This 2 hour 41 minute film is based on real-life terror attack, will keep you on edge until the last scene, name is..., lead actors are...
Here we are talking about recently released film 'Ground Zero', which is based on true events, set in Kashmir and is based on the search for the mastermind behind the 2001 Indian Parliament attack conspiracy. It shows the two-year-long operation of BSF officer Narendra Nath Dhar Dubey and his team, which brings out the seriousness and dangers of the mission. The film gives a platform to the courage, resourcefulness and sacrifice of the soldiers engaged in the fight against terrorism. It shows how real-life heroes, who stay away from the glare of the camera, sacrifice their lives to protect the country.
Emraan Hashmi is in the lead role in 'Ground Zero', where he is seen as a serious and passionate officer. Along with him, talented actors like Sai Tamhankar, Zoya Hussain and Mukesh Tiwari are also in the main roles. The reality and depth of emotions are clearly visible in everyone's acting. This film is directed by Tejas Prabha Vijay Devaskar, whose vision and style give it a strong narrative. At the same time, Ritesh Sidhwani and Farhan Akhtar have produced it under the banner of Excel Entertainment, who are already known for giving many path-breaking films. More About Ground Zero
A special screening of this film was hosted for BSF Jawans in Srinagar in April 2025, to mark their significance for conducting a gut-wrenching mission to neutralise Rana Tahir Nadeem, alias Ghazi Baba, the mastermind behind the 2001 Indian Parliament attack. 'Ground Zero' is now streaming on Prime Video in more than 240 countries around the world, including India.
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New Indian Express
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K Balachander's Apoorva Raagangal (Rare Melodies) is a landmark Tamil film often cited for being the breakthrough lead role for Kamal Haasan, the debut vehicle for Rajinikanth and the bearer of one of the most melodic soundtracks of Indian cinema. What's more, it's a milestone in radically positing that love knows no barriers of age. The film turned the idea of romance on its head with its focus on an unusual, complex relationship dynamic where a young man falls in love with an older woman, while her daughter gets attracted to his father. Its ambiguous open-endedness notwithstanding, Apoorva Raagangal feels liberal not just for its own times. The film completes 50 years this August 15, the day that saw the release of one of the most commercially successful Indian films, Ramesh Sippy's Sholay. While this much mythologised film will expectedly be the cause of many celebrations this year, it would be appropriate to also acknowledge the other cinematic saplings born that year that have grown in relevance since. While 1957 is often called the highpoint in Indian cinema's golden age, 1975 was noteworthy in its own way. If it signalled a turning point in Tamil cinema with the arrival of a new generation of accomplished male stars, to eventually take the baton from Sivaji Ganesan and M G Ramachandran, filmmakers like Balachander and later Bharathiraja made mainstream Tamil cinema soar to new heights in the following years. In Telugu cinema, 1975 marked the continuation of the domination of N T Rama Rao. However, Dasari Narayan Rao's Balipeetam is a significant pick from the year's crop, exploring the still-relevant issue of tensions in an inter-caste marriage between a Dalit boy and a Brahmin girl. In Malayalam cinema, the year was one of the most fecund for actor Prem Nazir, with more than a dozen releases. But more important was the arrival of G Aravindan as a force to reckon with in the parallel cinema movement. Though his debut feature Uttarayanam won the national and Kerala state film awards in 1974, its year of release is often attributed as 1975. Aravindan dealt with the crucial issue of unemployment in the 1970s and how it was driven by conflicting ideologies—varied means geared towards the same end. With experiments with storytelling and form, Aravindan made a strong comment on political opportunism and the corruption seeping into the individual and the system.
Time of India
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Young Indian International Master Divya Deshmukh held her nerves to hold stalwart Koneru Humpy to a draw in game 1 of the FIDE Women's World Cup final, with both players having their share of opportunities to take the lead here on Saturday. The draw with black means Humpy, the two-time World Rapid champion, holds a slight edge going in the second and final game under the classical chess rules in the two-game mini-match, and should the deadlock continue, games of shorter duration will be played to determine the winner. Explore courses from Top Institutes in Please select course: Select a Course Category PGDM Data Science Operations Management Data Analytics Management Design Thinking Degree Finance Cybersecurity MBA Public Policy MCA Data Science healthcare Project Management CXO Digital Marketing Product Management Technology Artificial Intelligence others Others Healthcare Leadership Skills you'll gain: Financial Analysis & Decision Making Quantitative & Analytical Skills Organizational Management & Leadership Innovation & Entrepreneurship Duration: 24 Months IMI Delhi Post Graduate Diploma in Management (Online) Starts on Sep 1, 2024 Get Details Humpy employed the Queen's gambit accepted as black and it turned out to be a pretty fascinating game right out of the opening as Divya, 19, came up with a piece sacrifice early to deny the black king the right to castle. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo Humpy was the first to err and, according to computers, Divya had things under control on the 14th move. However in her bid to recover the extra material, the Nagpur girl, who has secured a place in the Candidates tournament with her sterling performance here, missed a promising continuation. What followed the exchange of all minor pieces and the ensuing queen and rook endgame gave enough counter play to both players. The game was eventually drawn after Humpy sacrificed her rook to force perpetual checks. Live Events "The game saw an extremely sharp battle with the game ending in a draw in 41 moves. On move 7, Divya made her aggressive intentions clear by offering another pawn, which looked like home preparation. Humpy made a practical decision of refraining from taking the pawn and a balanced position was reached by move 10 by white," said Grandmaster Pravin Thipsay, an Arjuna awardee and the first Indian to get a chess Grandmaster norm. "However, instead of developing the undeveloped Knight, Humpy retreated the centralised Knight on move 10, giving huge positional advantage to Divya. Divya could have gained huge positional advantage on the 12th move by moving a rook. However, she chose to play for King side attack by sacrificing a piece instead. "Humpy, too, erred at this stage and instead of moving the King to Queen side, moved it to the King side. Divya, on move 14, could have obtained a crushing attack by threatening a mate by developing her Queen. Instead she chose to exchange a pair of Bishops first, which enabled Humpy to defend her King by returning the piece," said Thipsay. "Players thus reached a balanced Queen and two Rooks ending. Divya continued to play ambitiously and tried to attack Humpy's King but the latter defended accurately and the game was drawn in 41 moves by perpetual check," he added. In the play-off for the third place, Chinese players Zhongyi Tan, the former women's world champion and top seed Lei Tingjie also decided to split points out of a Queen's gambit declined game. The opening raised visions of a close contest between the two but having been knocked out of title race in the previous round, none of them wanted to take any huge risk. It was still a middle game when the players shook hands. With the top two positions sealed for the Indians, the berth to the next Candidates is also assigned, while the player finishing third will also get an entry to the premier event scheduled for 2026. Results: Divya Deshmukh (Ind) drew with Koneru Humpy (Ind); Zhongyi Tan (Chn) drew with Tingjie Lei (Chn).
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