yorkshire and straight and I think at times I probably was overbearing.' Asked by his lawyer, Iain Simkins KC, if he was at times 'overly direct', he replied: 'Yeah, by today's standards.' However, he denied 'brainwashing' or 'exerting undue control' over congregation members. Asked by Mr Simkin 'did you turn them into robots to allow you to manipulate them for your own sexual desires', he responded: 'No.' The prosecution allege NOS became a 'closed and controlled' group which he used to 'sexually assault a staggering number of women from his congregation'. The former priest appeared in a 1995 documentary and made admissions to the filmmaker of sexual contact with a number of the female members of NOS, jurors were told. Mr Brain, 68, who denies all charges, insists NOS was not a cult. He accepts that he engaged in sexual activity with some of the complainants, but that it was consensual. The eight-week trial continues.


The Sun
31 minutes ago
- The Sun
EastEnders fans SWITCH OFF slamming ‘worst episode' as backlash grows to controversial pregnancy storyline
FUMING EastEnders fans have threatened to switch off as backlash grows over a controversial pregnancy twist. Viewers flooded social media with complaints, branding the latest instalment the 'worst episode ever'. 4 4 Suki's (Balvinder Sopal) twisted plan to manipulate Avani (Aaliyah James) into having a baby – just so she can raise it herself - has received a huge public backlash. The shocking scenes left fans fuming, with many slamming the plot as "abysmal" and asking, "What the hell did I just watch?" In the episode, Eve (Heather Peace) was left gobsmacked after discovering Suki's shocking plan to adopt Avani's baby. Furious, she lashed out, accusing her of manipulating the teen and calling her some pretty harsh words. But in a bizarre U-turn later that same night, after Avani had a heart-to-heart with Eve, she somehow managed to talk her round — with the pair now considering raising the baby together as their own. Viewers are slamming the storyline as 'unrealistic' and 'garbage', with some even vowing to ditch the soap for good. Taking to an online forum, one fan wrote: "Avani seems to have had a personality transplant. Does she not remember her step-grandmother has already raised 4 children? This is not her chance." Another said: "The Suki storyline being positioned as some sort of heart-warming tale of motherhood and not the coercion and abuse story that it actually is so inappropriate." To make matters worse, the same episode saw Patrick (Rudolph Walker) suddenly spiral into a gambling problem, despite two decades of betting without a hitch. Viewers were left scratching their heads and branding the writing "tedious" and "a challenge to watch." One said: "I hate how Patrick has gambled for 20+ years and now all of a sudden it's a problem." Another added: "Patrick has gambled since the first day Yolande met him. Now it is a contrived part of the plot for her to call off the wedding. "None of the stories make sense and it is a challenge to watch." EastEnders is available to watch on BBC One and BBC iPlayer. 4 4 Most complained about soap storylines Over the years, all three of the main soaps have featured plots that have had even die-hard fans reaching for their phones and laptops so they can get in touch with Ofcom and complain. Here are just some of the most scandalous... EastEnders baby theft: 13,400 Ofcom complaints - Back in 2011, EastEnders was flooded with complaints when Ronnie Branning (RIP) swapped her baby for the dead son of Kat Moon. The storyline drew the most number of objections in the soap's long history and saw it roundly criticised by campaigners - with 13,400 flying in over the course of the storyline. Some viewers called it 'distressing' and 'horrific' but Ofcom ruled the scenes were not "unduly disturbing'. Emmerdale dog-napping: 550 Ofcom complaints - Back in 2016, Ross Barton and Charity Dingle came up with a plan to steal a dog and hold it ransom - but viewers didn't like it one bit. The nation's pet owners rose up, insisting the storyline would encourage copycats (not to mention copydogs). Complaints over two episodes totalled a staggering 550 and soap writers quickly learnt you don't mess with animal-lovers. Coronation Street double murder: 546 Ofcom complaints - Marginally less people complained about a gruesome double murder than objected to a dog-napping plot when Pat Phelan was at the centre of a spate of killings. First he forced Andy Carver to shoot dead Vinny Ashford - and then Pat killed Andy. All the bloodshed back in 2017 proved to be too much for some viewers, who lodged complaints in vast numbers about the 'violent scenes'.