logo
Vermont musician's concert, podcast worlds come together with live event in Stowe

Vermont musician's concert, podcast worlds come together with live event in Stowe

Yahoo27-05-2025
To be a full-time professional musician in Vermont means having to string together a lot of part-time gigs.
Troy Millette does just that. The Fairfax native plays shows regularly, either solo or with his band the Fire Below. He works days in music therapy. He takes on occasional duties such as hosting the recent singer-songwriter competition at the Venetian Cocktail and Soda Lounge in Burlington.
Millette's most high-profile work of the past few months might be the podcast 'Load-In Through the Back' that he hosts with help from friend and producer Pauly Varricchione. For the podcast, Millette has talked with local musicians as well as a host of nationally-known acts ranging from Five for Fighting, Arrested Development and Soul Asylum to Kevin Cronin of '80s hitmakers REO Speedwagon.
Millette's gig life and podcast life come together May 2 in Stowe. Millette hosts a live 'Load-In Through the Back' podcast with 2000s rockers Wheatus, known for the song 'Teenage Dirtbag,' as well as songwriter and Americana musician Steve Poltz. Wheatus leader Brendan B. Brown, Poltz and Millette and his band will all play, as will the Washington, D.C. group Brian K. & the Parkway, in a pre-show busker-style performance.
'You gotta keep as many plates spinning as you can' to make it as a musician in Vermont, said Millette, who lives in Williston. 'I just want to be involved with as much as possible.'
The podcast began last August with the goal of revealing stories about musicians that their fans might not have heard before. Cronin told Millette about the time he was trying to promote a show with the band Train by taking a photo on railroad tracks when he almost got run over by a train. Soul Asylum referenced the podcast's title by discussing one of the '90s band's most memorable concert load-ins, when they brought their gear into a venue past a crematorium during a flood.
Millette and Varricchione usually play a pre-recorded song by the featured artist. Brown said he wanted to play a live acoustic set, so the idea for a podcast/concert was born. Millette expects the live discussion to be in more of a freewheeling, round-table mode than those recorded in a studio setting.
'Steve and Brendan B. Brown are such positive energies but in very different ways,' according to Millette. He said Brown is fairly laid-back while Poltz, who co-wrote Jewel's 1995 hit 'You Were Meant for Me,' is typically 'bouncing off the walls.'
Millette acknowledges he sometimes feels overwhelmed with all of his musical duties, especially when he misses his life partner while spending so much time on the road.
'I don't know how many more 200-gigs-a-year-in-my-SUV I have in me,' said Millette, who turns 31 in May and played 189 shows in 2024. He said, though, that it's hard to resist the lure of a gig where he gets to have fun and hang out with friends, even if he only gets paid $50 and has to drive 50 miles to do it.
WHAT: 'Load-In Through the Back' podcast and concert with Wheatus, Steve Poltz, Troy Millette & the Fire Below and Brian K. & the Parkway
WHEN: 7 p.m. Friday, May 2
WHERE: Spruce Peak Performing Arts Center, Stowe
INFORMATION: $45-$55. www.sprucepeakarts.org
Contact Brent Hallenbeck at bhallenbeck@freepressmedia.com.
This article originally appeared on Burlington Free Press: Vermont musician offers concert and podcast with Wheatus, Steve Poltz
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

BEDWIN & THE HEARTBREAKERS FW25 Captures Tokyo's Dark Pulse
BEDWIN & THE HEARTBREAKERS FW25 Captures Tokyo's Dark Pulse

Hypebeast

time14 hours ago

  • Hypebeast

BEDWIN & THE HEARTBREAKERS FW25 Captures Tokyo's Dark Pulse

Summary BEDWIN & THE HEARTBREAKERShas unveiled itsFall/Winter 2025collection under the evocative theme 'Tokyo Noir.' This season marks a deliberate shift away from BEDWIN's signature Americana and preppy influences. It embraces a more distilled and impactful design approach, with the range comprising bold silhouettes rendered in technical fabrics. This includes the use of Dyneema® and 3M reflective materials, which further highlight the designs' function and visual intensity. As a result, each piece is crafted to embody strength and subtle tension — mirroring the industrial rock, post-punk and new wave influences that underpin the collection's sonic and stylistic identity. Shot in gritty industrial zones across Asia, the campaign channels raw energy and visual drama, brought to life by stylist Tsuyoshi Noguchi and photographerTAKAY. The collection draws inspiration from films likeBlack RainandAkira Kurosawa'sHigh and Low, as well as a striking portrait of John Lydon, weaving together references that reflect a world shaped by technological transformation and urban mystery. Creative direction and design are helmed by New York-based artistMichael Bühler-RoseofBOOT FOUNDATION, whose conceptual lens adds depth to the brand's evolving narrative. Complementing the visual storytelling is a seasonal playlist curated byKATOMAN, offering a layered soundtrack that captures the spirit of Tokyo after dark. Preview the lineup in the gallery above.

