General Hospital Spoilers Weekly Preview June 30-July 4: Sidwell Vs. Sonny War Erupts with Kristina in the Line of Fire
It's Sonny (Maurice Benard) versus an increasingly bold Sidwell this week when a fire hits too close to home, once again. It sounds like Tracy (Jane Elliot) and Alexis (Nancy Lee Grahn) are the narrators of this week's video preview.
'When gangsters go to war, they don't go after each other first. They go after their enemy's loved ones,' warns Tracy. And we know this is exactly what has been brewing. Sidwell (Carlo Rota) recently sifted through photos of Sonny's family while sitting pretty at home. He probably was internally thinking eeny, meeny, miny, moe — and he landed on Charlie's Pub, which Sonny's daughter, Kristina (Kate Mansi), owns.
READ THIS: GH Moments to Watch June 30-July 3.
While Tracy's ominous observation plays out, there are shots of Jason (Steve Burton) and Sonny looking worried while Sidwell stands king-like at Wyndemere. Elsewhere, Natalia (Eva LaRue) is all alone in her hotel room, and she's clearly spiraling when she suddenly falls over on her couch.
The intensity continues when somebody throws an incendiary device into Charlie's Pub, causing a fire to erupt. And guess who's behind the bar? Kristina. Finally, just as another shot of Sonny materializes, we hear Alexis say, 'I will not bury another daughter!'
READ THIS: The latest GH Comings & Goings.
Does this Sidwell strike mean that he was also behind the fire that hit Sonny's penthouse? We could be looking at a pattern…
Got a sizzling fan theory? Email news@soaphub.com — yours could be our next hot topic!
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CNN
34 minutes ago
- CNN
Poet Andrea Gibson, candid explorer of life, death and identity, dies at 49
Andrea Gibson, a celebrated poet and performance artist who through their verse explored gender identity, politics and their 4-year battle with terminal ovarian cancer, died Monday at age 49. Gibson's death was announced on social media by their wife, Megan Falley. Gibson and Falley are the main subjects of the documentary 'Come See Me in the Good Light,' winner of the Festival Favorite Award this year at the Sundance Film Festival and scheduled to air this fall on Apple TV+. 'Andrea Gibson died in their home (in Boulder, Colorado) surrounded by their wife, Meg, four ex-girlfriends, their mother and father, dozens of friends, and their three beloved dogs,' Monday's announcement reads in part. The film — exploring the couple's enduring love as Gibson battles cancer — is directed by Ryan White and includes an original song written by Gibson, Sara Bareilles and Brandi Carlile. During a screening at Sundance in January that left much of the audience in tears, Gibson said they didn't expect to live long enough to see the documentary. Tributes poured in Monday from friends, fans and fellow poets who said Gibson's words had changed their lives — and, in some cases, saved them. Many LGBTQ+ fans said Gibson's poetry helped them learn to love themselves. People with cancer and other terminal illnesses said Gibson made them less afraid of death by reminding them that we never really leave the ones we love. In a poem Gibson wrote shortly before they died, titled 'Love Letter from the Afterlife,' they wrote: 'Dying is the opposite of leaving. When I left my body, I did not go away. That portal of light was not a portal to elsewhere, but a portal to here. I am more here than I ever was before.' Linda Williams Stay was 'awestruck' when her son, Aiden, took her to hear Gibson perform at a bar in San Francisco a decade ago. Their poetry was electrifying, lighting up the room with laughter, tears and love. Gibson's poetry became a shared interest for the mother and son, and eventually helped Stay better understand her son when he came out as transgender. 'My son this morning, when he called, we just sobbed together,' Stay said. 'He says, 'Mom, Andrea saved my life.'' 'I know,' she responded. Gibson's poetry later helped Stay cope with a cancer diagnosis of her own, which brought her son back home to St. George, Utah, to help take care of her. They were delighted when Gibson accepted their invitation to perform at an event celebrating the LGBTQ+ community in southern Utah. 'It was truly life-changing for our community down there, and even for our allies,' Stay said. 'I hope that they got a glimpse of the magnitude of their impact for queer kids in small communities that they gave so much hope to.' Gibson was born in Maine and moved to Colorado in the late 1990s, where they had served the past two years as the state's poet laureate. Their books included 'You Better Be Lightning,' 'Take Me With You' and 'Lord of the Butterflies.' Colorado Gov. Jared Polis said Monday that Gibson was 'truly one of a kind' and had 'a unique ability to connect with the vast and diverse poetry lovers of Colorado.' In a 2017 essay published in Out magazine, Gibson remembered coming out at age 20 while studying creative writing at Saint Joseph's College of Maine, a Catholic school. Identifying as genderqueer, Gibson wrote that they didn't feel like a boy or a girl and cited a line of their poetry: 'I am happiest on the road/ When I'm not here or there — but in-between.' Comedian Tig Notaro, an executive producer on the documentary and Gibson's friend of 25 years, shared on Instagram how the two came up together as performers in Colorado. Hearing Gibson perform for the first time was like witnessing the 'pure essence of an old-school genuine rock star,' and their words have guided Notaro through life ever since, she said. 'The final past few days of Andrea's life were so painful to witness, but simultaneously one of the most beautiful experiences of all of our lives,' Notaro said. 'Surrounded by real human connection unfolding in the most unlikely ways during one of the most devastating losses has given me a gift that I will never be able to put into meaningful words.' Gibson's illness inspired many poems about mortality, depression, life and what happens next. In the 2021 poem 'How the Worst Day of My Life Became My Best,' Gibson declared 'When I realized the storm/was inevitable, I made it/my medicine.' Two years later, they wondered: 'Will the afterlife be harder if I remember/the people I love, or forget them?' 'Either way, please let me remember.'


