‘Superman' flexes its might in second weekend with $57.3 million

20-07-2025

NEW YORK — James Gunn's 'Superman' showed staying power in its second weekend at North American box offices, collecting $57.3 million in ticket sales and remaining the No. 1 movie in cinemas, according to studio estimates Sunday.
None of the week's new releases — 'I Know What You Did Last Summer,' 'Smurfs,' and 'Eddington' — came close to touching Warner Bros. and DC Studios' superhero success. 'Superman' dipped 54 per cent from its domestic opening, an average decline for a big summer film.
In two weeks, 'Superman' has grossed $406.8 million worldwide, a good start for the movie DC Studios is banking on to restart its movie operations. A big test looms next weekend, when the Walt Disney Co. releases Marvel's 'The Fantastic Four: First Steps.'
Strong audience scores and good reviews should help propel the $225 million-budgeted 'Superman' toward profitability in the coming weeks. For Warner Bros. and DC Studios, 'Superman' is key to kicking off a 10-year plan for the comic book adaptation studio. Co-heads Gunn and Peter Safra were tasked with rehabilitating the flagging operation. Next on tap are the films 'Supergirl' and 'Clayface' in 2026.
But 'Superman' is far from flying solo in theaters right now. Universal Pictures' 'Jurassic World: Rebirth' came in second this weekend, with $23.4 million in its third week of release. The seventh 'Jurassic' movie, this one starring Scarlett Johansson, held its own despite the competition from 'Superman.' In three weeks, it accrued $648 million worldwide.
Apple Studios and Warner Bros.' 'F1: The Movie' has also shown legs, especially internationally. In its fourth weekend, the Brad Pitt racing drama dipped just 26 per cent domestically, bringing in $9.6 million in North America, and another $29.5 million overseas. Its global total stands at $460.8 million.
But both of the biggest new releases — Sony Pictures' 'I Know What You Did Last Summer' and Paramount Pictures' 'Smurfs' — fell flat.
'I Know What You Did Last Summer' opened with $13 million, a fair result for a movie budgeted at a modest $18 million, but a disappointing opening for a well-known horror franchise. The film, directed by Jennifer Kaytin Robinson, is set 27 years after the 1997 original. Teenagers played by Madelyn Cline and Chase Sui Wonders are again haunted for covering up a car accident.
The movie's reviews (38 per cent 'fresh' on Rotten Tomatoes) were poor for 'I Know What You Did Last Summer' and audiences graded it similarly. The film notched a 'C+' on CinemaScore. The original collected $72.6 million in its domestic run in 1997.
Paramount Pictures' 'Smurfs' debuted in fourth place this weekend with $11 million. The latest big-screen reboot for the woodland blue creatures prominently features Rihanna as the voice of Smurfette. But reviews (21 per cent 'fresh' on Rotten Tomatoes) were terrible. Audiences were kinder, giving it a 'B+' on CinemaScore, but the $58 million-budgeted release will depend largely on its international sales. In 56 overseas markets, 'Smurfs' earned $22.6 million.
Ari Aster's 'Eddington' opened with $4.2 million on 2,111 screens for A24. Since its premiere at the Cannes Film Festival, 'Eddington' has been particularly divisive. The pandemic-set Western features Joaquin Phoenix as the right-wing sheriff of a small New Mexico town who faces off with its liberal mayor (Pedro Pascal).
While Aster's first film, 2018's 'Heredity' ($82.8 million worldwide against a $10 million budget) helped establish A24 as an indie powerhouse, but the less-than-stellar launch of 'Eddington' marks the second box-office disappointment for Aster. His 2023 film 'Beau Is Afraid' cost $35 million to make but collected just $12.4 million worldwide. 'Eddington' cost about $25 million to produce. Audiences gave it a 'C+' on CinemaScore. None of Aster's previous films have been graded higher.
Yet collectively, Hollywood is enjoying a very good summer. According to data firm Comscore, the 2025 summer box office is up 15.9 per cent over the same period last year, with the year-to-date sales running 15 per cent ahead of 2025. Summer ticket sales have amassed about $2.6 billion domestically, according to Comscore.
Top 10 movies by domestic box office
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:
1. 'Superman,' $57.3 million.
2. 'Jurassic World Rebirth,' $23.4 million.
3. 'I Know What You Did Last Summer,' $13 million.
4. 'Smurfs,' $11 million.
5, 'F1: The Movie,' $9.6 million.
6. 'How to Train Your Dragon,' $5.4 million.
7. 'Eddington,' $4.3 million.
8. 'Elio,' $2 million.
9. 'Lilo & Stitch,' $1.5 million.
10. '28 Years Later,' $1.3 million.
Jake Coyle, The Associated Press

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Tom Lehrer, song satirist and mathematician, dies at 97

National Post

42 minutes ago

National Post

Tom Lehrer, song satirist and mathematician, dies at 97

Article content He cut his first record in 1953, Songs by Tom Lehrer, which included I Wanna Go Back to Dixie, lampooning the attitudes of the Old South, and the Fight Fiercely, Harvard, suggesting how a prissy Harvard blueblood might sing a football fight song. Article content After a two-year stint in the Army, Lehrer began to perform concerts of his material in venues around the world. In 1959, he released another LP called More of Tom Lehrer and a live recording called An Evening Wasted with Tom Lehrer, nominated for a Grammy for best comedy performance (musical) in 1960. Article content But around the same time, he largely quit touring and returned to teaching math, though he did some writing and performing on the side. Article content Lehrer said he was never comfortable appearing in public. Article content 'I enjoyed it up to a point,' he told The AP in 2000. 'But to me, going out and performing the concert every night when it was all available on record would be like a novelist going out and reading his novel every night.' Article content He did produce a political satire song each week for the 1964 television show That Was the Week That Was, a groundbreaking topical comedy show that anticipated Saturday Night Live a decade later. Article content He released the songs the following year in an album titled That Was the Year That Was. The material included Who's Next? that ponders which government will be the next to get the nuclear bomb … perhaps Alabama? (He didn't need to tell his listeners that it was a bastion of segregation at the time.) Pollution takes a look at the then-new concept that perhaps rivers and lakes should be cleaned up. Article content He also wrote songs for the 1970s educational children's show The Electric told AP in 2000 that hearing from people who had benefited from them gave him far more satisfaction than praise for any of his satirical works. Article content His songs were revived in the 1980 musical revue Tomfoolery and he made a rare public appearance in London in 1998 at a celebration honoring that musical's producer, Cameron Mackintosh. Article content Lehrer was born in 1928, in New York City, the son of a successful necktie designer. He recalled an idyllic childhood on Manhattan's Upper West Side that included attending Broadway shows with his family and walking through Central Park day or night. Article content After skipping two grades in school, he entered Harvard at 15 and, after receiving his master's degree, he spent several years unsuccessfully pursuing a doctorate. Article content 'I spent many, many years satisfying all the requirements, as many years as possible, and I started on the thesis,' he once said. 'But I just wanted to be a grad student, it's a wonderful life. That's what I wanted to be, and unfortunately, you can't be a Phd and a grad student at the same time.' Article content He began to teach part-time at Santa Cruz in the 1970s, mainly to escape the harsh New England winters. From time to time, he acknowledged, a student would enrol in one of his classes based on knowledge of his songs. Article content 'But it's a real math class,' he said at the time. 'I don't do any funny theorems. So those people go away pretty quickly.'