logo
Murderbot Episode 10 Preview: Release Date, Time & Where To Watch

Murderbot Episode 10 Preview: Release Date, Time & Where To Watch

The Review Geek4 days ago
Murderbot
Based on the award-winning, best-selling series by Martha Wells, Murderbot follows a rogue security unit that's self-hacked itself free of company restraints, only to find itself horrified by human emotion yet drawn to its vulnerable clients.
Played by Skarsgård, Murderbot is forced to hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe.
If you've been following this one, you may be curious to find out when the next episode is releasing. Well, wonder no more!
Here is everything you need to know about Murderbot episode 10, including its release date, time and where you can watch this.
Where Can I Watch Murderbot?
Murderbot is available to stream on Apple TV+. This is an exclusive original series, meaning this is the only place you're going to be able to watch this show. However, now that Apple is available as an extension on Amazon Prime Video, you can also get a subscription to Apple TV+ that way too!
Murderbot Episode 10 Release Date
Murderbot Episode 10 will release on Friday 11th July at approximately 12am (ET/PT) / 5am (GMT). Of course, it's really dependent on how quickly Apple upload new episodes. Expect this to be pretty close to the release time though.
Murderbot Episode 10 is also available with subtitles from its release, with the chapter scheduled to clock in at 32 minutes long.
How Many Episodes Will Your Murderbot Season 1 Have?
Season 1 of Murderbot is scheduled for 10 episodes, so we're now onto the finale for this one! Expect the story to continue developing, with plenty of drama still to come!
Is There A Trailer For Murderbot?
There is indeed! You can find a trailer for Murderbot Season 1 below:
What Happened in Episode 9?
We'll have the whole episode covered with a lengthy recap that touches on all major plot points and discusses the chapter with an accompanying review. You can find that link below after release:
Read more: Murderbot – Episode 9 Recap & Review
What do you hope to see as the series progresses? What's been your favorite moment of Murderbot so far? Let us know in the comments below!
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Horror moments after Florida surfer takes to waters in 'shark bite capital of the world'
Horror moments after Florida surfer takes to waters in 'shark bite capital of the world'

Daily Mail​

timean hour ago

  • Daily Mail​

Horror moments after Florida surfer takes to waters in 'shark bite capital of the world'

A Florida surfer almost lost his arm moments entering the water in the 'shark bite capital of the world' after he was attacked by one of the beasts. Dramatic video captured the moment Matt Bender, 40, of Orlando, was bandaged up as blood gushed from his limb. The surfer was riding the waves around 3pm on Sunday when he was mauled by the shark in New Smyrna Beach. The video, shared by Instagram user @theother_mazdagirl, shows the chaotic moments after the attack as beachgoers rushed to help. Blood can be seen on Bender's arm as his hand appears to be hanging on by a string as a fellow surfers wrap it in towels and attempt to calm him down. 'I felt it clamp down like a bear trap out of nowhere,' he told Fox affiliate WOFL–TV. He said it felt like 'electricity' when the shark bit into his right forearm. 'I never saw the shark, but it bit really forcefully. It felt like electricity.' Bender was rushed to a nearby hospital and is now in recovery, his friends said. Despite the gruesome photos of his savaged arm, his friends dispelled rumors circulating on social media claiming his hand had been completely bitten off. 'Our good friend and fellow waterman @Matt_Bender was bit by a shark today while surfing in New Smyrna,' they shared on Facebook. 'Contrary to what's said in THIS video clip that's circulating, his hand was NOT bitten off – he's doing good considering, but he was injured and needs our support and prayers right now.' 'Matt is a strong, godly man and part of our surf family - so we're asking all our Raw Surf friends and fans to lift him up in prayer tonight. Let's cover him in love and healing energy as he begins to recover,' the post continued. 'Stay safe out there, y'all. NSB has always had its share of shark encounters, and today was a heavy reminder.' Despite the traumatic incident, Bender said he will be back out in the waters as soon as he recovers. 'For some reason, I got to take a little break, but I'll be back out there,' he said. In July 2024, New Smyrna Beach was named America's deadliest beach. The Florida beach beat nine others to win the undesirable crown, with researchers at California-based Simmrin Law using three main factors to determine the result: hurricanes, surf zone fatalities and shark attacks. Experts warned that the coastline's popularity among surfers and a lack of visibility can make visitors extremely vulnerable. Officials in New Smyrna recorded nearly 400 beach rescues in just a matter of days due to high rip currents and crowds that year. The beauty spot has also been dubbed 'shark bite capital' of the world. There have been a shocking three attacks since July 4, 2024, alone - and a separate incident at nearby Daytona Beach where a 14-year-old boy visiting from Missouri was bitten on his foot. Yet despite this, the beach's most fatal danger is reportedly hurricanes. 'While shark attacks often grab headlines, Florida's beaches rank so high due to the ever-present hurricane risk,' explained lawyer Michael Simmrin. Just last month, a seasoned surfer off the Florida coast was abruptly knocked off his board when a shark suddenly launched out of the ocean, and struck him in the head. Darren Kaye, 51, of Winter Park, was surfing off the coast of New Smyrna Beach, staying alert after spotting sharks near the shore and witnessing several recent attacks at the popular surf spot, WFTV 9 News reported. Though he kept a close eye on the water, Kaye never thought to look to the air - until, in a split second, a spinner shark burst out from underneath the surface and headbutted him off his board. 'I have a scar on the side of my elbow from being hit by a car and that's what it felt like,' Kaye told WFTV. 'It felt like getting hit by a car. It was really strong and powerful,' he added. 'They're all muscle, you know.'

