
Farah Khan reveals SRK's reaction on shooting with her cook
This time for her YouTube vlog, Farah along with her cook Dilip visited Kabir Khan and Mini Mathur's home, where the two guests cooked the special kulle ki chaat and Hydarbadi kebabs.
Talking to Mini and Kabir about Dilip becoming a star, Farah said: 'He has shot an ad with Shah Rukh. Then he (Dilip) called me, saying that, 'you come and teach me'. So, Shah Rukh is telling me 'mera time dekh kya chal raha hai, main tere cook ke saath shoot kar raha hun. ("Just look at my fate right now — I'm shooting with your cook!)''
'I said 'mera time dekh tere ko chorke, usko direct kar rahi hun. (Look at my fate — I am directing him instead of you!)''
Talking about what the delicacies Minis will be serving, she said: 'Because we have a multicultural household we will do a little Mathur and a little Khan.
'When Kabir came to my house for the first time that chaat was made. Now it is made when his films touch 100 crores,' Mini quipped.
On April 30, Farah and Pooja Bedi recently took a nostalgic trip down memory lane, sharing a hilarious behind-the-scenes story about filming the iconic 'Pehla Nasha' scene from the 1992 classic Jo Jeeta Wohi Sikandar, where the former actress famously posed atop a car.
Pooja along with her actress daughter Alaya F joined Farah for her YouTube show, where they made blueberry protein pancakes.
Farah has choreographed more than a hundred songs in over 80 films, winning the National Film Award for Best Choreography.
In addition, she has worked on Tamil films and in international projects, such as Monsoon Wedding, Bombay Dreams, Vanity Fair and Marigold: An Adventure in India and the Chinese films Perhaps Love and Kung Fu Yoga earning Tony Award and Golden Horse Award nominations. She has directed movies such as Main Hoon Na, Om Shanti Om and Happy New Year.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
13 minutes ago
- Time of India
Neeraj Pandey criticises AI-edited climax of 'Raanjhanaa' by producers; calls it 'utterly disrespectful'
Aanand L. Rai-directed 'Raanjhanaa,' starring Dhanush and Sonam Kapoor in the lead, is all set to re-release in Tamil Nadu with a different climax, edited using artificial intelligence. The producers, Eros International Media, reworked the movie and included a happy ending. The use of artificial intelligence to change a film's artistic integrity has sparked a heated debate about creative control and the future of cinema. Several filmmakers and writers slammed the move by the makers, and now, director Neeraj Pandey has joined the list. Here's a closer look at what Neeraj Pandey said. Neeraj Pandey calls the AI-edited climax of 'Raanjhanaa' 'disrespectful' In an interview with NDTV, Pandey said, "AI is just a tool. A human being is operating it. So it's the intent behind its use that matters. And if a piece of cinema is being altered without involving the director and writer, then it's utterly disrespectful." The director said that he was shocked. Elaborating further, he said if the makers are implying that they have the rights and they can do anything, "that's still no excuse." He stated that the production house could have communicated the same with Aanand L. Rai and the other creators involved in the movie. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Pierce Brosnan's Wife Lost 120 Pounds - This Is Her Now Undo He said, "It would have been the right thing to do." Neeraj Pandey on the use of AI in movies The 'Special 26' director acknowledged that the process of moviemaking has evolved with technology. He said, "While it (AI) is still nascent, it will develop rapidly. Hopefully, we'll use it well—and not misuse it." Eros on backlash The production house published a big statement on the issue. Defending their move, it called the recreated version "a legally compliant, transparently labelled, and artistically guided creative edition intended for Tamil-speaking audiences." Dhanush Turns 42! From Kajol to Aanand L. Rai, Birthday Love Floods In The statement added that the new climax has been made using AI as a tool but with a creative team of humans. They added that AI was not the autonomous content generator for the new ending.


NDTV
33 minutes ago
- NDTV
Aanand L Rai Slams AI-Edited Raanjhanaa Ending In New Post: "The Last Three Weeks Have Been..."