CNN
41 minutes ago
- CNN
Poet Andrea Gibson, candid explorer of life, death and identity, dies at 49
Andrea Gibson, a celebrated poet and performance artist who through their verse explored gender identity, politics and their 4-year battle with terminal ovarian cancer, died Monday at age 49. Gibson's death was announced on social media by their wife, Megan Falley. Gibson and Falley are the main subjects of the documentary 'Come See Me in the Good Light,' winner of the Festival Favorite Award this year at the Sundance Film Festival and scheduled to air this fall on Apple TV+. 'Andrea Gibson died in their home (in Boulder, Colorado) surrounded by their wife, Meg, four ex-girlfriends, their mother and father, dozens of friends, and their three beloved dogs,' Monday's announcement reads in part. The film — exploring the couple's enduring love as Gibson battles cancer — is directed by Ryan White and includes an original song written by Gibson, Sara Bareilles and Brandi Carlile. During a screening at Sundance in January that left much of the audience in tears, Gibson said they didn't expect to live long enough to see the documentary. Tributes poured in Monday from friends, fans and fellow poets who said Gibson's words had changed their lives — and, in some cases, saved them. Many LGBTQ+ fans said Gibson's poetry helped them learn to love themselves. People with cancer and other terminal illnesses said Gibson made them less afraid of death by reminding them that we never really leave the ones we love. In a poem Gibson wrote shortly before they died, titled 'Love Letter from the Afterlife,' they wrote: 'Dying is the opposite of leaving. When I left my body, I did not go away. That portal of light was not a portal to elsewhere, but a portal to here. I am more here than I ever was before.' Linda Williams Stay was 'awestruck' when her son, Aiden, took her to hear Gibson perform at a bar in San Francisco a decade ago. Their poetry was electrifying, lighting up the room with laughter, tears and love. Gibson's poetry became a shared interest for the mother and son, and eventually helped Stay better understand her son when he came out as transgender. 'My son this morning, when he called, we just sobbed together,' Stay said. 'He says, 'Mom, Andrea saved my life.'' 'I know,' she responded. Gibson's poetry later helped Stay cope with a cancer diagnosis of her own, which brought her son back home to St. George, Utah, to help take care of her. They were delighted when Gibson accepted their invitation to perform at an event celebrating the LGBTQ+ community in southern Utah. 'It was truly life-changing for our community down there, and even for our allies,' Stay said. 'I hope that they got a glimpse of the magnitude of their impact for queer kids in small communities that they gave so much hope to.' Gibson was born in Maine and moved to Colorado in the late 1990s, where they had served the past two years as the state's poet laureate. Their books included 'You Better Be Lightning,' 'Take Me With You' and 'Lord of the Butterflies.' Colorado Gov. Jared Polis said Monday that Gibson was 'truly one of a kind' and had 'a unique ability to connect with the vast and diverse poetry lovers of Colorado.' In a 2017 essay published in Out magazine, Gibson remembered coming out at age 20 while studying creative writing at Saint Joseph's College of Maine, a Catholic school. Identifying as genderqueer, Gibson wrote that they didn't feel like a boy or a girl and cited a line of their poetry: 'I am happiest on the road/ When I'm not here or there — but in-between.' Comedian Tig Notaro, an executive producer on the documentary and Gibson's friend of 25 years, shared on Instagram how the two came up together as performers in Colorado. Hearing Gibson perform for the first time was like witnessing the 'pure essence of an old-school genuine rock star,' and their words have guided Notaro through life ever since, she said. 'The final past few days of Andrea's life were so painful to witness, but simultaneously one of the most beautiful experiences of all of our lives,' Notaro said. 'Surrounded by real human connection unfolding in the most unlikely ways during one of the most devastating losses has given me a gift that I will never be able to put into meaningful words.' Gibson's illness inspired many poems about mortality, depression, life and what happens next. In the 2021 poem 'How the Worst Day of My Life Became My Best,' Gibson declared 'When I realized the storm/was inevitable, I made it/my medicine.' Two years later, they wondered: 'Will the afterlife be harder if I remember/the people I love, or forget them?' 'Either way, please let me remember.'