Superman is a socialist
Superman is a socialist

Vox

timea day ago

  • Vox

Superman is a socialist

In a recent interview with The Times, Superman director James Gunn said that his new blockbuster tells the story of 'an immigrant.' He also explained it was a story about 'basic human kindness.' But that first comment — about Superman's foreign origins — is the one that set off some pundits on the right. Fox News commentator Jesse Watters joked on air: 'You know what it says on his cape? MS-13.' Ben Shapiro blasted Gunn and the Hollywood left for being out of touch with everyday American audiences: 'The reality [is] that Hollywood is so far to the left that they cannot take a core piece of Americana and just say it's about America.' But, Grant Morrison — author of the seminal comic book series All-Star Superman — said the conservative backlash ignores the leftist origins of the world's most famous superhero. Not only was Superman created by the sons of Jewish immigrants, but those very first comics portrayed their character as a 'socialist figure.' Today, Explained Understand the world with a daily explainer, plus the most compelling stories of the day. Email (required) Sign Up By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. In one comic published in 1939, Superman is seen shielding young thieves from police because he figured the kids were victims of poverty, then tearing down slums and forcing authorities to build low-rent housing. Before becoming the 'Man of Steel,' Superman was 'The Champion of the Oppressed.' Gunn has said that All-Star Superman was a big influence on his new film. Morrison sat down with Today, Explained host Sean Rameswaram to talk about where Superman came from, how the character has evolved, and why he will endure. Below is an excerpt of their conversation, edited for length and clarity. There's much more in the full podcast, so listen to Today, Explained wherever you get podcasts, including Apple Podcasts, Pandora, and Spotify. How did you get into Superman? What did this character mean to you? I grew up on the west coast of Scotland next to an American naval and nuclear base. My parents were anti-nuclear activists. My father was a World War II soldier who became a peacenik. So, my big fear in the world was the atom bomb, and I associated it with the Americans, but the Americans also brought the comics. Then I discovered Superman. And although I knew no real Superman was coming to save me from an actual atom bomb, metaphorically he really solved a lot of problems for my head when I was a little kid. Those are the primal roots for me, and they're quite deep. So yeah, getting a chance to do that character, sitting here overlooking that same stretch of water where we did the protests…To write All-Star Superman kind of defies the forces of entropy. If anything survives in my career, it will be that one book. Who was the Superman that you created in that series? We went for an older Superman. The basic idea was: What if Superman was dying and he had a year to live? Basically, it's a part of Lex Luthor's scheme to send Superman to the sun, and the solar radiation overcharges Superman's cells, so they begin to decay and die. Basically, Superman's dying of cancer. What would this man do in the last 12 months of his life to leave the Earth a better place than he found it? Were you surprised to find out that James Gunn wanted to relaunch this character and relaunch an entire cinematic universe with your story about a dying Superman? James didn't necessarily take the dying part. His is a younger Superman. But I think he certainly took the character as we decided to define it, and he saw something that he could work with. Instead of Superman having flaws, let's present a fictional character who doesn't have flaws. You know, he has problems of his own. He still can't get the girl. He still works for a boss in an office, but he's Superman. He's a kind of everyman whose life happens at a much higher scale. He's got an unruly dog, but his unruly dog can laser his own dinner and cook a steak. His unruly dog can fly through buildings, but he's still dealing with an unruly dog. In previous attempts people have asked: What would Superman be like if he was in the real world? Which to me is an absurd question. The only existence Superman has in the real world is as a comic book or movie character, and that's where he is most useful and most functional, as far as I'm concerned. He's a metaphor. He is an allegory. He stands for everything that is good in us. It sounds like there have been at least some iterations of this character throughout his near-century of existence — from your dying version to this ideal version, to this all-powerful version. But I believe Superman even started as a bit of a tough guy, a headbasher, and maybe even a left-wing revolutionary. Can you tell us about the non-Kryptonian origins of this character, and how he came to be on Earth? Well, he arrived in Cleveland, Ohio. He was created by two teenagers, Jerry Siegel and Joe Shuster, who'd met at school. Jerry was the writer and Joe was the artist. They wanted to work for newspapers. Newspaper syndication was the place to go for cartoons back then. They were working on this notion called 'The Superman.' The original version was an evil bald guy who eventually became Lex Luthor in the Superman story. But after a few tries, they hit on this fabulous notion of: Let's give him a wrestling costume with a cape so that we can track his movement across the panels, and make him very colorful so that he's memorable. The greatest addition to the design was to put his monogram on his chest so that the character's entire identity was summed up in this very simple advertising motif that people can remember and people can also wear and partake in being Superman. It was created by two young kids who were the sons of immigrants — European immigrants, Jewish boys — and this was their vision. Superman was a do-gooder. He was here to help people. He'd come from a distant world, but thought the only use for power and strength was to help the downtrodden and the oppressed. Early issues of Action Comics depict a Superman who's very much an outlaw. He goes after corrupt union bosses. He goes after mine owners. He goes after politicians who are corrupt. Superman later was seen as a messianic figure of hope, which I don't really like, because I think he's a fighter, he's a scrapper. He gets into fights on behalf of the little guy. He gets bloodied up and he gets up again. You shoot him [with] a tank shell, and he gets up again. Through the years, that changed quite radically. The socialist figure of the early years hit 1942 and suddenly it was war, and Superman became incredibly patriotic, and that's where the 'Truth, justice, and the American way' thing first appears. Then, in the 1950s, Superman changes again completely. You're dealing with guys coming home from the war, domestication, and living in suburbia. So Superman becomes a family drama, but on a titanic scale. He has friends from the future who visit and cause trouble. He has a cousin who survived the destruction of Krypton, he has a dog, and he has a monkey. So Superman then, to me, was probably at his peak, but he was representative of post-war masculinity trying to adjust to a world of relatives and not being married. Those stories were obsessed with the relationship with Lois [Lane]. In the 1960s, he becomes a cosmic seeker. He almost goes back to his roots, and we have stories where he is fighting for Native American land rights, he's up against polluters, and very much back to the activist Superman. And so it goes. In the 1980s, he's a yuppie. In the 1990s, they kill him in order to make it interesting, then bring it back as a soap opera set around the fictional newspaper, the Daily Planet. And into the 2000s, you get the work that I did. It's funny to hear you lay out this history in which Superman at one point is something of a socialist warrior, because all of these pundits who are mad about James Gunn saying that Superman's an immigrant, if they really knew the history here, there's so much more they could be mad about. Absolutely. As you say, if anyone had bothered to look at the history of Superman, they'd see that he was always an immigrant created by immigrants. He represented that experience, but he was assimilated. I mean, he was an American. He'd been raised by American parents. So that was very important as well. And I think the combination of these two qualities is what maybe drives people mad, because they want it to be either one thing or another, but Superman's trying to embody everyone. It's funny, a thing that we talk about the first half of the show is that depending on how tuned into the news you are, you can see a lot of what's going on in the world today in this movie. But of course, this movie wasn't made this week. It was made a year ago. Yeah. The meetings about this movie probably started five years ago. Do you think there's something about the nature of Superman that makes him timeless? I definitely believe that. I mean, we are talking about the history of Superman, which goes back to 1938. Superman has outlived his creators. He's also outlived the people who took over from his creators, and the next generation of the people who took over from his creators.