Camp vampires! Frisky throuples! How Stephanie Rothman became queen of the B-movie
Camp vampires! Frisky throuples! How Stephanie Rothman became queen of the B-movie

The Guardian

timean hour ago

  • The Guardian

Camp vampires! Frisky throuples! How Stephanie Rothman became queen of the B-movie

Stephanie Rothman first came across the term 'exploitation' in a review of one of her own films. It was 1970, and her second solo-directed feature, The Student Nurses, a small-budget indie about trainees at an inner-city hospital, set against Los Angeles's bubbling counterculture, was doing well at the US box office. (It eventually made more than $1m from a $150,000 budget.) Rothman was pleased but the review took her aback. It called it an 'exploitation film' with 'surprising depth'. Fifty-five years on and Rothman is a cult legend who fully embraces the label. 'I started out with a very snobbish attitude,' she says on a video call from California. 'I was shocked that's what I was making! But as time went on, I began to appreciate what I was able to do, which was to take elements of popular entertainment, weave them into a tapestry of more interesting ideas, and end up with something very different. So while I started out as a snob, I have not ended up as one.' The seven features she directed during her brief, explosive career bear all the traditional exploitation hallmarks: low budgets, quick turnarounds, breasts, sex, violence and risque marketing campaigns. They're also funny and subversive, with explicit politics to match the (equal opportunity) nudity. Now 88, Rothman is warm and funny – and also pin-sharp and precise. The determination and clarity required of a female director pursuing her vision and preserving her principles in the male-dominated 1970s exploitation industry is fully apparent. Nevertheless, becoming exploitation's cult heroine was not what she had in mind when she was one of three women who enrolled on a graduate film course in California in 1962, where she met her husband and future collaborator Charles S Swartz. After graduating, she worked for pulp cinema impresario Roger Corman, the self-described 'Orson Welles of the Z movie' who had built an empire by churning out low-cost, high-shock genre flicks. Always willing to take a chance on a young film-maker (as long as they delivered on schedule and under budget), he immediately put Rothman to work. Soon she was landing her first significant credits, co-directing a messy 1966 horror called Blood Bath (a salvage job, after the initial director dropped the ball), then as sole director, with Swartz as producer, on the beach movie It's a Bikini World (1967). The 14-day shoot was hectic, but Rothman delivered on time and on budget. 'I was thrilled and I threw myself into it,' she says. 'I wasn't afraid.' The Student Nurses followed, with which she translated a thin brief – 'a film about nurses, primarily sexy, with a little violence' – into a multi-layered tale. Rothman personally picked out the film's poster, featuring four alluring nurses gazing outward under the tagline 'They're learning fast!' The film sparked a series of nursesploitation copycats. The Velvet Vampire, a seductive horror set in the California desert, was less commercially successful but has since become Rothman's best-known film, prized for its exquisite camp and European arthouse sensibility – notably its dreamy surrealist sequences inspired by Jean Cocteau. Despite a shoestring budget and the challenges of a desert shoot ('We were always backing up into cacti'), the result was an arresting Mojave gothic with a streak of transgressive queer female sexuality. When Rothman and Swartz broke away from Corman, their films became even quirkier. Group Marriage (1973), a comedy about a polycule who take on the legal system to assert their right to marry, was inspired by the theories of futurist Alvin Toffler and playwright Georges Feydeau's farces. Rothman's affectionate depiction of the central relationship feels prescient, as does a finale in which the group's gay neighbours decide they'd also like to marry. 'I don't know of any other film that, at that time, had a gay wedding in it,' says Rothman. 'When we showed the film, at the scene where the gay couple get married, the audience roared with laughter. Not with rage, not disdain, but surprise.' The Working Girls, about a trio of ambitious young women who use their wiles to navigate the job market, is by far her most personal film. 'I've always thought of it as being dedicated to the Equal Rights Amendment,' says Rothman. 'A woman couldn't get a bank account in her own name. I was a working woman, making my own living, and I couldn't get a credit card!' Ironically, The Working Girls did little to improve Rothman's own finances. She was ready to break free of the exploitation genre, but while fellow graduates of Corman's trash cinema stable such as Martin Scorsese, Peter Bogdanovich and Francis Ford Coppola managed to move into the mainstream, Rothman did not. The Working Girls, released in 1974, was her final feature. 'People often ask me why I left the industry,' she sighs. 'I didn't leave the film industry, the film industry left me. It was very frustrating. I couldn't get work in television. I couldn't afford to join the Directors Guild.' In the 1980s, after turning down a few offers to return to exploitation, Rothman quit the industry for good. 'It wasn't the right time to be making films for me, the opportunities weren't there. They were there for young men, but not for me.' Her films were rarely screened in subsequent decades, but a wave of restorations is now in motion, partly due to renewed appreciation for female 'trash' cinema. A Rothman-esque spirit can be traced in work by Rose Glass (Saint Maud, Love Lies Bleeding), Coralie Fargeat (The Substance), Prano Bailey-Bond (Censor) and Julia Ducournau, director of Raw and the Palme d'Or-wining body-horror Titane. The playfulness of Rothman's anti-patriarchal stories also feels freshly relevant to audiences. When The Working Girls screened in Venice in 2023, she was approached by a group of students who told her it 'didn't feel dated at all'. 'That was deeply gratifying,' says Rothman, 'because of my great age and their great youth! But it also shows how things have regressed.' Stephanie Rothman's films will screen at Cinema Rediscovered, Bristol, from 23 to 27 July and at the Barbican, London, 29 July to 14 August

