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Billboard & Global Venture Partners Launch Billboard Africa

Billboard & Global Venture Partners Launch Billboard Africa

Yahoo05-06-2025
Billboard has partnered with Global Venture Partners, a Dubai-based venture capital firm focused on fostering economic growth across Africa and the Middle East, to launch Billboard Africa.
Billboard editorial director Hannah Karp first announced the news at our inaugural Global Power Players event at Shoreditch House in east London Wednesday night (June 4), while introducing incoming Billboard Africa editor Nkosiyati 'Yati' Khumalo, who presented Tems with the Diamond Award.
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'At Billboard, we are committed to amplifying the voices of exceptional artists and sharing the stories that shape the global music landscape,' said Mike Van, CEO of Billboard. 'Billboard Africa is a pivotal step in this journey, as African music has evolved into a dynamic force with a rich cultural heritage and an undeniable impact on the world. This new platform enables us to create meaningful opportunities for African artists to connect with a global audience, elevating their talent to unprecedented levels.'
Billboard Africa will be the leading hub for African music and culture featuring editorial content, charts, breaking news, videos, interviews and exclusive events, uniting artists and fans in a global celebration of the unique sounds coming out of the continent. Billboard's expansion in Africa aims to deliver both cultural and economic impact, recognizing the top artists, songs and albums from the continent while driving growth within the local music economy.
'Our investment in Billboard Africa is not just about creating a new platform; it's about recognizing and amplifying the untapped potential of the African music industry,' said Brandon Martin, CEO of Global Venture Partners. 'Africa has long been a cultural powerhouse, with music at the heart of that influence. Through Billboard Africa, we're not only raising visibility for artists but laying the groundwork for an infrastructure that supports sustainable growth. We hope this venture encourages more members of the African diaspora to see the incredible opportunities on the continent and invest in its future. By working together, we can build a vibrant ecosystem where African talent thrives, strengthens local economies and reaches every corner of the globe.'
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Trailblazing country music singer Jeannie Seely dies at 85
Trailblazing country music singer Jeannie Seely dies at 85