20 Of The Flyest Coats From Beyoncé's Cowboy Carter World Tour
20 Of The Flyest Coats From Beyoncé's Cowboy Carter World Tour

Yahoo

time3 days ago

  • Yahoo

20 Of The Flyest Coats From Beyoncé's Cowboy Carter World Tour

Beyoncé, as usual, is turning heads while on the road for her Cowboy Carter World Tour. With stunning outfits taking over our timelines every time she hits a new city, it's almost overwhelming how much work she and stylists Shiona Turini, Karen Langley, and Ty Hunter have put into the trek. With themes of Americana running throughout, fans have been treated to countless looks highlighting Bey's all-American roots, as well as her usual staples of form-fitting bodysuits and plenty of sequins. This time around, however, the singer's coats have grasped the fans' attention more than any other specific look. The coats add drama to the performer's already high-energy show, providing even more umph to 'fits that stand strong on their own. One coat in particular, designed by Burberry and featuring a large American Eagle emblem on the back, seems to be Bey's favorite, as she's worn it multiple times compared to others that — thus far — have been one and done. All of them, however, are striking in design and perfect for making a lasting impression from the front row to the cheap seats, affectionately known as the 'II Hands II Heaven' section. Check out 20 of Bey's best coats from the Cowboy Carter tour below, and keep an eye out for our ranking of every single look after the tour wraps up in Las Vegas on July 26. More from Beyoncé Shouts Out Viral "Husband/Cousin" Fan at Cowboy Carter Show Country Star Gavin Adcock Slams Beyoncé's 'Cowboy Carter' For Charting Ahead Of His LP: "That Sh*t Ain't Country Music" Beyoncé Was "Sittin' Sidewayz" After Flying Car Malfunction At Houston Show Best of 10 Rap Albums Snubbed Of The Grammys' Album Of The Year Award 21 Black Entertainers Who Are Almost EGOT Winners 11 Black-Owned Games To Play At The Next Function Or Kick Back Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store