New Delhi: Filmmaker Aanand L Rai has expressed strong disapproval of the AI-edited version of his film Raanjhanaa. Titled Ambikapathy, the Tamil version of the movie is set to be re-released in theatres on August 1 with an alternate, happier ending created using Artificial Intelligence (AI). The production banner Eros International has digitally reshaped the film – without its director's consent. In a post shared on Instagram, Aanand L Rai described the AI-edited version of his film as a jarring and disturbing alteration of his artistic vision. The filmmaker wrote, "The past three weeks have been surreal, and deeply upsetting. To watch Raanjhanaa, a film born out of care, conflict, collaboration, and creative risk, be altered, repackaged, and re-released without my knowledge or consent has been nothing short of devastating. What makes it worse is the complete ease and casualness with which it's been done." View this post on Instagram A post shared by Aanand L Rai (@aanandlrai) Expressing gratitude to his industry colleagues for taking a stand against Eros, Aanand L Rai added, "And yet, in the middle of all this, the support and solidarity from the industry, our audiences, and the larger creative community has reminded me of what Raanjhanaa stood for in the first place – connection, courage, and truth. I'm deeply grateful for that." He continued, "Let me say this as clearly as I can: I do not support or endorse the AI-altered version of Raanjhanaa. It is unauthorised. I had no role in it. Neither did the team that made the film. And whatever it claims to be, it is not the film we intended, or made. This was never just a film to us. It was shaped by human hands, human flaws, and human feeling. What's now being circulated is not a tribute. It is a reckless takeover that strips the work of its intent, its context, and its soul." Aanand L Rai further mentioned that the AI-edited changes to his film are a betrayal of the team's work and legacy. "The idea that our work can be taken and modified by a machine, then dressed up as innovation, is deeply disrespectful. To cloak a film's emotional legacy in a synthetic cape without consent, is not a creative act. It's an abject betrayal of everything we built. I'm speaking for everyone who helped bring this film to life. The writer, actors, composer, lyricist, technicians, and larger crew. None of us were consulted. None of us were heard," the filmmaker wrote. Aanand concluded the post, writing, "If Raanjhanaa meant something to you, as it did to us, please know that this AI-altered version does not reflect who we were. Nor does it carry the spirit of the film we made. For those unversed, Aanand L Rai is expanding the Raanjhanaa universe with another intense love story titled Tere Ishq Mein. The film features Dhanush and Kriti Sanon in the lead roles.


NDTV
33 minutes ago
- NDTV
Eros Says Aanand L Rai Knew Of Raanjhanaa AI-Edited Climax. "Not Consulted," Hits Back Director
The controversy around the AI-edited climax of Raanjhanaa 's Tamil version, up for re-release tomorrow, doesn't seem to be nearing an end. Several filmmakers rallied behind Raanjhanaa director Aanand L Rai after he slammed production banner Eros International for this "gross violation", a move which he claims was made without his consent. What Eros Is Saying Ahead of the re-release of Ambikapathy, the Tamil dubbed version of Raanjhanaa, Pradeep Dwivedi, Group CEO, Eros Media World, in an exclusive interview with NDTV reiterated that Eros International is "the sole and exclusive copyright owner of Raanjhanaa" with full and exclusive rights to exhibit, adapt, and re-release the film in any format. Asked why the original creators of the film were not involved in narrative changes, Pradeep Dwivedi said, "While not legally required, Eros believes in fair engagement. In this case, despite the ongoing legal matter, our notice of creative intent was conveyed post-production to Mr Rai. We regret his response but stand by the decision to proceed responsibly and transparently. "We view Mr Rai's public outburst, especially timed just days after the regulatory disclosures advised previously, as a conscious attempt to shift focus away from the legal and governance issues he currently faces. It is unfortunate that a filmmaker of his stature would attempt to conflate legal accountability with creative victimhood." What Aanand L Rai Is Saying On Thursday, Aanand L Rai wrote a lengthy post on Instagram, expressing his displeasure over the AI-edited climax of Ambikapathy, the Tamil version of Raanjhanaa. While he didn't name Eros International, he stated that "None of us were consulted. None of us were heard" in the matter. View this post on Instagram A post shared by Aanand L Rai (@aanandlrai) "To watch Raanjhanaa, a film born out of care, conflict, collaboration, and creative risk, be altered, repackaged, and re-released without my knowledge or consent has been nothing short of devastating. What makes it worse is the complete ease and casualness with which it's been done. "Let me say this as clearly as I can: I do not support or endorse the AI-altered version of Raanjhanaa. It is unauthorised. I had no role in it. Neither did the team that made the film. And whatever it claims to be, it is not the film we intended, or made," the filmmaker wrote. While Aanand L Rai said the AI-supported ending of the film's Tamil version doesn't carry the spirit of the original they made, Pradeep Dwivedi of Eros Media World stated that the new version is a "reinterpretation". "Ethical Use Of AI," Says Eros "Creative reinterpretations-whether through alternate endings, remasters, or AI-are an established part of global cinema. This alternate version complements the original, which is still available. Ethical use of AI in this case did not erase or override original contributions but offers a wonderful new narrative lens," he added. Come tomorrow, when Ambikapathy releases in theatres with the alternate, happier, AI-edited ending, audiences will announce their verdict on which version they prefer: the not-so-perfect ending by director Aanand L Rai; or the AI-assisted one by producers Eros International.