UPI

timean hour ago

  • UPI

Trailblazing country music singer Jeannie Seely dies at 85

Hosts Luke Bryan (left), Jeannie Seely and Peyton Manning introduce Miranda Lambert during the 56th Annual Country Music Awards at Bridgestone Arena in Nashville, Tenn., on Nov. 9, 2022. Seely died at 85 on Friday. File Photo by John Angelillo/UPI | License Photo Aug. 2 (UPI) -- Singer Jeannie Seely, who helped transform the image of women in country music, has died. She was 85. Seely died Friday in a hospice in the Nashville area, the Country Music Association said, and her publicist, Don Murray Grubbs told told The Tennessean that she died after an intestinal infection. Seely made her debut at Nashville's Grand Ole Opry in 1966 when she was 25, going on to make 5,397 appearances, including her last appearance on Feb. 22, more than any other performer appearing there. "While I've had the privilege of working with Jeannie Seely over the past 25 years, my immediate grief is deeply personal," Country Music Association CEO Sarah Trahern said. "She mentored countless artists, especially women, and while they learned from her confidence and wit, she reminded us she was learning from them too. That humility was part of her magic." Seely became the first woman to host the Grand Ole Opry show, and in 1985 was the first woman to host a half-segment of the Opry. "I feel very fortunate to be part of the Opry tradition and I truly am indebted to all the wonderful fans who have supported me over the years," Seely once said, according to Between 1966 and 1974, she had more than a dozen Top 40 country hits, including Don't Touch Me, which reached No. 2 on the Billboard country chart and appeared on the mainstream Hot 100. A variety of other singers, including folk singer Carolyn Hester, reggae artist Nicky Thomas and soul music legend Etta James, recorded versions of the the song, which favors emotional commitment over sexual gratification. That song earned her the Grammy Award for Best Female Country Vocal Performance in 1967. It was written by Hank Cochran, who became her husband. They later divorced in 1979, and in 2010 she married Nashville lawyer Gene Ward, who died last year. Other hit singles of heres included All Right (I'll Sign the Papers) in 1971 about divorce; Welcome Home to Nothing in 1968 about a marriage gone bad and Take Me to Bed in 1978. "I think of myself as a feminist," she said. "My idea of 'feminist' is to make sure that women have the same choices that men have always had, and that we are respected for our roles -- whatever they are -- as much as any man is respected for his." Seely changed the image of performers with her songs and wearing miniskirts and go-go boots, including on the usually conservative Opy stage. "I was the main woman that kept kicking on that door to get to host the Opry segments," Seely told the Nashville Scene newspaper in 2005. "I used to say to my former manager Hal Durham, 'Tell me again why is it women can't host on the Opry?' He'd rock on his toes and jingle his change and say, 'It's tradition, Jeannie.' And I'd say, 'Oh, that's right. It's tradition. It just smells like discrimination.'" Seely was born on July 6 in Titusville, Pa., and later changed her name from Seeley to Seely. She first performed on radio station WMGW in Meadville, Pa., at 11 years old. Seely worked at Imperial Records in Hollywood, Calif., as a secretary. She wrote the song Anyone Who Knows What Love is (Will Understand) with Randy Newman and two other collaborators. It reached the the Hot 100 in a version by Irma Thomas in 1964. Boyz II Men and others more than 50 years later recorded the song, which was used in episodes of the science-fiction TV series Black Mirror. In 1965, she signed with Challenge Records, which was owned by Gene Autry. Seely moved to Nashville in 1969 with her husband. She signed with Monument Records, where Don't Touch Me was recorded. The singer turned to bluegrass in the 2000's, including singing a duet with Ralph Stanley. In 2005, in her mid 60s, she sang with country singers Kathy Mattea and Pam Tillis in the Nashville production of The Vagina Monologues. Seely was seriously injured in an auto crash in 1977. Earlier this year, she had back surgery and had complications. She had abdominal surgery in April and then contracted pneumonia before celebrating her 85th birthday on July 6. "Over the past several weeks, I've received so many wonderful messages of love and concern about being missed on the Grand Ole Opry and on 'Sundays with Seely' on Willie's Roadhouse," she told fans in May. "Thank you for those, and I assure you that I miss you just as much!" Notable deaths of 2025 Ryne Sandberg Chicago Cubs Chicago Cubs Hall of Fame second baseman Ryne Sandberg waves to the crowd before throwing out a ceremonial first pitch at Wrigley Field in Chicago on October 12, 2015. Sandberg died on July 28 after a battle with cancer at the age of 65. Photo by Brian Kersey/UPI | License Photo

Jeannie Seely, who pushed boundaries and broke hearts at the Grand Ole Opry, dies at 85
Jeannie Seely, who pushed boundaries and broke hearts at the Grand Ole Opry, dies at 85

Boston Globe

timean hour ago

  • Boston Globe

Jeannie Seely, who pushed boundaries and broke hearts at the Grand Ole Opry, dies at 85