Pearl Jam drummer Matt Cameron steps down from band after 27 years
Pearl Jam drummer Matt Cameron steps down from band after 27 years

BreakingNews.ie

timean hour ago

  • BreakingNews.ie

Pearl Jam drummer Matt Cameron steps down from band after 27 years

Pearl Jam drummer Matt Cameron has said he is leaving the band after '27 fantastic years'. The US rock band, known for songs including Spin The Black Circle and Alive, formed in Seattle, Washington, in 1990, with Cameron joining in 1998 following the break up of rock group Soundgarden. Advertisement Vocalist Eddie Vedder, bassist Jeff Ament, and guitarists Mike McCready and Stone Gossard, said the drummer would be 'deeply missed' in a message to Pearl Jam's social media pages. 'After 27 fantastic years, I have taken my final steps down the drum riser for the mighty Pearl Jam,' Cameron said in a social media post on Monday. View this post on Instagram A post shared by Matt Cameron (@themattcameron) 'Much love and respect to Jeff, Ed, Mike and Stone for inviting me into the band in 1998 and for giving me the opportunity of a lifetime, one filled with friendships, artistry, challenges and laughter. 'I am forever grateful to the crew, staff and fans the world over. It's been an incredible journey. More to follow. Thank you all from the bottom of my heart.' Advertisement The band said: 'From being one of our first musical heroes in the bands Skin Yard and the mighty Soundgarden, to playing on our first demos in 1990, Matt Cameron has been a singular and true powerhouse of a musician and drummer. 'He has propelled the last 27 years of Pearl Jam live shows and studio recordings. 'It was a deeply important chapter for our group and we wish him well always. He will be deeply missed and is forever our friend in art and music. We love you Matt.' The band, who blend classic rock with grunge and 1980s punk, were inducted into the Rock And Roll Hall Of Fame in 2017. Advertisement Last year, they released their 12th studio album, Dark Matter, which peaked at number two on the UK albums chart.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store