
Dave Mustaine says Metallica stole ‘Enter Sandman' riff from another band
In a recent appearance on The Shawn Ryan Show, Mustaine claimed that Metallica's 1991 hit bears a striking resemblance to 'Tapping Into the Emotional Void,' a track by Los Angeles crossover thrash band Excel released just two years earlier.
'Hell, their biggest song, 'Enter Sandman' — go look up the band Excel right now,' Mustaine said. 'Look up their song, I think it's something 'Into the Unknown.' Pretty similar.'
The track in question appears on 'The Joke's on You,' Excel's second studio album. Though the band never filed a lawsuit, similarities between the two songs have fueled speculation for decades.
'A lawsuit, unfortunately, sucks everything else out of your life,' Excel's then-manager Jane Hoffman told the Los Angeles Times in 1991.
Metallica co-manager Cliff Burnstein said at the time that he had never heard the Excel track, though he was familiar with the band.
Mustaine, who was dismissed from Metallica in 1983 before the band recorded its debut album, has a history of accusing his former bandmates of using his material.
'I told them when I left, 'Do not use my music.' And of course they used it,' he said, citing songs like 'Ride the Lightning,' 'The Call of Ktulu' and 'The Four Horsemen.'
'I wrote a bunch of 'Leper Messiah,' too,' Mustaine added. 'They didn't give me credit on that. You listen to the riffs, you know they're my riffs.'
He first raised the Excel comparison more than 20 years ago, and the claim continues to resurface.
In 2023, 'Enter Sandman' surpassed 1.6 billion streams on Spotify, securing its place in the platform's '1 Billion Club.'
Earlier this month, the track headlined Metallica's first-ever show at Virginia Tech's Lane Stadium — a fitting location, as the song has famously accompanied the Hokies' football entrance for nearly 25 years, even causing minor seismic activity.
'Enter Sandman,' which debuted on Metallica's self-titled 1991 release, also known as 'The Black Album,' remains a staple of the band's live performances.
Metallica — consisting of frontman James Hetfield, drummer Lars Ulrich, guitarist Kirk Hammett and bassist Robert Trujillo — is currently touring North America on its 'M72 World Tour.' The band is scheduled to perform at Levi's Stadium in Santa Clara on June 20 and 22.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


USA Today
6 hours ago
- USA Today
Jason Momoa rocks out with son during rare festival performance
The band "ÖOF TATATÁ" may not have been the most recognizable name in the 18-act lineup at the 2025 Harley-Davidson Homecoming festival in Milwaukee this year, but you probably know the group's bassist: movie star Jason Momoa. That's right, the "Aquaman" actor showed off a different set of performance chops over the weekend, taking the stage during the festival on July 12 to treat fans to a hard-rocking set. 'Aquaman' star Jason Momoa cracks up Kelly Clarkson with his NSFW hip thrusts: Watch Momoa also made the performance a family affair, bringing son Nakoa-Wolf, 16, who he shares with ex-wife Lisa Bonet, on stage with him for the band's big finale, a rollicking cover of Metallica's "For Whom The Bell Tolls." "Milwaukee, what's up?" Momoa's son, who is set to appear alongside his father in "Dune 3," screamed, electric guitar in hand, from the Harley Homecoming stage. "The apple doesn't fall far from the tree," Momoa quipped. The Metallica cover came at the end of a six-song set that included covers of the Cranberries' "Zombie," Rage Against The Machine's "Bulls on Parade" and Red Hot Chili Peppers' "Can't Stop." Jason Momoa seemingly debuts relationship with 'Hit Man' star Adria Arjona: 'Mi amor' An increasingly sweaty Momoa appeared to be having a blast, showing off some serious bass skills, but letting the band's frontman, Mike Hayes, do most of the showboating. "We've never done anything like this before, look at this," Momoa said of the band's rare festival gig. But the invite was appropriate: Momoa is a massive Harley-Davidson fan. While in Milwaukee, Momoa was seen riding his bike around the motorcycle brand's museum. "I love you so much, Milwaukee, what an amazing city," Momoa said amid his set. "I've been working with Harley-Davidson for many, many, many years. I love this company with all my heart. Besides my children and my lady, my favorite thing in the world is being on a motorcycle and traveling around the world. I bleed this company, I bleed Harley, I love them so much."
Yahoo
8 hours ago
- Yahoo
Hegseth's Video Deleted, Reposted After Metallica's Cease & Desist Over Unauthorized Use of ‘Enter Sandman' in Drone Clip
Metallica have never taken kindly to people using their music in ways they don't approve of. The latest example is the Pentagon, which was forced to delete and then repost a video featuring Defense Sec. Pete Hegseth boasting about the administration's ramped up effort 'unleashing American drone dominance' after the rock group objected to the unauthorized use of one of their biggest hits. The original clip was cued to Metallica's 'Enter Sandman,' but according to Rolling Stone, the Department of Defense had to take it down after a copyright complaint from the group. The press secretary for the DoD confirmed the action on Friday to writer Konstantin Toropin on X, writing, 'This afternoon, representatives from X reached out to DoD regarding a video posted on our social media page and asked that the video be removed due to a copyright issue with the song 'Enter Sandman' by Metallica. The video has been taken down, corrected and re-uploaded to our page.' More from Billboard Rod Stewart Says He's No Longer Friends With Neighbor Donald Trump: 'He Became Another Guy' 'Been Busy': Tame Impala Teases New Music With Social Media Update Doja Cat, Tems, J Balvin & Coldplay Join Forces for Unifying FIFA Club World Cup Final Halftime Show Performance At press time spokespeople for Metallica and the DoD had not returned Billboard's request for comment. The two-minute video filmed in front of the Pentagon found Fox News host Hegseth boasting of the Trump administration's removal of 'bureaucratic red tape' in the manufacturing of military drones as a buzzing quadcopter carrying a memo for him to sign hovered near his head. 'Here's the memo we're signing today, delivered via drone,' he said as he signed the piece of paper. The second version of the video has no soundtrack. Donald Trump has long used music at his rallies and events without the consent of the artists, with many speaking out it over the years. From his first run for the White House in 2015 through his current term, Trump has faced backlash from musicians who objected to him playing their songs at his events, including Adele, Beyoncé, Celine Dion, Foo Fighters, Guns N' Roses, the estate of Isaac Hayes — which sued trump for using the late soul singer's 'Hold On, I'm Coming' at rallies — as well as the White Stripes' Jack White, Neil Young, Prince, R.E.M., Rihanna, the Rolling Stones and many more. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
10 hours ago
- Yahoo
Exit light, enter gripe: Metallica forces US Department of Defense to withdraw social media video
Heavy metal legends Metallica have forced the the US government to withdraw a social media video that used their song 'Enter Sandman' without authorisation. The Department of Defense sent out a post on X on Friday (11 July) that featured Defense Secretary Pete Hegseth promoting the country's military drone capabilities. The original version of the video included the band's classic 1991 track 'Enter Sandman'. However, it did not remain online for long, as Metallica promptly issued a copyright notice. The Department of Defense subsequently withdrew the video, posting a version without 'Enter Sandman'. A Pentagon spokesperson said: 'Representatives from X reached out to DoD regarding a video posted to our social media page and asked that the video be removed due to a copyright issue with the song 'Enter Sandman' by Metallica. The video has been taken down, corrected, and re-uploaded to our page.' This is far from the first time that the Trump administration has used artists' work without authorisation. There is an extensive list of musicians who have objected to Trump's authorized use of their songs. These include ABBA, The Rolling Stones, Bruce Springsteen, Rihanna, Neil Young, R.E.M., Guns N' Roses, Woodkid and Beyoncé. Sinead O'Connor's estate previously issued Trump with cease-and-desist orders, while Isaac Hayes' estate sued him for 134 counts of copywright infringement. Céline Dion also condemned the use of her song from the Oscar-winning film Titanic, 'My Heart Will Go On', which was used at one of Trump's rallies. Dion's team questioned the song choice, writing: "And really, THAT song?' Another band which added their name to the ever-growing list of artists who have sued Trump over the illegal use of their songs in campaign videos was The White Stripes. Last year, the rock band highlighted the 'flagrant misappropriation' of their hit song 'Seven Nation Army'. Jack White captioned a copy of the legal complaint in an Instagram post with: 'This machine sues fascists.' The most recent example, prior to Metallica, was celebrated US rock band Semisonic, who pushed back at the White House in March for using their Grammy-nominated hit song 'Closing Time' over a social media post that shows a shackled deportee. The White House added the 1998 song in a post of a man with his wrists handcuffed to his waist as he is patted down at an airport. The video was captioned with the song's lyrics: 'You don't have to go home but you can't stay here.' US Customs and Border Protection retweeted the White House's post on X with the caption 'It's closing time. We are making America safe again.' The band responded by posting on X: 'We did not authorize or condone the White House's use of our song in any way. And no, they didn't ask. The song is about joy and possibilities and hope, and they have missed the point entirely.'