Her most popular recording, 'Don't Touch Me,' reached No. 2 on the Billboard country chart and crossed over to the mainstream Hot 100 in 1966. A sensual ballad whose lyrics stress emotional commitment over sexual gratification, the song has been covered by numerous artists, including folk singer Carolyn Hester, reggae artist Nicky Thomas, and soul music pioneer Etta James. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The song won Ms. Seely the Grammy Award for best female country vocal performance in 1967. The record's less-is-more arrangement — slip-note piano, sympathetic background singers and sighing steel guitar — was vintage Nashville Sound on the cusp of 'countrypolitan,' its pop-inflected successor. Advertisement 'Don't open the door to heaven if I can't come in/Don't touch me if you don't love me,' Ms. Seely admonishes her lover, her voice abounding with unfulfilled desire. 'To have you, then lose you, wouldn't be smart on my part,' she sings in the final stanza. She tortures the word 'part' for two measures until her voice breaks and, with it, it seems, her heart. Advertisement Written by Hank Cochran, who would become Ms. Seely's husband, 'Don't Touch Me' anticipated Sammi Smith's breathtakingly intimate version of Kris Kristofferson's 'Help Me Make It Through the Night,' which was released four years later. 'Don't Touch Me,' critic Robert Christgau wrote, 'took country women's sexuality from the honky-tonk into the bedroom.' Ms. Seely blazed a trail for women in country music for the candor of her songs, and for wearing miniskirts and go-go boots on the Opry stage, bucking the gingham-and-calico dress code embraced by some of her more matronly predecessors like Kitty Wells and Dottie West. In the 1980s, she also became the first woman to host her own segment on the typically conservative and patriarchal Opry. 'I was the main woman that kept kicking on that door to get to host the Opry segments,' Ms. Seely told the Nashville Scene newspaper in 2005. 'I used to say to my former manager Hal Durham, 'Tell me again why is it women can't host on the Opry?' He'd rock on his toes and jingle his change and say, 'It's tradition, Jeannie.' And I'd say, 'Oh, that's right. It's tradition. It just smells like discrimination.'" Ms. Seely worked with top-tier Nashville session players who were attuned to the soulful sounds in Memphis, Tenn., and Muscle Shoals, Ala., to build a career around recordings that plumbed themes of infidelity, heartbreak and female emancipation. The titles of some of her singles spoke volumes: 'All Right (I'll Sign the Papers)' (1971), about the ravages of divorce; 'Welcome Home to Nothing' (1968), about a marriage gone cold; and 'Take Me to Bed' (1978). Her unflinching vocals told the rest of the story. Advertisement 'Can I Sleep in Your Arms,' an intimacy-starved rewrite of the Depression-era lament, 'Can I Sleep in Your Barn Tonight, Mister,' was a Top 10 country hit in 1973. (Two years later, Willie Nelson recorded the song for his groundbreaking concept album, 'Red Headed Stranger.') Marilyn Jeanne Seeley was born July 6, 1940, in Titusville, Pa., and grew up in nearby Townville. (She later changed the spelling of her surname.) She was the youngest of four children of Leo and Irene Seely. Her father, a farmer and steel mill worker, played banjo and called square dances on weekends. Her mother sang in the kitchen while baking bread on Saturdays. Ms. Seely first performed on the radio station WMGW in Meadville, Pa., at age 11. 'I can still remember standing on a stack of wooden soda cases because I wasn't tall enough to reach the unadjustable microphones,' she recalled on her website. After graduating from high school, where she was a cheerleader and honor student, she took a job with the Titusville Trust Co. Three years later, she moved to California and went to work at a bank in Beverly Hills. A job as a secretary at Imperial Records in Hollywood opened doors in the music business, and she found early success as a songwriter with 'Anyone Who Knows What Love Is (Will Understand).' Written with a young Randy Newman and two other collaborators, the song reached the Hot 100 in a version by New Orleans soul singer Irma Thomas in 1964. More than a half-century later, after having been recorded by Boyz II Men and others, it was used in episodes of the science-fiction TV series 'Black Mirror.' Advertisement In 1965, Ms. Seely signed a contract with Challenge Records, the West Coast label owned by country singer Gene Autry. The association yielded regional hits but no national exposure. At the urging of Cochran, whom she married in 1969 (the couple later divorced), Seely moved to Nashville, where she signed with Fred Foster's Monument Records and had her breakthrough hit, 'Don't Touch Me.' She made her Opry debut in the summer of 1966 and briefly starred as the female singer on 'The Porter Wagoner Show,' a nationally syndicated TV program, while also performing regularly with Ernest Tubb. Ms. Seely's biggest country hit as a songwriter came with 'Leavin' and Sayin' Goodbye,' a chart-topping single for singer Faron Young in 1972. Merle Haggard and Ray Price also recorded her originals. In 1977, after a decade of hits, including a handful of Top 20 country duets with crooner Jack Greene, she sustained serious injuries in an automobile accident that almost ended her career. Apart from appearing on the Opry and having a small part in the 1980 movie 'Honeysuckle Rose,' which starred Nelson, she all but retired from performing. (Her other movie appearance was in 2002 in 'Changing Hearts,' starring Faye Dunaway.) In the 2000s, Ms. Seely increasingly turned her attention to bluegrass, recording an award-winning duet with Ralph Stanley. She also emerged as an elder stateswoman of the Opry, which remained her chief passion into the 2020s. Her second husband, Gene Ward, whom she married in 2010, preceded her in death. She did not have any immediate survivors. In 2005, with country singers Kathy Mattea and Pam Tillis, Ms. Seely starred in a Nashville production of Eve Ensler's 'The Vagina Monologues.' It was second nature to her, she told Nashville Scene, to appear in such a politically charged play. Advertisement 'I think of myself as a feminist,' she explained. 'My idea of 'feminist' is to make sure that women have the same choices that men have always had, and that we are respected for our roles — whatever they are — as much as any man is respected for his.' This article originally appeared in

Louis Sachar meant to be a lawyer before writing 'Holes,' 'Sideways Stories from Wayside School'
Louis Sachar meant to be a lawyer before writing 'Holes,' 'Sideways Stories from Wayside School'

New York Post

time2 hours ago

  • New York Post

Louis Sachar meant to be a lawyer before writing 'Holes,' 'Sideways Stories from Wayside School'

Louis Sachar really intended to be a lawyer. But, in between starting law school at the Hastings College of Law in 1977 and graduating in 1980, he published his first book, 'Sideways Stories from Wayside School.' The zany, often surreal compendium of classroom antics went on to become a young adult classic, spawning a four-book series and a TV show. Advertisement 4 Louis Sachar, the acclaimed writer of young adult books, intended to be a lawyer. Alex Labry 'I kept thinking, 'Boy, I really need to get a law job,'' Sachar, 71, told The Post in his soft-spoken West Coast drawl. To date, 'Wayside' has sold over 15 million copies, according to Publishers Weekly, and it's never been out of print since it was first published in 1978, save for a brief period after the original Chicago-based publisher folded. While the debut is a clear fan favorite, the East Meadow, Long Island-native's most acclaimed book is 1998's 'Holes.' Advertisement The story of a boy who is wrongly accused of theft and sent to a juvenile detention center in Texas won a National Book Award and a Newbery Medal, and Sachar adapted it into a Disney movie that grossed over $70 million. Now the 71-year-old, who lives in Newport Beach, Calif., is attempting something new: his first novel for adults, 'The Magician of Tiger Castle,' out Aug. 5th. It's a Renaissance-era fantasy story starring a spunky princess named Tullia and her fatherly court magician, Anatole, who uses every trick he knows to help her escape a forced marriage. Advertisement 4 His new novel is the first book he's written for adults. Here, he talks to The Post about his storied 50-year writing career. What gave you the idea for 'Sideways Stories from Wayside School'? I was going to college at Berkeley, I was a senior, and I just needed a course to take to fill out my schedule. There was this little girl standing in the middle of the Berkeley quad handing out sheets of paper saying 'Help, we need teacher's aids at our school! Earn 3 units of credit.' I thought, well, that sounds easy and could be fun. And I really had no interest about kids at that time, I was trying to get through college. It turned out I ended up being assigned to this 3rd grade classroom and I'd go for an hour every day and I just loved it. It became my favorite thing to do. Then I got hired to be what they called their noontime supervisor and the kids all called me 'Louis the Yard Teacher' [who is a character in 'Wayside.'] So I thought I'd try writing a children's book after I graduated college and left the school. I never thought I'd continue writing more. Advertisement 4 'Holes,' which is set in a juvenile detention facility, is Sachar's most acclaimed book. The Wayside School books are funny and light, but the subject matter of 'Holes' is more serious. What inspired that book? I had written, I think, 16 books by then, and they were all about kids in school, and I just didn't want to write about kids in school anymore. And I got the idea of kids in a juvenile correctional facility, and I thought, 'kids will love reading about that.' I had moved to Texas from San Francisco, which was a big change both in culture and temperature, and just trying to plant a bush in my backyard, just digging a hole was a lot of work. I guess that's where I got the idea that the kids are digging holes out in the heat. What did your daughter [Sherre, now 38], think of your books growing up? She always had conflicting feelings about my books because all her friends in school were fans of mine. Her friends would say, 'Oh, your dad is Louis Sacher.' And she always didn't know if they liked her for her or because I was her father. Or she would get good grades — I didn't know this at the time, I found it out later — when her teachers would tell her she was a good writer, she thought it was just because she was my daughter that they were telling her that. What made you want to write a book for adults at this stage of your career? 4 Sachar's 'Sideways Stories from Wayside School' spawned a four-book series and TV show. When I first started it, I thought it was going to be a young adult book. I figured it would teach young adults a little bit about the Renaissance. I chose Anatole as a sort of quirky narrator to tell that story. As I wrote and worked on it day after day, Anatole just kind of became the center of the story, and it's not a good idea to have a 40-year-old in the center of your book for young people. Advertisement Any fond memories of growing up in New York as a kid? My dad worked in the Empire State Building on the 87th floor. It was a real treat to go there. I remember him talking about how somebody, for like a $1 bet, sat on the ledge of the window. Somebody in his office sat there, legs dangling over the edge of the 87th floor. I thought, 'That's fun.' Rachelle Bergstein is the author of 'The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us.'

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