Yahoo
43 minutes ago
- Yahoo
‘South Park' Creators Threaten Legal Action Over Interference on Streaming Deal (Exclusive)
As Paramount's lucrative licensing deal for South Park expires, allowing the show to be shopped, a new legal battle is brewing. Jeff Shell, the RedBird Capital executive who will be the incoming president of new Paramount if the merger with Skydance is completed, has been accused by an attorney for South Park creators Trey Parker and Matt Stone of interfering in contract negotiations with potential suitors. More from The Hollywood Reporter 'South Park' Season 27 Finally Sets a Premiere Date Kendrick Lamar Comedy From 'South Park' Creators Moves Back to March 2026 Release 'South Park' Streaming Rights Standoff: Warner Bros. Discovery Wins Ruling Clearing Way for Trial In a June 21 letter obtained by The Hollywood Reporter, Park County, the entertainment company run by Parker and Stone, threatened legal action for directing Netflix and Warner Bros. Discovery to modify certain terms of their offers in a 'manner calculated to benefit Paramount at the expense' of the company. It pointed to Shell urging WBD to give Paramount+ an exclusive 12-month window for new episodes of the show and to shorten the term of the deal from 10 to five years, which could worsen the studio's bid for the series. 'We hereby demand that you, Redbird, and Skydance immediately cease your interference,' the letter states. 'If these activities continue, we will have no choice but to act to both protect our rights and discharge any obligations we may have to the public.' In a statement, a spokesperson for the David Ellison-led firm said, 'Under the terms of the transaction agreement, Skydance has the right to approve material contracts.' At the heart of the dispute: a joint venture Parker and Stone operate with Paramount called South Park Digital Studios, which owns the streaming rights to the hit animated series. There are two years remaining on Paramount's $900 million overall deal, with the company in talks to extend the agreement and bring the show to Paramount+. The ownership structure, which lends itself to conflicts of interest, complicates licensing negotiations for the show. Also at play is pending approval for Skydance's deal to acquire Paramount. Under federal antitrust laws, the David Ellison-led firm is barred from taking control and issuing directives until the merger's official closure. 'You did this behind Park County's back,' writes Afshin Beyzaee, general counsel for the firm, to Shell. 'That self-dealing would have been absolutely restricted if it were done by Paramount itself. So, it is simply outrageous that even before it has been granted the authority to close the merger with Paramount, Redbird and Skydance are jumping the gun and using confidential information of SPDS to purport to make demands on behalf of SPDS that even Paramount has no right to make.' South Park Digital Studios is governed by a five-member board of managers, which includes Paramount affiliate Comedy Partners, though it has limited rights to act on behalf of the joint venture. Against this backdrop, Park County says that Shell 'had no right or authority to be demanding that SPDS's prospective counterparties make modifications to their proposals, especially modifications that would depress the value of their proposals.' The deal can be traced back to 2007, when Stone and Parker cut a lucrative new agreement with Comedy Central owner Viacom. Streaming video existed back then, but the market was vastly different: Netflix began streaming videos in January of that year, and Viacom was suing YouTube over copyright infringement. When it came to how consumers watched episodes outside of linear TV, DVDs were the dominant economic force. The deal struck by Park County and Viacom gave Stone and Parker's company 50 percent of digital revenue in perpetuity, split with the company. As streaming video proliferated and became a trillion-dollar business, the value of that deal has only multiplied. HBO Max's 2019 deal for South Park reruns, for example, was worth $550 million, with half going directly to Park County. With South Park's massive library of more than 300 episodes, and more being released every year, future deals will keep the cash flowing for years to come, despite what seems like efforts to try and get the genie back in the bottle. June 23, 12:24 p.m. Updated to include Skydance statement. Best of The Hollywood Reporter How the Warner Brothers Got Their Film Business Started Meet the World Builders: Hollywood's Top Physical Production Executives of 2023 Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire